Grand Palace

The Phra Maha Montein Group as seen from the west. From left to right: Amarin Winitchai Throne Hall, Phaisan Thaksin Hall, Chakkraphat Phiman Residence.

The Phra Maha Monthien (พระมหามณเฑียร) group of buildings are located roughly at the centre of the Middle Court, therefore at the very heart of the Grand Palace itself. The traditional Thai style building group is enclosed by a low wall, as this was once the residential and sleeping abode of kings.[28] Thus it is considered the most important set of throne halls in the entire Grand Palace. All of the buildings within the Maha Monthien face north and are arranged from front to back with the public reception hall being at the front, ceremonial halls in the middle and residential halls at the back, all of them inter-connected to each other.[8][29]

All Royal coronations since that of King Rama II have taken place within the walls of this building group.[28] Construction began in 1785 at the order of King Rama I, the original buildings only included the Chakraphat Phimarn Throne Hall and the Phaisan Thaksin Throne Hall. Later King Rama II carried out major constructions including the Amarin Winitchai Throne Hall and other extensions. Later in his reign he added the Sanam Chan Pavilion and the Narai Chinese Pavilion. King Nangklao (Rama III) renamed the buildings from Chakraphat Phiman (meaning 'Abode of the Chakravartin') to Maha Monthien (meaning 'Great Royal Residence'). He carried out major renovations and spent most of his reign residing in these buildings. King Rama IV later added two arch-ways at the north and west side of the walls called the Thevaphibal and Thevetraksa Gate respectively. King Vajiravudh (Rama VI) added two portico extensions to eastern and western sides of the Amarin Winitchai Hall.[30] Since then most buildings in its original plan remain, with occasional renovations being made before important anniversaries such as the Bangkok Bicentennial Celebrations in 1982. Except for the Amarin Winitchai Throne Hall, the rest of the complex is closed to the public.[8][29]

The Thevaphibal Gate is the central entrance to the hall, however the central doorway is reserve exclusively for use by the king, others must enter through the two other doors on either side. The gate is guarded by Chinese-style statues, including mythical warriors and lions. The gate is topped by three Thai-style spires covered in Chinese ceramics.[28][31]

The exterior of the Phra Thinang Amarin Winitchai

The Bussabok Mala Maha Chakraphat Phiman and the Phuttan Kanchanasinghat thrones. The latter is topped the Royal Nine-Tiered Umbrella.

The Phra Thinang Amarin Winitchai Mahaisuraya Phiman (พระที่นั่งอมรินทรวินิจฉัยมไหสูรยพิมาน) or, in brief, the Phra Thinang Amarin Winitchai (พระที่นั่งอมรินทรวินิจฉัย) is the northernmost and forward building of the Maha Monthien buildings, It is also perhaps the most important. The throne hall was constructed in Thai style as a royal audience chamber, for receiving foreign ambassadors and for conducting important state businesses and ceremonies.[32][33]

The large throne hall stands on a 50 cm high base, the roof is covered in green and orange tiles. The pediment is decorated with a mural depicting the god Indra. The main central door is reserved for use by royalty, while others must enter through the adjacent side doors. Within the hall there are two rows of square columns, five on the left and six on the right, adorned with Thai floral designs. The coffered ceiling is decorated with glass mosaic stars.[32][33]

At the back of the hall is the Bussabok Mala Maha Chakraphat Phiman Throne (พระที่นั่งบุษบกมาลามหาจักรพรรดิพิมาน; RTGS: Butsabok Mala Maha Chakkraphat Phiman), flanked by two gilded seven tiered umbrellas. The throne is shaped like a boat with a spired pavilion (busabok) in the middle. This elevated pavilion represents Mount Meru, the centre of Buddhist and Hindu cosmology.[32] The throne is decorated with coloured enamels and stones as well as deva and garuda figures. The throne was once used for giving royal audiences.[33][34]

In the front of throne sits another, called the Phuttan Kanchanasinghat Throne (พระที่นั่งพุดตานกาญจนสิงหาสน์). The throne is topped by the massive Royal Nine-Tiered Umbrella, an important symbol of Thai kingship. The different tiers represents the king's power and prestige which extends in eight directions: the four cardinal directions and the four sub cardinal directions. The final and ninth tier represents the central direction descending into the earth. These giant umbrellas usually deposited above important royal thrones, and out of the seven of which are currently in Bangkok, six of these umbrellas are situated within the vicinity of the Grand Palace and another is situated above the throne within the Ananta Samakhom Throne Hall of the Dusit Palace. The throne is made up of multi-layered squared platforms with a seat in the middle. The throne is used for the first royal audience of each king's reign and for annual birthday celebrations and other royal receptions. It was from this throne that King Rama II received John Crawfurd (the first British Envoy to Siam in almost 200 years) in 1821. Crawfurd was sent to Bangkok by the Governor-General of India Lord Hastings to negotiate a trade treaty.[31][33]

Coronation of King Prajadhipok (Rama VII) inside the Phaisan Thaksin Hall on 25 February 1926. The king sits on the Atthit Utumbhorn Raja Aarn Throne, also called the Octagonal Throne.

Directly behind is the Phra Thinang Phaisan Thaksin (พระที่นั่งไพศาลทักษิณ). The rectangular-shaped hall is a ceremonial functions hall, where the most important religious and state ceremonies are held. It is the main venue where royal coronations are performed at the beginning of each king's reign, the last coronation ceremony held here was on 4 May 2019 for King Rama X. Formerly the hall was a private reception hall and living space of King Rama I. He often hosted meetings and dinners for his closest ministers and other trusted courtiers here. After his death the hall was converted into a ceremonial space. The long rectangular hall is decorated in rich murals depicting scenes from Buddhist and Hindu mythology.[35][36]

The hall houses two thrones. The Atthit Utumbhorn Raja Aarn Throne (พระที่นั่งอัฐทิศอุทุมพรราชอาสน์; RTGS: Attathit U-thumphon Ratcha At) or the Octagonal Throne is situated to the eastern part of the hall. This unusually shaped wooden throne is in the form of an octagonal prism and is decorated with golden lacquer, topped by a white seven-tiered umbrella. It is used during the first part of the Coronation ceremony, where the king is anointed with holy water, just prior to the crowning ceremony; all Chakri kings have gone through this ancient ritual. Once the king is anointed he is able to sit under the Royal Nine-Tiered Umbrella as a fully sovereign king.[36][37]

Across the hall to the western side is the Phatharabit Throne (พระที่นั่งภัทรบิฐ; RTGS: Phatthrabit). The throne is a chair with a footstool (more akin to its European counterparts) with two high tables to its sides. The throne is topped by another Royal Nine-tiered Umbrella. This throne is used during the main part of the coronation ceremony, where the King is presented with the various objects, which make up the Royal Regalia. The king will crown himself, then be ceremonially presented with the objects of the regalia by the Royal Brahmins. These include: the Great Crown of Victory, the Sword of Victory, the Royal Staff, the Royal Flywhisk, the Royal Fan and the Royal Slippers.[36][38]

Apart from being the setting of these important ceremonies, the hall houses the Phra Siam Devadhiraj figure. This figure was created during the reign of King Rama IV to symbolise and embody the Kingdom (of Siam), its well-being and safety. It exists as the personification of the nation to be used as a palladium for worship. The golden figure depicts a standing deity, dressed in royal regalia, wearing a crown and holding a sword in its right hand. The figure is about 8 inches tall, and is housed in a Chinese-style cabinet in the middle of the Phaisan Thaksin Hall facing south. There are also other figures of the same scale depicting other Hindu gods and goddesses. The figure was once worshipped almost daily; today however religious ceremonies are only held to worship the figure during times of great crisis.[35][36]

Canopy bed of King Rama I at the east section, north room of the Chakraphat Phiman Hall. Every king is required to sleep at least a few nights here.

The Phra Thinang Chakraphat Phiman (พระที่นั่งจักรพรรดิพิมาน; RTGS: Phra Thi Nang Chakkraphat Phiman) is situated behind the Phaisan Thaksin Throne Hall and is at the very centre of the Maha Monthien buildings. The hall was built during the reign of King Rama I as the primary apartment and sleeping quarter of the monarch, and is the inner most part of the Grand Palace.[35] The residential hall was formed out of three identical rectangular buildings, all inter-connected to each other. The middle section of the residential hall (out of the three), is a reception room while the other two sections, to the east and west, are divided into the personal apartments of the king. The east section is the primary bedchamber of the monarch; the hall is divided into two rooms by a golden screen. The northern room contains a canopied bed originally belonging to King Rama I; above this bed hangs a Royal Nine-tiered Umbrella. The southern room contains the dressing and privy chamber, above which hangs another Nine-tiered Umbrella. The west section was used as a multi-purpose hall for minor ceremonies and audiences; however in the reign of King Rama III the hall was converted into a bedroom. After his death it became the storage place for the various weapons and accoutrements of the monarch. The Royal Regalia of Thailand is kept here.[35][39]

When the Chakraphat Phiman Hall was first built it was entirely roofed with palm leaves; later these were replaced with ceramic tiles, then with glazed tiles during the reign of King Rama V. There is a tradition that no uncrowned kings are allowed to sleep within this hall. However once they were crowned they were required to sleep there, if only for a few nights, literally on the bed of their forefathers.[35][40] In 1910, prior to his coronation, King Rama VI had a well-concealed modern toilet installed near the bedchamber.[41] The king spent many nights here near the end of his life and died here in 1925. King Prajadhipok (Rama VII) and King Rama IX only spent a few nights here after their respective coronations in accordance with tradition.[35]

Between the Chakraphat Phiman and Phaisan Thaksin Halls is a small Front Reception Hall, where the king could receive courtiers while sitting on a small platform. There are two doors on either side of the platform leading into the royal apartments behind. To the rear and south of the Chakraphat Phiman Hall is the Back Reception Hall. This rear hall is flanked by two residential halls. These are reserved for members of the Royal Family and royal consorts from the Inner Court. They are called: Thepsathan Philat Hall (พระที่นั่งเทพสถานพิลาศ) (to the east) and the Thepassana Philai Hall (พระที่นั่งเทพอาสน์พิไล; RTGS: Theppha At Phailai) (to the west).[35][42]

A royal white elephant at the mounting platform outside the Phra Thinang Dusidaphirom in the reign of King Rama V.

Apart from these grand state buildings, there are also several minor structures and pavilions surrounding the Phra Maha Monthien structures. These include four smaller halls at the sides of the Amarin Winitchai Throne hall.[43][44]

Aside the wall to the northwest is the Phra Thinang Dusidaphirom (พระที่นั่งดุสิตาภิรมย์; RTGS: Phra Thi Nang Dusitaphirom). Built on a raised platform, the one-story hall was used as a robing chamber for the king when arriving and departing the palace either by palanquin or by elephant.[45] Hence the elephant-mounting platform to the west and a palanquin-mounting platform to the north. At first the structure was an open pavilion; the walls covered with rich murals were added later by King Rama III. The entrance is situated to the east and is lined with steps leading from the Amarin Winitchai Throne Hall. The hall is the only structure within the Grand Palace with exterior decorations. The golden lacquer and blue glass mosaic depicts angels carrying a sword.[43][46]

Phra Thinang Racharuedee

To the southeast is the Phra Thinang Racharuedee (พระที่นั่งราชฤดี; RTGS: Phra Thi Nang Ratcha Ruedi), a Thai-style pavilion constructed during the reign of King Rama VI as an outdoor audience chamber.[47] The pavilion was constructed for use especially during the birthday celebrations of the king. Originally King Rama IV had a two-story, European-style building constructed. Its purpose was to display gifts from foreign nations; however when this building became dilapidated King Rama V replaced it with a Chinese-style pavilion which was again dismantled and rebuilt. The present pavilion measures 12 by 7.80 metres (39.4 ft × 25.6 ft). The pediments are decorated with a gilded figures of Narayana on a garuda against a white mosaic background.[48][49]

Phra Thinang Sanam Chan

The southwest structure is the Phra Thinang Sanam Chan (พระที่นั่งสนามจันทร์). Built during the reign of King Rama II, the pavilion is a traditional Thai pavilion with a raised platform inside.[50] King Rama II used the pavilion for relaxation and for sitting when supervising construction projects. Measuring only 3.30 by 4.50 metres (10.8 ft × 14.8 ft), the pavilion was portable and could be moved to different sites. The wooden pediments are decorated with gilded carvings and glass mosaic in a floral design with Chinese and Western influences. The eight columns are inlaid with glass mosaic. The inner platform is decorated with black lacquer and glass mosaic. The top of the platform is made out of a single panel of teak measuring 1.50 by 2 metres (4.9 ft × 6.6 ft). The pavilion was strengthened and given a marble base by King Rama IX in 1963.[43][51]

To the northeast is the Ho Sastrakhom (หอศาสตราคม; RTGS: Ho Sattrakhom) or the Ho Phra Parit (หอพระปริตร), The hall is the same size as the Dusidaphirom Hall and the two appear to have been constructed concurrently. In accordance with ancient tradition, the hall was built for the use of Mon monks to create Holy water, which was then sprinkled around the palace ground every evening; this practice was discontinued during the reign of King Rama VII for financial reasons. Currently the ritual is only practiced during Buddhist holy days by Mon monks from Wat Chana Songkhram. The hall is divided into two rooms; the northern room is a prayer and ritual room for monks, including closets built into the walls for religious texts. The southern room is a storage room for Buddha images and religious artifacts.[52][53]

During times of war, the potency of weapons was enhanced by the holy water in a special ceremony. The weapons and special amulets were then distributed to soldiers before battle. As a result of this function the windows and doors of the hall are decorated with depictions of ancient weapons.[48][52]

Ho Suralai Phiman, to the east of the Phaisan Thaksin Throne Hall

Ho Phra That Monthien, on the west side of the Phaisan Thaksin Throne Hall

On each side of the Phaisan Thaksin Throne Hall is a Buddha image hall. On the east side is the Ho Suralai Phiman (หอพระสุราลัยพิมาน; RTGS: Ho Phra Suralai Phiman), which then connects to the Dusitsasada Gate. The Ho Suralai Phiman is a small Thai-style building which is attached to the Phaisan Thaksin Throne Hall through a short corridor. The hall houses important and valuable Buddha images and figures, including one representing each and every reign of the Chakri dynasty. Some relics of the Buddha are also reportedly kept here.[35][54]

The Ho Phra That Monthien (หอพระธาตุมณเฑียร) is located to the west side of the Phaisan Thaksin Hall and is also connected by a corridor in symmetry to the Suralai Phiman on the other side. The Phra That Montein hall contains several small gilded pagodas containing the ashes of Royal ancestors. Originally named Ho Phra Chao, the name was changed by King Rama II, who installed several valuable and ancient Buddha images in 1812. King Rama III and King Rama IV also have their own Buddha images installed here and carried out extensive renovations to the interior and exterior.[35][55]

Phra Thinang Chakri Maha Prasat is a blend of Thai traditional architecture and a combination of 19th-century European styles.

The Phra Thinang Chakri Maha Prasat buildings are composed of nine major and minor halls, structured in a similar scheme to the Maha Monthien Halls from north to south, however the two building groups contrasts greatly in styles. This group of palaces is situated at the centre, between the Maha Montein and Maha Prasat groups.[56] The whole of the Chakri Maha Prasat group was the work of King Rama V and foreign architects in the 19th century. During the reign of King Rama I the area was once an expansive garden, later named Suan Sai (สวนซ้าย) or 'Left Garden', the twin of Suan Khwa (สวนขวา) or right garden, now the Siwalai Gardens. The two gardens were named according to their location on the left and the right of the Maha Monthien buildings. During the reign of King Rama III a new residential pavilion called Phra Tamnak Tuek (พระตำหนักตึก) was constructed for his mother, Princess Mother Sri Sulalai. The new residence was composed of several low-lying buildings and pavilions. King Rama IV expanded the residence and gave it to his consort Queen Debsirindra. Within these buildings King Rama V was born (in 1853) and lived as a child.[57][58]

When King Rama V ascended the throne in 1868, he decided to build a new group of grander throne halls to replace the old structures. The first phase of construction began in 1868, then again in 1876, and the final phase between 1882 and 1887. King Rama V resided in the palace until 1910 when he gradually moved to the new Dusit Palace, to the north of the Grand Palace.[57] King Rama VI occasionally stayed in the palace; however he preferred his other residences in the country. By the reign of King Rama VII the buildings were in dire need of renovations, but due to economic constraints only the Chakri Maha Prasat Throne Hall was renovated. This work was carried out by Prince Itthithepsan Kritakara, an architectural graduate of the École des Beaux-Arts in Paris. Many of his works can still be seen today. During the reign of King Rama IX many of the buildings once more became so dilapidated that they needed to be demolished altogether. In their stead new halls were constructed in 2004 to replace them.[59][60]

Formerly the site hosted eleven different residential halls and pavilions; in 2012 only three are left, although they have been completely reconstructed: The Chakri Maha Prasat Throne Hall, the Moon Satharn Borom Ard Hall and the Sommuthi Thevaraj Uppabat Hall. Behind these structures lie the grand Borom Ratchasathit Mahoran Hall, which has been recently rebuilt. None of the rooms are open to the public, as state functions are still carried out within. The changing of the guards occurs at the front courtyard every two hours.[59]

The central prasat of the Chakri Maha Prasat

The Phra Thinang Chakri Maha Prasat (พระที่นั่งจักรีมหาปราสาท; RTGS: Phra Thi Nang Chakkri Maha Prasat) is situated on the northernmost part of the Phra Thinang Chakri group. The throne hall forms the front or the façade of the entire building group. In front of the throne hall is the Rathakit Field; on either side of the throne hall are the Phrom Sopha Gates. The throne hall is constructed in an eclectic style, a blend of Thai and European (more specifically Renaissance or Italianate) styles. The lower part of the structure is European, while the upper part is in Thai-styled green and orange tiled roofs and gilded spires or prasats.[61][62]

After a trip to Singapore and Java, in the East Indies (present day Indonesia) in 1875, King Rama V brought back with him two Englishmen, the architect John Clunich and his helper Henry C. Rose to design and construct the Chakri Maha Prasat Throne Hall.[56][63] Construction began on 7 May 1876. At first the King wanted an entirely European structure with domes. However at the insistence of Chao Phraya Si Suriyawongse (Chuang Bunnag), his Chief Minister, the King decided to add the gilded spires and Thai roofs. In 1878 the King personally supervised the raising of the final central spire of the building. The throne hall was completed in 1882, on the centenary of the House of Chakri and the Grand Palace. Thus the new throne hall was given the name Phra Thinang Chakri, meaning literally 'the seat of the Chakris'.[62][64]

The throne was constructed as part of a building group in a rotated 'H' shape plan, with two parallel buildings running on an east to west axis. In between is an intersecting hall, with an axis running north to south. The northerly end of the structure is the Chakri Maha Prasat Throne Hall; all other buildings are hidden behind it. The throne hall consists of three stories, with three seven tiered prasats on each of the three major pavilions along the axis. The central pavilion with its portico and roof extensions is taller and larger than the other two on the sides.[62] Owing to a mix of Thai and European styles, the exterior decoration is a mixture of orders and does not follow strict classical lines. The Thai roofs are decorated with the same green and orange titles as the other throne halls, in order for the new building to blend in harmoniously to the existing skyline. The external pediments and gates of the throne hall are decorated with the emblem of the Chakri dynasty, an intertwined Chakra and Trishula. Above the middle floor windows the western style coat of arms of Siam is used. On the semi-circle pediment at the central hall there is also a portrait of King Rama V.[65][66]

The incongruous make-up between the Western lower half and Thai roof has been compared with a Farang (Western) lady clothed in Victorian costume while wearing a Thai crown. The symbolism of this juxtaposition is the emphasis of the superiority of Thai architecture (as a crown upon the head) over those of the West (the lower half of the body).[67] This stylistic innovation was more than an artistic coincidence, as it was supposed to convey a significant political message of Siamese resistance over Western imperialism, both of sovereignty and style. From another perspective, the building itself epitomizes the internal political struggle between the ideas of Westernization and modernity (led by King Rama V) against those of the traditional ruling elites (as led by some of his early ministers).[63][68]

The Chakri Maha Prasat in 1890, soon after its construction.

Within the interior, the upper and middle floors are State floors; they are in turn divided into several reception rooms, throne rooms and galleries complete with royal portraits of every Chakri Monarchs (including Second King Pinklao) and their consorts. More specifically, to the east gallery are Buddhist Images and other religious images, while to the west are reception rooms for State guests and other foreign dignitaries. In other parts of the throne hall there are also libraries and rooms where the ashes of Kings (Rama IV to Rama VIII) and their Queens are housed.[61] Many of the European-made chandeliers inside the Hall initially belonged to Chao Phraya Si Suriyawongse; however they proved too big for his own residence and he eventually gave them to King Chulalongkron as gifts. The throne hall was also the first structure in Thailand in which electricity was installed, at the insistence of Prince Devavongse Varopakar. The lower floor or ground floor is reserved for servants and the Royal Guards. Currently there is a museum displaying old weapons.[69][70]

Inside the main hall (throne room), situated at the very centre of the Chakri Maha Prasat Hall, is the Bhudthan Thom Throne (พระที่นั่งพุดตานถม; RTGS: Phuttan Thom), a chair on a raised platform. The Throne is flanked by two seven-tiered umbrellas, while the throne itself is topped by a Royal Nine-Tiered Umbrella. Behind the throne is a tapestry depicting a fiery intertwined chakra and trishula or the 'Chakri', the emblem of the dynasty. The throne has been used by the king during important state occasions, such as the welcoming or accrediting of foreign diplomats and missions. The room itself has also been used by King Rama IX to welcome foreign dignitaries and heads of state, such as Queen Elizabeth II, President Bill Clinton and Pope John Paul II.[71] Recently the King welcomed over 21 world leaders inside the room during the Asia-Pacific Economic Cooperation (APEC Summit) held in Bangkok in 2003.[69] The wall of the throne room is decorated with four paintings, depicting important scenes in the history of Thai foreign relations. On the east wall hang two paintings called 'Queen Victoria receiving King Mongkut's Ambassador' and 'King Louis XIV receiving the Ambassador of King Narai of Ayutthaya in the Hall of Mirrors at Versailles'. On the west hangs 'King Mongkut receiving British Envoy Sir John Bowring' and 'Napoleon III receiving the Siamese Ambassadors at Fontainbleau'.[72][73]

A soldier of the King's Guards stands at the entrance of the Phra Thinang Chakri Maha Prasat.

The Phra Thinang Moon Satharn Borom Ard (พระที่นั่งมูลสถานบรมอาสน์; RTGS: Phra Thi Nang Mun Sathan Boromma At) is situated behind the Chakri Maha Prasat Hall to the east side and was built as a separate wing in 1869.[56] The hall encompasses the original area where King Rama V was born and had lived as a child. Previously King Rama I had the area set aside as a small mango tree garden. Currently the hall is set out as a small banqueting and reception venue.[57][74]

The Phra Thinang Sommuthi Thevaraj Uppabat (พระที่นั่งสมมติเทวราชอุปบัติ; RTGS: Phra Thi Nang Sommotti Thewarat Upabat) is situated on the opposite side of the Moon Santharn Borom Ard Hall to the west of the Chakri Maha Prasat Hall, the wing was also built in 1868.[56] The hall is divided into several state rooms, for used by the king, there is a reception room and a council room. It was in this hall on 12 July 1874 that King Rama V stated to his ministers his intention to abolish slavery in Siam.[57][75]

The Phra Thinang Borom Ratchasathit Mahoran (พระที่นั่งบรมราชสถิตยมโหฬาร; RTGS: Phra Thi Nang Boromma Ratcha Sathit Maholan), is a large banquet hall at the very back of the Chakri Maha Prasat group. Formerly the Damrong Sawad Ananwong Hall and the Niphatpong Thawornwichit Hall. The two halls were also built by King Rama V as a banqueting hall to host foreign guests and dignitaries. By the reign of King Rama IX, the building was so run down that the king ordered it to be demolished.[57] Construction of a new hall began in 1996, but was interrupted by the 1997 Asian financial crisis. Construction was eventually resumed on 1 April 2004. The new throne hall was built on a raised platform and is composed of several inter-connected buildings forming two internal courtyards. These rooms function as a new banqueting hall and is use for important state functions. On 13 June 2006, the hall welcomed the royal representatives of 25 monarchies worldwide for the celebration of King Rama IX's 60th Anniversary on the Throne. This included 12 ruling monarchs, 8 royal consorts and 7 crown princes.[76]

Phra Maha Prasat group

Detail of one of the gates to the Maha Prasat group.

The Phra Maha Prasat (พระมหาปราสาท) group is situated on the westernmost part of the Middle Court.[77] The main buildings within this area dates from the reign of King Rama I and contains some of the oldest existing edifice within the Grand Palace. The entire throne hall group is contained within a walled and paved courtyard. Similarly to the other two groups, the Maha Prasat buildings were built, embellished and refurbished over successive reigns. The building formed a single axis from north to south, with the public throne hall to the front and residential halls behind. Surrounding them are lesser functional halls and pavilion for used by the king and his court.[78][79]

Initially after the construction of the Grand Palace, King Rama I ordered that on this location a copy of the Phra Thinang Sanphet Maha Prasat (พระที่นั่งสรรเพชญมหาปราสาท) should be built. The ancient throne hall was once located at the old palace in Ayutthaya, which had been destroyed 15 years earlier.[10][11] This new throne hall was given the name Phra Thinang Amarinthara Pisek Maha Prasat (พระที่นั่งอมรินทราภิเษกมหาปราสาท; RTGS: Phra Thi Nang Amarinthraphisek Maha Prasat). Construction began in 1782 and was finished in 1784. This was the hall where King Rama I celebrated his full coronation ceremony. However, in 1789 the hall was struck by lightning and burnt to the ground. In its place King Rama I ordered the construction of a new hall under a different design and name.[78][80]

As a result of this disaster King Rama I predicted that the Chakri dynasty would last only 150 years from its foundation.[81] This prophecy was recorded in a diary of a princess of the first reign, after reading it many years later, King Rama V remarked that 150 years was too short and that the princess must have inadvertently dropped a nought. This prophecy was again present in the minds of many people, when only three months after the dynasty's 150th anniversary celebrations the Siamese revolution of 1932 was carried out. The revolution replaced the absolute monarchy of the Chakri monarchs with a constitutional monarchy with Siam's first constitution.[82]

The ceremonial and residential part was divided between two new halls, the Dusit Maha Prasat and the Phiman Rattaya. Ever since then no coronations were held inside the hall. Upon the king's death, the hall was used for his official lying-in-state. It has since become a custom that the remains of kings, queens and other high-ranking members of the royal family are to be placed with the hall for an official mourning period.[78][80][83]

The entrance to this building group is through one of the three gates at the northern end of the wall. These gates are decorated with Chinese porcelain in floral patterns. Only the Dusit Maha Prasat Throne Hall is open to the public.[84]

Phra Thinang Dusit Maha Prasat

The Phra Thinang Dusit Maha Prasat (พระที่นั่งดุสิตมหาปราสาท) dominates the Maha Prasat group. The throne hall was built on a symmetrical cruciform plan, the roof is topped with a tall gilded spire. The hall is considered an ideal archetype of Thai traditional architecture. Every aspect of the exterior decoration of the throne hall is imbued with symbolism. The hall is built in the shape of a tall mountain to represent Mount Meru, the mythological centre of the universe.[77][84]

The spire can be divided into three sections. The lower section, which is the base, is formed of seven superimposed layers, each layer representing a level of heaven in accordance with the Traiphum Buddhist cosmology. The middle section is in the shape of a bell; however the roundness has been flattened to create a four sided shape. This represents the stupa in which the Buddha's ashes have been interred. The top section is similar to the top of chedis, depicting a tapered lotus bud or the crystal dew drop signifying the escape from the Saṃsāra or cycle of rebirths. The spire is supported by garudas on its four sides; as well as being the symbol of kingship, the garuda represents the mythical creatures of the Himavanta forest surrounding Mount Meru.[80][84]

The pediments are decorated with the figure of Narayana riding on the back of a garuda, this figure symbolizes kingship and the king's association with the Hindu deity. According to legend Narayana descended from heaven in human form to help mankind by alleviating them from suffering. Thus the deity represents all the ideal qualities in a king. The throne hall stands on a high base with convex and concave moldings. The bottom layer, according to Thai beliefs resembles a lion's foot, the lion is a symbol of the Buddha's family and alludes to the Buddha's own royal heritage.[77][85]

The funerary urn of Queen Saovabha Phongsri in 1919. High-ranking members of the royal family usually lay in state for a hundred days within the Dusit Maha Prasat Throne Hall.

The most unusual feature of the throne hall is the small porch, projecting out at the front of the building. Under this porch stands the Busabok Mala Throne (พระที่นั่งบุษบกมาลา), whose spire echoes that of the larger building itself. The high base of the throne is surrounded by praying deities. During the reign of King Rama I, the throne was used when the king appeared before his vassal states; later it was used for certain ceremonies. The two doors to the hall is situated at the sides of the throne.[77][85]

The interior walls of the throne hall are painted with a lotus bud design arranged in a geometric pattern. Within the lotus buds are seated praying deities, a common Thai motif often associated with holy places. The ceiling, which has a coffered octagonal shape section directly below the spire, is decorated with glass mosaic stars. This reinforces the impression of being in a heavenly abode. The interior panel of the door and window shutters depicted standing deities facing each other holding weapons as guards for the king. The thickness of the walls allow further spaces between the shutters and the wall to be decorated, these are decorated with murals depicting trees in Chinese style.[77][86]

The two arms of the cruciform plan contains different thrones for use in different royal functions; these included the Mother-of-Pearl Throne (พระแท่นราชบัลลังก์ประดับมุก) which stands almost at the centre of the hall between the intersecting points of the four arms. The square-shaped throne is entirely inlaid with mother-of-pearl, dating from the reign of King Rama I. It was saved from the Amarinthara Pisek Maha Prasat, when the throne hall burnt down in 1789.[11][77] The throne is topped by the Royal Nine-tiered Umbrella.[86][87]

To the eastern transept is the Mother-of-Pearl Bed (พระแท่นบรรทมประดับมุก) which was made to match the Mother-of-Pearl Throne. The bed was once the king's personal bed and was kept inside the Phra Thinang Phiman Rattaya; however once it was no longer used it was transferred to the Dusit Maha Prasat Throne Hall. The bed is in the form of a high platform with many layers, and small steps leading to the top. When royal ceremonies are carried out within the throne hall, member of the royal family take their seat in the southern transept, while government officials sit to the north, Buddhist monks to the east; the funeral urn is to the west. During such times the throne and bed were used as altars for Buddha images.[86]

Behind the Mother-of-Pearl Throne is the Phra Banchon Busabok Mala Throne (พระบัญชรบุษบกมาลา; RTGS: Phra Banchon Butsabok Mala). This half throne protrudes from the southern wall of the throne hall and opens like a window into the hall. The style of the throne is similar to Busabok Mala Throne on the porch outside. The throne was built during the reign of King Rama IV, in order for the palace women to attend important ceremonies through the window but behind a screen, separating them from men arriving from the outside.[88]

A royal procession at the Phra Thinang Aphorn Phimok Prasat, with King Mongkut (Rama IV) and Prince Chulalongkorn

The Phra Thinang Phiman Rattaya (พระที่นั่งพิมานรัตยา) is located directly behind the Dusit Maha Prasat Throne Hall. The Phiman Rattaya Throne Hall is a residential palace and was built for King Rama I as the main royal apartment. Over time the residential use of the palace declined and was eventually ended. Now the hall is only used as a ceremonial venue. The throne hall was built in the traditional Thai-style of a rectangular shape. The east, west and south sides of the hall are surrounded by a colonnade of columns on the outside. Surrounding the hall are two gardens. During the reign of King Rama VI it was used as a meeting hall for members of the royal family and other familial functions. The hall also provided a venue for the investiture ceremonies where individuals are awarded with State orders and decorations by a member of the royal family. Now the hall is only used, in conjunction with the Dusit Maha Prasat, as the main venue for state funerals.[84][89]

Phra Thinang Aphorn Phimok Prasat

The Phra Thinang Aphorn Phimok Prasat (พระที่นั่งอาภรณ์ภิโมกข์ปราสาท; RTGS: Phra Thi Nang Aphon Phimok Prasat) is an open pavilion, built on a platform on the east wall of the Maha Prasat group. The pavilion was built by King Rama IV as a robing pavilion for the king to change his regalia when entering the Maha Prasat premises. The pavilion was also used as the king's royal palanquin mounting platform. The pavilion is considered the epitome of the finest qualities of Thai traditional architecture in proportion, style and detail. A smaller replica of the pavilion was exhibited at the Brussels World Fair in 1958.[90][91]

The pavilion is built on a cruciform layout with the northern and southern ends being longer. The roof is topped with a spire of five-tiers, making it a prasat rather than a 'maha prasat' (which has seven). The spire is supported by swans as opposed to the traditional garudas. The eastern pediment depicts the Hindu god Shiva standing on a plinth with one foot raised, holding a sword in his left hand and right hand raised to a blessing.[92] The columns of the pavilion are decorated with gold and silver glass mosaic in a floral pattern; the capital of these columns take the form of long lotus petals.[88][91]

The Phra Thinang Rachakaranya Sapha (พระที่นั่งราชกรัณยสภา; RTGS: Phra Thi Nang Ratcha Karanyasapha) is located on the southern end of the eastern wall. The closed rectangular building was built as a council chamber for use by the king and his ministers. In 1897 on his first trip to Europe, King Rama V installed Queen Saovabha Phongsri as regent, and she presided over privy council meetings here. This tradition was repeated in 1956 when Queen Sirikit, as regent presided over the privy council while King Rama IX briefly entered the Sangha as a monk. Occasionally the building is still used by the king for private audiences. The peculiar characteristic of this building was the projecting pediments over the roof line. This feature was common during the Ayutthaya period.[93][94]

Ho Plueang Khrueang

The Ho Plueang Khrueang (ศาลาเปลื้องเครื่อง) is a closed pavilion, situated on the western wall of the Maha Prasat group. The pavilion was built by King Rama VI as a robing room. The building is a two-storied Thai style rectangular shaped hall with a walkway leading from the top floor towards the Dusit Maha Prasat Throne Hall.[95]

Mount Kailasa was temporarily moved to the front of the Chakri Maha Prasat for the Tonsure ceremony of Prince Maha Vajirunhis in 1886.

The miniature model of Mount Kailasa (เขาไกรลาสจำลอง; RTGS: Khao Krailat Chamlong), the mythical abode of Shiva, was built during the reign of King Rama IV. The miniature mountain was used as a setting for an important ceremony called the royal tonsure ceremony.[95] This ancient rite of passage would be performed for the royal prince and princess around the age of thirteen. The ceremony, sometimes lasting seven days of festivities, involves a purifying bath and the cutting of the traditional topknot hair of the royal child. The latter act was done by the king himself, the hair is later thrown into the Chao Phraya river as an offering.[96] For this purpose there is a miniature palace on the summit for the ceremony to take place. the lower part of the mountain is populated with stone sculptures of miniature mythical animals of the Himavanta Forest. The mount is situated behind the walk way between the Dusit Maha Prasat Throne Hall and Ho Plueng Krueng. This area is considered part of the Inner Court and is not opened to the public.[97]

The royal ladies of the Inner Court enjoying a game of croquet in the Siwalai Garden.

The Siwalai Garden (สวนศิวาลัย, Suan Siwalai) is situated to the easternmost part of the Middle court and is considered separate from the other state buildings and throne halls. The garden has been in its present form, since King Rama V, and contains both royal residences and religious buildings. Throughout the years several structures were built and demolished by various kings. The garden was first created at the behest of King Rama I as a private retreat called the Suan Kaew (สวนแก้ว) or 'Crystal Garden'. The name was changed by Rama II to Suan Khwa or 'Right Garden', who also embellished the garden and transformed it into a pleasure garden for the inhabitants of the Inner Court.[98]

The greatest change to the area occurred during the reign of King Rama IV, when the entire garden was turned into a new residential palace. This palace was composed of several interconnected buildings of various styles and sizes for the king's use. This buildings complex was named the Phra Abhinaowas Niwet (พระอภิเนาว์นิเวศน์; RTGS: Phra Aphinao Niwet). The building group are on an east to west axis, with reception halls to the east and residential halls in the west. These buildings were built in a combination of Thai and Western styles; the principal building of the Phra Abhinaowas Niwet group was the Phra Thinang Ananta Samakhom; this European style grand audience chamber was used by the king to receive various foreign missions. Other buildings included King Rama IV's primary residential hall, observatory and banqueting hall. By the reign of King Rama V the Phra Abhinaowas Niwet building group became so dilapidated that most were eventually demolished; the names of some of the halls were later assumed by new royal buildings (for example the new Ananta Samakhom Throne Hall in the Dusit Palace). King Rama V had the area turned once more into a private garden for use by the Inner Court and also gave the garden its present name. The new garden contained some of the old buildings as well as new additions, such as a small lawn in the south western corner called the Suan Tao or 'Turtle Garden'.[99] The layout of the Siwalai Garden remained mostly unchanged until the present day.[100][101]

Phra Thinang Boromphiman

The Phra Thinang Boromphiman (พระที่นั่งบรมพิมาน; RTGS: Phra Thi Nang Boromma Phiman) is the largest structure within the Siwalai Garden; it is located at the northernmost end.[102][103] The two-storey Neo-Renaissance residence was constructed during the reign of King Rama V from 1897 to 1903. The new palace was built over the site of an old armoury, after King Rama V had it demolished. The new palace was intended as a gift to the first Crown Prince of Siam, Prince Maha Vajirunhis. It was originally named Phra Thinang Phanumart Chamroon (พระที่นั่งภานุมาศจำรูญ). However, before the construction was finished the prince died of typhoid at the age of 16. Once completed the palace was handed to the next heir, Crown Prince Maha Vajiravudh, who ascended the throne in 1910 as Rama VI. He later gave the palace its present name.[104][105]

Under the supervision of foreign architects, namely the German C. Sandreczki, the Boromphiman Throne Hall became the most modern building within the Grand Palace; it was also the first to be designed to accommodate carriages and motorcars.[106] The exterior walls are embellished with pilasters and elaborate plaster designs. The triangular and semi-circular pediments are decorated with stuccoed floral motifs. The palace's distinctive Mansard roof is covered in dark grey slate tiles. On the façade of the building, the main and central pediment show the emblem of the crown prince.[105][107]

Even though the architectural style and exterior decoration of the building is entirely Western, the interior decorations is entirely Thai.[102] The central hall, situated under a dome, is decorated with murals of the god Indra, Varuna, Agni and Yama—all depicted in Thai style. Below them are Thai inscriptions composed by King Rama VI himself.[105][108]

After his accession to the throne, King Rama VI occasionally stayed at the palace. King Rama VII stayed at the palace for a few nights before his coronation in 1925, while King Ananda Mahidol (Rama VIII) made the palace his main place of residence upon his return to Thailand from Switzerland in December 1945. He lived in this palace with his younger brother Prince Bhumibol Adulyadej (later King Rama IX) and his mother Princess Sri Sangwan. On the morning of 9 June 1946 the palace bore witness to his mysterious and unexplained death by gunshot.[102][109] King Rama IX later refurbished the palace and added an extra wing extending south.[100][105]

Currently the palace is not open to the public, and serves as the official guest house for visiting Heads of State and their entourage.[103][107][110] To the southeast of the Boromphiman Throne Hall, there are also two guest houses for use by the entourage of state visitors.[105]

The Phra Thinang Mahisorn Prasat (พระที่นั่งมหิศรปราสาท) is a small pavilion built on the wall between the Siwalai Garden and the Maha Monthien buildings. The pavilion has a mondop-style roof and a gilded spire, decorated in glass mosaic. The pavilion was built by King Rama IV as a monument to his father King Rama II. After its completion the ashes of King Rama II was moved and was housed in the pavilion. After the death of King Rama IV the ashes was moved back to the Ho Phra That Monthien Buddha Image Hall, currently the pavilion houses several Buddha images.[111][112]

The Phra Thinang Siwalai Maha Prasat (พระที่นั่งศิวาลัยมหาปราสาท) is located on the southern-eastern end of the Siwalai Garden.[100][113] The Siwalai Maha Prasat is a Thai-style edifice with a Mondop style spire of seven tiers. Built during the reign of King Rama V in 1878 to house the metal statues of his four predecessors, which were cast in 1869. The hall was to be used as a royal pantheon, where the lives of previous monarchs were to be commemorated and worshiped.[114] Later King Rama VI had the statues removed and rehoused at the Prasat Phra Thep Bidorn in the Temple of the Emerald Buddha compound, where they would be more accessible to the public. On 6 April 1918 the first ceremony of worship was inaugurated, this ceremony continues to be performed annually. Since the removal of the statues, the Siwalai Maha Prasat has been left vacant.[115]

The Phra Thinang Sitalaphirom (พระที่นั่งสีตลาภิรมย์) is a small open pavilion made of wood, built by King Rama VI. The pavilion is situated on the northern edge of the lawn south of the Boromphiman palace. The pavilion is decorated with a flame motif in gilded black lacquer. The gables bear the insignia of King Rama VI. The king used the pavilion as a place of rest and as a seat during garden parties.[100]

The Phra Buddha Rattanasathan (พระพุทธรัตนสถาน) is a Phra ubosot (or ordination hall), situated at the very centre of the Siwalai Garden. The religious building is a shrine to a Buddha image called the Phra Buddha Butsayarat Chakraphat Pimlom Maneemai (พระพุทธบุษยรัตน์จักรพรรดิพิมลมณีมัย; RTGS: Phra Phuttha Butsayarat Chakkraphat Phimon Manimai) which was brought from Champasak in Laos. The ubosot was built for this purpose by King Rama IV. The ubosot is built of grey stone and has a two-tier green title roof. At the front there is a portico of pillars. Running around the outside of the ubosot is an open pillared gallery. Religious ceremonies have been performed here in the past.[100][116]

Phra Thinang Chai Chumpol

The Phra Thinang Chai Chumpol (พระที่นั่งไชยชุมพล; RTGS: Phra Thi Nang Chai Chumphon) is located on the north of the eastern wall, opposite the Temple of the Emerald Buddha. The small rectangular pavilion was built on the top of the wall of the palace. The pavilion has a roof of two tiers and is covered with grey tiles.[130] The exterior is decorated with black lacquer and glass mosaic. The pavilion was built by King Rama IV as a viewing platform, where he could observe royal and religious processions going by along the Sanamchai Road. The pavilion was also used for a time as the main shrine of the Phra Siam Thevathiraj figure, before it was moved to its current shrine in the Phaisan Thaksin Hall.[131]

Phra Thinang Suthaisawan Prasat, sitting between the Deva Phitak and Sakdi Chaisit Gates.

Situated on the south eastern wall of the Grand Palace is the Phra Thinang Suthaisawan Prasat (พระที่นั่งสุทไธสวรรยปราสาท); the hall sits between the Deva Phitak and Sakdi Chaisit Gates on the eastern wall.[100][132] It was first built by King Rama I in imitation of the "Phra Thinang Chakrawat Phaichayont" (พระที่นั่งจักรวรรดิ์ไพชยนต์; RTGS: Phra Thi Nang Chakkrawat Phaichayon) on the walls of the Royal Palace in Ayutthaya. Originally called the Plubpla Sung or high pavilion, it was made entirely of wood and was an open-air structure. During the reign of King Rama III, a new structure was built out of brick and mortar. This new structure was renamed Phra Thinang Sutthasawan (พระที่นั่งสุทไธสวรรย์; RTGS: Phra Thi Nang Sutthai Sawan). The hall is used by the king to give audiences to the public and view military parades.[130][133]

The new structure consists of two-stories, the lower in Western style and the top level in Thai design. The central pavilion has a wooden balcony, which is used by the king and royal family for the granting of public audiences. The roof over the central pavilion is topped by a five-tier prasat in Mondop style, decorated in glass mosaic. The hall's wings stretching from the north to the south, each has nine large windows along the exterior. Later in the reign of King Rama V, the entire structure was refurbished and finally given its present name.[100][133]

The view of the Grand Palace at night, the fort in the foreground is the Padej Dusakorn Fort.

The Grand Palace has twelve gates (ประตู, Pratu, literally a door), three along each of the four walls. These massive gates are built of brick and mortar and are topped with a Prang style spire. These gates are all painted in white, with gigantic red doors. Each of these outer gates were given rhyming names, starting from the north west in a clockwise direction around.[14][134]

The Padej Dusakorn Fort and Temple of the Emerald Buddha.

• North wall
  • Phiman Deves (ประตูวิมานเทเวศร์; RTGS: Wiman Thewet)
  • Wiset Chaisri (ประตูวิเศษไชยศรี; RTGS: Wiset Chai Si)
  • Manee Noparat (ประตูมณีนพรัตน์; RTGS: Mani Noppharat)
• East wall
  • Svasti Sopha (ประตูสวัสดิโสภา; RTGS: Sawatdi Sopha)
  • Deva Phitak (ประตูเทวาพิทักษ์; RTGS: Thewa Phithak)
  • Sakdi Chaisit (ประตูศักดิ์ไชยสิทธิ์; RTGS: Sak Chaisit)
• South wall
  • Vichit Banjong (ประตูวิจิตรบรรจง; RTGS: Wichit Banchong)
  • Anongka Raksa (ประตูอนงคารักษ์; RTGS: Anongkharak)
  • Phitak Bovorn (ประตูพิทักษ์บวร; RTGS: Phithak Bowon)
• West wall
  • Suthorn Thisa (ประตูสุนทรทิศา; RTGS: Sunthon Thisa)
  • Deva Phirom (ประตูเทวาภิรมย์; RTGS: Thewaphirom)
  • Udom Sudarak (ประตูอุดมสุดารักษ์)

Along the walls of the Grand Palace there are seventeen forts (ป้อม, Pom); originally there were only ten, with later additions made. These small structures are usually small battlements with cannon placements and watchtower. The forts were also given rhyming names.[14][17][134]

• North wall
  • Inthorn Rangsan (ป้อมอินทรรังสรรค์; RTGS: In Rangsan)
  • Khan Kuenphet (ป้อมขันธ์เขื่อนเพชร; RTGS: Khan Khuean Phet)
  • Padej Dusakorn (ป้อมเผด็จดัสกร; RTGS: Phadet Datsakon) (corner fort)
• East wall
  • Sanchorn Jaiwing (ป้อมสัญจรใจวิง; RTGS: Sanchon Chai Wing)
  • Sing Kornkan (ป้อมสิงขรขันฑ์; RTGS: Singkhon Khan)
  • Kayan Yingyut (ป้อมขยันยิงยุทธ; RTGS: Khayan Ying Yut)
  • Rithi Rukromrun (ป้อมฤทธิรุดโรมรัน; RTGS: Ritthi Rut Rom Ran)
  • Ananda Kiri (ป้อมอนันตคีรี; RTGS: Ananta Khiri)
  • Manee Prakarn (ป้อมมณีปราการ; RTGS: Mani Prakan) (corner fort)
• South wall
  • Pisarn Sima (ป้อมพิศาลสีมา; RTGS: Phisan Sima)
  • Pupha Suthat (ป้อมภูผาสุทัศน์; RTGS: Phu Pha Suthat) (corner fort)
• West wall
  • Suntha Banpot (ป้อมสัตตบรรพต; RTGS: Satta Banphot)
  • Solos Sila (ป้อมโสฬสศิลา; RTGS: Solot Sila)
  • Maha Santha Loha (ป้อมมหาสัตตโลหะ; RTGS: Maha Satta Loha)
  • Thasana Nikorn (ป้อมทัศนนิกร; RTGS: Thatsana Nikon)