Chico Buarque

Buarque was born in Rio de Janeiro on 19 June 1944. He came from an intellectually privileged family background—his father Sérgio Buarque de Holanda was a well-known historian, sociologist and journalist and his mother Maria Amélia Cesário Alvim was a painter and pianist. He is also brother of the singer Miúcha and politician Ana de Hollanda. As a child, he was impressed by the musical style of bossa nova, specifically the work of Tom Jobim and João Gilberto. He was also interested in writing, composing his first short story at 18 years old[2] and studying European literature, also at a young age.[3] One of his most consuming interests, however, was playing football, beginning at age four, and he still played regularly in his 60s.[3] During his childhood, he lived in Rio de Janeiro, São Paulo and Rome.

Before becoming a musician, Buarque decided at one point to study architecture at the University of São Paulo, but this choice did not lead to a career in that field; Buarque often skipped classes.[4]

Chico Buarque in TV Rio, 1967. National Archives of Brazil.

He made his public debut as musician and composer in 1964, rapidly building his reputation at music festivals and television variety shows when bossa nova came to light and Nara Leão recorded three of his songs.[4] His eponymous debut album exemplified his future work, with catchy sambas characterized by inventive wordplay and an undercurrent of nostalgic tragedy. Buarque had his first hit with "A Banda" in 1966, written about a marching band, and soon released several more singles.[3] Although playing bossa nova, during his career, samba and Música popular brasileira would also be widely explored. Despite that, Buarque was criticized by two of the leading musicians at the time, Caetano Veloso and Gilberto Gil as they believed his musical style was overly conservative.[4] However, an existentially themed play that Buarque wrote and composed in 1968, Roda Viva ("Live Circle"), was frowned upon by the military government and Buarque served a short prison sentence because of it.[4] He left Brazil for Italy for 18 months in 1970, returning to write his first novel in 1972, which was not targeted by censors.[2]

Chico Buarque performs in 2007.

At this time his thinly veiled protest single "Apesar de Você" ("In spite of You" – in reference to the military dictatorship) was also produced.[5] "Apesar de Você" was overlooked by the military censors, becoming an important anthem in the democratic movement. After selling over 100,000 copies, the single was eventually censored and removed from the market. At one point in 1974, the censors banned any song authored by Chico Buarque. Then, he created a pseudonym, naming himself "Julinho da Adelaide", complete with life history and interviews to newspapers. "Julinho da Adelaide"[6] authored songs such as "Jorge Maravilha" and "Acorda amor" before he was outed in a Jornal do Brasil news story.[7] Buarque also wrote a play named Calabar, about the Dutch invasion of Brazil in the seventeenth century, drawing parallels with the military regime.[8] Despite the censorship, songs such as "Samba de Orly" (1970), "Acorda amor" (1974, as "Julinho da Adelaide") manifested Buarque's continuing opposition to the military regime.

During the 1970s and 1980s, he collaborated with filmmakers, playwrights, and musicians in further protest works against the dictatorship. Buarque approached the 1983 Concert for Peace in Nicaragua as a valid forum to vocalize his strong political views. Throughout the decade, he crafted many of his songs as vehicles to describe the re-democratization of Brazil. The Concert for Peace in Nicaragua was one in a concert series known as the "Central American Peace Concerts." These concerts featured various Latin American artists. The political turmoil that plagued this era were expressed in many of Buarque's songs.[9][10] He later wrote Budapeste, a novel that achieved critical national acclaim and won the Prêmio Jabuti,[11] a Brazilian literary award comparable to the Booker Prize.

His 2017 album Caravanas was elected the 3rd best Brazilian album of that year by the Brazilian edition of Rolling Stone.[12]

Following the Brazilian military coup of 1964, Buarque avoided censorship by using cryptic analogies and wordplay. For example, in the song "Cálice" ("Chalice"), a duet written in 1973 with Gilberto Gil and released with Milton Nascimento in 1978,[13] he takes advantage of the homophony between the Portuguese imperative cale-se ("shut up") and cálice ("chalice") to protest government censorship, disguised as the Gospel narrative of Jesus' Gethsemane prayer to God to relieve him of the cup of suffering. The line "Quero cheirar fumaça de óleo diesel" ("I want to sniff diesel fumes") is a reference to the death of political prisoner Stuart Angel, who reportedly had his mouth glued to a jeep's exhaust pipe during a torture session.[14] Buarque was close to Stuart's mother, Zuzu Angel. This song is the subject of the final chapter of the book <First Chico Buarque> (Bloomsbury, 2022) in the Brazil 33 1/3 series.

• 2010 São Paulo Prize for Literature — Shortlisted in the Best Book of the Year category for Leite Derramado[15]
• 2013 Casa de las Américas prize for Spilt Milk (Leche derramada, Leite derramado), winner of narrative fiction.
• 2019 Camões Prize.[16]

The cover art of the Buarque's 1966 album Chico Buarque de Hollanda became a viral internet meme with "happy" Chico and "sad" Chico.[17]

Wikimedia Commons has media related to Chico Buarque.

• Official website (in Portuguese)
• Chico Buarque at IMDb
• Chico Buarque discography at Discogs
• Vai passar on YouTube
• O que será on YouTube
• O Meu Amor on YouTube
• Oliveria, Luiz Roberto; Buarque, Chico; Lombardi, Jerry (April 30, 2000). "My Greatest Maestro". Clube do Tom. Archived from the original on December 7, 2013.
• annotated Chico Buarque discography on Slipcue.com