Henry De Vere Stacpoole

He was born in Kingstown—today's Dún Laoghaire—in Taney, near Dublin, on April 9, 1863; He was the last son of the Reverend William Church Stacpoole, theologian and principal of Kingstown School, and Charlotte Augusta (née Mountjoy). He had three older sisters: the eldest was Florence Stacpoole, who wrote books and pamphlets on health and medicine. Henry attributed his love for nature which characterized his entire existence to the influence of his mother, who was of Irish origin but had spent her childhood until the age of twelve in the wildest and most wooded regions of Canada until she became a widow and decided to return to Ireland. Reverend William died prematurely in 1870 and the mother raised her four children alone. Due to breathing problems that were misdiagnosed, the family moved for a long stay, in the winter of 1871, in the south of France, to Nice.

He was educated at Portarlington Boarding School in Ireland 100 miles from Kingstown. It was not a happy experience; in the autobiographical Men and Mice he wrote about the fact that his noisy and rough companions abused him physically and mentally making him feel like "a little [King] Arthur in a cage of baboons". One night he fled, through an adjacent girls' school, but his older sister dragged him back to boarding school.

After moving his family to London, he enrolled at Malvern College in Worcestershire, a progressive school with a student class that finally met his expectations. He studied medicine at the St George's and St Mary's hospitals and became a doctor in 1891 despite being attracted much more to literature than to anatomy classes. He practised only sporadically, first as a doctor aboard a layout ship.

As a young man he befriended Pearl Craigie (known as John Oliver Hobbes) and this facilitated his first publication, a poem about Belgravia. In 1890 he met Aubrey Beardsley, Alfred Noyes and other writers and artists of the Yellow Book group. This environment influenced his first novel, The Intended (1894), a tragic novel about two look-alikes, one rich and the other poor, who exchange places for fun; but it had very little success. Years later, Stacpoole told this story in The Man Who Lost Himself (1918); a penniless American who impersonates his rich lookalike in England; and this time it was a commercial success. His second, Pierrot! (1896), is set during the Franco-Prussian War and deals with an ambiguous relationship between a boy French with his look-alike who acts as a psychic double, who then takes the form of a Prussian officer; all through a story of "family curses" for which it appears that the young French may be parricide. Hobbes recommended a lighter approach to the subject. It was followed by Death, the Knight, and the Lady (1897), a powerful mix of reincarnation, disguise, and uxoricide. The originality of the themes and the development was beyond doubt, but the audience was certainly not prepared. These novels, and The Rapin (1899), all failed commercially.

Stacpoole in these early works tries to develop a vision of existence for which the body is a "shell" – "chrysalis" he often says in these texts – waiting for a potential "charmer" that allows him to "divide" so that this existence can be shared by several bodies.

In the summer of 1898, Stacpoole practised as a country doctor in Somerset and wrote The Doctor (1899), a novel about English village life centred on an old doctor and a niece French who comes to upset his routine. Stacpoole considered this work his best work, but also this time the success of the public and critics was very modest.

By the early 1900s, Stacpoole had become a permanent professional writer; in an interview, he claimed that he wrote 2000 words a day and that his main sources of inspiration were Edgar Allan Poe, Victor Hugo, Eugène Sue and Robert Louis Stevenson.

He would be spared the "storm of success" for another seven years, during which time he published seven books, including a collection of children's stories and two novels in collaboration with his friend William Alexander Bryce. In 1904 he enlisted the assistance of the Royal Literary Fund based on the fact that sciatica and nervous depression prevented him from writing.

Public success came, however, in 1905 with a comic-romantic novel, Fanny Lambert, and in 1907 with a sea adventure, Crimson Azaleas; in the latter two rude sailors adopt a Japanese orphan. He also wrote articles and novels for periodicals, particularly for the Daily Express.

Still practising as a doctor, on 17 December 1907 he married Margaret Ann Robson, at St Stephen's Church, Westbourne Park. At that time he resided in Eden Vue, Langtivathby, Cumberland, where he practised medicine. After the wedding, the couple moved to Stebbing, Essex, where Stacpoole met H.G. Wells and served as a justice of the peace.

Stacpoole's greatest commercial success came in 1908 with The Blue Lagoon, which was reprinted at least twenty-four times in thirteen years, and from which films were made in 1923, 1949 and 1980. The Blue Lagoon is the story of two cousins, Dicky and Emmeline Lestrange, stranded on a remote island with a beautiful lagoon. As children, they are cared for by Paddy Button, a corpulent sailor who drinks until he dies after only two and a half years. Frightened and confused by the macabre vision of the sailor's corpse, the children flee to another part of Palm Tree Island. Five years pass and eventually fall in love. Sex and birth are as mysterious to them as death, but they manage to instinctively copulate and conceive a child. The story of the birth of her little son is interesting: the fifteen-year-old Emmeline, alone in the jungle, loses consciousness and wakes up to find a boy on the ground near her. Calling the child Hannah (an example of Stacpoole's penchant for gender reversals), the Lestranges live in family bliss until they are unexpectedly expelled from their tropical Eden.

The Blue Lagoon is part of a genre that focuses on childhood and fantasy from a psychological and sentimental perspective. This genre became popular during the Edwardian era, thanks to the success of books such as The Wonderful Wizard of Oz by L. Frank Baum, Peter Pan by J. M. Barrie, and The Blue Bird by Maurice Maeterlinck. He was also influenced by Lewis Carroll's Alice's Adventures in Wonderland and the Book of Genesis.

The Blue Lagoon is believed to have sparked a trend of island-themed novels in popular fiction. However, the author of the novel expressed his dissatisfaction with the trend due to copyright infringement. The book also had a notable impact on Edgar Rice Burroughs' Tarzan of the Apes. Although Stacpoole initially had no intention of writing sequels, he eventually authored two additional books: The Garden of God (1923) and The Gates of Morning (1925). These three novels were later compiled and published in The Blue Lagoon Omnibus in 1933.

In August of 1920, the theatrical adaptation of The Blue Lagoon, written by Norman MacOwan and Charlton Mann, premiered at the prestigious Prince of Wales Theatre. The stage version was met with critical acclaim and enjoyed a successful eight-month run, captivating audiences with its captivating storyline and dynamic characters. However, it is worth noting that the adaptation was not without its challenges. A significant hurdle that the production team had to overcome was a rights dispute with the original publisher, T. Fisher Unwin, which caused a lengthy delay of 12 years from the novel's release to the stage adaptation's debut. Despite this setback, the play eventually made its way to the stage, where it proved to be a smash hit, delighting audiences with its captivating plot and enchanting characters.

After the success of The Blue Lagoon, Stacpoole's fame and recognition skyrocketed. Throughout his extensive career, he authored more than sixty books, predominantly in the fiction genre. His literary works gained widespread popularity in America, with numerous translations available in major European languages. Moreover, his books were reprinted consistently for four to five decades, attesting to his enduring popularity. Stacpoole's written works explored diverse settings, encompassing ancient Athens, Iceland, the Greek islands, and France, among others. This variety of locations is indicative of his lifelong passion for travel, which he developed during his childhood years.

He published some works under the pseudonym Tyler de Saix, including The Vulture's Prey (1909). A moving depiction of Belgian atrocities in the Congo, The Pools of Silence (1910), was the result of a trip to Africa; after reading this work Sir Arthur Conan Doyle was induced to organize a conference to discuss these atrocities and make them as public as possible.

During World War I Stacpoole and his wife left Stebbing and moved to Astle House, Castle Hedingham. Shortly before 1920, they moved to London; his neighbour was the scholar Arthur S. Way, who induced him to undertake the translation of Sappho's poems. He moved to Cliff Dene, Bonchurch, Isle of Wight, in November 1922; the description of these places is in The Story of my Village (1947). We also have the same setting in Goblin Market (1925), a delicate social and psychological novel starring a middle-aged man. In 1922 Stacpoole published several volumes of verse, including his translations of Sappho and François Villon (of whom he also wrote a popular biography). After Margaret died in 1934, he gave the village of Bonchurch a pond and a bird "sanctuary" in her memory. On March 21, 1938, he married Margaret's sister, Florence Robson. He had no children from either marriage.

Due to his deep love and appreciation for nature, he established the Penguin Club, which was dedicated to protecting seabirds from the harmful effects of oil. This cause had been close to his heart since the 1920s, and he continued to actively pursue it throughout his life. Despite being known for his romantic treasure hunt stories, Stacpoole also wrote two captivating memoirs, Men and Mice (1942) and More Men and Mice (1945), which showcased his sentimental side. Along with Conan Doyle, Stacpoole was a believer in the existence of fairies after the Cottingley fairy incident in the 1920s, which saw fairies being photographed by two young girls named Elsie and Frances. Stacpoole was a robust and tall man, with a cheerful character that was representative of the Irish genius.

He died due to cerebral thrombosis in a hospital located at Shanklin, Isle of Wight, on 12 April 1951. His death occurred following a surgical procedure. He was laid to rest at St Boniface Church, Bonchurch.

• Loney, Glenn (1983). 20th century theatre. Vol. 1. New York, N.Y.: Facts on File. ISBN 0871964635.{{cite book}}: CS1 maint: date and year (link)
• E. A. Malone, "H. de Vere Stacpoole", Dictionary of Literary Biography, Volume 153: Late-Victorian and Edwardian British Novelists, First Series, edited by G. M. Johnson, Detroit: Gale, 1995, pp. 278–287.
• R. F. Hardin, "The Man Who Wrote The Blue Lagoon: Stacpoole's Pastoral Center", English Literature in Transition (1880–1920), vol. 39, no. 2, 1996, pp. 205–20.
• C. Deméocq, "Henry de Vere Stacpoole aux Kerguelen", Carnets de l'Exotisme, vol. 17–18, 1996, pp. 151–52.

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Henry De Vere Stacpoole

• Works by Henry De Vere Stacpoole at Project Gutenberg
• Works by Henry De Vere Stacpoole at Faded Page (Canada)
• Works by or about Henry De Vere Stacpoole at Internet Archive
• Works by or about Tyler De Saix at Internet Archive
• Works by Henry De Vere Stacpoole at LibriVox (public domain audiobooks)
• Works by Henry De Vere Stacpoole at Open Library
• Henry De Vere Stacpoole. The Malvern Register 1865–1905, p. 150.
• H. De Vere Stacpoole at Library of Congress, with 80 library catalogue records
• De Saix, Tyler at Library of Congress
• Henry De Vere Stacpoole Collection at the Harry Ransom Center