History of Catholic Mariology

Virgin and Child on a wall painting in the early Roman catacombs, 4th century.

"Many centuries were necessary to arrive at the explicit definition of the revealed truths concerning Mary," said Pope John Paul II during his papacy in 1995.[1] The importance of Mary and of Marian theology can be seen in the Church after the third century. The New Testament Gospels, composed during the late 1st century, contain the first references to the life of Mary; the New Testament Epistles, composed earlier, make no mention of her by name. There are, however, references to Mary in the Epistles, most notably in Galatians.[2][3] In the 2nd century, St. Irenaeus of Lyons called Mary the "second Eve" because through Mary and her willing acceptance of God's choice, God undid the harm that was done through Eve's choice to eat the forbidden fruit. The earliest recorded prayer to Mary is the sub tuum praesidium (3rd or 4th century) and the earliest depictions of her are from the Priscilla catacombs in Rome (early 3rd century).

Hugo Rahner's 20th-century discovery and reconstruction of Saint Ambrose's 4th-century view of Mary as the Mother of the Church was adopted at the Second Vatican Council. This shows the influence of early traditions and views on Mary in modern times.[4][5][6] This view was then emphasized by Pope John Paul II in 1997, and today Mary is viewed as the Mother of the Church by many Catholics, as well as the Queen of Heaven.[7]

In the 5th century, the Third Ecumenical Council debated the question of whether Mary should be referred to as Theotokos or Christotokos.[8] Theotokos means "God-bearer" or "Mother of God"; its use implies that Jesus, to whom Mary gave birth, is truly God and man in one person. Nestorians preferred the title Christotokos meaning "Christ-bearer" or "Mother of the Messiah" not because they denied Jesus' divinity, but because they believed that God the Son or Logos existed before time and before Mary, and that Mary was mother only of Jesus as a human, so calling her "Mother of God" was confusing and potentially heretical. Both sides agreed that Jesus took divinity from God the Father and humanity from his mother. The majority at the council agreed with the Pope that denying Mary the title Theotokos would either imply that Jesus was not divine, or that Jesus had two separate personhoods, one of whom was son of Mary and the other not. Ultimately, the council affirmed the use of the title Theotokos and by doing so affirmed Jesus' undivided divinity and humanity.

Thus, while the debate was over the proper title for Mary, it was primarily a Christological question about the nature of Jesus Christ, a question which would return at the Fourth Ecumenical Council. Roman Catholic, Eastern Orthodox, Oriental Orthodox, Lutheran and Anglican theological teaching affirms the title Mother of God, while other Christian denominations give no such title to her.

The medieval Notre-Dame Cathedral dedicated to the Virgin Mary, Paris France, was built in the years 1163–1345.

The Middle Ages saw a growth and development of Mariology. Belief in the Assumption of Mary became widespread across the Christian world from the 6th century onward, and is celebrated on 15 August in both the East and the West.[9] The Medieval period brought major champions of Marian devotion to the fore, including Ephraim the Syrian and John Damascene.

The Dogma of the Immaculate Conception developed within the Catholic Church over time. Conception of Mary was celebrated as a liturgical feast in England from the 9th century, and the doctrine of her "holy" or "immaculate" conception was first formulated in a tract by Eadmer, companion and biographer of the better-known St. Anselm, Archbishop of Canterbury (1033–1109), and later popularized by the archbishop's nephew, Anselm the Younger.[10] The Normans had suppressed the celebration, but it lived on in the popular mind. It was rejected by St. Bernard of Clairvaux, Alexander of Hales, and St. Bonaventure (who, teaching at Paris, called it "this foreign doctrine", indicating its association with England), and by St. Thomas Aquinas who expressed questions about the subject, but said that he would accept the determination of the Church. Aquinas and Bonaventure, for example, believed that Mary was completely free from sin, but that she was not given this grace at the instant of her conception.[10]

The majority of Western Marian writers during this period belonged to the monastic tradition, particularly the Benedictines. The twelfth and thirteenth centuries saw an extraordinary growth of the cult of the Virgin in western Europe, in part inspired by the writings of theologians such as Saint Bernard of Clairvaux (1090–1153).[11] Bernard of Clairvaux was one of the most influential churchmen of his time. In the "Sermon on the Sunday in the Octave of the Assumption" he described Mary's participation in redemption.[12] Bernard's Praises on the Virgin Mother was a small but complete treatise on Mariology.[13] Pope Pius XII's 1953 encyclical Doctor Mellifluus, issued in commemoration of the eighth centenary of Bernard's death, quotes extensively from Bernard's sermon on Mary as "Our Lady, Star of the Sea".[14]

Western types of the Virgin's image, such as the twelfth-century “Throne of Wisdom”, in which the Christ Child is presented frontally as the sum of divine wisdom, seem to have originated in Byzantium.[11] This was much used in Early Netherlandish painting in works like the Lucca Madonna by Jan van Eyck.

Theologically, one major controversy of the age was the Immaculate Conception. Anthony of Padua (1195–1231) supported Mary's freedom from sin and her Immaculate Conception.[15][16] His many sermons on the Virgin Mary shaped the Mariological approach of many Franciscans who followed his approach for centuries after his death.[17]

Oxford Franciscans William of Ware and especially John Duns Scotus defended the doctrine. Scotus proposed a solution to the theological problem involved of being able to reconcile the doctrine with that of universal redemption in Christ, by arguing that Mary's immaculate conception did not remove her from redemption by Christ. Rather it was the result of a more perfect redemption given to her on account of her special role in history. Furthermore, Scotus said that Mary was redeemed in anticipation of Christ's death on the cross.[18] Scotus' defense of the immaculist thesis was summed up by one of his followers as potuit, decuit ergo fecit – God could do it, it was fitting that He did it, and so He did it. Gradually the idea that Mary had been cleansed of original sin at the very moment of her conception began to predominate, particularly after Duns Scotus dealt with the major objection to Mary's sinlessness from conception, that being her need for redemption.[19] The very divine act, in making Mary sinless at the first instant of her conception was, he argued, the most perfect form of redemption possible.

By the end of the Middle Ages, Marian feasts were firmly established in the calendar of the liturgical year. Pope Clement IV (1265–1268) created a poem on the seven joys of Mary, which in its form is considered an early version of the Franciscan rosary[20]

As an example of Baroque painting and architecture, Ettal Abbey, 1776: frescos under the dome, dedicated to the Assumption of Mary, unite heaven and earth.

Beginning in the 13th century, the Renaissance period witnessed a dramatic growth in Marian art, by masters such as Botticelli, Leonardo da Vinci and Raphael.[21] Some was specifically produced to decorate the Marian churches built in this period.

Major Italian artists with Marian motifs include: Fra Angelico, Donatello, Sandro Botticelli, Masaccio, Filippo Lippi, Piero di Cosimo Paolo Uccello Antonello da Messina Andrea Mantegna, Piero della Francesca and Carlo Crivelli. Dutch and German artists with Marian paintings include: Jean Bellegambe, Hieronymus Bosch, Petrus Christus, Gerard David (c.1455–1523), Hubert van Eyck, Geertgen tot Sint Jans, Quentin Matsys, Rogier van der Weyden, Albrecht Altdorfer, Hans Baldung and Albrecht Dürer. French and Spanish artists with Marian paintings include: Jean Fouquet, Jean Clouet, François Clouet, Barthélemy d'Eyck, Jean Hey (formerly known as the Master of Moulins), Bartolomé Bermejo, Ayne Bru, Juan de Flandes, Jaume Huguet, and Paolo da San Leocadio.

Francis of Assisi is credited with setting up the first known presepio or crèche (Nativity scene). He was also particularly devoted to Christ's passion and crucifixion.[22] The influence of the Franciscans gave rise to a more affective spirituality. Pope Sixtus IV, a Franciscan, greatly increased the prominence given to Mary, introducing the Presentation of Mary (1472) and extending the Feast of the Visitation, for the whole church (1475), and introducing the Feast of the Immaculate Conception, observed by the Franciscans since 1263 but strenuously opposed by the Dominicans and still highly-controversial in the fifteenth century.[23] Around the time of the Fall of Constantinople in 1453 many Orthodox monks fled to the West, bringing with them traditions of iconography. Depictions of the Madonna and Child can be traced to the Eastern Theotokos. In the Western tradition, depictions of the Madonna were greatly diversified by Renaissance masters such as Duccio, Leonardo da Vinci, Michelangelo, Raphael, Giovanni Bellini, Caravaggio and Rubens. The early Renaissance saw an increased emphasis on Christ crucified and therefore Mary as the Sorrowful Mother, an object of compassionate devotion.[24] Artists such as Titian depicted Mary as the Mater Dolorosa.

With the Protestant Reformation, Roman Catholic Mariology came under attack as being sacrilegious and superstitious.[25] Protestant leaders like Martin Luther and John Calvin, while personally adhering to Marian beliefs like virgin birth and sinlessness, considered Catholic veneration of Mary as competition to the divine role of Jesus Christ.

Giovanni Pierluigi da Palestrina composed numerous Marian Masses.

As a reflection of this theological opposition, Protestant reformers destroyed much religious art and Marian statues and paintings in churches in northern Europe and England. Some of the Protestant reformers, in particular Andreas Karlstadt, Huldrych Zwingli and John Calvin, encouraged the removal of religious images by invoking the Decalogue's prohibition of idolatry and the manufacture of graven images of God. Major iconoclastic riots took place in Zürich (in 1523), Copenhagen (1530), Münster (1534), Geneva (1535), Augsburg (1537), and Scotland (1559). Protestant iconoclasm swept through the Seventeen Provinces (now the Netherlands and Belgium and parts of Northern France) in the summer of 1566. In the middle of the 16th century, the Council of Trent confirmed the Catholic tradition of paintings and artworks in churches. This resulted in a great development of Marian art and Mariology during the Baroque Period.

At the same time, the Catholic world was engaged in ongoing Ottoman Wars in Europe against Turkey which were fought under the auspices of the Virgin Mary. The victory at Battle of Lepanto (1571) was accredited to her "and signified the beginning of a strong resurgence of Marian devotions, focusing especially on Mary, the Queen of Heaven and Earth and her powerful role as mediator of many graces".[26] The Colloquium Marianum, an elite group, and the Sodality of Our Lady based their activities on a virtuous life, free of cardinal sins.

The baroque literature on Mary experienced unforeseen growth with over 500 pages of Mariological writings during the 17th century alone.[27] The Jesuit Francisco Suárez (1548-1617) was the first theologian who used the Thomist method on Mariology and is considered the father of systematic Mariology.[18] Other well-known contributors to baroque Mariology are Lawrence of Brindisi, Robert Bellarmine, and Francis of Sales. After 1650, the Immaculate Conception is the subject of over 300 publications from Jesuit authors alone.[28]

This popularity was at times accompanied with Marian excesses and alleged revelations of the Virgin Mary to individuals like María de Ágreda.[29] Many of the baroque authors defended Marian spirituality and Mariology. In France, the often anti-Marian Jansenists were combated by John Eudes and Louis de Montfort, canonized by Pope Pius XII.[30]

Baroque Mariology was supported by several popes during the period: Popes Paul V and Gregory XV ruled in 1617 and 1622 that it is inadmissible to state that the virgin was conceived non-immaculate. Alexander VII declared in 1661 that the soul of Mary was free from original sin. Pope Clement XI ordered the feast of the Immaculata for the whole Church in 1708. The feast of the Rosary was introduced in 1716 and the feast of the Seven Sorrows in 1727. The Angelus prayer was strongly supported by Pope Benedict XIII in 1724 and by Pope Benedict XIV in 1742.[31]

Popular Marian piety was more colorful and varied than ever before: Numerous Marian pilgrimages, Marian Salve devotions, new litanies, Marian theatre plays, Marian hymns, Marian processions. Marian fraternities, today mostly defunct, had millions of members.[32] Lasting impressions from the baroque Mariology are in the field of classical music, painting and art, architecture, and in the numerous Marian shrines from the baroque period in Spain, France, Italy, Austria and Bavaria as also in some South American cities.

Santa Maria della Salute, Venice, 1629.

During the Age of Enlightenment, the emphasis on scientific progress and rationalism put Catholic theology and Mariology on the defensive. The Church continued to stress the virginity and special graces, but deemphasized Marian cults.[33] During this period, Marian theology was even discontinued in some seminaries (for example: in Salzburg Austria in the year 1782[34]). Some theologians proposed the abolition of all Marian feast days altogether, except those with biblical foundations and the feast of the Assumption.[35]

Nonetheless, in this period a number of significant Marian churches were built, often laden with Marian symbols, and popular Marian devotions continued in many areas. An example is Santa Maria della Salute in Venice, built to thank the Virgin Mary for the city's deliverance from the plague. The church is full of Marian symbolism: the great dome represents her crown, and the eight sides, the eight points on her symbolic star.

Many Benedictines such as Celestino Sfondrati (died 1696) and Jesuits,[36] supported by pious faithful and their movements and societies, fought against the anti-Marian trends. Increasing secularization led to the forced closing of most monasteries and convents, and Marian pilgrimages were either discontinued or greatly reduced in number. Some Catholics criticized the practice of the Rosary as not Jesus-oriented and too mechanical.[37] In some places, priests forbade the praying of the Rosary during Mass.[38] The highly conservative rural Bavarian dioceses of Passau outlawed Marian prayer books and related articles in 1785.[37]

During this time, Mariologists looked to The Glories of Mary and other Mariological writings of Alphonsus Liguori (1696–1787), an Italian, whose culture was less affected by the Enlightenment. "Overall, Catholic Mariology during the Enlightenment lost its high level of development and sophistication, but the basics were kept, on which the 19th century was able to build."[39]

Pope Pius IX (1846–1878) solemnly declared the Dogma of the Immaculate Conception in 1854.

Mariology in the 19th century was dominated by discussions about the dogmatic definition of the Immaculate Conception and the First Vatican Council. In 1854, Pope Pius IX, with the support of the overwhelming majority of Roman Catholic Bishops whom he had consulted between 1851 and 1853, proclaimed the dogma of the Immaculate Conception, which had been a traditional belief among the faithful for centuries.[40]

Eight years earlier, in 1846, the Pope had granted the unanimous wish of the bishops from the United States, and declared the Immaculata the patron of the US.[41] During the First Vatican Council, some 108 council fathers requested adding the words "Immaculate Virgin" to the Hail Mary prayer and to add the Immaculata to the Litany of Loreto. Some fathers requested the dogma of the Immaculate Conception to be included in the Creed of the Church.[42]

Many French Catholics supported making dogma both Papal infallibility and the assumption of Mary in the forthcoming ecumenical council.[43] During the First Vatican Council, nine Mariological petitions favored a possible Assumption dogma. It was strongly opposed by some council fathers, especially those from Germany. On 8 May, a majority of the fathers voted to reject making the Assumption a dogma, a position shared by Pope Pius IX. The concept of Co-Redemptrix was also discussed but left open. In its support, Council fathers highlighted the divine motherhood of Mary and called her the mother of all graces.[44]

"Rosary Pope" is a title given to Pope Leo XIII (1878–1903) because he issued a record eleven encyclicals on the Rosary, instituted the Catholic custom of daily Rosary prayer during the month of October, and in 1883 created the Feast of Queen of the Holy Rosary.[45]

John Henry Newman, wrote of the Eve-Mary parallel in support of Mary's original state of grace (Immaculate Conception), her part in redemption, her eschatological fulfilment and her intercession.[46]

Popular opinion remained firmly behind the celebration of Mary's immaculate conception. The doctrine itself had been endorsed by the Council of Basel (1431–1449), and by the end of the 15th century was widely professed and taught in many theological faculties. The Council of Basel was later held not to have been a true General (or Ecumenical) Council with authority to proclaim dogma. Such was the influence of the Dominicans, and the weight of the arguments of Thomas Aquinas (who had been canonised in 1323 and declared "Doctor Angelicus" of the Church in 1567) that the Council of Trent (1545–63) – which might have been expected to affirm the doctrine – instead declined to take a position. It simply reaffirmed the constitutions of Sixtus IV, which had threatened with excommunication anyone on either side of the controversy who accused the others of heresy.

But it was not until 1854 that Pope Pius IX, with the support of the overwhelming majority of Roman Catholic Bishops, whom he had consulted between 1851 and 1853, proclaimed the doctrine in accordance with the conditions of papal infallibility that would be defined in 1870 by the First Vatican Council.

In 1904, in the first year of his pontificate, Pope Pius X celebrated the previous century's proclamation of the dogma of Immaculate Conception with the encyclical Ad diem illum. In 1950, the dogma of the Assumption was defined by Pope Pius XII. The Second Vatican Council spoke of Mary as Mother of the Church. Fifteen hundred years after the Council of Ephesus, Pope Pius XI issued the encyclical Lux Veritatis, reminding the Orthodox Christians of the common faith. He presided over a Mariological congress in 1931.[47]

Mariology in the 20th century reflected an increased membership in Roman Catholic Marian Movements and Societies. At the popular level, the 20th century witnessed growth in the number of lay Marian devotional organizations such as free Rosary distribution groups. The number of 20th century pilgrims visiting Marian churches set new records. In South America alone, two major Marian basilicas, the Basilica of the National Shrine of Our Lady of Aparecida in Brazil and the new Basilica of Our Lady of Guadalupe on Tepeyac hill, were constructed and jointly recorded over 10 million visitors per year.

Prior to Vatican II, the French Mariological Society held a three-year series of Marian studies on the theme of Mary in relation to the Church.[48]

Pope Benedict XVI continued the program of redirection of the Catholic Church towards a Marian focus and stated: "Let us carry on and imitate Mary, a deeply Eucharistic soul, and our lives will become a Magnificat".[72][73] In 2008 Benedict composed a prayer on Mary as the Mother of all Christians:[74]

You became, in a new way, the Mother of all those who receive your Son Jesus in faith and choose to follow in his footsteps.[75]

Benedict journeyed to Marian shrines such as Lourdes and Fatima to support his message.[76][77]

• Acts of Reparation to the Virgin Mary
• Mariology (Roman Catholic)
• Mariology of the popes
• Mariology of the saints
• Mariology Ecumenical views
• Protestant views of Mary

• Michael Schmaus, Mariologie, Katholische Dogmatik, München Vol V, 1955
• K Algermissen, Boes, Egelhard, Feckes, Michael Schmaus, Lexikon der Marienkunde, Verlag Friedrich Pustet, Regensburg, 1967
• Mariology Society of America https://web.archive.org/web/20170925082500/http://mariologicalsocietyofamerica.us/
• The Marian Library at University of Dayton https://udayton.edu/imri/marian-library/index.php
• Pope Pius IX, Apostolic Constitution
  • Apostolic Constitution Ineffabilis Deus
• [Pope Pius XII], encyclicals and bulls
  • Encyclical Fulgens Corona on the Vatican website
  • Encyclical Ad Caeli Reginam on the Vatican website
  • Encyclical Mystici Corporis Christi on the Vatican website
  • Apostolic Constitution Munificentissimus Deus on the Vatican Website
• Pope John Paul II, encyclical, apostolic letters and addresses
  • Encyclical Redemptoris Mater on the Vatican website
  • Apostolic Letter Rosarium Virginis Mariae on the Vatican Website
  • Pope John Paul II on Saint Louis de Montfort
  • Pope John Paul II, Address to the Mariology Forum

• Gambero, Luigi. Mary and the Fathers of the Church: The Blessed Virgin Mary in Patristic Thought, trans. Thomas Buffer (San Francisco: Ignatius Press, 1999).

• Rubin, Miri, Mother of God, Yale University Press, 2009 ISBN 9780300156133