Just Be Free

After news that The New Mickey Mouse Club would be filming its final season, Aguilera sought out a record deal. She spent time in Philadelphia to record demo tracks with various producers, hoping to have an album released by the time she had finished high school. While taping the final season of the show, she began working with New Jersey based producers Roberts Allecca and Michael Brown.[3] The pair eventually built a relationship with Aguilera and her family, offering her studio time. According to biographer Pier Dominguez, they told her that the demo recordings they would produce would be their property, but also that they would never commercially release the material.[1] She recorded eleven "rough and unfinished" tracks which then went on to become the Just Be Free studio sessions.[1]

After discovery that Allecca and Brown would be releasing the album, Aguilera started developments to sue the pair in an effort to stop the release.[1] Aguilera filed a suit against Warlock Records and the affiliates Platinum Recordings and JFB Music for "improper use of her name and license on the upcoming album Just Be Free".[1] Carla Christofferson, her lawyer at the time, explained that "We're trying to stop them from releasing these early recordings which is not the quality she is associated with right now."[4] However, Warlock Records president Adam Levy felt that despite Aguilera disliking the material, he found it to be a look into her life at the time of recording. He stated "It's a great look at what she was doing, We're pleased [to be putting the record out]. I'm more pleased for the album's producers who wanted to get it out. I hope the fans can appreciate it."[5] Christofferson responded by alleging that Warlock Records tried to "boot strap" on Aguilera's success. In response to the lawsuit, Warlock Records filed their own lawsuit in an attempt to ensure the release of the record.[4] During the proceedings, Aguilera agreed to let Warlock Records release Just Be Free after reaching a settlement with the company and its affiliates. She allowed the release under the condition that the label would have to include a letter written by Aguilera in each album released.[5] Since November 13, 2015, the album is available to stream on Spotify and Deezer.[6][7]

Just Be Free was recorded when I was 14 and 15 years old. At that young age, I made the recordings as a possible stepping stone to a career in music, which is my ultimate passion. They were made just so that I could get my foot in the door of the music business. I did not intend that the recordings would be widely released, especially after I signed with a major record label. I have not updated or finished the versions recorded in my childhood, and they are being released "as is," although I tried to prevent the release for several years. The recordings do not in any way reflect my current musical taste and where I am as an artist. The growth and vocal development I experienced as I matured into young adulthood is not reflected in the recordings. The album of new recordings that I intend to release this fall will be the album that truly reflects my artistry, my vision, and my passion. The Just Be Free recordings will hopefully be a footnote in a musical career that I dream will last for many years to come.

— Aguilera, in the album's accompanying letter, [8]

Professional ratings

Review scores
Source	Rating
AllMusic	[8]
Entertainment Weekly	D[9]

The album received generally negative reviews from critics. Stephen Thomas Erlewine of AllMusic understood why Aguilera was dissatisfied with the release of the material, calling the songs "pre-professional" and "generic early-'90s dance-pop". He noted that Just Be Free did not match the quality of her self-titled debut album due to its "bland" production.[8] David Browne of Entertainment Weekly gave the album a D-rating, citing the album's production and describing the content as "teen-jailbait" due to lyrics such as "Why don't you stay with me tonight".[9]

Pier Dominguez, author of A Star Is Made, commented that the sessions demonstrated "Christina's raw vocal agility" despite calling the content "dull", adding "Christina's hunger for success actually comes through in these songs, as she sings her heart out with strained emotion, trying to sound as if she's letting all her inhibitions run free. If she did in fact co-write the songs then they were also a demonstration of Christina's songwriting dexterity, because the album's lyrics could be called unoriginal and perhaps even cheesy, it could not be said that they were not catchy".[1] Similarly, Stephanie McGrath from JAM! Music also saw why Aguilera would not want the album released. Although she recognized Aguilera's potential as a vocalist, she wrote "The songs themselves are terrible, dated club tracks, overwhelmed by poor effects and mundane beats."[10] Despite the negative critical reception, the album has sold over 129,000 copies in the United States and peaked at number 71 on the Billboard 200.[2]

All tracks are written by Bob Allecca, Michael Brown and Christina Aguilera, except where noted.[11][12]

• Christina Aguilera – vocals, background vocals
• Bob Allecca – executive producer
• Michael Brown – executive producer
• Amy Knong – art direction and design
• Eliud "Liu" Ortiz – mixing engineer
• Greg Smith – assistant mix engineer
• Chris Gehringer – mastering engineer