Kin (Pat Metheny album)

Metheny has said that his idea behind Kin was to push the quartet-led concept that led to Unity Band further forward by adding more orchestration to the instrumental core of the band, so that Kin would be "more like the Technicolor, IMAX version of what a band like this could be—but with that hardcore thing still sitting right in the middle of it all."[1] The album also re-explores the concepts of world view, unity and the global village explored on previous Pat Metheny Group albums such as Letter from Home and We Live Here.

Professional ratings

Review scores
Source	Rating
Allmusic	[2]

The reviewer Thom Jurek of AllMusic.com awarded the album 4 stars.[2] Geoffrey Himes at JazzTimes wrote, "Melody writing is the most underrated skill in jazz today, perhaps because it's also the rarest. There are thousands of jazz musicians who congratulate themselves on writing in 7/4 and 9/4 and on shifting their solos from tonal to atonal and back again. But how many of them can write a ballad that someone might want to hum to a lover?"[3] Rob Mallows of London Jazz News wrote, "The album gives the listener a full understanding of what Metheny, now nearly sixty, is all about and where he feels comfortable in his role as grand master of contemporary jazz."[4]

• Pat Metheny – acoustic and electric guitars, guitar synthesizer, electronics, orchestrionics, synthesizers
• Chris Potter – tenor saxophone, bass clarinet, soprano saxophone, clarinet, alto flute, bass flute
• Giulio Carmassi – piano, trumpet, trombone, French horn, cello, vibraphone, clarinet, flute, recorder, alto saxophone, Wurlitzer, whistling, vocals
• Ben Williams – acoustic and electric bass
• Antonio Sánchez – drums and cajón[2]