Dwarves in Middle-earth

In the fantasy of J. R. R. Tolkien, the Dwarves are a race inhabiting Middle-earth, the central continent of Arda in an imagined mythological past. They are based on the dwarfs of Germanic myths who were small humanoids that lived in mountains, practising mining, metallurgy, blacksmithing and jewellery. Tolkien described them as tough, warlike, and lovers of stone and craftsmanship.

"Khazad" redirects here. For the block cipher, see KHAZAD.

The origins of Tolkien's Dwarves can be traced to Norse mythology; Tolkien also mentioned a connection with Jewish history and language. Dwarves appear in his books The Hobbit (1937), The Lord of the Rings (1954–55), and the posthumously published The Silmarillion (1977), Unfinished Tales (1980), and The History of Middle-earth series (1983–96), the last three edited by his son Christopher Tolkien.

Characteristics
Tolkien found dwarves in Norse mythology.[1] Here the god Thor talks to the dwarf Alviss to prevent him from marrying his daughter Þrúðr; at dawn Alviss turns to stone. Drawing by W. G. Collingwood, 1908

The medievalist Charles Moseley described the dwarves of Tolkien's legendarium as "Old Norse" in their names, their feuds, and their revenges.[2] In the appendix on "Durin's Folk" in The Lord of the Rings, Tolkien describes dwarves as:

a tough, thrawn race for the most part, secretive, laborious, retentive of the memory of injuries (and of benefits), lovers of stone, of gems, of things that take shape under the hands of the craftsmen rather than things that live by their own life. But they are not evil by nature, and few ever served the Enemy of free will, whatever the tales of Men alleged. For Men of old lusted after their wealth and the work of their hands, and there has been enmity between the races.[T 1]

The J. R. R. Tolkien Encyclopedia considers Tolkien's use of the adjective "thrawn", noting its similarity with Þráinn, a noun meaning "obstinate person", and a name found in the Norse list of Dwarf-names, the Dvergatal in the Völuspá. Tolkien took it for the name, Thráin, of two of Thorin Oakenshield's ancestors. It suggests this may have been a philological joke on Tolkien's part.[1]

Dwarves were long-lived, with a lifespan of some 250 years.[T 1] They breed slowly, for no more than a third of them are female, and not all marry. Tolkien names only one female, Dís, Thorin's sister.[T 2] They are still considered children in their 20s, as Thorin was at age 24;[T 3] and as "striplings" in their 30s. Despite his young age, Dáin Ironfoot was 32 when he killed Azog, the orc chieftain of Moria.[T 1] They had children starting in their 90s.[T 1]

The Dwarves are described as "the most redoubtable warriors of all the Speaking Peoples"[T 4] – a warlike race who fought fiercely against their enemies, including other Dwarves.[T 5] Highly skilled in the making of weapons and armour, their main weapon was the battle axe, but they also used bows, swords, shields and mattocks, and wore armour.[T 6]

Origins
Further information: The Silmarillion

The Dwarves are portrayed in The Silmarillion as an ancient people who awoke, like the Elves, at the start of the First Age during the Years of the Trees, after the Elves but before the existence of the Sun and Moon. The Vala Aulë, impatient for the arising of the Children of Ilúvatar, created the seven Fathers of the Dwarves in secret, intending them to be his children to whom he could teach his crafts. He also taught them Khuzdul, a language he had devised for them. Ilúvatar, creator of Arda, was aware of the Dwarves' creation and sanctified them. Aulë sealed the seven Fathers of the Dwarves in stone chambers in far-flung regions of Middle-earth to await their awakening.[1][T 7]

The petty-dwarf Mîm may derive from the shrunken figure of Mime,[2] here shown cowering behind the celebrating Siegfried in Wagner's opera Der Ring des Nibelungen. Illustration by Arthur Rackham, 1911

Each of the Seven Fathers founded one of the seven Dwarf clans. Durin I was the eldest, and the first of his kind to awake in Middle-earth. He awoke in Mount Gundabad, in the northern Misty Mountains, and founded the clan of Longbeards (Durin's Folk); they founded the city of Khazad-dûm below the Misty Mountains, and later realms in the Grey Mountains and Erebor (the Lonely Mountain). Two others were laid in sleep in the north of the Ered Luin or Blue Mountains, and they founded the lines of the Broadbeams and the Firebeards. The remaining four clans, the Ironfists, Stiffbeards, Blacklocks, and Stonefoots came from the East.[T 4] After the end of the First Age, the Dwarves spoken of are almost exclusively of Durin's line.[T 8]

A further division, the even shorter Petty-dwarves, appears in The Silmarillion[T 9][3] and The Children of Hurin.[T 10] Mîm, the last known Petty-dwarf, has been said by Moseley to resemble the similarly named character Mime from the Nibelungenlied.[2]

Artefacts

Mining, masonry, and metalwork
Further information: Named weapons in Middle-earth

As creations of Aulë, they were attracted to the substances of Arda. They mined and worked precious metals throughout the mountains of Middle-earth. They were unrivalled in smithing, crafting, metalworking, and masonry, even among the Elves. The Dwarf-smith Telchar was the greatest in renown.[T 11] They built immense halls under mountains where they built their cities. They built many famed halls including the Menegroth, Khazad-dûm, and Erebor.[T 5] Among the many treasures they forged were the named weapons Narsil, the sword of Elendil, the Dragon-helm of Dor-lómin and the necklace Nauglamír, the most prized treasure in Nargothrond and the most famed Dwarven work of the Elder Days.[T 12] In The Hobbit, Thorin gives Bilbo a Mithril coat of linked rings of mail.[T 13]

Language and names
Main articles: Khuzdul and Cirth
Tolkien invented parts of Middle-earth to resolve the linguistic puzzle he had accidentally created by using different European languages for those of peoples in his legendarium.[4][T 14]

In Grey-elvish or Sindarin the Dwarves were called Naugrim ("Stunted People"), Gonnhirrim ("Stone-lords"), and Dornhoth ("Thrawn Folk"), and Hadhodrim. In Quenya they were the Casári. The Dwarves called themselves Khazâd in their own language, Khuzdul.[T 15] Khuzdul was created for them by Aulë, rather than being descended from an Elvish language, as most of the languages of Men were. They wrote it using Cirth runes, a writing system originally created by Elves in Beleriand to write Sindarin, and was later more fully developed by Daeron, an Elf of Doriath. The Cirth runes were adapted by Dwarves for writing Khuzdul.[5] The Dwarves kept their language secret and did not normally teach it to others, so they learned both Quenya and Sindarin in order to communicate with the Elves, most notably the Noldor and Sindar. By the Third Age, however, the Dwarves were estranged from the Elves and no longer routinely learned their language. Instead, they usually used the Westron or Common Speech, a Mannish tongue, in communicating with other races.[T 5][T 16]

Each Dwarf had two personal names, a secret or "inner" name in Khuzdul, which was used only among other Dwarves and was never revealed to outsiders, and a public "outer" name for use with other races, which was taken from the language of the people amongst whom the Dwarf lived. For example, the Dwarves of Moria and the Lonely Mountain used outer names taken from the language of the Men of the north where they lived.[T 15]

In reality, Tolkien took the names of 12 of the 13 dwarves – excluding Balin – that he used in The Hobbit from the Old Norse Völuspá, long before the idea of Khuzdul arose.[1][6] When he came to write The Lord of the Rings, in order to explain why the Dwarves had Norse names, he created an elaborate fiction that many of the languages used in the book were "translated" into real-life languages for the benefit of the reader, roughly retaining the relationships of the languages among themselves. Thus, Westron was translated into English, the related but more archaic language of the Rohirrim was translated into Anglo-Saxon (Old English), and the even more distantly related language of Dale was translated into Norse. It is possible that the problem of explaining the Dwarves' Norse names was the origin of the entire structure of the Mannish languages in Middle-earth along with the fiction of "translation".[7]

Calendar

Tolkien's only mention of the Dwarves' calendar is in The Hobbit, regarding the "dwarves' New Year" or Durin's Day, which occurs on the day of the last new moon of autumn.[T 17] However, in his first drafts of the book, Durin's Day was the first new moon of autumn. After he had finished writing the book, Tolkien went back and changed all occurrences of the date to the last new moon, more in keeping with the real-world Celtic calendar, but overlooked one mention in Chapter IV, which still referred to the date as the first new moon.[T 18] Tolkien never noticed this inconsistency, and it was not corrected until the 1995 edition of the book.[8] Astronomer Bradley E. Schaefer has analysed the astronomical determinants of Durin's Day. He concluded that – as with many real-world lunar calendars – the date of Durin's Day is observational, dependent on the first visible crescent moon.[9]

Concept and creation

Norse myth
Further information: Tolkien and the Norse

In Tolkien's The Book of Lost Tales, the very few Dwarves who appear are portrayed as evil beings, employers of Orc mercenaries and in conflict with the Elves—who are the imagined "authors" of the myths, and are therefore biased against Dwarves.[1][T 19][T 20] Tolkien was inspired by the dwarves of Norse myths[10][11] and of Germanic folklore (such as that of the Brothers Grimm), from whom his Dwarves take their characteristic affinity with mining, metalworking, and crafting.[12][13]

Jewish history

In The Hobbit, Dwarves are portrayed as occasionally comedic and bumbling, but largely as honourable, serious-minded, and proud. Tolkien was influenced by his own selective reading of medieval texts regarding Jewish people and their history.[14] The dwarves' characteristics of being dispossessed of their homeland in Erebor, and living among other groups but retaining their own culture, are derived from the medieval image of Jews,[14] while, according to the Tolkien scholar John D. Rateliff, their warlike nature stems from accounts in the Hebrew Bible.[14] Medieval views of Jews also saw them as having a propensity for making well-crafted and beautiful things,[14] a trait shared with Norse dwarves.[11][15] The Dwarf calendar invented for The Hobbit reflects the Jewish calendar's Rosh Hashanah in beginning in late autumn.[14][16]

In The Lord of the Rings, Tolkien continued the themes of The Hobbit. When giving Dwarves their own language, Khuzdul, Tolkien decided to create an analogue of a Semitic language influenced by Hebrew phonology. Like medieval Jewish groups, the Dwarves used their own language only among themselves, and adopted the languages of those they live amongst for the most part, for example taking public names from the cultures they lived within, whilst keeping their "true-names" and true language a secret.[17] Tolkien also invented the Cirth runes, in the fiction said to have been invented by Elves and later adopted by the Dwarves. Tolkien further underlined the diaspora of the Dwarves with the lost stronghold of the Mines of Moria. Tolkien elaborated on Jewish influence on his Dwarves in a letter: "I do think of the 'Dwarves' like Jews: at once native and alien in their habitations, speaking the languages of the country, but with an accent due to their own private tongue..."[T 21] In the last interview before his death, Tolkien said "The dwarves of course are quite obviously, wouldn't you say, that in many ways they remind you of the Jews? Their words are Semitic, obviously, constructed to be Semitic."[18] This raises the question, examined by Rebecca Brackmann in Mythlore, of whether there was an element of antisemitism, however deeply buried, in Tolkien's account of the Dwarves, inherited from English attitudes of his time. Brackman notes that Tolkien himself attempted to work through the issue in his Middle-earth writings.[19]

Tolkien's use of Jewish history for his Dwarves[14]
AspectHistorical elementApplication to Dwarves
Disposession of homelandJewish diasporaLiving in exile from Moria and Erebor, retaining own culture
Warlike natureMedieval image of JewsWarlike Dwarves
SkillMedieval image of JewsPropensity for making well-crafted, beautiful things
(like Norse Dwarves, too)
Jewish calendarRosh Hashanah, the Jewish New Year (September/October)Dwarves' new year is in late autumn
Private languageMedieval Jews spoke Hebrew-derived language alongside local languagesDwarves spoke "Semitic"[18] Khuzdul amongst themselves, shared language (Westron) to others[T 21]

Spelling

The original editor of The Hobbit "corrected" Tolkien's plural "dwarves" to "dwarfs", as did the editor of the Puffin paperback edition.[T 22] According to Tolkien, the "real 'historical' plural" of "dwarf" is "dwarrows" or "dwerrows".[20] He described the word "dwarves" as "a piece of private bad grammar".[T 23] In Appendix F of The Lord of the Rings, Tolkien explained that if people still spoke of "dwarves" regularly, English might have retained a special plural for the word "dwarf", as with the irregular plural of "goose", "geese".[T 15] Despite his fondness for it,[T 15] the form "dwarrow" only appears in his writing as "Dwarrowdelf" ("Dwarf-digging"), a name for Moria. He used "Dwarves", instead, corresponding to his "Elves" as a plural for "Elf". Tolkien used "dwarvish"[T 24] and "dwarf(-)" (e.g. "Dwarf-lords", "Old Dwarf Road") as adjectives for the people he created.[T 15]

Adaptations

Films
Gimli in Ralph Bakshi's The Lord of the Rings (1978) voiced by David Buck

In Rankin-Bass' 1977 animated film adaptation of The Hobbit, Thorin was voiced by Hans Conreid, with Don Messick voicing Balin, John Stephenson voicing Dori, Jack DeLeon voicing Dwalin, Fíli, Kíli, Óin, Glóin, Ori, Nori, Bifur, and Bofur, and Paul Frees voicing Bombur.[21]

In Ralph Bakshi's 1978 animated film The Lord of the Rings, the part of the Dwarf Gimli was voiced by David Buck.[22]

In Peter Jackson's live action adaptation of The Lord of the Rings film trilogy, Gimli's character is from time to time used as comic relief, whether with jokes about his height or his rivalry with Legolas.[23][24] Gimli is played by John Rhys-Davies, who portrayed the character as having a Scottish accent.[25]

In Jackson's three-film adaptation of The Hobbit, Thorin is portrayed by Richard Armitage, with Ken Stott as Balin, Graham McTavish as Dwalin, Aidan Turner as Kíli, Dean O'Gorman as Fíli, Mark Hadlow as Dori, Jed Brophy as Nori, Adam Brown as Ori, John Callen as Óin, Peter Hambleton as Glóin, William Kircher as Bifur, James Nesbitt as Bofur, and Stephen Hunter as Bombur. Jackson's films introduce a story arc not found in the original novel, in which Kili and the Elf Tauriel (a character also invented for the films) fall in love.[26]

Role-playing games
Dwarves at the Council of Elrond in Peter Jackson's The Fellowship of the Ring

In Iron Crown Enterprises' Middle-earth Role Playing (1986), Dwarf player-characters receive statistical bonuses to Strength and Constitution, and subtractions from Presence, Agility and Intelligence. Seven "Dwarven Kindreds", named after each of the founding fathers—Durin, Bávor, Dwálin, Thrár, Druin, Thelór and Bárin—are given in The Lords of Middle-earth—Volume III (1989).[27]

In Decipher Inc.'s The Lord of the Rings Roleplaying Game (2001), based on the Jackson films, Dwarf player-characters get bonuses to Vitality and Strength attributes and must be given craft skills.[28]

In the real-time strategy game The Lord of the Rings: The Battle for Middle-earth II, and its expansion, both based on the Jackson films, Dwarves are heavily influenced by classical military practice, and use throwing axes, war hammers, spears, and circular or Roman-style shields. One dwarf unit is the "Phalanx", similar to its Greek counterpart.[29]

References

Primary
  1. Tolkien 1955, Appendix A, "Durin's Folk"
  2. Tolkien 1996, "The Making of Appendix A": (iv) "Durin's Folk"
  3. Tolkien 1937, ch. 1 "An Unexpected Party"
  4. Tolkien 1996, part 2, ch. 10 "Of Dwarves and Men"
  5. Tolkien 1977, ch. 10 "Of the Sindar"
  6. Tolkien 1937, ch. 15 "The Gathering of the Clouds"
  7. Tolkien 1977, ch. 2 "Of Aulë and Yavanna"
  8. Tolkien 1954a, book 1, ch. 2 "The Shadow of the Past"
  9. Tolkien 1977, ch. 21 "Of Túrin Turambar"
  10. Tolkien 2007, ch. 8 "The Land of Bow and helm"
  11. Tolkien 1977, ch. 2 "Of Aulë and Yavanna"
  12. Tolkien 1977, ch. 22 "Of the Ruin of Doriath"
  13. Tolkien 1937, ch. 13, "Not at Home"
  14. Carpenter 1981, #144, to Naomi Mitchison, 25 April 1954
  15. Tolkien 1955, Appendix F, "On Translation"
  16. Tolkien 1955, Appendix F, "Of Other Races"
  17. Tolkien 1937, ch. 3 "A Short Rest"
  18. Tolkien 1937, ch. 4 "Over Hill and Under Hill": "They had thought of coming to the secret door in the Lonely Mountain, perhaps that very next first moon of Autumn 'and perhaps it will be Durin's Day' they had said."
  19. Tolkien 1984, "Gilfanon's Tale"
  20. Tolkien 1984, "The Nauglafring"
  21. Carpenter 1981, #176 to Naomi Mitchison, 8 December 1955
  22. Carpenter 1981, #138 to Christopher Tolkien, 4 August 1953
  23. Carpenter 1981, #17 to Stanley Unwin, 15 October 1937
  24. Tolkien 1937, Preface

Secondary
  1. Evans, Jonathan (2013) [2007]. "Dwarves". In Drout, Michael D. C. (ed.). The J. R. R. Tolkien Encyclopedia. Abingdon, England: Routledge. pp. 134–135. ISBN 978-0-415-86511-1.
  2. Moseley, Charles (1997). J. R. R. Tolkien. Oxford, England: Oxford University Press. p. 32. ISBN 978-0-746-30763-2.
  3. Rateliff 2007, Volume One Mr. Baggins, p. 78
  4. Shippey, Thomas (1982). The Road to Middle-Earth. New York City: Grafton (HarperCollins). pp. 131–133. ISBN 0261102753.
  5. Noel, Ruth S. (1980). The Languages of Tolkien's Middle-earth. Boston, Massachusetts: Houghton Mifflin. Part 1, ch. 5, "The Languages of Rhovanion", pp. 30–34. ISBN 978-0395291306.
  6. Rateliff 2007, Volume 2 Return to Bag-End, Appendix 3
  7. Tolkien 1996, p.71
  8. Rateliff 2007, Volume 1 Mr. Baggins, p.124
  9. Schaefer, Bradley E. (1994). "The Hobbit and Durin's Day". The Griffith Observer. Los Angeles, California: Griffith Observatory. 58 (11): 12–17.
  10. Shippey, Thomas (2000). J.R.R. Tolkien: Author of the Century. London, England: HarperCollins. ISBN 978-0-618-12764-1.
  11. Burns, Marjorie J. (2004). "Norse and Christian Gods: The Integrative Theology of J.R.R. Tolkien". In Chance, Jane (ed.). Tolkien and the Invention of Myth: A Reader. Lexington, Kentucky: University Press of Kentucky. pp. 163–178. ISBN 0-8131-2301-1.
  12. Ashliman, D. L. "Grimm Brothers' Home Page". www.pitt.edu. Pittsburgh, Pennsylvania: University of Pittsburgh.
  13. McCoy, Daniel. "Dwarves". Norse Mythology.
  14. Rateliff 2007, Part One Mr. Baggins, pp. 79–80
  15. Poetic Edda, translated by Henry Adams Bellows.
  16. Eden, Bradford Lee (2014). The Hobbit and Tolkien's Mythology: Essays on Revisions and Influences. Jefferson, North Carolina: McFarland. p. 40. ISBN 978-0-7864-7960-3.
  17. Anderson, Douglas History of the Hobbit, HarperCollins 2006, p. 80
  18. Lebovic, Matt (11 December 2013). "Are Tolkien's dwarves an allegory for the Jews?". The Times of Israel. Archived from the original on 13 December 2013. Retrieved 13 March 2023. Tolkien spoke about the Jewish-dwarvish connection during a BBC interview. "I didn't intend it, but when you've got these people on your hands, you've got to make them different, haven't you?" said Tolkien during the 1971 interview. "The dwarves of course are quite obviously, wouldn't you say that in many ways they remind you of the Jews? Their words are Semitic, obviously, constructed to be Semitic."
  19. Brackmann, Rebecca (2010). ""Dwarves are Not Heroes": Antisemitism and the Dwarves in J.R.R. Tolkien's Writing". Mythlore. Lansing, Michigan: Mythopoeic Society. 28 (3/4). article 7.
  20. "Dwarf". Online Etymology Dictionary. Retrieved 6 April 2018.
  21. "The Hobbit (1977 Movie)". Behind the Voice Actors. Retrieved 17 June 2022.
  22. Beck, Jerry (2005). The Animated Movie Guide. Chicago, Illinois: Chicago Review Press. p. 154. ISBN 978-1-56976-222-6.
  23. Flieger, Verlyn (2011). "Sometimes One Word Is Worth a Thousand Pictures". In Bogstad, Janice M.; Kaveny, Philip E. (eds.). Picturing Tolkien. Jefferson, North Carolina: McFarland. p. 48. ISBN 978-0-7864-8473-7.
  24. Brennan Croft, Janet (February 2003). "The Mines of Moria: 'Anticipation' and 'Flattening' in Peter Jackson's The Fellowship of the Ring". Southwest/Texas Popular Culture Association Conference, Albuquerque. Norman, Oklahoma: University of Oklahoma. Archived from the original on 31 October 2011.
  25. Sibley, Brian (2013). The Hobbit: The Desolation of Smaug Official Movie Guide. New York City: HarperCollins. p. 27. ISBN 9780007498079.
  26. Sims, Andrew (5 June 2013). "'The Hobbit: The Desolation of Smaug': First look at Evangeline Lilly as new character Tauriel". Hypable. Retrieved 20 August 2013.
  27. Lords of Middle-earth. Vol. III. New York City: Berkley Publishing. 1989. ISBN 978-1-55806-052-4. OCLC 948478096.
  28. Long, Steven (2002). The Lord of the rings roleplaying game : core book. Decipher, Inc. ISBN 978-1-58236-951-8. OCLC 51570885.
  29. "Battle for Middle-earth II - The Dwarves". IGN. Retrieved 26 July 2020.

Sources
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