Leonardo (2021 TV series)

Leonardo is a historical drama created by Frank Spotnitz and Steve Thompson. The series was produced by Italian Lux Vide in collaboration with Rai Fiction, Sony Pictures Entertainment, with Frank Spotnitz's Big Light Productions and Freddie Highmore's Alfresco Pictures in association with France Télévisions and RTVE.[1]

This article is about the 2021 television series. For the CBBC series starring Jonathan Bailey as teenage Leonardo, see Leonardo (2011 TV series).

Leonardo
GenreHistorical drama
Created by
Directed byDan Percival
Alexis Sweet
Starring
ComposerJohn Paesano
Country of originItaly
Original languageEnglish
No. of series1
No. of episodes8 (list of episodes)
Production
Executive producers
Running time52 minutes
Production companiesLux Vide
Big Light Productions
Rai Fiction
Sony Pictures Television
France Télévisions
RTVE
Alfresco Pictures
Release
Original networkRai 1
Original release23 March 2021 (2021-03-23) –
present

The series recounts Leonardo da Vinci's extraordinary life through the works that made him famous and through the stories hidden within those works, revealing little by little the inner torments of a man obsessed with attaining perfection.

In March 2021, it was announced that Leonardo would return for a second season.[2]

In October 2022 news emerged that Lux Vide, who made the renewal announcement, have been acquired by the Fremantle group.[3]

Plot

In 1506, Leonardo da Vinci, the most famous artist of his time, is accused of the murder of Caterina da Cremona. Questioned by Stefano Giraldi, an ambitious officer of the Duchy of Milan, Leonardo begins to tell his life, starting from the first meeting with Caterina in Andrea del Verrocchio's workshop. Giraldi, fascinated by the artist's personality, begins to suspect that Leonardo may be innocent and investigates to discover the truth.

Cast

Main

Recurring

Episodes
No.TitleDirected by [4]Written byOriginal air date
1Episode 1Dan PercivalFrank Spotnitz, Steve Thompson23 March 2021 (2021-03-23)
Milan, 1506. Leonardo is arrested for poisoning Caterina de Cremona. After protesting his innocence to Stefano Giraldi, Leonardo remembers back to his days as an apprentice in Andrea del Verrocchio's studio, where he first meets Caterina.
2Episode 2Dan PercivalFrank Spotnitz23 March 2021 (2021-03-23)
With Leonardo's successes recognised and his reputation growing, a risky decision sets to destroy everything he has worked for. Leonardo receives support through new commissions (the Portrait of Ginevra de Benci and The Adoration of the Magi), but pays the price for his actions.
3Episode 3Dan PercivalGabbie Asher30 March 2021 (2021-03-30)
Leonardo ventures to Milan with a determination to claim an offer of patronage from the Duke Regent, Ludovico Sforza. When the reality of the situation turns out to be less appealing and he is assigned to produce a big theatrical entertainment instead of a painting, a newfound relationship helps liberate Leonardo's imagination.
4Episode 4Dan PercivalSteve Thompson30 March 2021 (2021-03-30)
When Ludovico asks Leonardo to create a sculpture in honour of his father, Leonardo's ambitions rise as he tries to outperform. During the work, Leonardo finds himself in Gian Galeazzo Sforza, the young duke of Milan and puts trust in an unexpected source, Salaì, a resourceful thief. As he gets distracted from Caterina, Leonardo ends up in a race against time with a costly decision to make.
5Episode 5Alexis SweetFrank Spotnitz6 April 2021 (2021-04-06)
After the death of Ludovico's wife, he is given a new art commission but struggles with inner turmoil. After reflecting on wise words from Father Luca Pacioli, Leonardo seeks assistance from friends and presses on with the work, despite tensions in the city. Putting his creativity to the test and experimenting with a new technique, he must deal with the consequences of his actions and results.
6Episode 6Alexis SweetSteve Thompson6 April 2021 (2021-04-06)
Returning to Florence, an uninspired Leonardo accepts to paint the portrait of Lisa Gherardini, that will become the Mona Lisa. After failing to repair his relationship with Caterina, Leonardo goes to Imola, where he receives much praise from his employer, Cesare Borgia.
7Episode 7Dan PercivalSteve Thompson13 April 2021 (2021-04-13)
Reunited with Caterina, Leonardo perseveres with his work but is frustrated by the growing success of a younger artist, Michelangelo. Putting his feelings aside, Leonardo is persuaded to accept a new commission, a giant fresco of the Battle of Anghiari, but faces competition from his newfound rival.
8Episode 8Dan PercivalFrank Spotnitz13 April 2021 (2021-04-13)
Time is short as Stefano races to save Leonardo and uncovers his secret. With facts and no evidence, an epiphany leads Stefano going to a remote source for help. As the execution nears, Leonardo's life hangs by a thread. His guilt is upheld, and hope seems lost. Holding the fate of Milan's greatest artist in his hands, Stefano realises the answer he seeks lies in the man he is striving to save.

Broadcast

The series premiered on 23 March 2021 on Rai 1.[5] In the United Kingdom and Ireland, the series aired on Amazon Prime Video, premiering 16 April 2021.[6] In India, the series premiered on SonyLIV on 9 April 2021.[7] It aired in Canada on 15 April on Telus, while in Spain, on 3 June on RTVE. In March 2022, The CW picked up the series in the United States; it premiered on 16 August 2022 as part of the network's summer programming slate in the 2021–22 television season.[8]

Historical inaccuracies

The producers openly declared that they had purposely moved away from historical reality to insert elements of fantasy, such as the story relating to the murder accusation of Leonardo and the character of Caterina da Cremona. Among the alterations to real events are:[9][10][11][12][13][14][15]

Episodes 1 and 2
  • The first part of the series is set in 1490 (sixteen years before 1506) and Leonardo is shown as a pupil of Verrocchio. Actually Leonardo attended Verrocchio's workshop between 1468 and 1470, while in 1490 Verrocchio had already been dead for two years and Leonardo had his own shop.
  • The process of mixing colors was among the first things that were taught to apprentices as soon as they entered a workshop, that is, as children. In the series an adult Leonardo is taught by his master this procedure for the first time, although Leonardo himself had already secretly painted with colours a few scenes before.
  • Leonardo, who is initially shown to be little appreciated by Verrocchio, had actually already collaborated with him well before the Baptism of Christ. In the painting Tobias and the Angel – which can be seen in the background of the master's studio – the details of the dog and fish have been recognised as Leonardo's production.
  • It was not Ludovico il Moro who went to Florence to ask for Leonardo's services; it was instead Leonardo himself who in 1482 moved to Milan, sent by Lorenzo the Magnificent as a lyre player[16] and who presented Ludovico a sort of "curriculum" by letter.[17]
  • Amerigo de 'Benci, Ginevra's father, was already dead at the time Leonardo began her portrait, and for this reason he could not be the one who mutilated the lower part of the painting. It was probably curtailed in the next centuries because the hands were irremediably worn.[18] Ginevra herself had also been married for at least a year to Luigi Niccolini (1474) when the portrait was commissioned.[19]
  • Although the memory of the kite is true, as told by Leonardo himself, it does not appear that the latter was ever considered cursed, neither as a newborn nor as an adult.[20]
  • Bernardo Bembo was actually ambassador in Florence in 1475 under the doge Pietro Mocenigo and in 1478 under the doge Giovanni Mocenigo. In the series he presents himself instead as ambassador in Milan: in accordance with his office, he would have had the duty to reside in Milan, while we initially find it in Florence. Under the dogate of Agostino Barbarigo, whom he named at the beginning, Bernardo held other positions not in Florence.[21]
  • Bernardo Bembo at the time of Ginevra's portrait (1474–1478) was a man in his forties, married to Elena Marcello and father of five children (including the famous humanist Pietro Bembo), while in the series he is said to be still unmarried.[21]
  • It does not appear that Piero da Vinci ever harboured hatred towards his son Leonardo; on the contrary, he welcomed him into his family and managed to guarantee him a future by sending him to a workshop.

Episodes 3 and 4
  • Duke Gian Galeazzo declares to Leonardo that he detests hunting. Actually, it is historically documented that his greatest passion was precisely hunting.[22]
  • During a court dinner we see the dukes and their courtiers eating with their hands, despite forks having already been in use in Italy for a long time. On the other hand, this was not the case in the rest of Europe: the French and the king of France himself were criticized by the Italians as uncivilized for their habit of eating with their hands.[23]
  • "King Louis of France" is mentioned as responsible for the plot against Ludovico Sforza, but the event clearly takes place before 1496, when the king of France was still Charles VIII. There was also never any attempt by Louis d'Orleáns to poison Ludovico Sforza.
  • Salaì is presented in the series as a young thief and vagabond, while in reality he entered Leonardo's workshop as an apprentice at the age of ten in 1490 and was later defined as a "thief" by Leonardo himself because of his numerous pranks and of the petty thefts he carried out.[24]
  • The series suggests that Ludovico Sforza used to mistreat his wife Beatrice d'Este. Actually, from the sources of the time, it appears that it was Duke Gian Galeazzo who beat his wife Isabella of Aragon, while no such act is attributable to Ludovico.[22][25]
  • Gian Galeazzo died at the age of twenty-five in 1494 and not as a child as shown in the series.

Episodes 5 and 6
  • The childbirth of Beatrice d'Este was substantially different way than as shown in the series. Indeed, Beatrice probably had a premature labour, giving birth to a son already dead and dying in turn an hour and a half later, while in the series it is implied that the child is not born at all. Furthermore, at that time the management of pregnancy and childbirth was the sole responsibility of the midwives, while doctors hardly ever intervened and men were not allowed into the delivery room. Beatrice herself had her own personal midwife, comare Frasina da Ferrara, who assisted her during her three childbirths.[26]
  • Although it is true that Ludovico Sforza, destroyed by the death of his wife, focused since that moment exclusively on the embellishment of Santa Maria delle Grazie, the Last Supper was commissioned to Leonardo long before the death of Beatrice d'Este, i.e. in 1494.
  • The conquest of the Duchy of Milan was entrusted by King Louis XII to the famous leader Gian Giacomo Trivulzio, and not to Cesare Borgia as shown in the series.
  • Lisa Gherardini declares to mourn for the death of her newborn daughter of only six months. Actually it was not the custom in the fifteenth century to mourn for children who died as babies, as it was done instead for parents or other important personalities, since infant mortality was extremely high.
  • Guidobaldo da Montefeltro declares to Cesare Borgia that he has a son, but he actually never had children, and was instead accused of impotence.[27]

Episodes 7 and 8
  • Ludovico Sforza had numerous surviving children, including the two legitimate ones he had from Beatrice d'Este and at least three of the illegitimate ones. The existence of Francesco (son of Caterina da Cremona) would not therefore have been a problem for him - indeed in the Renaissance every bastard son was a source of pride - nor would the French have had the opportunity or reason to use him against Ludovico to "claim the kingdom". Rather, it was Louis XII himself who claimed the Duchy of Milan as his own possession, being a descendant of a Visconti, and it was the threats of the latter that forced Ludovico's children to escape, certainly not those of their own father.[22]
  • Galeazzo Sanseverino, after a few years spent at the imperial court of Innsbruck, moved in 1504 to France where he entered into the good graces of Louis XII, even becoming Grand Squire of France, and he was still in France in 1506, while in the series he is shown in Florence and still in the service of Ludovico Sforza.
  • Ludovico Sforza's last attempt to reconquer Milan dates back to the early months of 1500, before his incarceration in the castle of Loches. The attempts of Galeazzo Sanseverino and even of the Emperor Maximilian I of Habsburg, both relatives of him, to mediate with the king of France to obtain his release were vain. Therefore, the gonfaloniere Soderini could have done nothing and indeed his intervention was never requested.

Other historical liberties
  • The beard was absolutely not fashionable in those years in Italy, nor would it have become so before the first decade of the 1500s. It was indeed a symbol of mourning, therefore almost none of the historical characters shown in the series, at least during the years preceding such date, ever wore a beard.
  • The earrings, which we see many female characters from the series wearing, were in fact not at all fashionable at the end of the 15th century. Indeed, they were the prerogative of women of Eastern origin, such as the Greeks of Venice, and courtesans.
  • The "Palazzo Sforza", where the ducal family is shown living in the series, does not actually exist. The main residence of the Dukes of Milan was the Castello Sforzesco and if there was a palace it was that of the Arengo, where Ludovico's father, Francesco Sforza, lived. By the time of Il Moro, however, the court had already moved into the castle and the Palazzo dell'Arengo was used as offices, where among other things Leonardo himself held a workshop.[22]
  • On the coat of arms located at the gates of the Castello Sforzesco one can see the imperial eagle and the Visconti viper as in the time of Ludovico il Moro. This is anachronistic in 1506, since at the time Milan was under the French and there should have been the coat of arms of Louis XII, including the Visconti viper and the French Fleur-de-lis.
  • Among Verrocchio's pupils and collaborators there were Lorenzo di Credi (who inherited the workshop), Sandro Botticelli, Perugino, Domenico Ghirlandaio and Filippino Lippi; however, none of them is named, replaced in the series by fictional pupils.

See also

References
  1. "'Leonardo', arriva sul piccolo schermo la vita del geniale inventore toscano" (in Italian). La Repubblica. 24 February 2021. Retrieved 14 March 2021.
  2. "Leonardo series debuts on Amazon Prime as producers confirm second season". 16 April 2021.
  3. "Will There be a Leonardo Season 2? | Telly Visions".
  4. "Leonardo". Lux Vide Productions. Retrieved 23 February 2021.
  5. Perugini, Sergio (27 March 2021). "Miniserie e prime visioni, cosa guardare in streaming in tv". Corriere Cesenate.
  6. Craig, David (15 March 2021). "Leonardo release date: Latest news on Aidan Turner's da Vinci drama". Radio Times. Retrieved 2 April 2021.
  7. "Leonardo review: SonyLIV series offers in-depth study on life and times of the historic Renaissance artist". Firstpost. 9 April 2021. Retrieved 17 April 2021.
  8. White, Peter (19 October 2021). "Aidan Turner Italian Series 'Leonardo' & Australian Comedy Drama 'Bump' Land At The CW". Deadline Hollywood. Retrieved 19 October 2021.
  9. ""Leonardo" (2021): fake news o lecita finzione?". Questione Civile.
  10. "Gli errori nella serie "Leonardo": dai personaggi agli eventi realmente accaduti". Meteoweek.
  11. "Leonardo, la serie tv più attesa e ridicola dell'anno". Spettacoli.
  12. "Leonardo, tra fantasia e realtà storica".
  13. "Leonardo da Vinci, realtà e finzione nella serie tv".
  14. "Leonardo da Vinci offeso dalla fiction".
  15. "Leonardo, le incongruenze della serie tv con la realtà: i 10 elementi romanzati che non avete notato".
  16. Anonimo Gaddiano
  17. Codex Atlanticus, c 270 r.
  18. BENCI, Amerigo on Treccani.
  19. BENCI, Ginevra on Treccani.
  20. Codex Atlanticus, c 61 r.
  21. BEMBO, Bernardo on Treccani.
  22. Francesco Malaguzzi Valeri, La corte di Lodovico il Moro, la vita privata e l'arte a Milano nella seconda metà del quattrocento.
  23. Francesco Malaguzzi Valeri (1913). La corte di Lodovico il Moro, la vita privata e l'arte a Milano nella seconda metà del quattrocento. p. 85.
  24. CAPROTTI, Gian Giacomo de', detto Salaj on Treccani.
  25. Julia Cartwright, Beatrice d'Este duchessa di Milano.
  26. Luisa Giordano, Beatrice d'Este (1475-1497).
  27. Bernardino Baldi da Urbino, Della vita e de' fatti di Guidobaldo I da Montefeltro duca d'Urbino.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.