Marian Ainslee
Marian Ainslee (1896 – 1966) was an American screenwriter and researcher[1] active during Hollywood's silent film era. She often co-wrote titles for silent films with Ruth Cummings.[2]
Marian Ainslee | |
---|---|
Born | January 5, 1896 Marceline, Missouri, USA |
Died | April 2, 1966 (aged 70) Los Angeles, California, USA |
Spouse | Albert Coonley |
Biography
Marian Ainslee was born in Marceline, Missouri. Her first job out of school was as a newspaper reporter in Jefferson City, Missouri, where she interviewed politicians. Discouraged by salaries she encountered in journalism, she decided to move to Hollywood and give screenwriting a try.[3] After getting her start as a script clerk,[4] Ainslee became one of MGM's top title writers during the 1920s and early 1930s, linked closely to producer Irving Thalberg.[5] When Thalberg died, she briefly retired from screenwriting; in 1938, she signed with RKO and wrote Carefree. According to one estimation, she titled as many as 200 films during her time in the business.[6] She was married to Albert Coonley, a newspaper artist; they appear to have been divorced by the time of his death in 1941.[7]
Selected filmography
- The Duke of Chimney Butte (1921)
- Foolish Wives (1922)
- A Lady of Quality (1924)
- He Who Gets Slapped (1924)
- Secrets of the Night (1924)
- The Merry Widow (1925)
- Graustark (1925)
- The Tower of Lies (1925)
- Bardelys the Magnificent (1926)
- The Temptress (1926)
- Flesh and the Devil (1926)
- Winners of the Wilderness (1927)
- Lovers? (1927)
- California (1927)
- Annie Laurie (1927)
- Foreign Devils (1927)
- Quality Street (1927)
- In Old Kentucky (1927)
- Love (1927)
- A Certain Young Woman (1928)
- The Mysterious Lady (1928)
- Our Dancing Daughters (1928)
- The Masks of the Devil (1928)
- Dream of Love (1928)
- A Woman of Affairs (1928)
- Wild Orchids (1929)
- Desert Nights (1929)
- The Bridge of San Luis Rey (1929)
- Wonder of Woman (1929)
- The Single Standard (1929)
- Hallelujah (1929)
- Our Modern Maidens (1929)
- The Kiss (1929)
- Queen Kelly (1932)
- What Every Woman Knows (1934)
- Carefree (1938)
References
- "Research Experts Solve Biggest Film Problems". Tampa Bay Times. 1 Jun 1924. Retrieved 2019-01-25.
- Reid, Panthea (2009-12-10). Tillie Olsen: One Woman, Many Riddles. Rutgers University Press. ISBN 978-0-8135-4813-5.
- "Interesting Guest Stars Career in News Office". The South Bend Tribune. 9 Mar 1930. Retrieved 2019-01-25.
- "Scenario Writers Drawn from All Walks". The Courier-News. 25 Aug 1926. Retrieved 2019-01-25.
- "Given New Assignment". The Baltimore Sun. 1 Aug 1937. Retrieved 2019-01-25.
- "Briefs". Casper Star-Tribune. 18 Dec 1927. Retrieved 2019-01-25.
- "Obituary". The South Bend Tribune. 16 Apr 1941. Retrieved 2019-01-25.