Karbi people

The Karbis mainly speak their native language, i.e. Karbi language. Karbis are well versed in Assamese which is used as lingua-franca to communicate with other indigenous Assamese communities. Many of the plain Karbis use Assamese as their mother tongue. Several Assamese loan words have made their way into the Karbi Language and this is apparent in most parts of Karbi Anglong. For example, Kaam (Assamese origin word) is used in place of Sai which means Work in English. Even Assamese also has loan words. For example "Hanseronk Tenga" ( Karbi origin word) "Hanseronk". There are also minute variations in native Karbi language that can be observed in different geographical regions inhabited by the Karbis. For example, the Plain Karbis and Hill Karbis.

The Karbis are a patrilineal society. They are composed of five major clans or Kur. They are Engti (Lijang), Terang (Hanjang), Enghee (Ejang), Teron (Kronjang) and Timung (Tungjang) which are again divided into many sub-clans.

Clans in Karbi are exogamous, in other words, marriages between members of the same clan are not allowed because they are considered brothers and sisters among themselves. Cousin Marriage (in-laws, Mother & Father side) is highly favoured and so is a love marriage. Arranged marriages are rarely seen in modern Karbi society. After marriage, neither the bride nor the groom changes their surname i.e. they retain their original surname. Due to the same reason, a member of the same clan cannot marry each other. The children of the couple would inherit the surname of their father. The notion of Dowry doesn't exist in Karbi, as well as in the indigenous people of Northeast India region.

The traditional system of governance is headed by the Lindok, the king, who is assisted by the Katharpo, the Dilis, the Habes, and the Pinpos. These posts of administration, however, are now merely ceremonial with no real power.

The Karbis celebrate many festivals. Among them Hacha-Kekan, Chojun, Rongker, Peng Karkli, Thoi Asor Rit Asor and Botor Kekur are some such festivals held around the year and some of them are held at a specific time of the year. Botor Kekur is celebrated to request God to grace the earth with rain so that the crops could be sown. Rongker is celebrated either on 5 January or on 5 February as per the convenience of the villagers as a thanksgiving to God and asking for their assurance to protect them from any evil harm that may happen to the village and the people living in it.

The Chomangkan (also known as "thi-karhi") is a festival of the Karbis. It is a ceremony conducted by a family to ensure the peace and safe passage of the soul of a deceased family member. The ceremony may be held recently or long after their death and is the final homage for the deceased person as no further death anniversary is held again.

Karbis have their own traditional attire. Their clothing is very similar to South East Asian clothing, but with varied materials and design.

The traditional attire of women consists of Pini, Pekok, Vamkok and Jiso. Pini is a type of skirt of black colour and worn around the waist tied with a belt. It can be of different designs like jangre, santok, honki ranchom, marbong homkri, ahi cherop, chamburukso apini, mekserek etc. Pekok is a square piece of cloth tied at the right shoulder. It can be of different colours and designs like pe sleng, pe duphirso, pe khonjari, pe luru, pe jangphong and pe sarpi. Pe sarpi is generally for older women, pe sleng, pe jangphong is for middle-aged women while pe duphirso is meant for young women. Vamkok is a belt used to tie the Pini tight at the waist. It has colourful fringes at both the length ends and can be found in designs like amekpi, amekso, abermung, thoithesuri angphar, suve arvo and phonglong angsu etc. Jiso is a long black cloth with designs and decorated fringes at the length end worn to cover the breasts. Nowadays it has been replaced by the blouse.

The attire of men includes Choi, Poho, Rikong and Sator. Choi is the jacket worn by men. These are of different types like choi hongthor, choi ik, choi ang, choi miri etc. Choi hongthor a ki-ik, choi hongthor ake-lok are meant for young men. While choi ang, choi miri are for middle aged and aged men. Poho is worn around the head or used as a muffler. The different kinds of poho include the simple long white poho, poho ke-er, and poho kelok. Rikong is the loin cloth worn by men during work, but it is rarely used now. It is of various types like rikong jongjong with colourful designs and simple white rikong bamon. Sator is a white piece of cloth worn by men around the waist as the dhoti covering the whole length of the legs. A long pe seleng is also used as sator with colourful designs all over and borders at both the length end which covers up to the knee.

In the case of ornaments, the Karbi society has certain rules. Karbi women are usually not allowed to wear gold ornaments, which are reserved for men. Since women wear more ornaments than men, silver is abundantly used. A distinct piece of ornament that Karbi women wear around their necks in silver is Lek. Leks are made of coins and colourful beads too and are locally known by the name of Ser Alek Pongting, Lek Pengkhara, Lek Bonghom, Lek Waikom, Lek Jingjiri, etc. Men too wear Leks – in gold. The traditional names of lek that men wear are Lek Ruve, Lek Sobai and Lek Manduli. Many of these ornaments are unfortunately no longer commonly found. Like women in any other community, Karbi women too wear bracelets, called Roi. A variety of Rois are in use such as Roi Pengkhara, Roi Ke-er, Roi Kelok, etc. The ornaments that women wear to adorn their ears are called No Thengpi. Again, there are different types of No Thengpis, such as Thengpi Angrongkatengbai, Angrong Kangchim, etc. Men of the tribe too wear ear ornaments. They are called Norik, made of gold or silver. The rings that Karbis wear are called Arnan. Arnan Ke-et, Arnan Kelop, Rup Bonda, Ser Bonda and Vokapardon Arnan are some of the rings that Karbis commonly flaunt on their fingers. Interestingly, Karbi priests wear arnans only made of copper.

Traditionally, a characteristic feature of a Karbi woman was her facial tattoo, dyed with indigo from the forehead down to the chin. Locally referred as 'duk' in Karbi dialect, the tattoo was a symbol of culture, purity and status in the society. It was believed that duk was not a mere tattoo but possessed the divinity to purify the soul; girls who had not received duk were considered immature and unholy.[16]

Karbi have a rich oral tradition with songs, which are different from normal spoken words. These songs are an oral narration of ancestors' stories passed through generations. Karbi history has been carried forward through narrative songs. Thanks to Rangsina Sarpo, the first mentor of music, art and culture of the Karbis, who was believed to have enlightened them and brought a renaissance in the domain of art and aesthetics by acting like a sauntering folk singer assisted by the Mirjeng brothers.[6] Karbi musical instruments are similar to other indigenous tribal musical instruments. The difference is in the variance of play and beat.