Music of Assam

The music of Assam consists various genres of folk and modern music, drawing its artistic basis from the history of Assam, from Assamese culture and its ancient traditions. In recent times, starting from the late eighties, popular artistes have modernized the music catering to local popular demand.

A basic characteristic of the indigenous ethnic music of Assam is its descending scale similar to East Asian music which distinguishes it from the Mode-based or folk music (Raaga-based) forms from the rest of India.

The tunes are structured in a pyramid and are always in pentatonic scale similar to other traditional music of Asia like China, Mongolia etc and dissimilar from the seven-scaled Indian music, (in contrast to the music of rest of India which is Meend based),[4] such as the Bihu songs, (common in South-East Asia and East Asia) besides languorous music of other forms.

The legend of Princess Usha of Sonitpur and her cohort Chitralekha also enlighten us on the musical expertise of the Assamese women. The connoisseurs however, have divided the classical Assamese music into two parts – Borgeet and Ojapali. The composers of Borgeets, Sankardev and his disciple Madhavdev added versatility to Assamese music.

Musical genres

Devotional

Vivek
Dihanaam
Harinaam
Hiranaam

Indigenous Traditional Folk

Musical instruments

Banhi
Sifung
Bihu or Uja Dhul
Tokari
Dotara
Gogona
Khol
Mridongo
Nagara
Pepa
Taal
Xutuli
Doba
Xinga
Bor Tal
Bin
Paat
Toka
Kham
Kham
Muri
Pati Dhul
Joi Dhul
Bor Dhul
Dhepa Dhul
Kahlia
Toka
Xinga
Bortaal
Huluxi
Hutuli

Early contributors to Assamese music

Other notable composers, musicians and singers

Ayaan Anisur

References

"639 Identifier Documentation: aho – ISO 639-3". SIL International (formerly known as the Summer Institute of Linguistics). SIL International. Retrieved 2019-06-29. Ahom [aho]
"Population by Religious Communities". Census India – 2001. Ministry of Home Affairs, Government of India. Retrieved 2019-07-01. Census Data Finder/C Series/Population by Religious Communities
"Population by religion community – 2011". Census of India, 2011. The Registrar General & Census Commissioner, India. Archived from the original on 25 August 2015. 2011census/C-01/DDW00C-01 MDDS.XLS
"ITC Sangeet Research Academy". www.itcsra.org. Retrieved 2019-10-15.

Phukan, Mitra (2003) Musical Identity and being an Assamese, , October 2003.
Assam Portal

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.

[1] "639 Identifier Documentation: aho – ISO 639-3". SIL International (formerly known as the Summer Institute of Linguistics). SIL International. Retrieved 2019-06-29. Ahom [aho]

[2] "Population by Religious Communities". Census India – 2001. Ministry of Home Affairs, Government of India. Retrieved 2019-07-01. Census Data Finder/C Series/Population by Religious Communities

[census2011-3] "Population by religion community – 2011". Census of India, 2011. The Registrar General & Census Commissioner, India. Archived from the original on 25 August 2015. 2011census/C-01/DDW00C-01 MDDS.XLS

[4] "ITC Sangeet Research Academy". www.itcsra.org. Retrieved 2019-10-15.