David Oistrakh

Oistrakh was born to a Jewish family in Odessa, Kherson Governorate, Russian Empire (present day Ukraine). His father was Fischl Eustrach, son of a second guild merchant,[3] and his mother was Beyle Oistrakh.[4][5][6] At the age of five, young Oistrakh began his studies of the violin and viola as a pupil of Pyotr Stolyarsky. In his studies with Stolyarsky he became very good friends with Iosif Brodsky, Nathan Milstein and other violinists with whom he collaborated numerous times after achieving fame since their beginnings as fellow students at the Stolyarsky School.

In 1914, at the age of six, Oistrakh performed his debut concert. He entered the Odessa Conservatory in 1923, where he studied until his graduation in 1926.[1] At the conservatory he also studied harmony with the composer Mykola Vilinsky. His 1926 graduation concert consisted of Bach's Chaconne, Tartini's Devil's Trill Sonata, Rubinstein's Viola Sonata, and Prokofiev's Violin Concerto No. 1 in D major. In 1927, Oistrakh appeared in Kiev as soloist with the Glazunov Violin Concerto in a performance conducted by the composer, which earned the violinist an invitation to play the Tchaikovsky Violin Concerto in Leningrad with the Philharmonic Orchestra under Nikolai Malko the following year.

In 1927, Oistrakh relocated to Moscow, where he gave his first recital and met his future wife: the pianist Tamara Rotareva (1906–1976). They were married a year later and had one child, Igor Oistrakh, who was born in 1931. Igor Oistrakh later followed his father's path as a violinist, and eventually performed and recorded side by side with his father, including Bach's Double Concerto, which they first recorded in 1951, and Mozart's Sinfonia Concertante for Violin, Viola and Orchestra. In at least one of the recordings of Mozart's Sinfonia Concertante, Igor Oistrakh played violin, while his father David played viola.

From 1934 onwards, Oistrakh held a position teaching at the Moscow Conservatory, and was later made professor in 1939. Some of his colleagues while teaching at the conservatory included Yuri Yankelevich and Boris Goldstein. Oistrakh taught Oleg Kagan, Valery Klimov (who later succeeded Oistrakh's position at the Moscow Conservatory), Emmy Verhey, Oleh Krysa, Gidon Kremer, Yulia Brodskaya (Julia Verba), Eduard Dayan, Zoya Petrosyan, Jean Ter-Merguerian, Victor Danchenko, Victor Pikaizen,[7][8] Cyrus Forough, Olga Parhomenko, and his son Igor Oistrakh. In the 1950s, David Oistrakh invited Yulia Brodskaya to be his assistant in teaching solo and chamber music and Rosa Fine as his assistant for solo students.

From 1940 to 1963, Oistrakh performed extensively in a trio that also included the cellist Sviatoslav Knushevitsky and the pianist Lev Oborin. It was sometimes called the "Oistrakh Trio". Oistrakh collaborated extensively with Oborin, as well as Jacques Thibaud, a French violinist.

During World War II he was active in the Soviet Union, premiering new concerti by Nikolai Miaskovsky and Aram Khachaturian as well as two sonatas by his friend Sergei Prokofiev. He was also awarded the Stalin Prize in 1942. The final years of the war saw the blossoming of a friendship with Shostakovich, which led to the two violin concertos and the sonata, all of which were to be premiered by and become firmly associated with Oistrakh in the following years. Oistrakh's career was set from this point, although the Soviet Union was "protective" of its people and refused to let him perform abroad. He continued to teach in the Moscow Conservatory, but when Nazi Germany invaded the Soviet Union, he went to the front lines, playing for soldiers and factory workers under intensely difficult conditions. Arguably one of the most heroic acts in his life was a performance of Tchaikovsky's Violin Concerto to the end in the central music hall during the Battle of Stalingrad in the winter of 1942 while central Stalingrad was being massively bombed by the German forces. At least one source indicates that Oistrakh performed there that winter.[9]

Oistrakh was allowed to travel after the end of the war. He travelled to the countries in the Soviet bloc and even to the West. His first foreign engagement was to appear at the newly founded "Prague Spring" Festival where he was met with enormous success. In 1949 he gave his first concert in the West – in Helsinki. In 1951, he appeared at the "Maggio Musicale" Festival in Florence, in 1952 he was in East Germany for the Beethoven celebrations, France in 1953, Britain in 1954, and eventually, in 1955, he was allowed to tour the United States.[1] By 1959, he was beginning to establish a second career as a conductor, and in 1960 he was awarded the coveted Lenin Prize. His Moscow conducting debut followed in 1962, and by 1967 he had established a partnership with the celebrated Soviet pianist Sviatoslav Richter.

The year 1968 saw wide celebrations for the violinist's sixtieth birthday, which included a celebratory performance in the Great Hall of the Moscow Conservatory of the Tchaikovsky concerto, one of his favourite works, under the baton of Gennady Rozhdestvensky. Oistrakh was now seen as one of the great violinists of his time, alongside fellow Russian Nathan Milstein, Romania's George Enescu and Lithuanian-born Jascha Heifetz.

Oistrakh suffered a heart attack as early as 1964. He survived and continued to work at a furious pace. He had already become one of the principal cultural ambassadors for the Soviet Union to the West in live concerts and recordings. After conducting a cycle of Brahms with the Concertgebouw Orchestra, he died from another heart attack in Amsterdam in 1974. His remains were returned to Moscow, where he was interred in Novodevichy Cemetery.