Oaxaca City

The Zapotec and Mixtec peoples had settlements in the valley of Oaxaca for thousands of years, especially in connection with the important ancient centers of Monte Albán and Mitla. The modern city of Oaxaca developed relatively near them.[3] The Aztecs entered the valley in 1440 and named it "Huaxyacac", a Nahuatl phrase meaning "among the huaje" (Leucaena leucocephala) trees. They created a strategic military position at what is now called the Cerro (large hill) del Fortín to oversee the Zapotec capital of Zaachila and secure the trade route between the Valley of Mexico, Tehuantepec, and what is now Central America.[4]

When the Spanish arrived in 1521, the Zapotec and the Mixtec were involved in one of their many wars. The Spanish conquest ended this fighting, imposing a kind of imperial peace on the area. At the same time, Spanish Catholic missionaries began evangelizing the indigenous peoples, urging them to conversion.[5]

The first Spanish expedition to Oaxaca arrived late in 1521, headed by Captain Francisco de Orozco who was accompanied by 400 Aztec warriors.[4] Hernán Cortés sent Francisco de Orozco to Oaxaca because Moctezuma II had said that the Aztecs' gold came from there.[5] The Spanish expedition under Orozco set about building a Spanish city where the Aztec military post was at the base of the Cerro de Fortín.

Los Lavaderos ("The Laundry", where the nuns used to hand wash clothing), in a former convent in the city of Oaxaca; today, a part of the Camino Real Hotel

The first mass in Oaxaca was given by Chaplain Juan Díaz on the bank of the Atoyac River under a large huaje tree, where the Church of San Juan de Dios would be constructed later. This same chaplain added saints' names to the surrounding villages, in addition to keeping their Nahuatl names: Santa María Oaxaca, San Martín Mexicapan, San Juan Chapultepec, Santo Tomas Xochimilco, San Matías Jalatlaco, Santiago Tepeaca, etc. This group of Spaniards chose their first mayor, Gutierres de Badajoc, and their first town council, and began construction of the cathedral of Oaxaca in 1522. Their name for the settlement was Guajaca, a Hispanization of the Nahuatl name used by the Aztec (it was later spelled as Oaxaca).[4]

The relatively independent village did not suit Hernán Cortes, who wanted to control power over the entire region. Cortés sent Pedro de Alvarado, who proceeded to drive out most of the village's population. The original Spanish settlers appealed to the Spanish crown to recognize the village they founded, which it did in 1526, dividing the land among the Spaniards of Orozco's expedition. But three months later, Cortés forced out the population of the village once again and replaced the town council with his own appointees. The original founders appealed again to Spanish royal authority, this time to the viceroy in Mexico City, Nuño de Guzmán. He also sided with the original founders; they reestablished the town in 1529, naming it Antequera, in honor of Nuño de Guzmán's hometown. Francisco de Herrera convened the new, Crown-approved town council.[4] Juan Peláez de Berrio platted the new settlement.[1]

Coat of Arms Antequera of Oaxaca

In the meantime, Cortés gained from the crown the title of the Marquis of the Valley of Oaxaca, which contains the disputed village. This enabled him to demand high taxes in the area, and to control the territory that surrounded the village. The village had to survive while surrounded by other villages that answered to Cortés. These villages not only did not take orders from Antequera, they were hostile to it, mostly likely encouraged by Cortés.[4]

To counter this, the village petitioned the Crown to be elevated to the status of a city, which would give it certain rights, privileges and exceptions. It would also ensure that the settlement would remain under the direct control of the king, rather than of Cortés. This petition was granted in 1532 by Charles V of Spain.[1][4]

After the Independence of Mexico in 1821, the city became the seat of a municipality. The name of both the city and the municipality became Oaxaca, changed from Antequera. In 1872, "de Juárez" was added to the city and municipality names to honor Benito Juárez, a native son who had begun his legal and political career here and who served as president of Mexico from 1858 until his death in 1872.[1]

The 2006 Oaxaca protests developed from state actions in 2005. Oaxaca's new state governor Ulises Ruiz Ortiz banned political demonstrations in the capital's main square and historic center, or zócalo. He acted to make the Zócalo a modernized tourist attraction, turning the state legislature building into a museum. In summer 2005, Oaxaca's urban middle classes joined in protests against these decisions.

In May 2006, the national teachers' union staged their annual occupation of the Zócalo, a union negotiation tactic and local tradition performed every summer since 1989. After a year of protests and growing resistance to the new governor, in 2006 the summer occupation of the square attracted more teachers than usual.

The government announced increases in wages and employment benefits for teachers a short time later. An internal conflict in the local teachers' union led to accusations that the bargaining had not really been in the teachers' best interest. On the night of June 14, the state police attacked and tear-gassed the teachers still sleeping in the Zócalo, generating more public outrage against Governor Ruiz and the ruling Institutional Revolutionary Party.

Many radical groups merged with the teachers' union to form the Popular Assembly of the People of Oaxaca (APPO). This assembly defended the rights of several neighborhoods and organizations against government repression, in particular the "caravanas de la muerte" – death squads of government agents patrolling the city in police trucks. The assembly also closed government buildings, barricaded access roads to the city, and replaced the city's police force with the Honorable Cuerpo de Topiles, a civilian law force based on indigenous traditions of communal policing.[6]

In October 2006 president Vicente Fox sent in more than 10,000 paramilitaries to take back control of the city. Armed confrontations resulted in many deaths, including that of Indymedia journalists Bradley Roland Will,[7] Roberto López Hernández, and Jorge Alberto Beltrán.[8][9] In late December, teachers' union leaders announced an end to their strike. Several leaders of the APPO were arrested. These grassroots groups continued to clash with local and state government, but finally all the barricades were removed and they turned over control of the city.[10]

Oaxaca has a tropical savanna climate (Köppen climate classification Aw), closely bordering on a humid subtropical climate (Cwa), due to its high altitude. During the dry season, temperatures during the day remain warm with an average high of 27.1 °C (80.8 °F) in the coolest month, December, and an average high of 33.3 °C (91.9 °F) in April, just before the beginning of the wet season. Although daytime temperatures are warm, nighttime temperatures are cool with an average low of 9 °C (48 °F) in January. Due to its altitude of 1,555 m (5,102 ft), the climate of Oaxaca is cooler than lowland areas at the same latitude. Precipitation is concentrated in the summer months with June being the wettest with an average precipitation of 171 mm (6.7 in).[11]

Bandstand and gardens located in the Zócalo

The Plaza de la Constitución, or Zócalo, was planned out in 1529 by Juan Peláez de Berrio. During the entire colonial period this plaza was never paved, nor had sidewalks, only a marble fountain that was placed here in 1739. This was removed in 1857 to put in the bandstand and trees were planted. In 1881, the vegetation here was rearranged and in 1885, a statue of Benito Juárez was added. It was remodeled again in 1901 and a new Art Nouveau bandstand installed. Fountains of green stone with capricious figures were installed in 1967.[1] The bandstand in the center hosts the State Musical Band, La Marimba and other groups.[18]

The plaza is surrounded by various arcades. On the south side of the plaza are the Portales de Ex-Palacio de Gobierno, which was vacated by the government in 2005 and then reopened as a museum called "Museo del Palacio 'Espacio de Diversidad'" Other arcades include the "Portal de Mercadores" on the eastern side, "Portal de Claverias" on the north side and the "Portal del Señor" on the west side.[3]

The State Government Palace is located on the main square. This site used to be the Portal de la Alhóndiga (warehouse) and in front of the palace is the Benito Juárez Market. The original palace was inaugurated in 1728, on the wedding day of the prince and princess of Spain and Portugal. The architectural style was Gothic. The building currently on this site was begun in 1832, inaugurated in 1870 but was not completed until 1887. The inside contains murals reflecting Oaxaca's history from the pre-Hispanic era, the colonial era and post-Independence. Most of these were painted by Arturo García Bustos in the 1980s.[1]

The Federal Palace is located across from the cathedral and used to be the site of the old Archbishiop's Palace until 1902. Its architecture is "neo-Mixtec" reflecting the nationalism of the early 20th century and the reverence in which the Mixtec-Zapotec culture has been held in more recent times. The architectural elements copy a number of those from Mitla and Monte Albán.[1]

Northwest of the Zócalo is the Alameda de León, a garden area[3] that is essentially an annex of the main square. In 1576, viceroy Martín Enríquez de Almanza set aside two city blocks on which to build the city government offices, but they were never built here. One of the blocks was sold and the other became a market. Antonio de León, governor of the state of Oaxaca, lived in front of this market and decided to turn it into a park in the 1840s, making it a small replica of the Alameda Central in Mexico City. In 1885, a statue of León was added.[1]

Alameda de León plaza

The Macedonio Alcalá Tourist Corridor is a street paved with green cantera. It was closed to traffic in 1985[18] and is now only open to pedestrian traffic. Along the street are notable places such as the original building to house the Universidad Autónoma Benito Juárez. The Museo de Arte Contemporáneo (Museum of Contemporary Art) or MACO is located here as is the Plazuela (small plaza) Labastida and the Parroquia de la Preciosa Sangre de Cristo (Parish of the Precious Blood of Christ).[3]

Oaxaca Cathedral

Oaxaca Cathedral, also referred to as Cathedral of Our Lady of the Assumption, is the third to be built as the first two were destroyed by large earthquakes in the 16th and 18th centuries.[3] Construction of this third church began in 1702 and it was consecrated in 1733. Its facade is made of the green cantera stone commonly found in Oaxaca's buildings, and the interior is in Neoclassical style. The altar features a bronze statue of Our Lady of the Assumption (Nuestra Señora de al Asunción) sculpted by Tadoini and cast in Italy during the presidency of Porfirio Díaz.[3][19]

Santo Domingo de Guzmán Church

The church and former monastery of Santo Domingo de Guzmán is located 4 blocks north of the cathedral. It was constructed between 1555 and 1666. It is divided into two parts: the church and the former living/working areas of the monks. The front of the church is Renaissance-style, in the central relief, Saint Dominic and Hippolytus of Rome are holding up the church. After La Reforma around 1860, the church was converted into a stable, which caused serious deterioration of the building. It was returned to devotional use at the end of the 19th century. The living and working areas were converted into barracks and officers' quarters. In 1994, work began to convert this area as the Centro Cultural Santo Domingo.[3]

Basílica de Nuestra Señora de la Soledad

The Basílica de Nuestra Señora de la Soledad is located four blocks west of the cathedral on Avenida Independencia. It was built between 1682 and 1697 by Father Fernando Méndez[19] on a site where supposedly an image of the Virgin Mary appeared inside a box. It is of Baroque style finished in 1690. Its front is made of a reddish stone sculpted to look like a folding screen. In the back of the church is the Museo de la Basilica de Nuestra Señora de La Soledad that exhibits the Virgin's dresses, offering and small painting done in her honor.[3] The statue of the Virgin of Solitude, crowned with a 2 kg solid gold crown studded with diamonds – was recently the subject of a theft. Over the years, the cloister has been converted into a correctional facility, a teacher's college and district attorney's office. Now it serves as the Municipal Palace. The building conserves a number of valuable items such as paintings, sculptures and religious vestments[19] and a pipe organ dated 1686.[20]

The Church and ex-monastery of Del Carmen Alto belonged to the Carmelites, who established themselves here in 1696. The complex began as a hermitage built over the teocalli of Huaxyacac. The project was financed by Manuel Fernandez Fiallo.[19] In the late 17th century, much of this space was occupied by a jail and barracks.

Church and former monastery of St John of God (Templo y Exconvento de San Juan de Dios), Oaxaca's oldest church still standing, completed in 1703. This is where the first mass in Oaxaca was held in 1521.[1]

Calle Tinoco y Palacios, with the church of San Felipe Neri

Church of San Felipe Neri The Church of San Felipe Neri is considered a classic example of Baroque with estipite (inverted truncated pyramid) columns from the end of the 18th century, and has a large gilded main altarpiece. While the church overall is Baroque, the portal contains other decorative elements as well. Benito Juárez married Margarita Maza here in 1841.[19]

Ex monastery of San Catalina was built in the second half of the 16th century by Dominican friar Hernando de Carvarcos, who also was responsible for the Santo Domingo de Guzmán monastery. In 1862, the monastery became a jail and at the end of the 19th century, the southern part became the Municipal Palace. Since 1976, it has been a hotel, called Hotel Camino Real.[18]

Church of the Company of Jesus (Iglesia de la Compañia de Jesús), located to the southwest of the Zócalo, was built by the Jesuits in 1579 and consecrated to Francis Xavier and the Immaculate Conception.[19] The towers were destroyed by a series of earthquakes and never rebuilt. Inside the chapel is a statue of the Virgin of Guadalupe with a prayer written in Spanish, English, Náhuatl as well as 12 other languages native to the state of Oaxaca, including 4 dialects of Zapotec.[3]

Church of the Company of Jesus

The Centro Cultural de Santo Domingo occupies the former monastery buildings attached to Santo Domingo church, and were restored in 1996 and considered to be one of the best restoration works in Latin America.[21] Some important artifacts from Monte Albán are displayed here. In the center of the Centro Cultural, there is a courtyard with a fountain and a very large staircase. The passages along the courtyard have vaulted ceilings, cupolas and intricate corridors. Much of the Centro Cultural is occupied by the Museo de las Culturas de Oaxaca (Museum of Oaxacan Cultures), whose entrance is the one pilgrims used to use to enter the church area of the complex.[3] This museum was placed in the Centro Cultural in 1964, after originally being in the Instituto de Ciencias y Artes, among other places. The museum specializes in Zapotec and Mixtec cultures, covering ten halls and one auditorium.[1] In Sala III is displayed the "Tesoro Mixteco" (Mixtec Treasure) which is a collection of offerings that were discovered by archeologist Alfonso Caso in Tomb 7 of Monte Álban. These offerings include hundreds of pieces of jewelry made of gold and silver. They make up the richest collection of gold and silver smithing of ancient Mexico.[3] Another important exhibit is the objects from Tomb 5 of Lambitieco, which dates back to 700 C. E and from Monte Albán. The museum has rooms dedicated to everyday items from the colonial period as well.[1] The center also contains the Biblioteca Fray Francisco de Burgoa (Fray Francisco de Burgoa Library) which holds over 25,000 degrees that were conferred from the 15th to the 20th century from the Universidad Autónoma Benito Juárez in Oaxaca.[3]

The Museum of Contemporary Art (Museo de Arte Contemporaneo de Oaxaca, MACO) is housed in the so-called Casa de Cortés. It is one of the oldest buildings in the city and one of the most representative of non-religious buildings.[1] It dates from after the death of Hernán Cortés and could never have served as his house.[3] Although it has been modified somewhat over the years, it still conserves its basic layout with rooms surrounding three courtyards. The architectural style is basically Andalucian modified by Oaxaca traditions. The facade has two levels, and the doors and windows have lintels, and are protected by wrought iron railings. To the far left of the facade, there are two arched entrances that permitted entrance of carriages to the third courtyard. The main portal is Spanish Baroque and has three levels. In the first, there are two "tritóstila" columns that support the balcony which has wrought iron railings. On the second level two Solomonic columns flanking a window. The jambs of the window are decorated with circles and the lintel with inverted curves. At the top of the window is seal of the Jesuits. The third level contains a central niche with a sculpture of an archangel as well as the coats of arms of the Laso de la Vega and the Pinelo families. This group is flanked by Solomonic columns. The house was acquired by the state of Oaxaca and initially housed the Museo Historico Urbano de Oaxaca in 1986.[1] The museum was created with help from the state government, the José F. Gómez Foundation, painter Francisco Toledo and the Instituto Nacional de Bellas Artes. Its permanent collection contains works by Rufino Tamayo, Toledo, Nieto, Aquinos and others.[21]

The Museo de los Pintores Oaxaqueños(Museum of Oaxacan Painters) is located north of the Alameda de León on Avenida Independencia in a former 18th century mansion. It is dedicated to local artists such as Rodolfo Morales whose work is on permanent display. The museum has also featured exhibitions by Felipe Morales, Rodolfo Nieto, Alejandro Santiago and Francisco Toledo.[3]

The Casa de Culturas Oaxaqueñas used to the Church and ex monastery Los Siete Príncipes dating from the 18th century. The only part still used for religious purposes is the small chapel. The complex was restored in the 1960s and in 1970, the Casa opened.[19] It houses the Instituto Oaxaqueño de la Culturas, which is a state government entity to promote culture and the arts.[18]

The Rufino Tamayo Museum (Museo Arte Prehispánico de Rufino Tamayo) or Museo Rufino Tamayo, has an important collection of pre-Hispanic art that the painter himself collected. He donated the collection, as well as the house that is now the museum to his home state (Oaxaca) in 1974.[3] This house, which was known as the Casa de Villanaza, was built in the 18th century. It first housed the State Museum Archives, before becoming what it is today.[21] The museum exhibits over 1150 pieces from different Mesoamerican periods, including Mayan steles, ceramic dogs from Colima and stone faces from the Gulf of Mexico coast. The purpose of the museum is to show the aesthetic as well as the cultural value of these works.[3]

The Religious Museum of the Ex monastery of La Soledad is located next to the Basilica of la Soledad. It contains objects such as paintings, sculptures and vestments. It is located in the southwest portion of the old monastery.[18]

The Instituto de Artes Gráficos de Oaxaca (Graphic Arts Institute of Oaxaca) contains a large collection of graphic designs both present and past.[21]

The Casa de Juárez, is a museum devoted to the life of Benito Juárez.[1] It belonged to someone named Antonio Salanueva,[21] but Juárez lived here from 1818 to 1828 after arriving from his hometown of Guelatao.[1] It contains documents related to his presidency as well as furnishings designed to recreate the environment of that period. Its architecture is typical of homes built in this city in the 18th century and located on Garcia Vigil 609.[3] It also contains ordinary artifacts from that time period, some of which belonged to Juárez.[21]

Hemeroteca Publica de Oaxaca "Nestor Sánchez" (Nestor Sanchez Public Newspaper Library of Oaxaca) is located behind the ex-convent of Santo Domingo along with the Jardin Ethobotánico (Ethnobotanic Gardin) at the corner of Reforma and Constitución. These two occupy more than 2 hectares which used to be the gardens of the convent of Santa Domingo.[3]

El Teatro Macedonio Alcalá

Teatro Macedonio Alcalá is a working theatre and also houses a collection of romantic art.[3] Built between 1903 and 1909, it was originally named the Luis Mier y Terán Theater. The design is typical of the Porfirio Díaz period ending the 19th century and beginning the 20th. It was later renamed the Jesús Carranza Theater. The current name dates back to 1932, honoring the composer of the state anthem "Dios Nunca Muere" (God Never Dies).[18] The theatre has three parts: the vestibule, the main hall and the stage. The main entrance is on the corner. On the Armenta and López Street sides, the lower level is occupied by shops and by the Miguel Cabrera Salon, which hosts art exhibits. The vestibule is Louis XV style with a white marble staircase and the main hall is in "Imperial" style, in which the anthropomorphic columns stand out.[1]

Other cultural places of interest include the Alvarez Bravo Photography Center, the Oaxaca Stamp Museum, the Railway Museum of Southern Mexico (in the old train station) and the Planetarium located on the Cerro del Fortín.[3]

Ceramic plate from Monte Albán

Monte Albán is a pre-Hispanic city that was an ancient capital of the Zapotecs. It reached its peak between 500 BCE and 800 CE with about 35,000 inhabitants. Monte Albán is known for its architecture, its carved stones and its ceramic urns. In 1987, it was declared a World Heritage Site, along with the city of Oaxaca itself.[22]

Vendor stalls at the Mercado Benito Juárez

The Benito Juárez Market is located one block south of the Zócalo on Flores Magón and Las Casas but it takes up the entire block to 20 de Noviembre and Aldama streets. It offers flowers, fruit, ices, fruit drinks, handcrafts, leather goods, hats and knives, among other things.[3] The block to the south houses the Mercado (Market) 20 de Noviembre which is the official name, but this market is commonly known as the "Mercado de la Comida (food)" because of the food stands that dominate the place. It is recommended by México Desconocido magazine for Oaxacan regional dishes such as moles, tasajo, tlayudas, pan de yema (a type of egg bread), chapulines (fried grasshoppers in chili), Oaxaca cheese (known locally as "quesillo"), queso fresco (lit. "fresh cheese"), as well as very large cups of hot chocolate made locally that is often spiced with cinnamon and almonds.[3]

Jardín Etnobotánico de Oaxaca at the Temple of Santo Domingo

The city contains a number of parks, gardens and plazas, many of which were former monastery lands, for example, the Jardín Etnobotánico de Oaxaca, surrounding the former monastery of Santo Domingo.[3] Even better known is the Plaza de la Danza y Jardín Sócrates complex on Morelos Street at the foot of the Cerro del Fortín. It is part of the area bounded by the Basilica de la Soledad and the Church of San José. The Plaza de la Danza was constructed in 1959 by Eduardo Vasconcelos to hold the annual Bani-Stui-Gulal (representation of antiquity) dance, held one day before the festival of the Guelaguetza. The Plaza also hosts other cultural events including art shows, concerts and political rallies. The Socrates Garden is the old atrium of the Basilica de la Soledad, converted into a public park in 1881. It features a bronze chalice cast in that year. In 1981, the Garden was remodeled, adding a new layer of stone to the floor.[1] The Cerro de Fortín next to it bears in stone letters Benito Juárez's slogan, "El respeto al derecho ajeno es la paz" (Respect for others' rights is peace).[3] The Antonia Labastida Garden is named after a woman who fought with Porfirio Díaz during the French Intervention. This park has become a place for artists and artisans to display their wares.[18]

The Guelaguetza Auditorium, completed in 2010

The Guelaguetza, also known as the Fiestas de los Lunes del Cerro (Festivals of Mondays at the Hill) is the major cultural event in the city with origins in pre-Hispanic times. The "Hill" is the Cerro del Fortín, which was the scene of the annual rites to the goddess Centeótl, or goddess of the corn. The hill had a teocalli, or sacred plaza, built by the Aztecs. The ritual would end with the sacrifice of a young maiden chosen to represent the goddess.[2]

This rite was prohibited by the Spanish after the Conquest, who also destroyed the teocalli. In its place, they constructed the Church of Our Lady of Mount Carmen, now known as Carmen Alto. The recently baptized Mixtecs and Zapotecs then replaced ceremonies to Centeótl with those to this manifestation of the Virgin Mary, at the same place, the Cerro del Fortín.[2]

This revised festival grew over time to be the largest and most anticipated for the town. In 1932, the city of Oaxaca realized its 400th anniversary and decided to combine these festivities with those of the Cerro del Fortín, adding traditional dances, music, regional cuisine and Margarita Santaella as the first Miss Oaxaca, in addition to the religious rites. The word "guelaguetza" is from Zapotec and means offering, sympathy, caring and cooperation. This first Guelaguetza was such a hit that organizers decided to repeat it every year at the Cerro del Fortin, on all the Mondays of July starting in 1953, becoming an amalgam of Oaxacan festivals from many parts of the state.[2]

Originally, the festival took place at the foot of the Cerro del Fortín, where the curve of the land makes for a natural theatre. Since 1974, many of the events, which have grown in number, have been moved to a number of different venues, included the then-inaugurated Guelaguetza Auditorium. This is a Greek-style venue with seats 11,400 people.[2]

One venue is the Church of Santo Domingo de Guzmán, where regional band come to play, dressed in colorful costumes as part of the opening ceremonies. They march from here to Oaxaca Cathedral, where they are joined by folk dance groups such as the China Oaxaqueñas, the Chilenas de Pinotepa Nacional and the Jarabes Serranos. Another major event, which takes place at the Jardin Socrates, is a beauty pageant for indigenous women from different regions of Oaxaca state. The winner represents the goddess Centeótl and presides over the festivities along with public officials. The Bamo-Stui-Gulal takes place at the Plaza de la Danza and represents the history of Oaxaca and the Guelaguetza itself. The Plaza is divided into four quadrants, each representing a different period in Oaxaca's history. One other event, hosted in the Auditorium is a reenactment of the Legend of Donají, which takes place at the time of the Conquest. On the streets of the city, there are parades with children and giant papier-mâché puppets.[2]

The "Noche de Rábano" or Night of the Radishes is a tradition of the city of Oaxaca. Artisans show off designs created from large radishes, often decorated with other plant materials. The event only lasts a few hours but draws most of the city's population to the main square to look at the creations. It occurs each year on 23 December.[23]

The event developed from a Dominican Christmas tradition, when they would have a large dinner on the night of 23 December. To decorate the tables, indigenous servants of the monks would carve radishes and adorn them with flowers and other plants. This led 23 December to the known as the Night of the Radishes. This led to a special market on this day selling the radishes along with two other popular Christmas plant materials, the Flor Inmortal (immortal flower) and corn husks. This market has grown into a major cultural event and now is sponsored by the city, which packs the main square on that day. The day also includes a competition where radish creations are judged by originality, technical skill and beauty.[23]

Donají was a high-ranking Zapotec woman in pre-Hispanic Mitla. When she was born, a seer predicted that she would die for her country. When she grew up, the Zapotec were involved in one of their many wars with the Mixtec, who generally dominated the area. One day, Zapotec warriors brought a prisoner, a Mixtec prince named Nucano, to Mitla. Taking pity on him, Donají took care of his wounds. When he healed, he asked her to free him, which she did. The war continued, and the Zapotec king and Donaji forced to abandon their capital of Zaachila. Peace negotiations were attempted but the Mixtec did not trust the Zapotec king, taking Donají captive as insurance.

This occurred during the Conquest, when the Spanish Christian evangelization of the country had begun. Donají asked for baptism and was renamed Doña Juana de Cortés.[24]

As the Mixtec feared, the Zapotec broke the peace treaty, attacking Monte Albán while the Mixtec slept. The survivors killed their hostage. Later the body of Donají, decapitated, was found in the Atoyac River. Time passed. One day a shepherd came to the place where Donaji was buried by the river. A fragrant lily flower grew there. Fifteen days later, he returned to find the same flower, still fresh and fragrant in the same place, as if a mysterious force was preserving it.[24] She is honored by having her severed head as part of the coat of arms of the city of Oaxaca.[1] In addition, her story is reenacted every year at the Guelaguetza festival.[2]

Every year in the fall, Oaxaca hosted the Oaxaca FilmFest. It was permanently canceled in 2022.