Cultural depictions of ravens

In Greek mythology, ravens are associated with Apollo, the God of prophecy. They are said to be a symbol of bad luck, and were the gods’ messengers in the mortal world. According to the mythological narration, Apollo sent a white raven, or crow in some versions, to spy on his lover, Coronis. When the raven brought back the news that Coronis had been unfaithful to him, Apollo scorched the raven in his fury, turning the animal's feathers black.

According to Livy, the Roman general Marcus Valerius Corvus (c. 370–270 BC) had a raven settle on his helmet during a combat with a gigantic Gaul, which distracted the enemy's attention by flying in his face.[3][lower-alpha 1]

A raven on the coat-of-arms of the Polish aristocratic Clan Ślepowron, to which Kazimierz Pułaski belonged

The raven (Hebrew: עורב‎; Koine Greek: κόραξ) is the first species of bird to be mentioned in the Hebrew Bible,[5] and ravens are mentioned on numerous occasions thereafter. In the Book of Genesis, Noah releases a raven from the ark after the great flood to test whether the waters have receded (Gen. 8:6–7). According to the Law of Moses, ravens are forbidden for food (Leviticus 11:15; Deuteronomy 14:14), a fact that may have colored the perception of ravens in later sources. In the Book of Judges, one of the Kings of the Midianites defeated by Gideon is called "Orev" (עורב‎), which means "Raven". In the Book of Kings 17:4–6, God commands the ravens to feed the prophet Elijah. King Solomon is described as having hair as black as a raven in the Song of Songs 5:11. Ravens are an example of God's gracious provision for all His creatures in Psalm 147:9 and Job 38:41. (In the New Testament as well, ravens are used by Jesus as an illustration of God's provision in Luke 12:24.)

Philo of Alexandria (first century AD), who interpreted the Bible allegorically, stated that Noah's raven was a symbol of vice, whereas the dove was a symbol of virtue (Questions and Answers on Genesis 2:38).

In the Talmud, the raven is described as having been only one of three beings on Noah's Ark that copulated during the flood and so was punished.[6] The Rabbis believed that the male raven was forced to spit.[7] According to the Icelandic Landnámabók – a story similar to Noah and the Ark – Hrafna-Flóki Vilgerðarson used ravens to guide his ship from the Faroe Islands to Iceland.

Pirke De-Rabbi Eliezer (chapter 25) explains that the reason the raven Noah released from the ark did not return to him was that the raven was feeding on the corpses of those who drowned in flood.[8]

The ravens on the coat of arms of Lisbon recall the story of St. Vincent's ravens.

The name of the important Frankish King Guntram means "War Raven".

According to the legend of the fourth-century Iberian Christian martyr Saint Vincent of Saragossa, after St. Vincent was executed, ravens protected his body from being devoured by wild animals, until his followers could recover the body. His body was taken to what is now known as Cape St. Vincent in southern Portugal. A shrine was erected over his grave, which continued to be guarded by flocks of ravens. The Arab geographer Al-Idrisi noted this constant guard by ravens, for which the place was named by him كنيسة الغراب "Kanīsah al-Ghurāb" (Church of the Raven). King Afonso Henriques (1139–1185) had the body of the saint exhumed in 1173 and brought it by ship to Lisbon, still accompanied by the ravens. This transfer of the relics is depicted on the coat of arms of Lisbon.

A raven is also said to have protected Saint Benedict of Nursia by taking away a loaf of bread poisoned by jealous monks after he blessed it.

In the legends about the German Emperor Frederick Barbarossa, depicting him as sleeping along with his knights in a cave in the Kyffhäuser mountain in Thuringia or the Untersberg in Bavaria, it is told that when the ravens cease to fly around the mountain, he will awake and restore Germany to its ancient greatness. According to the story, the Emperor's eyes are half-closed in sleep, but now and then, he raises his hand and sends a boy out to see if the ravens have stopped flying.[9]

In the Qur'an's version of the story of Cain and Abel, a raven is mentioned as the creature who taught Cain how to bury his murdered brother, in Al-Ma'ida (The Repast) 5:31. {Surah 5:27–31}[10]

The story, as presented in the Quran and further postulated in the hadith, states that Cain, having murdered Abel, was bereft of a means of disposing of his brother's body. While scanning the surroundings for a solution, Cain noticed two ravens, one dead and the other alive. The still-living raven began digging the ground with its beak until a hole had been dug up, in which it buried its dead mate. Witnessing this, Cain discovered his solution, as indirectly revealed by God.

An illustration from an 18th-century Icelandic manuscript depicting Huginn and Muninn sitting on the shoulders of Odin.

To the Germanic peoples, Odin was often associated with ravens. Examples include depictions of figures often identified as Odin appear flanked with two birds on a 6th-century bracteate and on a 7th-century helmet plate from Vendel, Sweden. In later Norse mythology, Odin is depicted as having two ravens Huginn and Muninn, serving as his eyes and ears – huginn meaning "thought" and muninn meaning "memory". Each day the ravens fly out from Hliðskjálf and bring Odin news from Midgard.

The Old English word for a raven was hræfn; in Old Norse it was hrafn; the word was frequently used in combinations as a kenning for bloodshed and battle.

The raven was a common device used by the Vikings. Ragnar Lothbrok had a raven banner called Reafan, embroidered with the device of a raven. It was said that if this banner fluttered, Lothbrok would carry the day, but if it hung lifeless, the battle would be lost. King Harald Hardrada also had a raven banner, called Landeythan (land-waster). The bird also appears in the folklore of the Isle of Man, a former Viking colony, and it is used as a symbol on their coat of arms.

The Attributed arms devised for Urien of the House of Rheged, based on their association with the raven

Ravens are prominent in early Welsh mythology, with the Medieval Welsh poem Y Gododdin repeatedly associating ravens with battles, bravery and death. The poem refers to the battlefield as the "ravens' feast", with descriptions of the ravens eating the dead bodies of the fallen warriors. In praising the bravery of a warrior named Gwawrddur, the poem's author references his affinity with ravens:[11]

He fed black ravens on the rampart of a fortress
Though he was no Arthur
Among the powerful ones in battle
In the front rank, Gwawrddur was a palisade.

The raven was the symbol of both the House of Rheged and the Kingdom of Rheged.[12] In the Middle Welsh text The Dream of Rhonabwy, King Arthur prepares for the Battle of Mount Badon with his knight Owain of Rheged, Owain is accompanied by a host of ravens and protests three times to the king that they are being attacked by the king's servants.[13]

Branwen, the Welsh goddess associated with birds whose name translates as "The blessed or beautiful raven"

Ravens are prominent throughout medieval Welsh texts and several characters in Welsh mythology have names associated with corvids and ravens. Brân the Blessed and his sister, Branwen are two of the best known characters from the Mabinogion, both names derive form the Welsh word for raven. According to the Trioedd Ynys Prydein, following Brân's death he commands his men to cut off his head and carry it to "the White Mount, in London, and bury it there". This White mount is often associated with Tower Hill and the fortress that is now the Tower of London's White Tower.[14][15]

The Celtic legends around Brân and the tower may be the origin of the still-current practice of keeping ravens at the Tower of London. According to English legend, the Kingdom of England will fall if the ravens of the Tower of London are removed.[16] It had been thought that there had been at least six ravens in residence at the tower for centuries. It was said that Charles II ordered their removal following complaints from John Flamsteed, the Royal Astronomer.[17] However, they were not removed because Charles was then told of the legend. Charles, following the time of the English Civil War, superstition or not, was not prepared to take the chance, and instead had the observatory moved to Greenwich.

Ravens in the Tower of London

The earliest known reference to a Tower raven is a picture in the newspaper The Pictorial World in 1883,[18] as well as a poem and illustration published the same year in the children's book London Town.[19] This and scattered subsequent references, both literary and visual, which appear in the late nineteenth to the early twentieth century, place them near the monument commemorating those beheaded at the tower, popularly known as the "scaffold." This strongly suggests that the ravens, which are notorious for gathering at gallows, were originally used to dramatize tales of imprisonment and execution at the tower told to tourists by the Yeomen Warders.[20] There is evidence that the original ravens were donated to the tower by the Earls of Dunraven,[21] perhaps because of their association with the Celtic raven-god Bran.[22] However, wild ravens, which were once abundant in London and often seen around meat markets (such as nearby Eastcheap) foraging for scraps, could have roosted at the Tower in earlier times.[23]

During the Second World War, most of the Tower's ravens perished through shock during bombing raids, leaving only a mated pair named "Mabel" and "Grip." Shortly before the Tower reopened to the public, Mabel flew away, leaving Grip despondent. A couple of weeks later, Grip also flew away, probably in search of his mate. The incident was reported in several newspapers, and some of the stories contained the first references in print to the legend that the British Empire would fall if the ravens left the tower.[24] Since the Empire was dismantled shortly afterward, those who are superstitious might interpret events as a confirmation of the legend. Before the tower reopened to the public on 1 January 1946, care was taken to ensure that a new set of ravens was in place.[21]

In Irish mythology, ravens are associated with warfare and the battleground in the figures of Badb and Morrígan. The goddess Morrígan alighted on the hero Cú Chulainn's shoulder in the form of a raven after his death.[25]

Goddess Dhumavati riding a crow.

In the Story of Bhusunda, a chapter of the Yoga Vasistha, a very old sage in the form of a crow, Bhusunda, recalls a succession of epochs in the earth's history, as described in Hindu cosmology. He survived several destructions, living on a wish-fulfilling tree on Mount Meru.[26] Crows are also considered ancestors in Hinduism, and during Śrāddha the practice of offering food or pinda to crows is still in vogue.[27]

The Hindu deity Shani is often represented as being mounted on a giant black raven or crow.[28] The crow (sometimes a raven or vulture) is Shani's Vahana. As a protector of property, Shani is able to repress the thieving tendencies of these birds. Dhumavati, the widow goddess associated with strife and inauspiciousness, is depicted riding a crow or in a horseless chariot bearing an emblem of a crow.

The raven is the national bird of Bhutan, and it adorns the royal hat, representing the deity Gonpo Jarodonchen (Mahakala) with Raven's head; one of the important guardian deities.

In Persian sacred literature, a bird acted as the emissary for the diffusion of the Zoroastrian religion among the creatures living in Yima's enclosure (vara). The bird's name is given as Karšiptar or Karšift.[29] According to scholarship, its name would mean "black-winged" (from Karši- "black", cognate to Sanskrit kṛṣṇá and Slavic chjerno; and ptar-, cognate to Greek pterón). The name possibly refers to a raven, since this bird plays the role of divine messenger in several mythologies.[30][31]

Raven at the Headwaters of Nass hat, Seattle Art Museum, attributed to Kadyisdu.axch', Tlingit, Kiks.ádi clan, active late 18th – early 19th century. There are human figures crouching within Raven's ears

A Nunivak Cup'ig man with raven maskette. The raven (Nunivak Cup'ig language: tulukarug) is Ellam Cua or Creator god in the Cup’ig mythology

A raven in a cemetery. Because they are scavengers, ravens have been associated with death.

The raven also has a prominent role in the mythologies of the Indigenous peoples of the Pacific Northwest Coast, including the Tsimishians, Haidas, Heiltsuks, Tlingits, Kwakwaka'wakw, Coast Salish, Koyukons, and Inuit. The raven in these indigenous peoples' mythology is the Creator of the world, but it is also considered a trickster God. For instance, in Tlingit culture, there are two different raven characters that can be identified, although they are not always clearly differentiated. One is the creator raven, responsible for bringing the world into being and who is sometimes considered to be the individual who brought light to the darkness. The other is the childish raven, always selfish, sly, conniving, and hungry. When the Great Spirit created all things, he kept them separate and stored them in cedar boxes. The Great Spirit gifted these boxes to the animals who existed before humans. When the animals opened the boxes all the things that comprise the world came into being. The boxes held such things as mountains, fire, water, wind, and seeds for all the plants. One such box, which was given to Seagull, contained all the light of the world. Seagull coveted his box and refused to open it, clutching it under his wing. All the people asked Raven to persuade Seagull to open it and release the light. Despite begging, demanding, flattering, and trying to trick him into opening the box, Seagull still refused. Finally, Raven became angry and frustrated, and stuck a thorn in Seagull's foot. Raven pushed the thorn in deeper until the pain caused Seagull to drop the box. Then out of the box came the sun, moon, and stars that brought light to the world and allowed the first day to begin.

Bill Reid created the sculpture of The Raven and the First Men depicting a scene from a Haida myth that unifies the Raven as both the trickster and the creator. According to this myth, the raven, who was both bored and well-fed, found and freed some creatures trapped in a clam. These scared and timid beings were the first men of the world, and they were coaxed out of the clamshell by the raven. Soon the raven was bored with these creatures and planned to return them to their shell. Instead, the raven decided to search for the female counterparts of these male beings. The raven found some female humans trapped in a chiton, freed them, and was entertained as the two sexes met and began to interact. The raven, always known as a trickster, was responsible for the pairing of humans and felt very protective of them. With the Raven perceived as the creator, many Haida myths and legends often suggest the raven as a provider to mankind.

Another raven story from the Puget Sound region describes the "Raven" as having originally lived in the land of spirits (literally bird land) that existed before the world of humans. One day the Raven became so bored with bird land that he flew away, carrying a stone in his beak. When the Raven became tired of carrying the stone and dropped it, the stone fell into the ocean and expanded until it formed the firmament on which humans now live.

One ancient story told on Haida Gwaii tells about how Raven helped to bring the Sun, Moon, Stars, Fresh Water, and Fire to the world:[32]

Long ago, near the beginning of the world, Gray Eagle was the guardian of the Sun, Moon and Stars, of fresh water, and of fire. Gray Eagle hated people so much that he kept these things hidden. People lived in darkness, without fire and without fresh water.

Gray Eagle had a beautiful daughter, and Raven fell in love with her. In the beginning, Raven was a snow-white bird, and as a such, he pleased Gray Eagle's daughter. She invited him to her father's longhouse.

When Raven saw the Sun, Moon and stars, and fresh water hanging on the sides of Eagle's lodge, he knew what he should do. He watched for his chance to seize them when no one was looking. He stole all of them, and a brand of fire also, and flew out of the longhouse through the smoke hole. As soon as Raven got outside he hung the Sun up in the sky. It made so much light that he was able to fly far out to an island in the middle of the ocean. When the Sun set, he fastened the Moon up in the sky and hung the stars around in different places. By this new light he kept on flying, carrying with him the fresh water and the brand of fire he had stolen.

He flew back over the land. When he had reached the right place, he dropped all the water he had stolen. It fell to the ground and there became the source of all the fresh-water streams and lakes in the world. Then Raven flew on, holding the brand of fire in his bill. The smoke from the fire blew back over his white feathers and made them black. When his bill began to burn, he had to drop the firebrand. It struck rocks and hid itself within them. That is why, if you strike two stones together, sparks of fire will drop out.

Raven's feathers never became white again after they were blackened by the smoke from the firebrand. That is why Raven is now a black bird.

Other notable stories tell of the Raven stealing and releasing the sun, and of the Raven tempting the first humans out of a clamshell. Another story of the Kwakiutl or Kwakwaka'wakw of British Columbia who exposed boys' placentas to ravens to encourage future prophetic visions, thereby associating the raven with prophecy, similar to the traditions of Scandinavia.

In one legend, Raven transformed himself into a pine needle which is swallowed by the unmarried daughter of the owner of the box of daylight, who then becomes pregnant and gives birth to Raven in disguise.[33]

The raven god or spirit Kutcha (or Kutkh, (Кутх)) is important in the shamanic tradition of the Koryaks and other indigenous Chukotko-Kamchatkan peoples of the Russian Far East.[34][35]

Kutcha is traditionally revered in various forms by various peoples and appears in many legends: as a key figure in creation, as a fertile ancestor of mankind, as a mighty shaman, and as a trickster. He is a popular subject of the animist stories of the Chukchi people and plays a central role in the mythology of the Koryaks and Itelmens of Kamchatka. Many of the stories regarding Kutkh are similar to those of the Raven among the indigenous peoples of the Pacific Northwest Coast, indicating a long history of indirect cultural contact between Asian and North American peoples.

Two ravens or crows, flying over the warrior's head in battle, symbolized in Yakut mythology the Ilbis Kyyha and Ohol Uola, two evil spirits of war and violence. Some other gods or spirits in yakut shamanism, including Uluu Suorun Toyon and Uluutuar Uluu Toyon, are described as "great raven of cloudy sky".

• The first name "Bram" is derived from a convergence of two separate etymological sources, one being an abbreviation of "Abraham", but the other being the Gaelic word "bran", meaning "raven". The name Bran, signifying a raven, was used in medieval Ireland.
• The Germanic first names "Bertram" and "Wolfram" both derive from the Old High German word "hram", meaning raven.
• The name "Raven" exists both as a first and a surname in the English language. The first name is unisex but much more common among women, especially African-American ones. Examples include Raven-Symoné, Raven Goodwin or Raven Baxter.

Horror movies like Alfred Hitchcock's The Birds and Don Taylor's horror sequel Damien: Omen II have them committing stylish, often gruesome murders.