Rocco Scotellaro

Rocco Scotellaro (19 April 1923 – 15 December 1953) was an Italian poet, writer and politician.

Rocco Scotellaro
Born19 April 1923
Died15 December 1953 (1953-12-16) (aged 30)
OccupationWriter

Life and career

Born in Tricarico, in the Province of Matera, the son of a shoemaker and a homemade seamstress, Scotellaro studied law at the Universities of Rome, Naples and Bari without graduating, as the early death of his father forced him to return to his hometown.[1] In December 1943 he joined the Italian Socialist Party, and after having been part of the local department of National Liberation Committee in 1946 he became major of Tricarico.[1][2] His tenure as major was inspired by the theories of vita activa by Hannah Arendt, and spent a great deal of effort in improving the living conditions of his fellow citizens.[2]

On 8 February 1950 Scotellaro was arrested for an alleged extortion; the subsequent trial acquitted him "for not having committed the fact and because the fact does not constitute an offence", and in their sentence the judges explicitly referred to the case as motivated by "a political vengeance", but as a consequence a then disillusioned Scotellaro left his office and his hometown.[1][2] He then collaborated with the Agrarian Economics Observatory and with the Association for the Industrial Development of Southern Italy (SVIMEZ), studying various projects and reforms.[1][2]

Scotellaro suddenly died of a heart attack on 15 December 1953, at the age of 30.[1][2] Almost all his literary works were published posthumously, and earned him critical acclaim as well as various prizes and awards, including the Viareggio Prize in 1954.[1] His style belongs to New Realism,[1][3] and Eugenio Montale described him as a "poeta contadino" ("peasant poet") and paired him to Sergei Yesenin and Attila József.[1]

References

  1. Vitelli, Franco (2018). "Scotellaro, Rocco". Dizionario Biografico degli Italiani, Volume 91. Treccani.
  2. Iarussi, Oscar (2006). "Ritratti critici di contemporanei: Rocco Scotellaro". Belfagor, vol. 61, no. 2, Casa Editrice Leo S. Olschki s.r.l. pp. 169–79.
  3. "Italian literature -Social commitment and the new realism". Encyclopædia Britannica. Retrieved 6 February 2022.
  4. Carletti, Elena (2020). The Photographic Eye: Poetry and the Visual in 1950s and 1960s Italian Experimental Writers (PDF) (PhD). University of Sydney. p. 131. Retrieved 17 January 2023.
  5. Henry Bacon, Visconti: Explorations of Beauty and Decay, Cambridge University Press, 1998, p.105
  6. Moscati, Italo (1993). L'Ecran mutant: les rapports entre le cinéma et la TV, l'expérience de Raidue et son régard européen. RAI. p. 137. ISBN 9788839708205. OCLC 1303960460.
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