Santogold (album)

Santogold was written and recorded in the span of eight weeks.[1] When working on the album, Santigold aimed to defy boundaries and genre classifications, and the expectations from a black woman to sing R&B.[2] She says she was "able to work with all these genres that are typically sub-cultural, like dub or punk or something, and then, by writing in a way that had hooks, made it accessible to everyone."[3] Despite the album also being released on Lizard King Records, Santigold had left the label prior to the release of the album, saying that they "didn't allow me any freedoms. The label was a joke and I'll say that on the record. They weren't involved at all and pretty much got in the way."[4] By the time the album was finished, she signed to Atlantic Records, whom she says loved the album and asked her to not change anything on it.[1] The track "My Superman" was inspired by the 1980 song "Red Light" by Siouxsie and the Banshees, and contains an interpolation of it:[5] the song credits of the song were subsequently attributed half to Siouxsie Sioux and Steven Severin on the American Ascap website.[6]

Jon Pareles of the NY Times noted that there was also a "reggae-ska side" in songs like "Say Aha" and "Shove It".[7]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	77/100[8]
Review scores
Source	Rating
AllMusic	[9]
The A.V. Club	A−[10]
Entertainment Weekly	A−[11]
The Guardian	[12]
The Independent	[13]
MSN Music (Consumer Guide)	A−[14]
NME	8/10[15]
Pitchfork	7.1/10[16]
Rolling Stone	[17]
Spin	[18]

Santogold received acclaim from music critics.[19][20] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 77, based on 27 reviews.[8] The album was noted for its eclectic sound and blend of various musical genres, including new wave, electro, indie rock, dub, post-punk, reggae, grime, ska, and hip hop,[18][21][22][9][23] and was positively compared to various acts, such as M.I.A., Pixies, Blondie, Siouxsie and the Banshees, Grace Jones, Debbie Harry, Goldfrapp, The Go-Go's, Joe Strummer, and the Slits.[24][16] Will Hermes of Rolling Stone called it "a visionary album" and "one of the year's most unique debuts", and stated that despite being influenced by other acts, Santigold "ultimately sounds like her own damn movement."[17] Writing for NME, Priya Elan felt the album "reveals a glittery crazy-paved path towards a brave new musical future", and commended it for stylistically veering from one track to another while still remaining a cohesive body of work.[15]

AllMusic critic Marisa Brown called Santogold an album "that looks outward at the pan-continental landscape while staying firmly adherent to and respectful of its deeply American roots; this is the emerging—and hopeful—face of the new millennium, and an altogether shining accomplishment."[9] The Village Voice wrote, "With her eponymous debut's deft mix of dap, punk, rock, pop, house, reggae, and hip-hop, she won't completely live down associations with the famous Sri Lankan (whom she also counts as a friend), but the result emerges as much more than a mere imitation."[8]

As of 2012, Santogold had sold 225,000 copies and 932,000 individual downloads in the United States according to Nielsen SoundScan.[34] In 2009 the album was certified silver by the BPI.[35] In 2010 it was awarded a gold certification from the Independent Music Companies Association, which indicates 100,000 sales across Europe.[36]

Notes

• ^{^[a]} signifies an additional producer

Credits adapted from the liner notes of Santogold.[39]