The Curse of the Cat People

Following the death of his wife, Irena Dubrovna, engineer Oliver Reed has remarried to his former co-worker, Alice. The couple now have a six-year-old daughter, Amy, and reside in Tarrytown, New York. Oliver worries about Amy's extreme introversion and predilection to fantasy, as the behavior reminds him of Irena, whose madness drove her to death. At the urging of her parents, Amy attempts to make friends with the neighborhood children, who spurn her. While walking through the neighborhood, Amy pauses in front of a large house, which the other children claim is inhabited by a witch. An elderly woman's voice beckons Amy from a second-floor window, and she follows. From the window, the woman drops a handkerchief and a ring to the ground. Amy takes it, though the hankie is promptly snatched from her by Barbara Farren, the elderly woman's rejected daughter.

The Reeds' butler, Edward, tells Amy the ring appears to be a "wishing ring" and suggests she make a wish to it. In the garden, Amy wishes simply for a friend. Moments later, a wind encircles her, and she begins frolicking with what Oliver and Edward observe as an imaginary friend. The next day, Amy goes back to the house to return the ring. She is met inside by Barbara's eccentric elderly mother, a former stage actress named Julia. Julia tells Amy that her real daughter is dead, and that Barbara is a spy posing as her. Amy looks on as Julia dramatically reenacts the legend of the Headless Horseman of Sleepy Hollow, but the story is cut short when Edward comes to retrieve Amy. After Amy leaves, Barbara chastises Julia for the way she treats her, but Julia continues to insist that Barbara is an imposter, and that her daughter died when she was six years old.

That night, Amy has a nightmare about the Headless Horseman. She is calmed, however, by the maternal presence of her friend—manifesting as a shadow—who sings a song to her. In the morning, Amy finds a photograph of Irena, whom she identifies as her mysterious new friend. Alice quickly hides the photograph. Amy wanders outside, where she is met by Irena's ghost. The two play together in the garden.

On Christmas Eve, Amy quietly slips outside during a family gathering to give Irena a gift in the garden. She subsequently visits the Farren house on Christmas Day, and gifts Julia a ring, which delights her. This enrages Barbara, whose gifts have been rejected by Julia, and Barbara vows to murder Amy should she ever return to the house. A short time later, Amy finds a photograph of Oliver and Irena together, and insists that she knows her. Oliver dismisses this as one of Amy's fantasies and punishes her. As Amy sobs in her bedroom, she is visited by Irena, who tells her that she must depart, explaining that she is interfering with Amy's relationship with her father. Amy begs Irena to stay, but Irena disappears, so Amy wanders outside to search for her. Shortly after, Oliver and Alice realize Amy has left the house.

Outside, Amy becomes caught in a blizzard as she wanders through country backroads. She eventually seeks shelter at the Farren home. Julia takes her in, but attempts to hide her upstairs, fearing Barbara will harm Amy out of jealousy. A panicked Julia suffers a heart attack while climbing the stairs and dies. Barbara appears and menacingly approaches Amy. Frightened, Amy invokes Irena, who superimposes herself over Barbara, and Amy embraces what she sees as her friend. This disarms Barbara, who returns the child's embrace. Moments later, Oliver and police arrive at the house. Oliver hugs Amy, and they return home. On the porch, Oliver agrees to accept his daughter's imaginary companions. Irena, watching them from the garden, disappears as Oliver and Amy enter the house.

The film, which began production at the RKO Gower Street studios in Hollywood on August 26, 1943, and wrapped on October 4, with additional shooting the week of November 21,[1] marked two directorial debuts. Gunther von Fritsch had only directed short subjects to that time, so the film marked his feature debut, but when he fell behind schedule, having gotten only halfway through the screenplay in the 18 days of filming that had been allocated,[4] the studio assigned film editor Robert Wise to take over, which earned him his first directorial credit.[1] By the end of filming, the film, which had done some location shooting at Malibou Lake, California, was nine days behind schedule, and its budget had to be increased from $147,000 to $212,000.[1] As was typical with Lewton's films, the tight budget demanded that sets be re-purposed from other RKO productions, in this case those of Orson Welles' The Magnificent Ambersons (1942), which had also provided sets for Cat People.

Although the film was marketed as a sequel to 1942's Cat People and had four of the same actors (three of whom played the same characters in both films), The Curse of the Cat People has little in common with the earlier film. RKO studio executives wanted to cash in on the success of the first film and insisted on the title, despite producer Val Lewton's desire to change it to Amy and Her Friend.[1] Lewton incorporated elements of his own life into the film, integrating autobiographical details from his childhood, such as the party invitations that are "mailed" by putting them into a hollow tree. Lewton also grew up not far from Tarrytown, where the story is set, and was fond of ghost stories such as "The Headless Horseman" (Washington Irving's "The Legend of Sleepy Hollow"), which is cited in The Curse of the Cat People.[4]

Studio executives were disappointed when Lewton first screened the film for them, and they insisted on some additional scenes, such as the one of the boys chasing a black cat in the park, being filmed and inserted into the picture. Some details that were crucial to the plot were lost in the re-editing necessary to accommodate the new scenes.[4]

Manuel Osorio Manrique de Zúñiga by Goya, 1787–88

The Curse of the Cat People premiered in February 1944. It was often screened as a double bill with Cat People (1942).[5]

• List of American films of 1944

• Pitts, Michael R. (2015). RKO Radio Pictures Horror, Science Fiction and Fantasy Films, 1929–1956. McFarland. ISBN 978-0-786-46047-2.
• Young, R. G. (2000). The Encyclopedia of Fantastic Film: Ali Baba to Zombies. Hal Leonard Corporation. ISBN 1-55783-269-2. Retrieved June 29, 2011.

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