Universal Pictures Debut Network

MCA TV and Paramount Domestic Television had formed Premier Advertiser Sales, a joint venture created for the sale of advertising for their existing syndicated programs in September 1989. As a possible outgrowth of this sales joint venture, MCA and Paramount began plans for a new network, Premier Program Service.[14] When Premier Program Service halted, MCA teamed up with Chris-Craft TV for a syndicated programming block, Hollywood Premiere Network, that only lasted for the 1990–1991 season.[15] The Universal Family Network syndicated programming block was launched by the company in the fall of 1993 with a single weekly half hour show, Exosquad, as a counter to The Disney Afternoon.[16]

An alternate version of Halloween II (sometimes referred to as 'The Television Cut') has aired on network television since the early 1980s, with most of the graphic violence and blood edited out and many minor additional scenes added, while others are removed.[54] This cut of the film was released in 2012 by Scream Factory on their Collector's Edition Blu-ray disc, and again in 2014 as a standalone DVD accompanying the "Complete Collection" Deluxe Edition Blu-ray set, which features entire series.[55]

The television cut runs approximately 92 minutes, roughly one minute less than the theatrical version.[54] There are many edits such as the murder of Dr. Mixter is presumed to still happen, but remains off camera, as does Janet's, although dialogue indicates she might have gone home at the end of her shift instead of being killed. The scene where Michael stalks Alice is recut to imply that he attacks and kills her neighbor Mrs. Elrod instead. Jimmy's discovery of Mrs. Alves dead and his subsequent slipping in the pool of blood has been significantly shortened (or removed altogether in some prints) and moved just prior to the explosion which kills Myers and Loomis. Jill's stabbing is less graphic, and a moan from the ground implies she might have survived it. Also added are scenes of Michael cutting the power (this explains the dark setting throughout the latter half of the film) and a power generator kicking in. There is also extra dialogue between Laurie and Jimmy, Laurie and Mrs. Alves, Janet and Karen, Karen and Mr. Garrett, Bud and Karen, Jill and Jimmy, etc.

Another notable difference is the killing of the Marshall. In the theatrical version his throat is slit, while in the TV version it is softened, with Michael grabbing him and stabbing him from behind (with no detail shown). While the theatrical version ends with the deaths of Michael Myers and Dr. Loomis and leaves the audience in a gray area as to whether Jimmy survives, the television cut features an extended ending showing Jimmy alive (with a bandaged head wound from his slip) in the ambulance with Laurie Strode. They hold hands and Laurie says, "We made it."[56]

The rough cut of Dune, without post-production effects, ran over four hours long but director David Lynch's intended cut of the film (as reflected in the seventh and final draft of the script) was almost three hours long. Universal and the film's financiers expected a standard, two-hour cut of the film. Dino De Laurentiis, his daughter Raffaella and Lynch excised numerous scenes, filmed new scenes that simplified or concentrated plot elements and added voice-over narrations, plus a new introduction by Virginia Madsen. Contrary to rumor, Lynch made no other version besides the theatrical cut.

As previously mentioned, a television version was aired in 1988[57] in two parts totaling 186 minutes including a "What happened last night" recap and second credit roll. Lynch disavowed this version and had his name removed from the credits, Alan Smithee being credited instead. This version (without recap and second credit roll) has occasionally been released on DVD as Dune: Extended Edition. Several longer versions have been spliced together.[58] Although Universal has approached Lynch for a possible director's cut, Lynch has declined every offer and prefers not to discuss Dune in interviews.[59]

In 1992, KTVU,[60] pieced together a hybrid edit[61] of the two previous versions for broadcast in the San Francisco Bay Area. It is essentially the television version with all the violence of the theatrical version reincorporated into the film, along with many of the "fabricated" shots objected to by Lynch removed.

In 1985, a much-publicized war emerged between director Terry Gilliam and Universal's then-COO Sid Sheinberg over the final cut of Brazil for the film's North American release. Against Gilliam's wishes, Sheinberg wanted to cut the film from Gilliam's preferred 142 minute cut to 93 minutes and modify the dark sci-fi satire into an uplifting romance, complete with a happy ending. After Gilliam created an ambitious campaign to wrestle the film away from Sheinberg, including clandestine screenings of his preferred cut, which led to the Los Angeles Film Critics Association awarding the film Best Picture and Best Director, Sheinberg backed down and Universal released a "compromised" cut running 131 minutes and featuring a few of the changes suggested by Sheinberg while remaining faithful to Gilliam's vision.[62]

In January 1989, Universal released a cut of Brazil for airing on the Debut Network. Running 93 minutes, it was a heavily modified version that remained true to Sheinberg's preferred cut of the film, and was subsequently given the nickname "The Love Conquers All Cut." How this version managed to get released remains a mystery; Gilliam said that Universal asked him to make an edited-for-television cut of the film and he refused. In an interview with the Los Angeles Times, Gilliam sarcastically complimented Sheinberg for "[getting] a chance to break into TV," but was angry that Universal didn't take his name off the TV cut and also criticized advertisements for the Debut Network premiere of Brazil which used the same critical praise that was given to his version.[63] In an interview with Jack Matthews in an updated version of his book The Battle of Brazil, Sheinberg claimed he had no idea how his cut leaked out, and said that he wasn't the one who ordered that cut to be released. In 1996, The Criterion Collection released a box set of Brazil that included Gilliam's preferred 142-minute version of the film as well as the "Love Conquers All" cut of the movie.[21]