Venus and Cupid (Gentileschi)

Venus and Cupid (Sleeping Venus) is a circa 1626 painting by Artemisia Gentileschi in the Virginia Museum of Fine Arts.[1] Venus and Cupid is a depiction of a sleeping Venus, who reclines on a blue bed covering and rich crimson and gold tasseled pillow. She wears nothing except a thin wisp of transparent linen around her thigh. Her son Cupid fans her with richly colored peacock feathers as she drifts to sleep. He is gazing at her with an adored, raptured expression. In the background, there is a window looking out onto a moonlight landscape where a temple to the goddess lies. Venus's face has full cheeks, heavy lids, a prominent nose, and small protruding chin—all features of Gentileschi's own face. [2] The body movements are natural: Venus's hand rests lightly on her side, her legs are gently laid together. The work blends together realism and classicism through its iconography and the artist's style.[3]

Venus and Cupid
Sleeping Venus
ArtistArtemisia Gentileschi Edit this on Wikidata
Yearc. 1625
Mediumoil paint, canvas
Dimensions96.52 cm (38.00 in) × 143.83 cm (56.63 in)
LocationUS

The painting was probably commissioned by an important and wealthy patron; Gentileschi painted the blue sheets on the canvas using two layers of lapis lazuli, an expensive material for artists to obtain. The depiction of a slumbering and vulnerable female, in contrast to her earlier works, is thought to indicate her willingness to adapt her style to the demands of patrons.[4] It is possible that a second artist was commissioned to paint the landscape at the top left of the painting.[2]

The painting was first documented in a private collection in Rome in the 1980s.[3] It was then acquired by the Barbera Piasecka Foundation, Princeton, New Jersey.[5] It was later acquired by the Adolph D. and Wilkins C. Williams Foundation who gifted it to the museum.

See also

References
  1. Mann 2005, pp. 6–8.
  2. Christiansen & Mann 2001, p. 371.
  3. Bissell 1999, p. 225.
  4. Christiansen & Mann 2001, p. 373.
  5. Christiansen & Mann 2001, p. 372.

Sources
  • Bissell, R. Ward (1999). Artemisia Gentileschi and the Authority of Art : Critical Reading and Catalogue Raisonné. University Park, Pa.: Pennsylvania State University Press. ISBN 9780271017877.
  • Christiansen, Keith; Mann, Judith Walker (2001). Orazio and Artemisia Gentileschi. New York; New Haven: Metropolitan Museum of Art ; Yale University Press. ISBN 1588390063.
  • Grabski, Józef (1985). "On Seicento Painting in Naples: Some Observations on Bernardo Cavallino, Artemisia Gentileschi and Others". Artibus et Historiae. 6 (11): 23–63. doi:10.2307/1483259. ISSN 0391-9064. JSTOR 1483259.
  • Kultermann, Udo (1990). "Woman Asleep and the Artist". Artibus et Historiae. 11 (22): 129–161. doi:10.2307/1483403. ISSN 0391-9064. JSTOR 1483403.
  • Mann, Judith (2005). Artemisia Gentileschi : taking stock. Turnhout, Belgium: Brepols. ISBN 9782503515076.
  • Strinati, Claudio; Pomeroy, Jordana (2007). Italian women artists : from Renaissance to Baroque (1st ed.). Milano: Skira. ISBN 978-8876249198.
  • Vigué, Jordi (2002). Great Women Masters of Art. New York: Watson-Guptill. ISBN 0823021149.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.