When a Stranger Calls (1979 film)

When a Stranger Calls is an expanded remake of Fred Walton and Steve Feke's short film The Sitter (1977), which roughly comprised the first 23 minutes of this film.[2] Walton and Fake alleged that they based The Sitter on a newspaper article detailing the harassment of a young woman who, while babysitting in Santa Monica, California, received phone calls from her attacker inside the residence.[1]

The Sitter was released theatrically as a pre-screening short feature on a bill with Looking for Mr. Goodbar (1977).[1] Executive producers Barry Krost and Douglas Chapin were so impressed by The Sitter that they acquired the rights and commissioned Walton and Feke to develop the short into a full-length feature.[1]

The film marked cinematographer Donald Peterman's feature film debut as director of photography.[9] Principal photography began October 9, 1978, and took place over 27 1/2 days at locations in and around Los Angeles, largely including the Brentwood neighborhood.[1] The house which served as the location for the first act of the movie was at 321 S. Chadbourne Ave., in Brentwood. The Lockhart home in the final act was at 2722 Club Drive in Los Angeles. Both houses have been torn down. In November 1978, filming occurred in downtown Los Angeles during the Skid Row stabbing murders, and, by coincidence, used some of the sites where murder victims had been discovered, including the steps of the Los Angeles Public Library.[1]

The downtown bar where Duncan and Tracy meet was Torchy's at 2181⁄2 W. Fifth Street in Los Angeles. This location is the same bar that served as filming locations for the redneck bar in 48 Hrs. and for the 1985 version of Brewster's Millions.[10] Filming was completed by mid-November 1978.[1]

The American Classification and Rating Administration (CARA) voted unanimously for a PG-rating (five years before the PG-13 rating was available for use). However, CARA chair Richard Heffner then viewed the film and called the board for discussion to consider voting for an R rating. Although the theme of a film could be accommodated within a PG-rating, Heffner argued that this film's treatment of its theme was too unsettling for most parents to want it to be freely available to unaccompanied children. A majority vote was then received to assign the film its R rating.[16]

The film had a gross of $482,969 from pre-release engagements. It expanded to 468 theaters and grossed $2,597,032 in its opening four days.[17] It placed second on Variety's weekly box office chart for the week ended October 3, 1979 and moved up to number one in its third week of release.[18][19] It grossed $20,149,106 during its initial theatrical run in the United States and Canada.[3] In its 1980 theatrical re-release, the film grossed an additional $1,262,052. The film was a financial success, given its $1.5 million budget.[3] Some contemporary newspapers note the film grossed approximately $25 million.[1][4]

On Rotten Tomatoes, the film holds an approval rating of 41% based on 17 reviews, with an average rating of 5.21/10.[20] On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 58 out of 100, based on seven critics, indicating "mixed or average reviews".[21]

Roger Ebert described the film as "sleazy" in a 1980 episode of Sneak Previews.[22] In her review for The New York Times, Janet Maslin wrote "When a Stranger Calls is an energetic first film", adding that "the frightened-babysitter opening of the movie is marvelously modern, as Mr. Walton demonstrates that a haunted house with an ice-making refrigerator is intrinsically scarier than a house without one. He also makes the most of that fearsome modern weapon, the telephone."[23] Author Travis Holt elaborates on the importance of the telephone to the film's portrayal of horror, noting that in the beginning "The phone is presented as a means of safety and comfort; it is a savior rather than a burden."[24] Once the harassing phone calls begin, however, the view of the telephone becomes more sinister:

With the constant central framing of the telephone and its intrusion into the tranquility of the house, the phone has become Jill's nemesis. Jill remains trapped in a situation where she can do nothing but pray that the perpetrator stops calling. The device that usually holds so much promise for positive communication has become virtually her worst nightmare.[24]

Critic Elston Brooks of the Fort Worth Star-Telegram felt the film was superior to its contemporary Halloween (1978), adding that director Walton "keeps his tension-level at a nearly unbearable mark in the film's first half...  He keeps it at a high dramatic level, thank to Durning and Beckley, in the second half, which is almost a second movie as far as plot goes."[25]

In January 1980, the film screened at the Avoriaz International Fantastic Film Festival in France, where it won the Prix de la Critique and the Prix Special du Jury awards, marking the first time a single film had won in both categories.[1]

The film was released on VHS by Columbia Pictures Home Entertainment in 1981,[26] and reissued in 1986.[27]

A DVD release was distributed by Sony Pictures Home Entertainment on October 9, 2001, with the only supplements being bonus trailers.[28] A Blu-ray version of the film was released by Mill Creek Entertainment in a double feature with Happy Birthday to Me (1981) on March 26, 2013. Neither film contains any special features on the disc.[29]

The film was eventually released as a stand-alone on Blu-ray on February 11, 2020 by Mill Creek Entertainment with packaging designed to look like a VHS.[30]

In the United Kingdom, Second Sight announced a special edition Blu-ray, which was released on December 17, 2018. The Blu-ray includes a brand new scan and restoration, plus the sequel When a Stranger Calls Back, a new scan and restoration of the original short film The Sitter, a reversible sleeve with new artwork by Obviously Creative and original poster artwork, as well as interviews with director Fred Walton, Carol Kane, Rutanya Alda, composer Dana Kaproff, the "limited edition" original soundtrack CD, along with a 40-page perfect-bound booklet with a new essay by Kevin Lyons.[31] A standard edition without the soundtrack and booklet was released by Second Sight on July 1, 2019.[32]