When a Stranger Calls (franchise)

Jill Johnson, a young high school student works as a babysitter for a wealthy family. One night as she's caring for their kids, a caller begins to make strange prank calls which progresses into threatening statements towards the children. As time goes on, Jill begins to realize that the calls are not in a joking nature and she calls the police for assistance. Though the law enforcement initially questions the nature of the phone calls as well, but with the help of Detective John Clifford they determine that the calls are coming from inside the house. Upon this revelation, the young woman must fight for her life and to save the little ones as well.[4][8]

Julia Jenz, a young responsible college student who is introverted in nature begins to believe that terrors of her past are returning in her life. When she was younger in high school, she had been babysitting two young children for a doctor and his wife while they were away. A stranger had knocked on the door asking for her to help him call for automotive assistance due to some car troubles he was having. Upon trying to assist him she discovered that the telephone line was down, and in horror discovered that he had abducted the children while she was distracted.

As it took her years to cope with the psychological ramifications of the experience, she is convinced that the same man has once again began to stalk her. Though many question her sanity, school counselor Jill Johnson believes her as she too lived a similar nightmare when she was young. Together they enlist the help of retired police officer John Clifford, who had assisted Johnson many years ago. As the circumstances of Julia's lurker become more dire, the group races to discover the man's identity before it's too late.[5][6][9][10][11]

Jill Johnson, a high school teenager who works as a babysitter at night, arrives to care for the children at a luxurious mansion in an isolated location. Their parents are leaving for the night, and the children are fast asleep. As she looks through the channels, she finds that a gruesome murder had taken place earlier that night. Relieved that she is fare away from the scene of the crime, she soon begins to receive a series of calls from an unknown caller. Initially suspecting them to be a prank in nature, the caller begins to be sadistic and frightening in nature as he begins to threaten her and the children.

When Jill reaches out to the police, she is instructed to secure the house and to do here best to keep the caller on the line as long a possible so that they can track the source. Her ordinary evening, quickly escalates into living nightmare when the law enforcement call her and let her know that the calls have been coming from somewhere inside the house. The police race to her aid, before they're too late as the stranger attacks. In a series of horrific events, Jill must rescue the children and escape with their lives.[12][13][14][7]

In early 1977, Fred Walton and his old college friend Steve Feke were throwing around story ideas for a film and Feke told him the legendary tale of "The babysitter and the man upstairs" which Walton felt had potential for a film. The production of The Sitter was made on a low budget with both Feke and Walton working steadily for the financing, including their friends' contributing $1,000 here and there. The 22-minute film, shot on 35mm in three days in May 1977 on a budget of $12,000, closely prefigures the opening twenty minutes of When a Stranger Calls, now consistently regarded as one of the scariest openings in horror movie history. Once post-production on The Sitter was completed, Walton and Feke realized that the market for short films wasn't nearly as good as they had both anticipated. Although major studios were not interested in the short film, they were able to land a one-week showing at a theatre for consideration at the 1977 Academy Awards to qualify a nomination for Best Live Action Short. The Sitter had a short theatrical run being screened before Looking for Mr. Goodbar at Mann's Village Theatre in Westwood, California. In spite of its good reception, the film did not get nominated for an Oscar.[15]