Amber Fort

A view of the fort at Amer in Rajasthan; a watercolor by William Simpson, c.1860

The Amber Fort were originally built by Raja Man Singh. Jai Singh I expanded it. Improvements and additions were done successive rulers over the next 150 years, until the Kachwahas shifted their capital to Jaipur during the time of Sawai Jai Singh II, in 1727.[1][18] Amer was known in the medieval period as Dhundar (meaning attributed to a sacrificial mount in the western frontiers) and ruled by the Kachwahas from the 11th century onwards – between 1037 and 1727 AD, till the capital was moved from Amer to Jaipur.[4] The history of Amer is indelibly linked to these rulers as they founded their empire at Amer.[19]

Ganesh Pol Entrance

An impressive stairway from Jalebi Chowk leads into the main palace grounds. Here, at the entrance to the right of the stairway steps is the Sila Devi temple where the Rajput Maharajas worshipped, starting with Maharaja Mansingh in the 16th century until the 1980s, when the animal sacrifice ritual (sacrifice of a buffalo) practiced by the royalty was stopped.[20]

Ganesh Pol, or the Ganesh Gate, named after the Hindu god Lord Ganesh, who removes all obstacles in life, is the entry into the private palaces of the Maharajas. It is a three-level structure with many frescoes that were also built at the orders of the Mirza Raja Jai Singh (1621–1627). Above this gate is the Suhag Mandir where ladies of the royal family used to watch functions held in the Diwan-i-Aam through latticed marble windows called "jâlîs".[23]

Sila Devi temple

Embossed double leaf silver door entry into the Sila Devi temple

On the right side of the Jalebi Chowk, there is a small but an elegant temple called the Sila Devi temple (Sila Devi was an incarnation of Kali or Durga). The entrance to the temple is through a double door covered in silver with a raised relief. The main deity inside the sanctum is flanked by two lions made of silver. The legend attributed to the installation of this deity is that Maharaja Man Singh sought blessings from Kali for victory in the battle against the Raja of Jessore in Bengal. The goddess instructed the Raja, in a dream, to retrieve her image from the sea bed and install and worship it. The Raja, after he won the battle of Bengal in 1604, retrieved the idol from the sea and installed it in the temple and called it Sila Devi as it was carved out of one single stone slab. At the entrance to the temple, there is also a carving of Lord Ganesha, which is made out of a single piece of coral.[20]

Another version of the Sila Devi installation is that Raja Man Singh, after defeating the Raja of Jessore, received a gift of a black stone slab which was said to have a link to the Mahabharata epic story in which Kansa had killed older siblings of Lord Krishna on this stone. In exchange for this gift, Man Singh returned the kingdom he had won to the Raja of Bengal. This stone was then used to carve the image of Durga Mahishasuramardini, who had slain the demon king Mahishasura and installed it in the fort's temple as Sila Devi. The Sila Devi was worshiped from then onwards as the lineage deity of the Rajput family of Jaipur. However, their family deity continued to be Jamva Mata of Ramgarh.[11]

Another practice that is associated with this temple is the religious rites of animal sacrifice during the festival days of Navrathri (a nine-day festival celebrated twice a year). The practice was to sacrifice a buffalo and also goats on the eighth day of the festival in front of the temple, which would be done in the presence of the royal family, watched by a large gathering of devotees. This practice was banned under the law from 1975, after which the sacrifice was held within the palace grounds in Jaipur, strictly as a private event with only the close kin of the royal family watching the event. However, now the practice of animal sacrifice has been totally stopped at the temple premises and offerings made to the goddess are only of the vegetarian type.[11]

The second courtyard, up the main stairway of the first level courtyard, houses the Diwan-i-Aam or the Public Audience Hall. Built with a double row of columns, the Diwan-i-Aam is a raised platform with 27 colonnades, each of which is mounted with an elephant-shaped capital, with galleries above it. As the name suggests, the Raja (King) held audience here to hear and receive petitions from the public.[4][20]

Sheesh Mahal front view

Mirrored ceiling in the Mirror Palace

Sheesh Mahal Interior

The third courtyard is where the private quarters of the Maharaja, his family and attendants were located. This courtyard is entered through the Ganesh Pol or Ganesh Gate, which is embellished with mosaics and sculptures. The courtyard has two buildings, one opposite to the other, separated by a garden laid in the fashion of the Mughal Gardens. The building to the left of the entrance gate is called the Jai Mandir, which is exquisitely embellished with glass inlaid panels and multi-mirrored ceilings. The mirrors are of convex shape and designed with colored foil and paint which would glitter bright under candlelight at the time it was in use. Also known as Sheesh Mahal (mirror palace), the mirror mosaics and colored glasses were a "glittering jewel box in flickering candlelight".[4] Sheesh mahal was built by King Man Singh in the 16th century and completed in 1727. It is also the foundation year of Jaipur state.[24] However, most of this work was allowed to deteriorate during the period 1970–80 but has since then been in the process of restoration and renovation. The walls around the hall hold carved marble relief panels. The hall provides enchanting vistas of the Maota Lake.[20]

On top of Jai Mandir is Jas Mandir, a hall of private audience with floral glass inlays and alabaster relief work.[4]

The other building seen in the courtyard is opposite to the Jai Mandir and is known as the Sukh Niwas or Sukh Mahal (Hall of Pleasure). This hall is approached through a sandalwood door. The walls are decorated with marble inlay work with niches called "chînî khâna". A piped water supply flows through an open channel that runs through this edifice keeping the environs cool, as in an air-conditioned environment. The water from this channel flows into the garden.

Magic flower

A particular attraction here is the "magic flower" carved marble panel at the base of one of the pillars around the mirror palace depicting two hovering butterflies; the flower has seven unique designs including a fishtail, lotus, hooded cobra, elephant trunk, lion's tail, cob of corn, and scorpion, each one of which is visible by a special way of partially hiding the panel with the hands.[4]

Garden

The garden, located between the Jai Mandir on the east and the Sukh Niwas on the west, both built on high platforms in the third courtyard, was built by Mirza Raja Jai Singh (1623–68). It is patterned on the lines of the Chahar Bagh or Mughal Garden. It is in a sunken bed, shaped in a hexagonal design. It is laid out with narrow channels lined with marble around a star-shaped pool with a fountain at the center. Water for the garden flows in cascades through channels from the Sukh Niwas and also from the cascade channels called the "chini khana niches" that originate on the terrace of the Jai Mandir.[14]

Tripolia gate

Tripolia gate means three gates. It is access to the palace from the west. It opens in three directions, one to the Jaleb Chowk, another to the Man Singh Palace and the third one to the Zenana Deorhi on the south.

Lion gate

The Lion Gate, the premier gate, was once a guarded gate; it leads to the private quarters in the palace premises and is titled 'Lion Gate' to suggest strength. Built during the reign of Sawai Jai Singh (1699–1743 AD), it is covered with frescoes; its alignment is zigzag, probably made so from security considerations to attack intruders.

The fourth courtyard is where the Zenana (Royal family women, including concubines or mistresses) lived. This courtyard has many living rooms where the queens resided and who were visited by the king at his choice without being found out as to which queen he was visiting, as all the rooms open into a common corridor.[20]

Palace of Man Singh I

Baradari pavilion at Man Singh I Palace Square.

South of this courtyard lies the Palace of Man Singh I, which is the oldest part of the palace fort.[4] The palace took 25 years to build and was completed in 1599 during the reign of Raja Man Singh I (1589–1614). It is the main palace. In the central courtyard of the palace is the pillared baradari or pavilion; frescoes and colored tiles decorate the rooms on the ground and upper floors. This pavilion (which used to be curtained for privacy) was used as the meeting venue by the maharanis (queens of the royal family). All sides of this pavilion are connected to several small rooms with open balconies. The exit from this palace leads to the town of Amer, a heritage town with many temples, palatial houses and mosques.[3]

The queen mothers and the Raja's consorts lived in this part of the palace in Zanani Deorhi, which also housed their female attendants. The queen mothers took a deep interest in building temples in Amer town.[25]

Several groups have raised concerns regarding the abuse of elephants and their trafficking and have highlighted what some consider the inhumane practice of riding elephants up to the Amber Palace complex.[31] The organization PETA as well as the central zoo authority have taken up this serious issue. The Haathi gaon (Elephant village) is said to be in violation of captive animal controls, and a PETA team found elephants chained with painful spikes, blind, sick and injured elephants forced to work, and elephants with mutilated tusks and ears.[32] In 2017, A New York-based tour operator announced it would use Jeeps instead of elephants for the trip to Amber Fort, saying "It’s not worth endorsing … some really significant mistreatment of animals."[33]