Annihilation (film)

Paramount Pictures and Scott Rudin acquired the film rights to Annihilation, the then-unpublished first novel in Jeff VanderMeer's Southern Reach Trilogy, on March 26, 2013.[8] Rudin and Eli Bush were set to produce the film,[8] and Alex Garland, who had previously worked with Rudin and Bush on Ex Machina, was hired to write and direct the film in October 2014.[9]

Garland explained that his adaptation was necessarily based on only the first novel in the trilogy: "At the point I started working on Annihilation, there was only one of the three books. I knew that it was planned as a trilogy by the author, but there was only the manuscript for the first book. I really didn't think too much about the trilogy side of it."[10]

Garland said his adaptation is "a memory of the book", rather than book-referenced screenwriting, with the intention of capturing the "dreamlike nature" and tone[11][12][13] of his experience reading VanderMeer's novel. Rather than trying to directly adapt the book, Garland deliberately took the story in his own direction, with VanderMeer's permission. Garland did not read the other two books when they arrived, as he was concerned he would need to revise his script. Others informed him of the elements of the books, and he expressed surprise at some of the similarities.[14]

Some critics have noted the film has similarities with the science-fiction novel Roadside Picnic and its 1979 movie adaptation, Stalker.[15][16][17][18] While Nerdist Industries' Kyle Anderson noted even stronger resemblance with the 1927 short story "The Colour Out of Space" by H. P. Lovecraft[19] (also adapted for the screen on several occasions, including as Color Out of Space in 2019), about a meteorite that lands in a swamp and unleashes a mutagenic plague,[20] Chris McCoy of the Memphis Flyer found the film (Annihilation) reminiscent both of "The Colour Out of Space", as well as the novel (Roadside Picnic) and its film adaptation (Stalker).[20] VanderMeer stated that the original novel "is 100% NOT a tribute to Picnic/Stalker",[21] but rather drew influences from works by J.G. Ballard and Franz Kafka.[22]

The first cast member to join Annihilation was Natalie Portman, who entered negotiations with the studio in May 2015, under the agreement that production not begin until 2016.[23] Once Portman had agreed to play the biologist, the next cast member added was Gina Rodriguez, who entered talks with Paramount in November 2015.[24] By that point, production was set to begin in early 2016, a decision made to accommodate Portman's schedule but which also fell during Rodriguez's break from filming Jane the Virgin.[25] Oscar Isaac joined the cast in March 2016 as the husband of Portman's character; he had previously worked with Garland in Ex Machina.[26] By the end of April, Tessa Thompson, Jennifer Jason Leigh, and David Gyasi were also attached to the project.[27]

In 2018, Garland was criticized by the Media Action Network for Asian Americans and the American Indians in Film and Television advocacy groups for whitewashing the roles played by Portman and Leigh. In the Southern Reach novels, the Biologist is described as being of Asian descent, while the Psychologist is mixed-race and half-Indigenous; Portman is Jewish and Leigh is white.[28] Garland responded to the accusations by saying that there was "nothing cynical or conspiratorial" about the casting, and that the book in which the characters' races are revealed, Authority, had not been released by the time Annihilation had been written and cast.[29] Portman also responded to the controversy, saying that she did not know her character had a specific ethnicity until whitewashing concerns were raised, and that Garland had intentionally not spoken to VanderMeer about the other two Southern Reach novels because he wanted to focus on adapting Annihilation.[30]

Principal photography was underway by April 2016, when actor David Gyasi was added to the cast.[31] Lighthouse Pictures Ltd started location filming in late April in South Forest, Windsor Great Park.[32][33] Some test shooting had already been done in St. Marks, Florida, but the vegetation in the area turned out to be too dense to give any depth perception on screen.[34] On May 9, 2016, cinematographer Rob Hardy began sharing pictures from the set of the film.[35] On July 13 and 14, filming took place at Holkham Pines in North Norfolk.[36] Shooting was completed that month.[4]

The visual effect team was made up of many of Garland's collaborators from his previous film, Ex Machina, including VFX Supervisor Andrew Whitehurst, lead VFX house Double Negative and Milk VFX, plus special makeup effects by Tristan Versluis.[37]

Annihilation grossed $32.7 million in the United States and Canada and $10.3 million in China, for a worldwide total of $43.1 million, against a production budget of $40–55 million.[1] While the film did not amass much in terms of box office, the film found new life in home release, with some publications arguing it could become a cult classic.[45][46]

Domestically, Annihilation was released alongside Game Night and Every Day, and was projected to gross $10–12 million from 2,012 theaters in its opening weekend.[47] The film made $3.9 million on its first day (including $900,000 from Thursday night previews at 1,850 theaters). It ended up making $11 million over the weekend, finishing fourth, behind Black Panther, Game Night and Peter Rabbit.[3] In its second weekend the film dropped 49% to $5.9 million, falling to 6th place.[48]

On Rotten Tomatoes, the film has an approval rating of 88%, based on 323 reviews, with an average rating of 7.7/10. The website's critical consensus reads, "Annihilation backs up its sci-fi visual wonders and visceral genre thrills with an impressively ambitious—and surprisingly strange—exploration of challenging themes that should leave audiences pondering long after the end credits roll."[49] On Metacritic, the film has a weighted average score of 79 out of 100, based on reviews from 51 critics, indicating "generally favorable reviews".[50] Audiences polled by CinemaScore gave the film an average grade of "C" on an A+ to F scale, while PostTrak reported filmgoers gave it a 71% overall positive score.[3]

Richard Roeper of the Chicago Sun-Times gave the film four out of four stars, praising it for taking risks, and saying: "Kudos to Garland and the cast, but bravo to Scott Rudin as well. Apparently you knew a masterpiece when you saw it, and you made sure we were able to see it as well."[51] Writing for Rolling Stone, Peter Travers complimented the cast and Garland's writing and direction, giving the film three and a half stars out of four and saying, "Garland need make no apologies for Annihilation. It's a bracing brainteaser with the courage of its own ambiguity. You work out the answers in your own head, in your own time, in your own dreams, where the best sci-fi puzzles leave things."[52] The Economist described the film as "tightrope-walking the fine line between open-ended, mind-expanding mystery and lethargic, pretentious twaddle", but praised its final half hour.[53]