Brick Gothic

St. Anne Church detail, Vilnius, Lithuania

In contrast to other styles, the definition of Brick Gothic is based on the material (brick), and a geographical area (countries around the Baltic Sea). In addition, there are more remote regions with brick buildings bearing characteristics of this architectural style further south, east and west—these include Bavaria, and western Ukraine and Belarus, along with eastern England and the southern tip of Norway.

Town Hall and St. Nicholas' church in Stralsund, Germany

In the course of the medieval German eastward expansion, Slavic areas east of the Elbe were settled by traders and colonists from the overpopulated Northwest of Germany in the 12th and 13th centuries. In 1158, Henry the Lion founded Lübeck, in 1160 he conquered the Slavic principality of Schwerin. This partially violent colonisation was accompanied by the Christianisation of the Slavs and the foundation of dioceses at Ratzeburg, Schwerin, Cammin, Brandenburg and elsewhere.

The newly founded cities soon joined the Hanseatic League and formed the "Wendic Circle", with its centre at Lübeck, and the "Gotland-Livland Circle", with its main centre at Tallinn (Reval). The affluent trading cities of the Hansa were characterised especially by religious and secular representative architecture, such as council or parish churches, town halls, Bürgerhäuser, i.e. the private dwellings of rich traders, or city gates. In rural areas, the monastic architecture of monks' orders had a major influence on the development of brick architecture, especially through the Cistercians and Premonstratensians. Between Prussia and Estonia, the Teutonic Knights secured their rule by erecting numerous Ordensburgen (castles), most of which were also brick-built.

In the regions along the southern coast of the Baltic Sea, the use of brick arrived almost at the same time as the art of masonry. But in Denmark, especially Jutland, in the Frisian regions, in present-day Netherlands and in the Lower Rhine region, many high-quality medieval stone buildings were built before the first medieval brick was burnt there. Nevertheless, these regions eventually developed a density of Gothic brick architecture as high as in the regions near the southern coast of the Baltic Sea. The central and southern regions of Poland also had some important early stone buildings, especially the famous round churches. Many of these buildings were later enlarged or replaced using brick in a Gothic style. Especially in Flanders, the Netherlands, the lower Rhine region, Lesser Poland and Upper Silesia, Brick Gothic buildings often, but not alway, have some elements of stone ashlar. In the Netherlands it was mostly tufa, in Denmark old squared granite and new limestone. On the other hand, in many regions regarded as typical for Brick Gothic, boulders were cheaper than brick, and therefore many buildings were erected using boulders, and only decorated by brick, all through the period of Gothic architecture.

Development

Church of Workum in the province of Friesland is an example of Brick Gothic in the Netherlands

Brick building became prevalent in the 12th century, still within the Romanesque architecture period. Wooden architecture had long dominated in northern Germany but was inadequate for the construction of monumental structures. Throughout the area of Brick Gothic, half-timbered architecture remained typical for smaller buildings, especially in rural areas, well into modern times.

The techniques of building and decorating in bricks were imported from Lombardy. Also some decorative forms of Lombard architecture were adopted.[1]

In the areas dominated by the Welfs, the use of brick to replace natural stone began with cathedrals and parish churches at Oldenburg (Holstein), Segeberg, Ratzeburg, and Lübeck. Henry the Lion laid the foundation stone of the Cathedral in 1173.

In the Margraviate of Brandenburg, the lack of natural stone and the distance to the Baltic Sea (which, like the rivers, could be used for transporting heavy loads) made the need for alternative materials more pressing. Brick architecture here started with the Cathedral of Brandenburg, begun in 1165 under Albert the Bear. Jerichow Monastery (then a part of the Archbishopric of Magdeburg), where construction started as early as 1149, was a key influence on Brick Gothic in Brandenburg.

Brick Gothic interior of Storkyrkan in Stockholm, Sweden

Brick Gothic with some decoration of stone, Old St. John's Hospital in Bruges, Belgium

Romanesque brick architecture remained closely connected with contemporary stone architecture and often simply translated the latter's style and repertoire into the new material. The decorative techniques to suit the new material were imported form northern Italy, where they had been developed as part of the Lombard Style. Among these techniques was the use of moulded brick to realize delicate ornament. Brick Gothic drew on Romanesque building (in stone and in brick) of its region, but in its core area Romanesque stone buildings were rare and often humble In character.

In most regions of Brick Gothic, boulders were available and cheaper than brick. In some regions, cut stone was available as well. Therefore, besides all-brick buildings, there are buildings begun in stone and completed using brick, or built of boulders and decorated with brick, or built of brick and decorated with cut stone, for instance in Lesser Poland and Silesia.

Brick Gothic buildings are often of monumental size, but simple as regards their external appearance, lacking the delicacy of areas further south, but this is not exclusively the case.

None of these buildings is exactly the same today as in the Middle Ages. For instance, many of them have had alterations in a Baroque style and have then been re-gothicized in the 19th century (or reconstructed after World War II). Especially in the 19th century, some buildings were purified during restoration.[2] In the city halls of Lübeck and Stralsund, medieval window framings of stone were replaced by new ones of brick.

At a time when ordinary people lived very locally based lives, the groups responsible for these buildings were internationally mobile: the bishops, abbots, aristocrats, and long-distance merchants who commissioned the work, and the highly skilled specialist craftsmen who carried it out. For this reason the Brick Gothic of the countries around the Baltic Sea was strongly influenced by the cathedrals of France and by the gothique tournaisien or Scheldt Gothic of the County of Flanders (where also some important Brick Gothic was erected).

One typical expression of the structure of walls, the contrast of prominent visible brick with the plastering of recessed areas, had already been developed in Italy, but became prevalent in the Baltic region.

Elements

St. Mary's Church in Gdańsk, Poland

The use of shaped bricks for tracery and friezes also can be found in some buildings of northwestern Gothic brick architecture. Masterly use of these elements is found in some of the Gothic buildings of northern Italy, where these highly sophisticated techniques had originally come from, having been developed in the Lombard Romanesque period. There, such brick decorations can even be found on buildings which had been mainly erected in ashlar. Some Italian Gothic brick buildings also have friezes of terracotta.

While in central northern Germany and in Greater Poland suitable natural building stone was unavailable, trading cities could import it by sea. Therefore, St. Mary's Church in Lübeck, generally considered the principal example of Brick Gothic, has two portals made of sandstone, and the edges of its huge towers are built of ashlars, as normal for Gothic brick buildings in the Netherlands and the (German) Lower Rhine region. And the very slim pillars of its Briefkapelle (letters chapel) are of granite from Bornholm.[3] In the Gothic brick towers of the churches of Wismar and of St. Nicholas' Church in Stralsund, stone is not used for structural reasons but to provide a contrast of colours. At St. Mary's of Gdańsk, all five lateral portals and some simple but long cornices are of ashlar.

Frauenkirche in Munich, Bavaria, Germany

Brick architecture is found primarily in areas that lack sufficient natural supplies of building stone. This is the case across the Northern European Lowlands. Since the German part of that region (the Northern German Plain, except Westphalia and the Rhineland) is largely concurrent with the area influenced by the Hanseatic League, Brick Gothic has become a symbol of that powerful alliance of cities. Along with the Low German Language, it forms a major defining element of the Northern German cultural area, especially in regard to late city foundations and the areas of colonisation north and east of the Elbe. In the Middle Ages and Early Modern Period, that cultural area extended throughout the southern part of the Baltic region and had a major influence on Scandinavia. The southernmost Brick Gothic structure in Germany is the Bergkirche (mountain church) of Altenburg in Thuringia.

In the northwest, especially along Weser and Elbe, sandstone from the mountains of Central Germany could be transported with relative ease. This resulted in a synthesis of the styles from east of the Elbe with the architectural traditions of the Rhineland. Here, bricks were mainly used for wall areas, while sandstone was employed for plastic detail. Since the brick has no aesthetic function per se in this style, most of the northwest German structures are not part of Brick Gothic proper. The Gothic brick buildings near the Lower Rhine have more in common with the Dutch Gothic than with the northern German one.

St. Mary's Basilica in Kraków, Poland

Brick Gothic in Poland is sometimes described as belonging to the Polish Gothic style. Though, the vast majority of Gothic buildings within the borders of modern Poland are brick-built, the term also encompasses non-brick Gothic structures, such as the Wawel Cathedral in Kraków, which is mostly stone-built. The principal characteristic of the Polish Gothic style is its limited use of stonework to complement the main brick construction. Stone was primarily utilized for window and door frames, arched columns, ribbed vaults, foundations and ornamentation, while brick remained the core building material used to erect walls and cap ceilings. This limited use of stone, as a supplementary building material, was most prevalent in Lesser Poland and was made possible by an abundance of limestone in the region—further north in the regions of Greater Poland, Silesia, Mazovia, and Pomerania the use of stone was virtually nonexistent.

St. Chad's in Birmingham, England (1841)

In the 19th century, the Gothic Revival—Neogothic style led to a revival of Brick Gothic designs. 19th-century Brick Gothic "Revival" churches can be found throughout Northern Germany, Scandinavia, Poland, Lithuania, Finland, the Netherlands, Russia, Britain and the United States.

Important churches in this style included St Chad's Cathedral, Birmingham (1841) by Augustus Pugin, the 1897 Mikkeli Cathedral in Mikkeli in Finland, and St. Joseph's Church in Kraków, Poland is a late example of the revival style.

• List of Gothic brick buildings
• European Route of Brick Gothic
• Gothic architecture in modern Poland
• Gothic architecture in Lithuania
• Belarusian Gothic
• List of Brick Romanesque buildings
• List of Brick Renaissance buildings

• Hans Josef Böker: Die mittelalterliche Backsteinarchitektur Norddeutschlands. Darmstadt 1988. ISBN 3-534-02510-5
• Gottfried Kiesow: Wege zur Backsteingotik. Eine Einführung. Monumente-Publikationen der Deutschen Stiftung Denkmalschutz, Bonn 2003, ISBN 3-936942-34-X
• Angela Pfotenhauer, Florian Monheim, Carola Nathan: Backsteingotik. Monumente-Edition. Monumente-Publikation der Deutschen Stiftung Denkmalschutz, Bonn 2000, ISBN 3-935208-00-6
• Fritz Gottlob: Formenlehre der Norddeutschen Backsteingotik: Ein Beitrag zur Neogotik um 1900. 1907. Reprint of 2nd ed., Verlag Ludwig, 1999, ISBN 3-9805480-8-2
• Gerlinde Thalheim (ed.) et al.: Gebrannte Größe – Wege zur Backsteingotik. 5 Vols. Monumente-Publikation der Deutschen Stiftung Denkmalschutz, Bonn, Gesamtausgabe aller 5 Bände unter ISBN 3-936942-22-6
• B. Busjan, G. Kiesow: Wismar: Bauten der Macht – Eine Kirchenbaustelle im Mittelalter. Monumente Publikationen der Deutschen Stiftung Denkmalschutz, 2002, ISBN 3-935208-14-6 (Vol. 2 of series of exhibition catalogues Wege zur Backsteingotik, ISBN 3-935208-12-X)

Wikimedia Commons has media related to Brick Gothic.

• RDK-Labor: digitized text of Reallexikon zur Deutschen Kunstgeschichte (1937), Backsteinbau by Otto Stiehl (chapters I–III) and Hans Wentzel (chapters IV–VI)
• European Brick Gothic Route
• Exhibition Wege zur Backsteingotik 2002–2005
• Permanent exhibition Wege zur Backsteingotik, Wismar