Bridge to Terabithia (2007 film)

The film was directed by Nickelodeon's Rugrats co-creator and former Hanna-Barbera animator Gábor Csupó, who was first recommended for the job by Walden Media President Cary Granat. Although Csupó had never worked on a live-action film before, it "didn't worry Granat in the least".[5] Csupó stated that he was interested in making the film because he "had the ambition to do a live-action film for a long time", but that he "didn't like anything until I read this book". He described the book as "beautiful" and said that it "moved [him]".[6] Bridge to Terabithia was cinematographer Michael Chapman's final film before his retirement. Chapman mentioned in the film's DVD commentary that he retired after shooting this film because he wanted his last film to be a good one; "this is such a beautiful story, and it's exactly the kind of movie I want to do at this time in my life".[7]

Producer and screenwriter David L. Paterson is the novel's author's son, and his name was featured on its dedication page. The story was based on his real-life best friend, Lisa Hill, who was struck by lightning and killed when they were both eight years old.[8][9] Paterson had asked his mother, Katherine Paterson, if he could write a screenplay of the novel, and she agreed "not only because he's [her] son, but also because he's a very good playwright". Paterson had difficulty marketing the screenplay, mostly because of Leslie's death; "if you can believe this, I did meet with some companies that asked if I could just 'hurt' Leslie a little bit—put her in a light coma and then bring her out".[10]

The most important thing for Paterson was to keep the spirit of the book alive while finding a way to transform it from "a novel that takes place mostly in the characters' heads to a dynamic visual medium". Paterson knew that the film had to be about friendship and imagination.[7] While Paterson focused on "bringing out the emotions of the story," he admitted to having difficulty writing about Terabithia "because it was too close". He credited fellow screenwriter Jeff Stockwell for recreating Terabithia for the film. "What Jeff was able to do as an outsider who wasn't so attached to the story was to really let his imagination go free and make up this world in a wonderful way", David said. Csupó noted that the two main characters are a little bit older in the film than they are in the book. Csupó reasons that the movie "deals with so many issues including friendship, and maybe first innocent love, things like that", so it "made more sense" to make the characters older.[5]

Bailee Madison was cast as May Belle Aarons.

Director Csupó stated that they had no actors initially in mind for the film. The first actor cast was AnnaSophia Robb as Leslie Burke. Robb wrote Csupó "such a beautiful, heartwarming letter" that expressed her love for the book and the character. Csupó said that he cast her because of "her letter, her enthusiasm, and her love of the material". Robb also conversed with producer Lauren Levine before casting even began, and "their conversation convinced her that, without a doubt, AnnaSophia was meant for this role". Levine said that "it was just so clear in talking to her about all this fantasy that I was basically talking to Leslie, that she had that same kind of spark and magical presence. She might be physically different from Leslie in the book, but the spirit of Leslie and the spirit of AnnaSophia are nearly identical. It was a match made in heaven."[7] With regard to the character, Robb said "[Leslie]'s one of those people who's just always lit up, who has this glow about her, and no one can bring her down. Leslie's such a lively and energetic character, it was really fun for me to become her."[11]

Levine stated that "looking for Jesse was a really tough hunt. We needed someone who could go from an introverted boy in an isolated world to someone who completely taps into his imagination and becomes a confident, brave leader in Terabithia. That's a heck of a range for such a young actor."[7] Josh Hutcherson was not their first choice for the role of Jesse Aarons, but they settled with him because they "felt the chemistry between AnnaSophia Robb and him".[5] Hutcherson said that the project appealed to him because of "the real life day-to-day drama as well as the arc of the character Jesse".[12]

The filmmakers cast Robert Patrick as Jess's hardworking and strict father based on his previous roles in the films Walk the Line, Flags of Our Fathers, and the television series The Unit. Patrick explained that he related to the story because he was "constantly creating imaginary worlds as a kid" himself, and that the film's setting reminded him of where he grew up. He also said that he took on the role because he wanted to star in a film that his children could watch.[7]

Csupó said that they cast Bailee Madison as May Belle Aarons after weeks of searching for an actress to play the part. He went on to say that "she had such a charm, even before the camera, she was just like a little sweetheart. She was very confident, she showed up, shook hands with everybody, totally sweet and perky. I said 'WOW!'—she was just stealing everybody's heart on the spot."[3]

Production for the film began on February 20, 2006,[13] with a budget of $20–25 million.[3][4] Principal photography for the film was shot in Auckland, New Zealand within 60 days.[3][14] Film editing took ten weeks, while post-production, music mixing, and visual effects took a few months. The film was finished by November 2006, because the crew "had to rush" to meet the February 16 deadline.[3]

Csupó explained that "it was a very conscious decision from the very beginning that we're not going to overdo the visual effects because of the story's integrity and the book's integrity", because there was only a brief mention of Jess and Leslie fighting imaginary creatures in the forest in the novel. With that in mind, they "tried to do the absolute minimum, which would be required to put it into a movie version".[5]

In designing the fantasy creatures found in Terabithia, Csupó wanted to make creatures that were "little more artsy, imaginative, fantastical creatures than the typical rendered characters you see in other movies", and drew inspiration from Terry Gilliam and Ridley Scott. Dima Malanitchev came up with the drawings for the creatures with Csupó's guidance.[6] Csupó chose to have Weta Digital render the 3D animation because he "was impressed with their artistic integrity, the teamwork, the [fact that] people were really nice, and also they responded to our designs very positively". Weta modified some of the creature designs, but ultimately remained faithful to Csupó's original designs.[6]

There were around 100 crew members from Weta working on the effects for the film. Weta was already working on animating the creatures while the film was being shot, and Weta crew members were on-set for all the scenes that involved special effects during the filming. Weta visual effects supervisor Matt Aitken explained that process involved in interpreting the creatures was "split into two steps". First, natural-looking creatures were created based on pencil sketches by Csupó and Malanitchev, and this was done mostly through Photoshop collages done by visual effects art director Michael Pangrazio. The second step was to figure out animation or motion styles that best suited these creatures.[13]

Leslie's costumes in the film were designed to look as if the character "might have made some of them herself", and they were updated from those described in the book to reflect what would currently be considered eccentric.[15]

The promotion and advertising for the film was met with criticism and controversy. The filmmakers distanced themselves from the advertising campaign for the film, saying that it was deliberately misleading and made the film seem to be about, or occurring in, a fantasy world.[19] David Paterson was surprised by the trailer, but understood the marketing reasoning behind it, saying:

Although there is a generation that is very familiar with the book, if you are over 40, then you probably haven't, and we need to reach them. [...] Everyone who read the book and sees the trailer says, 'What is this? This is nothing like the book. What are you doing, Dave?' And I say, 'You know what you're seeing is 15 seconds of a 90-minute film. Give me a little leeway and respect. Go see it, and then tell me what you think.[19]

Critics commented on the film's misleading advertisement campaign. One critic said the film was actually "grounded in reality far more than in fantasy",[20] while another thought, "far from a computer generated escapist fantasy, this film is an unpretentious and touching tale of preteen companionship and loss".[21]

The film premiered at the El Capitan Theatre in Hollywood on February 16, 2007.[22] Paterson, an alumnus of the Catholic University of America, held a special advance screening of the film for members of the CUA community at the AFI Silver Theatre in Silver Spring, Maryland on February 1, 2007.[23] The film opened in the United Kingdom on May 4, 2007, and in New Zealand June 7, 2007.[24] The film had a strong second place domestic opening over the Presidents' Day weekend, grossing "a higher-than-expected" $28,536,717 from 2,284 screens, earning an average of $9,885 per screen.[25] The opening Friday box office was $6.3 million.[26] The film has a worldwide gross of US$137 million, taking in $82 million in the US and Canada.[4]

The DVD and Blu-ray Disc were released on June 19, 2007 in the US. The DVD and high-definition Blu-ray version shared the same special features; including: "Digital Imagination: Bringing Terabithia to Life", "Behind the Book: The Themes of Bridge to Terabithia", "Keep Your Mind Wide Open" music video by Robb, and two audio commentaries, the first with director Gábor Csupó, writer Jeff Stockwell, and producer Hal Lieberman, and the second with producer Lauren Levine and actors Hutcherson and Robb.[27]

AnnaSophia Robb's portrayal of Leslie Burke was highly praised; one critic enjoyed her "engaging" performance", and thought "only the story's vibrant young heroine [...] draws us in enough to care"[28]

Bridge to Terabithia received positive reviews from film critics. Review aggregation website Rotten Tomatoes gives the film a score of 85% based on 158 reviews, with an average rating of 7.2/10. The site's consensus reads: "Bridge to Terabithia is a faithful adaptation of a beloved children's novel and a powerful portrayal of love, loss, and imagination through children's eyes."[29] On Metacritic the film received a weighted average score of 74% based on 25 reviews, indicating "generally favorable reviews".[30] Audiences surveyed by CinemaScore gave the film a grade of A−.[31][32]

James Berardinelli of ReelViews called Bridge to Terabithia "easily the best family feature of the early year".[33] Ann Hornaday of The Washington Post praised the script for being "utterly recognizable and authentic", and thought Robb and Hutcherson were "perfectly cast". Hornaday wrote that although the final five minutes succumbed to "oversweet sentiment", viewers would remember the film's "warmth and respect with which it pays homage to first love".[34] Jessica Grose of The Village Voice commended director Csupó for omitting "cutesy tween stereotypes", and felt Jess's relationship with his father elevated Bridge to Terabithia from "a good kids movie to a classic contender."[21] The New York Times critic Jeannette Catsoulis believed that the fantasy was kept in the background "to find magic in the everyday", and thought Csupó directed "like someone intimate with the pain of being different, allowing each personality more than a single characteristic". The reviewer praised all the leads for their strong performances, especially Deschanel and Madison. Catsoulis found the film was able to handle adult topics "with nuance and sensitivity", and being consistently smart and "delicate as a spider web", it was the kind of children's movie "rarely seen nowadays".[20] Miriam di Nunzio of the Chicago Sun-Times praised Hutcherson and Robb's performances, saying that "the film's heart and soul rests on the abilities of its young lead characters to make us really see the world through children's eyes. The dynamic duo of Hutcherson and Robb do not disappoint."[35]

Not all reviews were as positive, Claudia Puig of USA Today wrote that "for a movie about the power of imagination, Bridge to Terabithia is not as clever as you would hope". Puig called the film a "serviceable translation" of the novel, but thought the adult characters were caricatured. Puig found the real-life portions of the movie were "derivative and simplistic", but found Jess's emotional tumult felt "powerfully authentic, and this is where the film finds its truth and soul".[28] The Wall Street Journal critic Joe Morgenstern felt that despite the occasional misuse of enchantment—"brief spasms of overproduced fantasy"—the novel's screen adaptation was told with "agreeable simplicity in between computer-generated monsters". Morgenstern was disappointed with the performances by the young members of the cast, which he described as "appealing but unpolished". Morgenstern thought Csupó lacked experience directing actors, and that although Deschanel was the best adult performer, she seemed self-directed.[36] Entertainment Weekly's Gregory Kirschling was confused by the main characters' lack of excitement towards Terabithia, and felt the film could not decide if it was "a fantasy or a coming-of-age story".[37]

Bridge to Terabithia was nominated for seven awards, of which it won five. Josh Hutcherson was nominated at the 2008 Saturn Awards for "Best Performance by a Younger Actor".[38] AnnaSophia Robb was nominated for a Broadcast Film Critics Association Award for "Best Young Actress".[39] The film won five awards at the Young Artist Awards, including "Best Family Feature Film (Fantasy or Musical)". Hutcherson won "Best Performance in a Feature Film – Leading Young Actor", Robb won "Best Performance in a Feature Film – Leading Young Actress", and Bailee Madison won "Best Performance in a Feature Film – Young Actress Age Ten or Younger". The cast won the award for "Best Performance in a Feature Film – Young Ensemble Cast", which included Hutcherson, Robb, Madison, Wakefield, Clinton, Lawless, Isabelle Rose Kircher, Carly Owen, Devon Wood, Emma Fenton and Grace Brannigan.[40]