Judy Collins

Collins during a 1963 appearance on Hootenanny

Collins studied classical piano with Antonia Brico, making her public debut at age 13 performing Mozart's Concerto for Two Pianos. Brico took a dim view of her developing interest in folk music, which led her to the difficult decision to discontinue her piano lessons. Years later, after she became known internationally, she invited Brico to one of her concerts in Denver. When they met after the performance, Brico took both of Collins' hands into hers, looked wistfully at her fingers and said, "Little Judy—you really could have gone places." Still later, she discovered that Brico herself had made a living when she was younger playing jazz and ragtime piano (Singing Lessons, pp. 71–72). In her early life, she met many professional musicians through her father.[12]

It was the music of Woody Guthrie and Pete Seeger and the traditional songs of the folk revival of the early 1960s, however, that kindled Collins' interest and awoke in her a love of lyrics. Three years after her debut as a piano prodigy, she was playing guitar. Her first public appearances as a folk artist after her graduation from Denver's East High School were at Michael's Pub in Boulder, Colorado and the folk club Exodus in Denver. Her music became popular at the University of Connecticut, where her husband taught. She performed at parties and for the campus radio station along with David Grisman and Tom Azarian.[13]

Collins eventually made her way to Greenwich Village, New York City, where she played in clubs like Gerde's Folk City until she signed with Elektra Records, a label she was associated with for 35 years. In 1961, she released her first album, A Maid of Constant Sorrow, at age 22.[14]

At first, Collins sang traditional folk songs or songs written by others – in particular the protest songwriters of the time, such as Tom Paxton, Phil Ochs, and Bob Dylan. She recorded her own versions of important songs from the period, such as Dylan's "Mr. Tambourine Man" and Pete Seeger's "Turn, Turn, Turn". She was also instrumental in bringing little-known musicians to a wider public. For example, she recorded songs by Canadian poet Leonard Cohen, who became a close friend over the years. She also recorded songs by singer-songwriters such as Eric Andersen, Fred Neil, Ian Tyson, Joni Mitchell, Randy Newman, Robin Williamson, and Richard Fariña long before they gained national acclaim.[15][16]

Judy Collins in 1965

Collins' first few albums consisted of straightforward guitar-based folk songs, but in 1966 with In My Life, she began branching out to include works from such diverse sources as the Beatles, Leonard Cohen, Jacques Brel, and Kurt Weill.[16] Mark Abramson produced and Joshua Rifkin arranged the album, adding lush orchestration to many of the numbers. The album was a major departure for a folk artist and set the course for Collins' subsequent work over the next decade.[17]

With her 1967 album Wildflowers, also produced by Abramson and arranged by Rifkin, Collins began to record her own compositions, beginning with "Since You Asked". The album also provided her with a major hit and a Grammy award in Mitchell's "Both Sides, Now", which in December 1968 reached No. 8 on the Billboard Hot 100,[18] later (February 1970) reaching No. 14 on the UK singles chart.[19]

Collins' 1968 album Who Knows Where the Time Goes was produced by David Anderle, and featured back-up guitar by Stephen Stills (of Crosby, Stills & Nash), with whom she was romantically involved at the time. (She was the inspiration for Stills's CSN classic "Suite: Judy Blue Eyes".) Time Goes had a mellow country sound and included Ian Tyson's "Someday Soon" and the title track, written by the UK singer-songwriter Sandy Denny. The album also featured Collins' composition "My Father" and one of the first covers of Leonard Cohen's "Bird on the Wire".[20]

Collins performing on The Smothers Brothers Comedy Hour, 1968

Two of Collins' songs ("Who Knows Where The Time Goes" composed by Sandy Denny and "Albatross") were featured in the 1968 film The Subject Was Roses.

By the 1970s, Collins had a solid reputation as an art song singer and folksinger and had begun to stand out for her own compositions. She was also known for her broad range of material: her songs from this period include the traditional Christian hymn "Amazing Grace", the Stephen Sondheim Broadway ballad "Send in the Clowns" (both of which were top 20 hits as singles in both the U.S. and the U.K.[21]), a recording of Joan Baez's "A Song for David", and her own compositions, such as "Born to the Breed".[22]

In 1971, Collins issued her second concert album, Living, and the compilation Colors of the Day: The Best of Judy Collins followed a year later. 1973's True Stories and Other Dreams found her in a contemplative mood, featuring an original song about a friend who took his own life ("Song for Martin") and another about the life of Che Guevara ("Che"). For 1975's Judith, she collaborated with producer Arif Mardin, who gave the album a sophisticated sound. Judith produced her biggest hit single with her mournful version of Stephen Sondheim's "Send in the Clowns", and it would become her best-selling record, eventually going platinum.

As Collins stepped up to a higher level of stardom, the longtime activist put political themes at the forefront of 1976's Bread and Roses. Political statements like the title song, originally a poem by James Oppenheim commonly associated with a 1912 garment workers strike in Lawrence, Massachusetts, were balanced with such pop compositions as Elton John's "Come Down in Time", but the album failed to achieve the commercial success of Judith. Following the release of the album, Collins underwent treatment for damaged vocal cords, and after years of struggling with alcoholism, she sought medical help to give up drinking. 1977's So Early in the Spring...The First 15 Years sold modestly.

Collins in Hiltonhotel Amsterdam, 1971

Collins guest starred on The Muppet Show in an episode broadcast in January 1978,[23] singing "Leather-Winged Bat", "I Know An Old Lady who Swallowed a Fly", "Do Re Mi", and "Send in the Clowns". She also appeared several times on Sesame Street, where she performed "Fishermen's Song" with a chorus of Anything Muppet fishermen, sang a trio with Biff and Sully using the word "yes", and even starred in a modern musical fairy tale skit called "The Sad Princess".[24] In 1979, she returned to music with Hard Times for Lovers, a pop-oriented album in the same vein as Judith; she gained some extra publicity with the cover sleeve photograph of her in the nude.

Running for My Life (1980) and Time of Our Lives (1982) were well-crafted exercises in adult pop and soft rock, but as tastes changed, Collins' sales were on the decline. Home Again (1984) found her exploring some new musical avenues, including a synth-based cover of Yaz's "Only You" and a duet with country star T.G. Sheppard on the title cut. While the "Home Again" single was a minor hit, the album was not, and after 23 years, Collins and Elektra parted ways. She performed the music for the 1983 animated special The Magic of Herself the Elf, as well as the theme song of the Rankin-Bass TV movie The Wind in the Willows.[25]

Judy Collins at a book signing, 1995

Collins traveled to England in 1985 and struck a one-off deal with Telstar Records to record the album Amazing Grace, in which she re-recorded several of her better-known songs with an inspirational bent. In 1987, she signed with the independent Gold Castle label, and her first album for them, Trust Your Heart, which collected seven tracks from Amazing Grace and added three new selections. That same year, she released her first memoir, Trust Your Heart.[26]

In 1989, Collins released two albums: a live disc titled Sanity and Grace,[27] and a collaboration with clarinetist Richard Stoltzman, Innervoices.[28]

In 1990, Collins released the album Fires of Eden on Columbia Records.[29] The album spawned one single – "Fires of Eden", written by Kit Hain and Mark Goldenberg. The single peaked at No. 31 on Billboard's Adult Contemporary chart. At the time of its release, Collins performed it live on several occasions, including on The Tonight Show Starring Johnny Carson and The Joan Rivers Show. A music video promoting it and featuring her was also released.[30] Later, Cher recorded "Fires of Eden" for her 1991 album Love Hurts. Other songs from Fires of Eden include "The Blizzard", "Home Before Dark", and a cover of The Hollies song – "The Air That I Breathe". That same year saw the release of a pair of children's albums, Baby's Morningtime[31] and Baby's Bedtime.[32] Collins performed at President Bill Clinton's first inauguration in 1993, singing "Amazing Grace" and "Chelsea Morning". (The Clintons have stated that they named their daughter, Chelsea, after her recording of the song.)[33]

For her next album, Collins turned to a project that was both personal and familiar, a set of Bob Dylan covers titled Judy Collins Sings Dylan: Just Like a Woman.[34] Released in 1993, the album was a commercial success and reminded fans she was still active and in fine voice. In 1994, she issued her first Christmas album, Come Rejoice! A Judy Collins Christmas.[35] It would prove to be the first in a series, with other holiday releases soon following, the first being the live album Christmas at the Biltmore Estate in 1997,[36] followed by All on a Wintry Night in 2000.[37] Collins combined her interests in music and literature for her next project. In 1995, she published a novel, Shameless,[26] that took place against the backdrop of the music business; she also released an album of the same name that served as the soundtrack.[38]

In 1998, Collins published her third book, Singing Lessons: A Memoir of Love, Loss, Hope and Healing,[26] which focused on her struggles with alcoholism, depression, and the emotional trauma of her son's death. In 1999, she released Classic Broadway, a collection of vintage show tunes.[39] That same year, she and her manager Katherine DePaul founded Wildflower Records.

Collins at the Cambridge Folk Festival, 2008

Collins maintained a busy release schedule via Wildflower, issuing numerous live albums and reissues as well as new material such as 2005's Portrait of an American Girl, 2010's Paradise,[40] and 2011's Bohemian,[41] all of which focused on her continued strength as an interpretive vocalist. In 2006, she sang "This Little Light of Mine" in a commercial for Eliot Spitzer.[33] In 2007, she released her own covers collection of Beatles songs, entitled Judy Collins Sings Lennon and McCartney. Various artists, including Shawn Colvin, Rufus Wainwright, and Chrissie Hynde, covered Collins's compositions for the tribute album Born to the Breed in 2008.[42] In the same year, she received an honorary doctorate from Pratt Institute. The tribute albums Tom Thumb's Blues: A Tribute to Judy Collins[43] and Born To the Breed: A Tribute to Judy Collins[44] appeared in 2000 and 2008, respectively.

In 2010, Collins sang "The Weight of the World" at the Newport Folk Festival, a song by Amy Speace.[45] Another memoir from Collins, Sweet Judy Blue Eyes: My Life in Music,[26] appeared the following year and put its focus on her career as an artist. In July 2012, she appeared as a guest artist on the Australian SBS television programme RocKwiz.[46] She paid homage to some of her favorite songwriters as well as her favorite vocalists with the 2015 album Strangers Again, which featured duets with Willie Nelson, Jackson Browne, Jeff Bridges, and Glen Hansard.[47] The album also included a track with singer and songwriter Ari Hest. Collins and Hest joined forces again in 2016 for a full album titled Silver Skies Blue, which later earned them a Grammy Award nomination for Best Folk Album.

In 2017, Collins returned to the work of the songwriter who gave her "Send in the Clowns" with A Love Letter to Stephen Sondheim,[48] and the same year, she and her longtime friend, Stephen Stills, collaborated on an album, Everybody Knows. In addition to the two albums, she bared her soul in another book, Cravings: How I Conquered Food,[26] where she opened up about her difficult relationship with food and her years of dealing with eating disorders. In 2019, she released the album Winter Stories, a collaboration with Norwegian singer Jonas Fjeld and the North Carolina country-folk quartet Chatham County Line. In 2022, she released her first album of all original material, entitled Spellbound.

Collins joined the judging panel for the 7th, 9th, 10th,[49][50] 11th,[51] 12th, 13th and 14th Annual Independent Music Awards.

• In 2003, Antonia: A Portrait of the Woman was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry.[68][69]

• Stephen Sondheim won the 1976 Grammy Award for Song of the Year based on the popularity of Collins' performance of "Send in the Clowns" on her album Judith.[70]

• For her activism and musical abilities, the Americana Music Association presented Collins with the "Spirit of Americana"/Free Speech Lifetime Achievement Award at their 2005 Honors & Awards ceremony.
• She was inducted into the Colorado Women's Hall of Fame in 2006[71]
• She was received an Honorary Doctor of Fine Arts Degree from Pratt Institute in May 2009
• In 2009, she received the Lifetime Achievement Award at the BBC Radio 2 Folk Awards.[72]
• Her rendition of "Amazing Grace" was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant" in 2017.[6]
• She received the Golden Plate Award of the American Academy of Achievement in 2019.[73][74]