Lyre

The earliest reference to the word "lyre" is the Mycenaean Greek ru-ra-ta-e, meaning "lyrists" and written in the Linear B script.[1] In classical Greek, the word "lyre" could either refer specifically to an amateur instrument, which is a smaller version of the professional cithara and eastern-Aegean barbiton, or "lyre" can refer generally to all three instruments as a family.[2] The English word comes via Latin from the Greek.[3]

The Mycenaean sarcophagus of Hagia Triada, 14th century BC, depicting the earliest lyre with seven strings, held by a man with long robe, third from the left.

Lyres from various times and places are sometimes regarded by organologists as a branch of the zither family, a general category that includes not only zithers, but many different stringed instruments, such as lutes, guitars, kantele, and psalteries.

Others view the lyre and zither as being two separate classes. Those specialists maintain that the zither is distinguished by strings spread across all or most of its soundboard, or the top surface of its sound-chest, also called soundbox or resonator, as opposed to the lyre, whose strings emanate from a more or less common point off the soundboard, such as a tailpiece. Examples of that difference include a piano (a keyed zither) and a violin (referred to by some as a species of fingerboard lyre). Some specialists even argue that instruments such as the violin and guitar belong to a class apart from the lyre because they have no yokes or uprights surmounting their resonators as "true" lyres have. This group they usually refer to as the lute class, after the instrument of that name, and include within it the guitar, the violin, the banjo, and similar stringed instruments with fingerboards. Those who differ with that opinion counter by calling the lute, violin, guitar, banjo, and other such instruments "independent fingerboard lyres", as opposed to simply "fingerboard lyres" such as the Welsh crwth, which have both fingerboards and frameworks above their resonators.

Lyre with tortoiseshell body (rhyton, c. 475 BC)

Pothos (Desire), restored as Apollo Citharoedus during the Roman era (1st or 2nd century AD, based on a Greek work c. 300 BC); the cithara strings are not extant.

In Ancient Greece, recitations of lyric poetry were accompanied by lyre playing. The earliest picture of a Greek lyre appears in the famous sarcophagus of Hagia Triada (a Minoan settlement in Crete). The sarcophagus was used during the Mycenaean occupation of Crete (c. 1400 BC).[4][5]

The lyre of classical antiquity was ordinarily played by being strummed like a guitar or a zither, rather than being plucked with the fingers as with a harp. A pick called a plectrum was held in one hand, while the fingers of the free hand silenced the unwanted strings.

A lyre from Ancient Egypt, found in Thebes

A lyrist on the Standard of Ur, c. 2500 BC

The lyres of Ur, excavated in ancient Mesopotamia (modern Iraq), date to 2500 BC and are considered to be the world's oldest surviving stringed instruments.[8]

The kinnor is an ancient Israelite musical instrument in the lyre family, the first one to be mentioned in the Old Testament. Its exact identification is unclear, but in the modern day it is generally translated as "harp" or "lyre",[9]^: 440 and associated with a type of lyre depicted in Israelite imagery, particularly the Bar Kochba coins.[9]^: 440 It has been referred to as the "national instrument" of the Jewish people,[10] and modern luthiers have created reproduction lyres of the "kinnor" based on this imagery.

• 
  Reproduction of the lyre from the Sutton Hoo royal burial (England), c. 600 AD
• 
  A reconstruction of a Germanic lyre (Rotte, Round lyre)

Other instruments known as lyres have been fashioned and used in Europe outside the Greco-Roman world since at least the Iron Age.[11] The remains of what is thought to be the bridge of a 2300-year-old lyre were discovered on the Isle of Skye, Scotland in 2010 making it Europe's oldest surviving piece of a stringed musical instrument.[11][12] Material evidence suggests lyres became more widespread during the early Middle Ages, and one view holds that many modern stringed instruments are late-emerging examples of the lyre class. There is no clear evidence that non-Greco-Roman lyres were played exclusively with plectra, and numerous instruments regarded by some as modern lyres are played with bows.

Lyres appearing to have emerged independently of Greco-Roman prototypes were used by the Germanic and Celtic peoples of the early Middle Ages. These are sometimes called psalteries. Dates of origin, which probably vary from region to region, cannot be determined, but the oldest known fragments of such instruments are thought to date from the fifth century AD, with the Discovery of the Abingdon Lyre in England.

Some instruments called "lyres" were played with a bow in Europe and parts of the Middle East, namely the Arabic rebab and its descendants,[13] including the Byzantine lyra.[14]

Picture of a 1960s Ntongoli (Bowl Lyre) from St. Cecilia's Hall, Edinburgh

After the bow made its way into Europe from the Middle-East, it was applied to several species of those lyres that were small enough to make bowing practical. The dates of origin and other evolutionary details of the European bowed lyres continue to be disputed among organologists, but there is general agreement that none of them were the ancestors of modern orchestral bowed stringed instruments, as once was thought.

There came to be two different kinds of bowed European lyres: those with fingerboards, and those without.

The last surviving examples of instruments within the latter class were the Scandinavian talharpa and the Finnish jouhikko. Different tones could be obtained from a single bowed string by pressing the fingernails of the player's left hand against various points along the string to fret the string.

The last of the bowed lyres with a fingerboard was the "modern" (c. 1485–1800) Welsh crwth. It had several predecessors both in the British Isles and in Continental Europe. Pitch was changed on individual strings by pressing the string firmly against the fingerboard with the fingertips. Like a violin, this method shortened the vibrating length of the string to produce higher tones, while releasing the finger gave the string a greater vibrating length, thereby producing a tone lower in pitch. This is the principle on which the modern violin and guitar work.

The lyre as a symbol of poetry in the Moscow tube

The term is also used metaphorically to refer to the work or skill of a poet, as in Shelley's "Make me thy lyre, even as the forest is"[15] or Byron's "I wish to tune my quivering lyre, / To deeds of fame, and notes of fire".[16]

In 2017 the lyre was "sampled" on the album 20s A Difficult Age by Marcus Orelias; the album featured Michael Levy,[17] a skilled lyre player, on various songs.[18]

Over time, the name in the wider Hellenic space came to be used to label mostly bowed lutes such as the Byzantine lyra, the Pontic lyra, the Constantinopolitan lyra, the Cretan lyra, the lira da braccio, the Calabrian lira, the lijerica, the lyra viol, the lirone.

Europe

• Armenia: քնար (knar)
• British Isles: Scotland cruit, The Shetland Isles gue and Wales crwth
• England: Anglo-Saxon Lyre, giga , rote or crowd
• Continental Europe: Germanic or Anglo-Saxon lyre (hearpe), rotte or crotte
• Estonia: talharpa
• Finland: jouhikko
• Greece: λύρα (lýra; Modern Greek pronunciation: líra) with the subtypes of Politiki lyra ("Constantinopolitan lyre"), Cretan lyra and Pontic lyra ("lyre of the Black Sea", also known as kemençe)
• Italy: the Latin chorus, the modern Calabrian lira
• Kazakhstan: kossaz
• Lithuania: lyra
• Norway: giga, Kraviklyra
• Poland: lira

Asia

• Arabian peninsula: tanbūra
• Iraq (Sumer): tanbūra, zami, zinar
• Israel: kinnor
• India and Pakistan: tanpura
• Siberia: nares-jux
• Yemen: tanbūra, simsimiyya

Africa

• Egypt: kissar, tanbūra, simsimiyya
• Ethiopia and Eritrea: begena, dita, krar
• Kenya: kibugander, litungu, nyatiti, obokano
• Sudan: kissar, tanbūra
• Uganda: endongo, ntongoli

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  Burmese lyre, a Byat saung.
• 
  Tanbūra In Cairo, played by a Nubian, 1858.
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  Lyre Player c. 1640-1660, Deccan sultanates

• Asor — an otherwise-unknown instrument mentioned in the Old Testament which may have been a type of lyre or a type of harp.
• Ancient Greek harps
• Barbiton (barbitos) — a bass version of the kithara (cithara).
• Kithara (cithara) — the version of the lyre used by professional musicians.
• Lyre-guitar — a modern instrument that combines a guitar and a zither. Also called a "harp guitar".
• Phorminx — an ancient wooden-frame lyre intermediate in size between the smaller tortoise-shell lyre and larger kithara, which replaced it.

• Chisholm, Hugh, ed. (1911). "Lyre" . Encyclopædia Britannica (11th ed.). Cambridge University Press.
• Andersson, Otto. The Bowed Harp, translated and edited by Kathleen Schlesinger (London: New Temple Press, 1930).
• Bachmann, Werner. The Origins of Bowing, trans. Norma Deane (London: Oxford University Press, 1969).
• Jenkins, J. "A Short Note on African Lyres in Use Today." Iraq 31 (1969), p. 103 (+ pl. XVIII).
• Kinsky, George. A History of Music in Pictures (New York: E.P. Dutton, 1937).
• Sachs, Curt. The Rise of Music in the Ancient World, East and West (New York: W.W. Norton, 1943).
• Sachs, Curt. The History of Musical Instruments (New York: W.W. Norton, 1940).

Wikimedia Commons has media related to Lyres.

• Anglo Saxon Lyres at Yahoo!Groups
• Ensemble Kérylos a music group directed by scholar Annie Bélis, dedicated to the recreation of ancient Greek and Roman music, and playing instruments reconstructed on archaeological reference.
• "The Universal Lyre – From Three Perspectives" Article by Diana Rowan: a survey of three current lyre practitioners and builders – Temesgen Hussein of Ethiopia, Michalis Georgiou of Cyprus and Michael Levy of the United Kingdom.