(What's the Story) Morning Glory?

(What's the Story) Morning Glory? is the second studio album by English rock band Oasis. Released on 2 October 1995 by Creation Records, it was produced by Owen Morris and the group's guitarist and main songwriter Noel Gallagher. The structure and arrangement style of the album were a significant departure from the group's previous album Definitely Maybe (1994). Gallagher's compositions were more focused in balladry and placed more emphasis on "huge" choruses,[1] with the string arrangements and more varied instrumentation contrasting with the rawness of the group's debut album. Morning Glory was the group's first album with drummer Alan White, who replaced Tony McCarroll (though McCarroll still appeared on the album, drumming on the track "Some Might Say").

(What's the Story) Morning Glory?
Studio album by
Oasis
Released2 October 1995 (1995-10-02)
RecordedMarch–June 1995
StudioRockfield (Rockfield, Wales)
Genre
Length50:06
LabelCreation
Producer
Oasis chronology
Definitely Maybe
(1994)		 (What's the Story) Morning Glory?
(1995)		 Be Here Now
(1997)
Singles from (What's the Story) Morning Glory?
  1. "Some Might Say"
    Released: 24 April 1995
  2. "Roll with It"
    Released: 14 August 1995
  3. "Morning Glory"
    Released: 18 September 1995
  4. "Wonderwall"
    Released: 30 October 1995
  5. "Don't Look Back in Anger"
    Released: 19 February 1996
  6. "Champagne Supernova"
    Released: 13 May 1996

The record propelled Oasis from being a crossover indie act to a worldwide rock phenomenon, and is seen by critics as a significant record in the timeline of British indie music.[2] Morning Glory sold a record-breaking 345,000 copies in its first week in the UK before going on to spend 10 weeks at number one on the UK Albums Chart. It was also the band's breakthrough in America, reaching number four on the US Billboard 200 and being certified 4× platinum there. The album yielded four major hit singles in the band's native Britain: "Some Might Say" and "Don't Look Back in Anger" reached number one, and "Roll with It" and "Wonderwall" peaked at number two; the latter spent a then lengthy 30 consecutive weeks on the chart during its initial run and emerged as the band's biggest selling UK hit. "Champagne Supernova" and "Wonderwall" reached number one on the Billboard Alternative Songs chart. At the 1996 Brit Awards, the album won Best British Album. Over several months in 1995 and 1996, the band supported the album with an extensive world tour, which saw them play to among the largest audiences ever at the time.

Although a commercial success, the record initially received lukewarm reviews from mainstream critics; many reviewers deemed it inferior to Definitely Maybe, with the songwriting and production particular points of criticism. However, critical opinion towards the album completely reversed in the ensuing months and years, with critics recognising its strengths and its "populist appeal".[3] Despite the acclaim surrounding it being lesser today due to its intensive media hype at the time,[4][5] Morning Glory is still considered a seminal record of both the Britpop era and the 1990s in general. The album has also appeared on several lists of the greatest albums in rock music, and at the 2010 Brit Awards, it was named the greatest British album since 1980.[6] It has sold over 22 million copies worldwide, making it one of the best-selling albums of all time.[7] As of October 2018, it is the UK's fifth best-selling album and third best-selling studio album of all time, having been certified 16× platinum and selling 4.94 million copies.[8] It was also the UK's best-selling album of the 1990s, and is currently the second-longest charting studio album in the UK, having spent over 500 weeks on the UK Album Chart.

Background and recording

In May 1995, in the wake of the critical and commercial success of their 1994 debut album, Definitely Maybe, Oasis began recording Morning Glory at Rockfield Studios in Wales, with Owen Morris and Noel Gallagher producing.[9] By the time they had finished in June 1995, Oasis were on the brink of becoming one of the most popular bands in the UK; the August 1995 "Battle of Britpop" incident in which Oasis and Blur had a chart battle over their respective singles "Roll with It" and "Country House" would propel them to mainstream awareness.[10][11]

Despite the friction between the Gallagher brothers, Owen Morris reflected in 2010 that: "The sessions were the best, easiest, least fraught, most happily creative time I've ever had in a recording studio. I believe people can feel and hear when music is dishonest and motivated by the wrong reasons. Morning Glory, for all its imperfection and flaws, is dripping with love and happiness."[1] Paul Weller joined them in the studio and provided lead guitar and backing vocals for "Champagne Supernova",[12] and harmonica for the two untitled tracks known as "The Swamp Song".[13] Noel wrote the last song for the album, "Cast No Shadow", on the train as he returned to the studio.[9]

Morris claimed the album was recorded in 15 days, at a pace of one song a day.[14] "Some Might Say" proved problematic to record: the backing track was recorded in one take after Noel Gallagher and Morris drunkenly listened to the demo and decided the new version was played too fast, and Noel woke the rest of the band to re-record it. The backing track was faster than intended, with what Morris described as "a really bad speed up during the first three bars of the first chorus", but the take had to be used because those involved were impressed with Liam's vocals, and Morris had to mix the track three times, using delay and other processing to hide the mistakes.[14] When the album was finished, Morris said it would "wipe the field with any competition ... It's astonishing. It's the Bollocks for this decade."[15] Creation Records boss Alan McGee was similarly enthused, saying that "You just cannot slag this record. It's gonna speak to real, working class lads in a way that a Suede or Radiohead could only dream of doing."[16] The album's title was inspired by Noel's friend Melissa Lim answering the phone with said phrase, which is itself derived from a line in the song "The Telephone Hour" from the film Bye Bye Birdie[17]—presumably itself a reference to the 1938 Mary Lou Williams jazz standard "What's Your Story Morning Glory?".

The brickwall mastering technique used during the recording of the album has led to some journalists claiming that it was responsible for initiating the loudness war, as its heavy use of compression, first widely used by Morris on Definitely Maybe, was leaps and bounds beyond what any other album up until then had attempted. Music journalist Nick Southall, who has written extensively on the loudness war, commented, "If there's a jump-the-shark moment as far as CD mastering goes then it's probably Oasis."[18] In Britpop and the English Music Tradition, Andy Bennett and Jon Stratton noted that as a result of this technique "the songs were especially loud. [Liam] Gallagher's voice is foregrounded to the point that it appears to grow out of the mixes of the songs, exposing itself to execute a pseudo-live quality."[19]

Composition

The music on (What's the Story) Morning Glory? has been characterised by commentators as rock[20][21][22] and Britpop.[23] Music critic John Harris commented in his music history Britpop!: Cool Britannia and the Spectacular Demise of English Rock that much of the music seemed to be "little more inspired than a string of musical hand-me-downs". Among the musical cues Harris noted on the album were Gary Glitter's "Hello, Hello, I'm Back Again", John Lennon's "Imagine" ("Don't Look Back in Anger"), the theme to the 1970s children's programme You and Me and the Beatles' "With a Little Help from My Friends" ("She's Electric"), and the influence of R.E.M.'s "The One I Love" on "Morning Glory". One song, "Step Out", bore such a close resemblance to the song "Uptight (Everything's Alright)" by Stevie Wonder that it was removed from the album shortly before release due to the threat of legal action.[24] Musicologist Allan F. Moore compares "She's Electric" to the Beatles' "When I'm Sixty-Four", writing that both songs can be claimed by an older generation.[25] In Britpop ..., Bennett and Stratton analysed Liam Gallagher's vocal style in significant detail, stressing its importance to the songs of the album; "[Liam's] Mancunian accent blends into a register and timbre that works the gestural contours of the melody and lyrics." Bennett and Stratton went on to conclude that Liam's 'over-personalized' style on songs such as "Wonderwall" resulted in "a beautiful sense of sentimentality that bespeaks the despondency of a generation. This occurs through the narrative structure of the song, vocal production, and the conventions of the singer's cultural context."[26]

Noel Gallagher summed up his own perspective on the album's aesthetic in an interview with Rolling Stone in 1995; "Whilst [Definitely Maybe] is about dreaming of being a pop star in a band, What's the Story is about actually being a pop star in a band."[27] The album has a notable anthemic theme to its songs, differing from the raw-edged rock of Definitely Maybe. The use of string arrangements and more varied instrumentation in songs such as "Don't Look Back in Anger" and "Champagne Supernova" was a significant departure from the band's debut. This style had first been implemented by the band on their fifth single, "Whatever", released in December 1994. It was produced in conjunction with the London Symphony Orchestra, resulting in a much more pop-oriented and mellower sound; this would be the template that would come to define many of the songs on What's the Story.[28] In the BBC documentary Seven Ages of Rock, former NME chief editor Steve Sutherland noted that "with Morning Glory, [Noel] began to take seriously the notion of being the voice of a generation".[28]

Cover

The cover is a picture of two men passing each other on Berwick Street in London. The two men are London DJ Sean Rowley and album sleeve designer Brian Cannon (back to the camera). The album's producer Owen Morris can be seen in the background, on the left footpath, holding the album's master tape in front of his face.[29] The location was chosen because the street was a popular location for record shops at the time.[29] The cover cost £25,000 to produce.[30]

Promotion

While "Some Might Say", a number one hit, had been released in April, the single chosen to precede the album's release was "Roll with It", planned for release on 14 August, six weeks before the album was due to hit the shelves. This was an unorthodox method for the time, contrasting the standard industry procedure of releasing the lead single three weeks before its parent album.[31] Blur's management had become worried that this would hinder the chances of the group's forthcoming "Country House" single reaching number one the following week. As a reaction, Food Records pushed the release of "Country House" back a week and thus started what became known as "The Battle of Britpop".

The event triggered an unprecedented amount of exposure for both bands in national newspapers and on television news bulletins, supposedly symbolising the battle between the middle class of the south and the working class of the north. In the midst of the battle a Guardian newspaper headline proclaimed "Working Class Heroes Lead Art School Trendies". In the event "Country House" outsold "Roll with It" by 54,000, and topped the singles chart for a fortnight. Overall singles sales that week were up by 41 per cent.[32] In 2005, John Harris reflected on the importance of the event in popularising Britpop; "(as) Blur's "Country House" raced Oasis' "Roll with It" to the top of the charts, just about every voice in the media felt compelled to express an opinion on the freshly inaugurated age of Britpop."[10]

During a promotional interview in September, the month before the album was released, Noel spoke about the rivalry with Damon Albarn and Alex James from Blur, and was quoted in 17 September edition of The Observer saying he hoped "the pair of them would catch AIDS and die because I fucking hate them two."[33] Although Noel recanted and said that AIDS is no laughing matter,[34] the quote caused a storm of controversy, with Noel having to write a letter of apology; he later confessed that "my whole world came crashing down in on me then".[33] However, in an interview with The Guardian in 2005, Blur's guitarist Graham Coxon explained that he bore no malice towards Oasis. "At least they were outright about it. They weren't pretending to like us and then slagging us off, which is what we'd been used to. In that way, I quite appreciated them."[10]

On 2 October 2018, to mark the 23rd anniversary of the album release, a new lyric video for the track "She's Electric", described as being "loaded with psychedelic imagery", was published on the band's YouTube VEVO channel.[35]

Release

(What's the Story) Morning Glory? was released on 2 October 1995. The album sold quickly; the Daily Express reported the day after release that central London HMV stores were selling copies of the album at a rate of two per minute.[3] At the end of the first week of sales, the album had sold a record-breaking 345,000 copies, making it (at the time) the second-fastest-selling album in British history, behind Michael Jackson's Bad.[36] After initially entering the UK charts at number one, it hovered around the top three for the rest of the year before initiating a six-week stay at the top in mid January, followed by a further three weeks at number one in March. In total, the album did not leave the top three for an astonishing seven months. In addition, by the time of its one-year anniversary in October 1996 the album had remained in the top ten for all but one week, in which it charted at number eleven.

After the fourth single from the album, "Wonderwall", hit the top ten in several countries, including stays at number one in Australia and New Zealand and achieving a peak of number eight in the United States, the album began to enjoy prolonged international success. Eventually the album had a five-week run at the top of the Australian albums chart and an eight-week run at the top of the New Zealand albums chart before topping charts in Canada, Ireland, Sweden and Switzerland. The album was also making significant waves in the US market, thanks in part to the success of the "Wonderwall" and "Champagne Supernova" singles on American modern rock radio. Both songs reached number one on the Modern Rock Tracks chart and stayed there for ten and five weeks respectively. By early 1996, What's the Story was selling 200,000 copies a week, eventually peaking at number four and being certified four times platinum by the end of the year for shipments of over four million units.[37] "Wonderwall" also topped the Australian and New Zealand singles charts.[38]

Tour

The band embarked on what would become a 103 show world tour in support of the album over a period of several months in 1995 and 1996. The tour started on 22 June 1995 with a pre-Glastonbury festival warm-up gig at the 1,400 capacity Bath Pavilion,[39] which featured the debut of new drummer Alan White and several new songs off the album, and ended on 4 December 1996 at the 11,800 capacity Mayo Civic Centre in Rochester, Minnesota, USA,[40] and included concerts at Earls Court in November 1995 and Cardiff International Arena in March 1996.[41] The tour had many disruptions and cancellations due to Noel twice walking out of the group, and Liam pulling out of a US leg.[41]

In September 1995, bass player Paul "Guigsy" McGuigan walked out on the group after he was subjected to a flurry of verbal abuse from Liam while doing interviews in Paris. McGuigan cited nervous exhaustion as the reason for his departure.[42] Scott McLeod of The Ya-Yas was brought in as his replacement; though, despite playing a string of gigs with the band and appearing in the video for the "Wonderwall" single, McLeod was unable to adapt to the frenetic celebrity lifestyle, duly returning to Manchester halfway through an American promotional tour for the album.[42] The band played a few dates, including an appearance on Late Show with David Letterman, as a four piece, before McGuigan was convinced to return for the group's Earls Court shows in early November.[42] When the band broke up for a brief time in late 1996, several US tour dates and the entire Australia and New Zealand leg had to be cancelled.[43]

As the band began to reach the peak of their popularity, several large open-air concerts were organised in the UK during 1996, including two gigs at Manchester City football stadium Maine Road, two nights at Loch Lomond in Scotland, and two nights at Knebworth House in front of a record 125,000 people each night; an event that would come to be acknowledged as the height of the Britpop phenomenon, with one journalist commenting; "(Knebworth) could be seen as the last great Britpop performance; nothing after would match its scale."[44] At the time, the concerts were the biggest gigs ever held for a single band on UK soil, and to date remain the largest demand ever for a British concert; with reportedly over 2.5 million applications for tickets.[45] The Earl's Court and Maine Road gigs were filmed and later released as the Oasis VHS/DVD ...There and Then.

Reception
Professional ratings
Contemporary reviews
Review scores
SourceRating
Chicago Tribune[46]
Entertainment WeeklyA−[47]
The Guardian[48]
Los Angeles Times[49]
NME7/10[50]
The Philadelphia Inquirer[51]
Q[52]
Rolling Stone[53]
Select4/5[54]
Spin6/10[55]

(What's the Story) Morning Glory? was released to lukewarm reviews from the mainstream music press. Many contemporary reviewers expressed disappointment at the album's perceived inferiority to Definitely Maybe, taking aim at the "banal lyrics" and the unoriginal nature of the compositions.[56][57] David Cavanagh of Q magazine said of the lyrics: "They scan; they fill a hole; end of story. They [say] nothing much about anything."[52][3] Andy Gill of The Independent commented that "She's Electric" is "laddism of a tiresomely generic kind", while "Roll with It" is "drab and chummy".[57] In Spin, Chuck Eddy wrote that the band had eschewed the "Bowie glitter" of their debut for "generic classic rock",[55] while Chicago Tribune critic Greg Kot felt that they lacked a distinguishing "attitude" despite being "modestly tuneful".[46] Perhaps the most damning review came from David Stubbs of the now-defunct Melody Maker. Despite stating that "Some Might Say" was "the best single of the year", Stubbs went on to be critical of the album as a whole; "What's the Story [sounds] laboured and lazy. On this evidence, Oasis are a limited band ... they sound knackered."[56][3]

NME was more enthusiastic, with the magazine's John Robinson writing that the album shows Oasis pursuing "an altogether different direction; away from the conscience-free overloaded hedonism towards an understanding of its consequences".[50] Rolling Stone's Jon Wiederhorn wrote that "What's the Story is more than a natural progression, it's a bold leap forward that displays significant musical and personal growth." He went on to note that the "stormy" relationship between Liam and Noel proved to be one of the album's strengths; "tension and instability have been inherent traits of great rock teams ... for Oasis, the addition of shared genes gives their songs extra impact and dimension."[53] Los Angeles Times critic Robert Hilburn welcomed the album as a counterpoint to the prevailing "despair" of the decade's rock music.[49] The album finished 10th in the voting for The Village Voice's annual Pazz & Jop critics' poll.[58] The poll's curator Robert Christgau initially assessed it as "phony Beatlemania";[59] he later gave it a two-star honourable mention,[60] indicating a "likable effort that consumers attuned to its overriding aesthetic or individual vision may well enjoy",[61] and quipped "give them credit for wanting it all—and (yet another Beatles connection!) playing guitars".[60] Select ranked the album at number two on its end-of-year list of the 50 best albums of 1995.[62]

In his book Britpop!, John Harris concluded that the initial negative reviews of the time missed the album's universal strengths. "Those who fussed about the music's more artful aspects were missing the point. The fact that [Noel's] songs contained so many musical echoes seemed to couch the album in an air of homely reassurance." Harris believed that the "ordinary" nature of some of the album's songs "turned out to be part of its deeply populist appeal".[3]

Battle of Britpop

The album's release alongside Blur's The Great Escape came at the height of the so-called "Battle of Britpop", a primarily media-spurred pitting of the more classic rock-focused, working-class northern band Oasis against the musically more eclectic band Blur, composed of middle-class men from the south of England. The conflict was, at times, a real phenomenon between the two bands, but overall it was largely a constructed rivalry by the media based on their shared chart-topper status and the marketability of competition. Released around the same time as (What's the Story?) Morning Glory, The Great Escape was initially widely praised by critics, far more so than Oasis' effort.[63] However, the tide quickly changed in favour of Oasis, and the five-star reviews allotted to Blur were withdrawn and even, in the case of Q magazine, even apologised for.[64] It has been widely acknowledged that the change in favourability from Blur to Oasis was based on profitability from backing the more commercially successful album; BBC Music writer James McMahon recalled how the "critical euphoria" surrounding the album lasted "about as long as it took publishers to realise Oasis would probably shift more magazines for them".[64] Despite the generally positive feeling towards Oasis' album nonetheless, the media switch to Oasis has led to the band's critical acclaim being questioned in the years since the media-encouraged cultural wars of Britpop died down.[65] Additionally, the critical lauding awarded by numerous critics to Oasis out of a desire to grow sales of their own publications, rather than genuinely reviewing the album for its strengths and weaknesses alone, is recognised as a leading factor in the alleged "over-hype" of Morning Glory's follow up Be Here Now.[66][67]

Legacy
Professional ratings
Retrospective reviews
Review scores
SourceRating
AllMusic[68]
Encyclopedia of Popular Music[69]
Entertainment WeeklyA[70]
Mojo[71]
Pitchfork8.9/10[72]
Q[73]
Record Collector[74]
Rolling Stone[75]
The Rolling Stone Album Guide[76]
Spin[77]

(What's the Story) Morning Glory? is considered an important record of the Britpop era and one of the best albums of the nineties,[78] and it appears in several charts as one of the greatest albums of all time.[79] Rob Sheffield, writing in The Rolling Stone Album Guide (2004), called the album "a triumph, full of bluster and bravado but also moments of surprising tenderness", adding that it "capped a true golden age for Britpop".[76] Rolling Stone ranked the album at 378 on its 2012 list of "the 500 Greatest Albums of All Time"[80] and at 157 on its 2020 list.[81] Spin included it at 79 in their list of "The 300 Best Albums of 1985–2014".[82] The album's enduring popularity within the UK was reflected when it won the British Album of 30 Years award at the 2010 Brit Awards. The award was voted by the public to decide the greatest Album of the Year winner in the history of the Brit Awards.[83] The album was also included in the book 1001 Albums You Must Hear Before You Die.[84] It was voted number 21 in Colin Larkin's All Time Top 1000 Albums.[85] The Encyclopedia of Popular Music stated that "it was undeniably a gigantic album".[86] What's the Story went on to become the best-selling album of the decade in the UK,[87] with its sixteen platinum certifications from the British Phonographic Industry. It was also certified four times platinum by the Recording Industry Association of America. The sixteen platinum certifications in the UK were the highest ever awarded to a single record until Adele's 21, released in 2011.[88] The success of the album resulted in Oasis becoming one of the biggest bands in the world, with substantial and considerable press coverage in the mainstream music press and frequent comparisons to the Beatles in the media.[78] Liam and Noel Gallagher both featured prominently in gossip columns and daily tabloids throughout 1996–97.

What's the Story propelled Oasis from being a crossover indie act to a worldwide rock phenomenon after the momentum gained by the critically acclaimed Definitely Maybe. It has been pinpointed by music critics as a significant record in the timeline of British indie music, demonstrating just how far into the mainstream independent music had ventured.[2] In 2005, John Harris noted the significance of the album and "Wonderwall" in particular to Britpop's legacy. "When (Oasis) released Wonderwall, the rules of British music were decisively changed. From hereon in, the lighter-than-air ballad became obligatory, and the leather-trousers era of rock'n'roll was over."[10] The success of the album in Britain resulted in Oasis becoming a cultural ubiquity for a brief period, featuring in tabloid newspapers on an almost daily basis and breaking sales records for live concerts.[89]

Track listing

Original release

All tracks are written by Noel Gallagher, except where noted.

No.TitleLength
1."Hello" (writers: Noel Gallagher, Gary Glitter, Mike Leander)3:21
2."Roll with It"3:59
3."Wonderwall"4:18
4."Don't Look Back in Anger"4:48
5."Hey Now!"5:41
6.Untitled (also known as "The Swamp Song — Excerpt 1")0:44
7."Some Might Say"5:29
8."Cast No Shadow"4:51
9."She's Electric"3:40
10."Morning Glory"5:03
11.Untitled (also known as "The Swamp Song — Excerpt 2")0:39
12."Champagne Supernova"7:27
Total length:50:00

Vinyl version
Side one
No.TitleLength
1."Hello" (Gallagher, Glitter, Leander)3:21
2."Roll with It"3:59
3."Wonderwall"4:18
Total length:11:38
Side two
No.TitleLength
1."Don't Look Back in Anger"4:48
2."Hey Now!"5:41
3.Untitled (also known as "The Swamp Song — Excerpt 1")0:44
4."Bonehead's Bank Holiday"4:03
Total length:15:16
Side three
No.TitleLength
1."Some Might Say"5:29
2."Cast No Shadow"4:51
3."She's Electric"3:40
Total length:14:00
Side four
No.TitleLength
1."Morning Glory"5:03
2.Untitled (also known as "The Swamp Song — Excerpt 2")0:39
3."Champagne Supernova"7:27
Total length:13:09

Singles box set
(What's the Story) Morning Glory?
Box set by
Oasis
Released4 November 1996
Recorded1995
GenreRock, Britpop
Length81:59
LabelCreation
ProducerOwen Morris, Noel Gallagher
Oasis box set chronology
Definitely Maybe
(1996)		 (What's the Story) Morning Glory?
(1996)

The (What's the Story) Morning Glory? box set was released on 4 November 1996, featuring four discs of singles, including B-sides, and one disc of interviews. The album charted at number 24 on the UK Albums Chart.[90]

All songs written by Noel Gallagher, except "Cum On Feel the Noize" by Noddy Holder and Jim Lea; "Step Out" co-written by Stevie Wonder, Henry Cosby and Sylvia Moy.

Disc one
No.TitleLength
1."Interviews"18:22
Total length:18:22
Disc two
No.TitleLength
1."Some Might Say"5:29
2."Talk Tonight"4:21
3."Acquiesce"4:25
4."Headshrinker"4:38
Total length:18:53
Disc three
No.TitleLength
1."Roll with It"3:59
2."It's Better People"3:59
3."Rockin' Chair"4:36
4."Live Forever" (Live at Glastonbury Festival, 1995)4:40
Total length:17:14
Disc four
No.TitleLength
1."Wonderwall"4:18
2."Round Are Way"5:42
3."The Swamp Song"4:15
4."The Masterplan"5:23
Total length:19:38
Disc five
No.TitleLength
1."Don't Look Back in Anger"4:47
2."Step Out"3:40
3."Underneath the Sky"3:20
4."Cum on Feel the Noize"5:09
Total length:16:56

Chart position
Chart (1996) Peak
position
UK Albums (OCC)[91] 24

Certifications
Region CertificationCertified units/sales
United Kingdom (BPI)[92] Silver 60,000^

^ Shipments figures based on certification alone.

2014 reissue

As part of a promotional campaign entitled Chasing the Sun, the album was re-released on 29 September 2014. The 3-disc deluxe edition includes remastered versions of the album and its associated b-sides from the four UK singles. Bonus content includes 5 demo tracks, and live choices taken from the band's iconic gigs at Earls Court, Knebworth Park and Maine Road.

All tracks are written by Noel Gallagher, except where noted.

2014 reissue disc 1: (What's the Story) Morning Glory?
No.TitleLength
1."Hello" (Noel Gallagher, Gary Glitter, Mike Leander)3:23
2."Roll with It"3:59
3."Wonderwall"4:18
4."Don't Look Back in Anger"4:49
5."Hey Now!"5:41
6.Untitled (also known as "The Swamp Song — Excerpt 1")0:44
7."Some Might Say"5:27
8."Cast No Shadow"4:54
9."She's Electric"3:40
10."Morning Glory"5:03
11.Untitled (also known as "The Swamp Song — Excerpt 2")0:39
12."Champagne Supernova"7:30
Total length:50:13
Japanese bonus tracks (SICP-4152)
No.TitleLength
13."Hello" (Demo)3:15
14."Wonderwall" (Live at Knebworth Park)4:07
Total length:57:22
2014 reissue disc 2: B-Sides
No.TitleLength
1."Talk Tonight"4:24
2."Acquiesce"4:29
3."Headshrinker"4:42
4."It's Better People"4:01
5."Rockin' Chair"4:40
6."Step Out" (Henry Cosby, Noel Gallagher, Sylvia Moy, Stevie Wonder)3:45
7."Underneath the Sky"3:25
8."Cum On Feel the Noize" (Jim Lea, Noddy Holder)5:13
9."Round Are Way"5:45
10."The Swamp Song"4:23
11."The Masterplan"5:26
12."Bonehead's Bank Holiday"4:03
13."Champagne Supernova" (Brendan Lynch mix)6:59
14."You've Got to Hide Your Love Away" (Lennon–McCartney)2:18
Total length:1:03:33
2014 reissue disc 3: Rare Tracks
No.TitleLength
1."Acquiesce" (live at Earls Court, London on 4 November 1995)3:55
2."Some Might Say" (demo. Recorded at soundcheck Club Quattro Tokyo, Japan on 14 September 1994)4:04
3."Some Might Say" (live at Roskilde Festival, Denmark on 30 June 1995)5:07
4."She's Electric" (demo. Recorded at Mauldeth Road West Studio, Manchester)3:03
5."Talk Tonight" (live at Bath Pavilion on 22 June 1995)3:43
6."Rockin' Chair" (demo. Recorded at Mauldeth Road West Studio, Manchester)4:05
7."Hello" (live at Roskilde Festival, Denmark on 30 June 1995)3:24
8."Roll with It" (live at Roskilde Festival, Denmark on 30 June 1995)4:08
9."Morning Glory" (live at Roskilde Festival, Denmark on 30 June 1995)4:48
10."Hey Now!" (demo. Recorded at soundcheck Club Quattro Tokyo, Japan on 14 September 1994)3:08
11."Bonehead's Bank Holiday" (demo. Recorded at soundcheck Club Quattro Tokyo, Japan on 14 September 1994)2:09
12."Round Are Way" (MTV Unplugged. Royal Festival Hall, London on 23 August 1996)4:52
13."Cast No Shadow" (live at Maine Road, Manchester on 27 April 1996)4:06
14."The Masterplan" (live at Knebworth Park, Hertfordshire on 10 August 1996)4:56
Total length:55:28

Personnel

Oasis

  • Liam Gallagher – vocals (1–3, 5, 7–10, 12)
  • Noel Gallagher – lead guitar, backing vocals, lead vocals (4), Mellotron, piano, EBow, bass (3, 6, 8–9, 11),[93] production
  • Paul "Bonehead" Arthurs – rhythm guitar (1–2, 4–12), Mellotron (3),[94] piano, Hammond organ (4)[94]
  • Paul "Guigsy" McGuigan – bass (1–2, 4–5, 7, 10, 12)
  • Alan White – drums, percussion (1–6, 8–12)

Additional musicians

  • Mark Feltham – harmonica (6, 11)
  • Tony McCarroll – drums (7)
  • Brian Cannon – keyboards (10)[95]
  • Paul Weller – lead guitar, backing vocals (12)[12]

Additional personnel

  • Owen Morris – production
  • Neil Dorfsman – multichannel mixing (SACD version)
  • David Swope – assistant mixing (SACD version)
  • Barry Grint – original audio mastering at Abbey Road Studios
  • Vlado Meller – mastering (SACD version)
  • Michael Spencer Jones – photography
  • Brian Cannon – artwork, design
  • Mathew Sankey – assistant design

Charts

Certifications and sales
Sales certifications for (What's the Story) Morning Glory?
Region CertificationCertified units/sales
Argentina (CAPIF)[164] Gold 30,000^
Australia (ARIA)[165] 8× Platinum 560,000^
Austria (IFPI Austria)[166] Gold 25,000*
Belgium (BEA)[167] Gold 25,000*
Canada (Music Canada)[168] 8× Platinum 800,000^
Denmark (IFPI Danmark)[169] 6× Platinum 120,000
Finland (Musiikkituottajat)[170] Gold 27,540[170]
France (SNEP)[171] Platinum 300,000*
Germany (BVMI)[172] Gold 250,000^
Hong Kong (IFPI Hong Kong)[173] Gold 10,000*
Ireland (IRMA)[173] 6× Platinum 90,000^
Italy (FIMI)[174]
sales for 1995–96 		Platinum 150,000[175]
Italy (FIMI)[176]
sales since 2009 		2× Platinum 100,000
Japan (RIAJ)[177] Platinum 200,000^
Netherlands (NVPI)[178] Gold 50,000^
New Zealand (RMNZ)[179] Platinum 15,000^
Norway (IFPI Norway)[180] Platinum 50,000*
Singapore (RIAS)[181] Gold 5,000*
Spain (PROMUSICAE)[182] 2× Platinum 200,000^
Sweden (GLF)[183] Platinum 100,000^
Switzerland (IFPI Switzerland)[184] Gold 25,000^
United Kingdom (BPI)[185] 16× Platinum 4,940,000[8]
United States (RIAA)[186] 4× Platinum 4,000,000^
Summaries
Europe (IFPI)[187] 6× Platinum 6,000,000*

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.
Sales+streaming figures based on certification alone.

See also

References

Footnotes

  1. "Owen Morris on producing Morning Glory". oasis-recordinginfo.co.uk. Archived from the original on 19 December 2013.
  2. Seven Ages of Rock: What the World is Waiting For
  3. Harris 2004, p. 254.
  4. "Oasis: (What's The Story) Morning Glory? The 'unsolvable conundrum' of their biggest album 25 years on". Sky News. Retrieved 23 December 2021.
  5. "The most overrated albums of all time". MusicRadar. 10 June 2008. Retrieved 23 December 2021.
  6. "Lady Gaga wins Brit Awards triple". BBC News. 16 February 2010. Archived from the original on 29 July 2017. Retrieved 10 June 2010.
  7. "Interview: Noel Gallagher talks Oasis past and present". The Guardian. 6 December 2008. Archived from the original on 4 November 2013. Retrieved 29 August 2019.
  8. Copsey, Rob (13 October 2018). "The UK's Top 40 biggest studio albums of time". Official Charts Company. Retrieved 13 October 2018.
  9. The Mojo Collection. Canongate Books. 1 November 2007. ISBN 978-1-84767-643-6. Retrieved 11 January 2012.
  10. Harris, John (12 August 2005). "Remember the first time". Music. The Guardian. London. ISSN 0261-3077. OCLC 60623878. Archived from the original on 19 December 2013. Retrieved 9 January 2012.
  11. Britton, Amy (November 2011). Revolution Rock: The Albums Which Defined Two Ages. AuthorHouse. p. 232. ISBN 978-1-4678-8711-3. Retrieved 9 January 2012.
  12. Reed, John (2005). Paul Weller: my ever changing moods. Music Sales Group. p. 238. ISBN 978-1-84449-491-0. Retrieved 12 January 2012.
  13. Reed, John (2005). Paul Weller: my ever changing moods. Music Sales Group. p. 298. ISBN 978-1-84449-491-0. Retrieved 12 January 2012.
  14. Morris, Owen. "The Rise and Fall of Me Recording Oasis". owenmorris.net. Archived from the original on 12 November 2016. Retrieved 24 January 2017.
  15. Harris 2004, p. 227.
  16. Ribbet, Paul (19 June 1995). "The making of Creation". The Big Issue. No. 135.
  17. Vaziri, Aidin (23 November 2016). "Major player in Oasis story emerges in wake of 'Supersonic' doc". San Francisco Chronicle. Archived from the original on 13 July 2020. Retrieved 18 November 2019.
  18. "Imperfect Sound Forever – Stylus Magazine". stylusmagazine.com. Archived from the original on 30 March 2018. Retrieved 7 June 2017.
  19. Bennett & Stratton 2010, p. 149.
  20. Partridge, Kenneth (29 August 2014). "Oasis' 'Definitely Maybe' at 20: Classic Track-by-Track Album Review". Billboard. Archived from the original on 7 November 2016. Retrieved 17 May 2017.
  21. Comaratta, Len (22 May 2014). "Oasis – Definitely Maybe [Reissue]". Consequence of Sound. Archived from the original on 6 December 2016. Retrieved 17 May 2017.
  22. Leas, Ryan (2 October 2015). "(What's the Story) Morning Glory? Turns 20". Stereogum. Archived from the original on 24 June 2018. Retrieved 12 March 2019.
  23. "(What's the Story) Morning Glory? Is 20 years old today". The Independent. 2 October 2015. Archived from the original on 1 April 2019. Retrieved 12 March 2019.
  24. Harris 2004, pp. 253–54.
  25. Moore 1997, p. 89n21.
  26. Bennett & Stratton 2010, pp. 148–49.
  27. "The AV Club: Alternative Nation – Part 8: The Ballad of Oasis and Radiohead". The A.V. Club. Archived from the original on 2 October 2013. Retrieved 21 April 2020.
  28. Seven Ages at BBC Online
  29. "Fotostrasse presents What's The Story? Morning Glory". Fotostrasse. 25 June 2016. Archived from the original on 4 October 2016. Retrieved 23 August 2016.
  30. "(What's The Story) Morning Glory: The true story behind the cover – The Big Issue". bigissue.com. 1 October 2014. Archived from the original on 5 October 2016. Retrieved 7 June 2017.
  31. Harris 2004, p. 250: "Blur had assumed that Oasis would follow standard music business protocol, releasing a single three weeks before the album."
  32. Harris 2004, pp. 229–235.
  33. Harris 2004, p. 250.
  34. Titorenko, Mark (19 February 1996). "Noel's AIDS comment". The Oasis Archive. Archived from the original on 9 January 2009. Retrieved 17 January 2006. (scroll down to section 3.5)
  35. "Oasis unveil new lyric video for 'She's Electric' – NME". NME. 2 October 2018. Archived from the original on 23 October 2018. Retrieved 23 October 2018.
  36. Rawsthorn, Alice (25 August 1997). "Oasis here now with record album sales". Financial Times.
  37. Harris 2004, p. 261.
  38. Hung, Steffen. "Oasis — Wonderwall". australian-charts.com. Archived from the original on 14 April 2012. Retrieved 10 June 2010.
  39. "Bath Pavilion". bathpavilion.org. 2012. Archived from the original on 25 February 2012. Retrieved 8 January 2012.
  40. "Mayo Civic Center : Facilities". mayociviccenter.com. 2012. Archived from the original on 7 February 2012. Retrieved 8 January 2012.
  41. Harris, John. Britpop!: Cool Britannia and the Spectacular Demise of English Rock. Da Capo Press, 2004. ISBN 0-306-81367-X
  42. Harris 2004, p. 255.
  43. "Oasis: Abandoned US Tour Fuels Rumours of Split". Itn Source. Archived from the original on 19 July 2011. Retrieved 9 January 2011.
  44. "BBC – Seven Ages of Rock – Events – Oasis at Knebworth". BBC. Archived from the original on 25 November 2017. Retrieved 11 February 2018.
  45. "Oasis mark Knebworth anniversary". NME. 2 August 2006. Archived from the original on 15 August 2016. Retrieved 21 April 2020.
  46. Kot, Greg (9 November 1995). "Oasis: (What's the Story) Morning Glory? (Epic)". Chicago Tribune. Retrieved 19 May 2020.
  47. Flaherty, Mike (6 October 1995). "(What's the Story) Morning Glory?". Entertainment Weekly. New York. Archived from the original on 3 April 2015. Retrieved 25 September 2009.
  48. Sullivan, Caroline (29 September 1995). "CD of the week: (the inevitable) Oasis". The Guardian. London.
  49. Hilburn, Robert (1 October 1995). "Oasis; "(What's the Story) Morning Glory?", Epic". Los Angeles Times. Archived from the original on 1 February 2016. Retrieved 19 October 2015.
  50. Robinson, John (30 September 1995). "Oasis – (What's The Story) Morning Glory?". NME. London. p. 52. Archived from the original on 17 August 2000. Retrieved 10 August 2016.
  51. Warren, Bruce (22 October 1995). "Oasis: (What's the Story) Morning Glory? (Epic Records)". The Philadelphia Inquirer.
  52. Cavanagh, David (November 1995). "Blatant". Q. No. 110. London.
  53. Wiederhorn, Jon (19 October 1995). "(What's the Story) Morning Glory?". Rolling Stone. No. 719. New York. Archived from the original on 5 October 2013. Retrieved 21 April 2013.
  54. Harrison, Andrew (November 1995). "Star Trip II: The Search for Rock". Select. No. 65. London. pp. 98–99.
  55. Eddy, Chuck (November 1995). "Oasis: (What's the Story) Morning Glory / Blur: The Great Escape". Spin. Vol. 11, no. 8. New York. pp. 124–25. Retrieved 17 May 2020.
  56. Stubbs, David (30 September 1995). "Tale Ending?". Melody Maker. London. Archived from the original on 9 May 2012. Retrieved 15 April 2014.
  57. Gill, Andy (28 September 1995). "Album Review: Oasis (What's the Story) Morning Glory Creation CRE CD". The Independent. London. Archived from the original on 13 January 2014. Retrieved 15 April 2014.
  58. "The 1995 Pazz & Jop Critics Poll". The Village Voice. New York. 20 February 1996. Archived from the original on 25 March 2014. Retrieved 15 April 2014.
  59. Christgau, Robert (20 February 1996). "Lost in the Soundscape". The Village Voice. New York. Archived from the original on 6 July 2014. Retrieved 17 May 2020.
  60. Christgau 2000, p. 231.
  61. Christgau 2000, p. xvi.
  62. "50 Albums of the Year". Select. No. 67. January 1996. pp. 78–79. Archived from the original on 27 March 2018. Retrieved 12 June 2020.
  63. "Album Review: Blur – The Great Escape ('21' reissue) / Releases / Releases // Drowned In Sound". 4 March 2016. Archived from the original on 4 March 2016. Retrieved 23 December 2021.
  64. McMahon, James. "BBC – Music – Review of Blur – The Great Escape". BBC. Retrieved 23 December 2021.
  65. Bagnall, Thomas (12 August 2015). "7 Reasons Why Oasis Are The Worst Thing To Ever Happen To Britain". WhatCulture.com. Retrieved 23 December 2021.
  66. "Why Be Here Now is the worst essential album ever". warwickshireworld.com. Retrieved 23 December 2021.
  67. "'Flattened by the cocaine panzers' – the toxic legacy of Oasis's Be Here Now". The Guardian. 6 October 2016. Retrieved 23 December 2021.
  68. Erlewine, Stephen Thomas. "(What's the Story) Morning Glory? – Oasis". AllMusic. Archived from the original on 10 June 2012. Retrieved 25 September 2009.
  69. Larkin, Colin (2011). "Oasis". The Encyclopedia of Popular Music (5th concise ed.). Omnibus Press. ISBN 978-0-85712-595-8.
  70. Anderson, Kyle (8 November 2014). "(What's the Story) Morning Glory? reissue". Entertainment Weekly. New York. Archived from the original on 18 June 2017. Retrieved 17 May 2020.
  71. Cameron, Keith (1 October 2014). "Oasis – (What's The Story) Morning Glory?". Mojo. London. Retrieved 17 May 2020.
  72. Berman, Stuart (29 September 2014). "Oasis: (What's the Story) Morning Glory?". Pitchfork. Archived from the original on 3 February 2016. Retrieved 27 January 2016.
  73. "Oasis: (What's the Story) Morning Glory?". Q. No. 407. London. February 2020. p. 106.
  74. Kennedy, Jake (October 2014). "Oasis – (What's The Story) Morning Glory?: Chasing The Sun Edition". Record Collector. No. 432. London. Archived from the original on 16 June 2020. Retrieved 17 May 2020.
  75. Edwards, Gavin (28 October 2004). "The Rolling Stone Hall of Fame — Oasis: (What's the Story) Morning Glory?". Rolling Stone. No. 960. New York. p. 104.
  76. Sheffield 2004, p. 598.
  77. Marchese, David (October 2008). "Discography: Oasis". Spin. Vol. 24, no. 10. New York. p. 76. Archived from the original on 16 June 2020. Retrieved 17 May 2020.
  78. "5. Oasis – '(What's The Story) Morning Glory?'". Rolling Stone. 16 February 2011. Archived from the original on 29 April 2012. Retrieved 22 August 2017.
  79. "(What's the Story) Morning Glory? (album) by Oasis : Best Ever Albums". besteveralbums.com. 2012. Archived from the original on 3 January 2012. Retrieved 11 January 2012.
  80. "500 Greatest Albums: (What's the Story) Morning Glory?". Rolling Stone. Archived from the original on 30 May 2012. Retrieved 7 June 2017.
  81. "500 Greatest Albums: (What's the Story) Morning Glory?". Rolling Stone. 22 September 2020. Retrieved 22 September 2020.
  82. "The 300 best albums of the past 30 years(1985–2014)". Spin. 11 May 2015. Retrieved 9 June 2021.
  83. Slacker, Inc. "AOL Radio Stations". AOL Radio. Archived from the original on 24 November 2012. Retrieved 9 January 2012.
  84. Robert Dimery; Michael Lydon (23 March 2010). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN 978-0-7893-2074-2.
  85. Larkin, Colin, ed. (2000). All Time Top 1000 Albums (3rd ed.). Virgin Books. p. 44. ISBN 0-7535-0493-6.
  86. Larkin, Colin (2007). The Encyclopedia of Popular Music (4th ed.). Oxford University Press. ISBN 978-0195313734.
  87. "1990s Albums Chart Archive". everyHit.com. Archived from the original on 14 October 2011. Retrieved 1 January 2012.
  88. "Certified Awards". bpi.co.uk. Archived from the original on 24 January 2013. Retrieved 5 July 2015.
  89. Harris 2004, p. 230.
  90. "Featured Artists: Oasis". The Official Charts Company. Archived from the original on 3 December 2010. Retrieved 11 October 2010.
  91. "Oasis | Artist | Official Charts". UK Albums Chart. Retrieved 22 April 2018.
  92. "British album certifications – Oasis – (What's The Story) Singles Box – Gold". British Phonographic Industry.
  93. "Owen Morris: How I mastered Morning Glory". Retrieved 11 October 2020.
  94. transatlanticmodern (27 August 2013). "INTERVIEW: PAUL 'BONEHEAD' ARTHURS". Transatlantic Modern. Retrieved 17 April 2021.
  95. "Brian Cannon on designing the sleeve art | Oasis Recording Information". www.oasis-recordinginfo.co.uk. Retrieved 30 November 2021.
  96. "Australiancharts.com – Oasis – (What's the Story) Morning Glory?". Hung Medien. Retrieved 17 February 2021.
  97. "Austriancharts.at – Oasis – (What's the Story) Morning Glory?" (in German). Hung Medien. Retrieved 17 February 2021.
  98. "Ultratop.be – Oasis – (What's the Story) Morning Glory?" (in Dutch). Hung Medien. Retrieved 17 February 2021.
  99. "Ultratop.be – Oasis – (What's the Story) Morning Glory?" (in French). Hung Medien. Retrieved 17 February 2021.
  100. "Top RPM Albums: Issue 2876". RPM. Library and Archives Canada. Retrieved 21 October 2010.
  101. "Hits of the World – Denmark". Billboard. 27 April 1996. p. 61. Retrieved 27 June 2012.
  102. "Dutchcharts.nl – Oasis – (What's the Story) Morning Glory?" (in Dutch). Hung Medien. Retrieved 17 February 2021.
  103. "Hits of the World – Eurochart Hot 100". Billboard. 18 March 1996. p. 67. Retrieved 9 June 2012.
  104. "Oasis: (What's the Story) Morning Glory?" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved 17 February 2021.
  105. "Le Détail des Albums de chaque Artiste – O". Infodisc.fr (in French). Archived from the original on 22 October 2014. Retrieved 9 June 2012. Select Oasis from the menu, then press OK.
  106. "Offiziellecharts.de – Oasis – (What's the Story) Morning Glory?" (in German). GfK Entertainment Charts. Retrieved 17 February 2021.
  107. "Album Top 40 slágerlista – 1996. 16. hét" (in Hungarian). MAHASZ. Retrieved 17 February 2021.
  108. "Tonlist Top 40". timarit.it. DV. Retrieved 8 June 2017.
  109. "Hits of the World – Ireland". Billboard. 18 November 1995. p. 63. Retrieved 9 June 2012.
  110. "Hits of the World – Italy". Billboard. 18 May 1996. Retrieved 25 July 2012.
  111. "Japanese chart positions". Oricon Style. Archived from the original on 23 October 2012. Retrieved 16 October 2012.
  112. "Charts.nz – Oasis – (What's the Story) Morning Glory?". Hung Medien. Retrieved 17 February 2021.
  113. "Norwegiancharts.com – Oasis – (What's the Story) Morning Glory?". Hung Medien. Retrieved 17 February 2021.
  114. "Hits of the World – Portugal". Billboard. 8 June 1996. p. 81. Retrieved 27 June 2012.
  115. "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 16 November 2021.
  116. "Hits of the World – Spain". Billboard. 23 March 1996. p. 48. Retrieved 9 June 2012.
  117. "Swedishcharts.com – Oasis – (What's the Story) Morning Glory?". Hung Medien. Retrieved 17 February 2021.
  118. "Swisscharts.com – Oasis – (What's the Story) Morning Glory?". Hung Medien. Retrieved 17 February 2021.
  119. "Official Albums Chart Top 100". Official Charts Company. Retrieved 17 February 2021.
  120. "Oasis Chart History (Billboard 200)". Billboard. Retrieved 17 February 2021.
  121. "Cash Box Top 100 Pop Albums: February 24, 1996" (PDF). Archived (PDF) from the original on 12 June 2020. Retrieved 12 June 2020.
    • Zimbabwe. Kimberley, C. Zimbabwe: albums chart book. Harare: C. Kimberley, 2000
  123. "Oasis Chart History (Top Catalog Albums)". Billboard. Retrieved 1 June 2021.
  124. "Oasis Chart History (Top Tastemaker Albums)". Billboard. Retrieved 1 June 2021.
  125. "Oasis Chart History (Vinyl Albums)". Billboard. Retrieved 1 June 2021.
  126. "The ARIA Australian Top 100 Albums 1996". ARIA. Retrieved 26 May 2022.
  127. "Rapports annuels 1995". Ultratop (in French). Hung Medien. Retrieved 2 April 2011.
  128. "Year End Sales Charts – European Top 100 Albums 1995" (PDF). Music & Media. 23 December 1995. p. 14. Retrieved 23 May 2021.
  129. "Top Albums 1995" (in French). Syndicat National de l'Édition Phonograhique. Retrieved 9 June 2021.
  130. "Årslista Album (inkl samlingar), 1995" (in Swedish). Sverigetopplistan. Retrieved 27 February 2021.
  131. "End of Year Album Chart Top 100 – 1995". Official Charts Company. Retrieved 23 May 2021.
  132. "ARIA Top 50 Albums for 1996". Australian Recording Industry Association. Retrieved 28 July 2014.
  133. "Jahreshitparade Alben 1996". austriancharts.at (in German). Hung Medien. Archived from the original on 2 August 2015. Retrieved 28 July 2014.
  134. "Top Albums/CDs – Volume 64, no. 18, December 16 1996". RPM. 16 December 1996. Retrieved 28 July 2014.
  135. "Jaaroverzichten – Album 1996". dutchcharts.nl (in Dutch). Hung Medien. Archived from the original on 19 September 2015. Retrieved 28 July 2014.
  136. "Year End Sales Charts – European Top 100 Albums 1996" (PDF). Music & Media. 21 December 1996. p. 12. Retrieved 27 May 2022.
  137. "Top Albums 1996" (in French). Syndicat National de l'Édition Phonographique. Retrieved 28 July 2014.
  138. "Top 100 Album-Jahrescharts". offiziellecharts.de (in German). GfK Entertainment. Retrieved 8 September 2016.
  139. "Top Selling Albums of 1996". The Official NZ Music Charts. Retrieved 16 February 2021.
  140. "LOS 50 TÍTULOS CON MAYORES VENTAS EN LAS LISTAS DE VENTAS DE AFYVE EN 1996" (PDF) (in Spanish). Anuarios SGAE. Archived from the original (PDF) on 18 August 2012. Retrieved 26 May 2022.
  141. "Årslista Album (inkl samlingar), 1996" (in Swedish). Sverigetopplistan. Retrieved 27 February 2021.
  142. "Schweizer Hitparade 1996". swisscharts.com. Hung Medien. Retrieved 13 February 2021.
  143. "1996: End of Year Charts – 1996". Official Charts Company. Retrieved 25 November 2016.
  144. "1996: Billboard 200 Albums". Billboard. 2 January 2013. Retrieved 28 July 2014.
  145. "End of Year Album Chart Top 100 – 1997". Official Charts Company. Retrieved 16 February 2021.
  146. "Najlepiej sprzedające się albumy w W.Brytanii w 1998r" (in Polish). Z archiwum...rocka. Archived from the original on 27 September 2012. Retrieved 16 September 2021.
  147. "The Top 200 Artist Albums of 1999" (PDF). Chartwatch: 1999 Chart Booklet. Zobbel.de. p. 40. Retrieved 19 June 2021.
  148. "The Top 200 Artist Albums of 2005" (PDF). Chartwatch: 2005 Chart Booklet. Zobbel.de. p. 40. Retrieved 1 June 2021.
  149. "2011년 Album Chart" (in Korean). Gaon Music Chart. Retrieved 8 June 2021.
  150. "2012년 Album Chart" (in Korean). Gaon Music Chart. Retrieved 16 February 2021.
  151. "2013년 Album Chart" (in Korean). Gaon Music Chart. Retrieved 16 February 2021.
  152. "2014년 Album Chart" (in Korean). Gaon Music Chart. Retrieved 16 February 2021.
  153. "2015년 Album Chart" (in Korean). Gaon Music Chart. Retrieved 16 February 2021.
  154. "2016년 Album Chart" (in Korean). Gaon Music Chart. Retrieved 16 February 2021.
  155. "2017년 Album Chart" (in Korean). Gaon Music Chart. Retrieved 16 February 2021.
  156. "End of Year Album Chart Top 100 – 2017". Official Charts Company. Retrieved 16 February 2021.
  157. "2018년 Album Chart" (in Korean). Gaon Music Chart. Retrieved 16 February 2021.
  158. "End of Year Album Chart Top 100 – 2018". Official Charts Company. Retrieved 16 February 2021.
  159. "End of Year Album Chart Top 100 – 2019". Official Charts Company. Retrieved 4 January 2020.
  160. White, Jack (10 January 2021). "Ireland's Official Top 50 biggest albums of 2020". Official Charts Company. Retrieved 12 January 2021.
  161. "The Official Top 40 biggest albums of 2020". Official Charts Company. Retrieved 4 January 2021.
  162. Griffiths, George (4 January 2022). "The Official Top 40 biggest albums of 2021". Official Charts Company. Retrieved 4 January 2022.
  163. "Official Top 100 biggest selling vinyl albums of the decade". Official Charts Company. 14 December 2019. Retrieved 5 March 2021.
  164. "Disco de Oro y Platino – Oasis" (in Spanish). Cámara Argentina de Productores de Fonogramas y Videogramas. Archived from the original on 31 May 2011. Retrieved 27 June 2012.
  165. "ARIA Charts – Accreditations – 2016 Albums" (PDF). Australian Recording Industry Association. Retrieved 9 June 2012.
  166. "Austrian album certifications – Oasis – (What's the Story) Morning Glory" (in German). IFPI Austria. Retrieved 9 June 2012.
  167. "Ultratop − Goud en Platina – albums 1996". Ultratop. Hung Medien. Retrieved 9 June 2012.
  168. "Canadian album certifications – Oasis – Morning Glory". Music Canada. Retrieved 9 June 2012.
  169. "Danish album certifications – Oasis – (What's The Story) Morning Glory?". IFPI Danmark. Retrieved 5 February 2019.
  170. "Oasis" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved 9 June 2012.
  171. "French album certifications – Oasis – (What's the Story) Morning Glory?" (in French). InfoDisc. Retrieved 9 June 2012. Select OASIS and click OK. 
  172. "Gold-/Platin-Datenbank (Oasis; '(What's the Story) Morning Glory?')" (in German). Bundesverband Musikindustrie. Retrieved 9 June 2012.
  173. "Billboard Oasis What's the story?". Billboard. 17 February 1996. p. 54. What's the story?.
  174. "Oasis: Cari tenori, cantate con noi". la Repubblica (in Italian). 26 May 1996. p. 32. Archived from the original on 16 February 2016. Retrieved 9 June 2012.
  175. "Oasis: sesso birra e rock'n'roll". La Stampa (in Italian). 25 March 1996. p. 19. Retrieved 20 April 2021.
  176. "Italian album certifications – Oasis – Morning Glory" (in Italian). Federazione Industria Musicale Italiana. Retrieved 13 December 2021.
  177. "Japanese album certifications – Oasis – (What's the Story) Morning Glory?" (in Japanese). Recording Industry Association of Japan. Retrieved 2 August 2013. Select 1997年8月 on the drop-down menu
  178. "Dutch album certifications – Oasis – Morning Glory" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Retrieved 13 September 2012. Enter Morning Glory in the "Artiest of titel" box.
  179. "New Zealand album certifications – Oasis – (What's The Story) Morning..." Recorded Music NZ. Retrieved 25 July 2017.
  180. "IFPI Norsk platebransje Trofeer 1993–2011" (in Norwegian). IFPI Norway. Retrieved 9 June 2012.
  181. "Singapore album certifications". Recording Industry Association Singapore. Retrieved 18 January 2021.
  182. Solo Exitos 1959–2002 Ano A Ano: Certificados > 1995–1999. Iberautor Promociones Culturales. 2005. ISBN 978-84-8048-639-2. Archived from the original on 27 December 2013. Retrieved 21 August 2013.
  183. "Guld- och Platinacertifikat − År 1987−1998" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on 17 May 2011. Retrieved 9 June 2012.
  184. "The Official Swiss Charts and Music Community: Awards (Oasis; '(What's The Story) Morning...')". IFPI Switzerland. Hung Medien. Retrieved 9 June 2012.
  185. "British album certifications – Oasis – (What's the Story) Morning Glory?". British Phonographic Industry. Retrieved 9 June 2012.
  186. "American album certifications – Oasis – What's the Story Morning Glory?". Recording Industry Association of America. Retrieved 9 June 2012.
  187. "IFPI Platinum Europe Awards – 1997". International Federation of the Phonographic Industry. Retrieved 9 June 2012.

Bibliography

  • Bennett, Andy; Stratton, Jon (2010). Britpop and the English Music Tradition. Ashgate Publishing. ISBN 978-0-7546-6805-3.
  • Christgau, Robert (2000). Christgau's Consumer Guide: Albums of the '90s. St. Martin's Griffin. ISBN 978-0-312-24560-3.
  • Harris, John (2004). Britpop!: Cool Britannia and the Spectacular Demise of English Rock. Da Capo Press. ISBN 0-306-81367-X.
  • Moore, Allan F. (1997). The Beatles: Sgt. Pepper's Lonely Hearts Club Band. New York City: Cambridge University Press. ISBN 978-0-521-57381-8.
  • Seven Ages of Rock: What the World is Waiting For. BBC, 2007.
  • Sheffield, Rob (2004). "Oasis". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. ISBN 978-0-7432-0169-8.

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.