Nebraska (album)

Initially, Springsteen recorded demos for the album at his home with a 4-track cassette recorder.[7] The demos were sparse, using only acoustic guitar, electric guitar (on "Open All Night"), harmonica, mandolin, glockenspiel, tambourine, organ, synthesizer (on "My Father's House") and Springsteen's voice.[7] The songs also have sparse composition, and many are simple three-chord songs.[8][9][10] After he completed work on the demos, Springsteen brought the songs to the studio and worked with the E Street Band in April 1982 on rock versions; these sessions are commonly referred to as "the Electric Nebraska Sessions".[7] Only Springsteen and Jon Landau had any decision-making power in this process. They felt certain songs were too personal, and the raw, haunting folk essence present on the home tapes could not be duplicated or equaled in the band treatments; the tracks about which they felt this way made up the album Nebraska. However, eight of the 12 tracks that went on the 1984 album Born in the U.S.A. were composed of "Electric Nebraska" success stories. They were led by "Born in the U.S.A.", which was completed on May 3, 1982; "Downbound Train", recorded April 28, 1982; "Cover Me", recorded at The Hit Factory, New York on January 25, 1982; "I'm On Fire", recorded at The Power Station on May 11, 1982; "Glory Days", recorded at The Power Station on May 5, 1982; "Darlington County", recorded at The Power Station on May 13, 1982; "Working on the Highway", recorded April 30 and May 6, 1982, and "I'm Going Down", recorded on May 12 or 13, 1982.[11]

The demo recording sessions that produced the album actually covered several days, but January 3, 1982, is credited as the "legendary night" when 15 tracks were recorded. They were "Starkweather" ("Nebraska"), "Atlantic City", "Mansion on the Hill", "Johnny 99", "Highway Patrolman", "State Trooper", "Used Cars", "Wanda" ("Open All Night"), "Reason to Believe", "Born in the U.S.A.", "Downbound Train", "Child Bride", "Losin' Kind", "My Father's House" (May 25, 1982), and "Pink Cadillac", a total of 15 songs; 10 ended up on Nebraska and the demo for "Born in the U.S.A." would appear later on the Tracks compilation.[12] The remaining four unreleased demos circulate among Springsteen fans. Two of these, "Downbound Train" (Born in the U.S.A.) and "Pink Cadillac" (Tracks), were officially released in band format, leaving "Child Bride" and "Losin' Kind" as truly unreleased. There was another demo, "The Big Payback" recorded later in spring 1982, and "Johnny Bye-Bye", which Springsteen confused with a live version recorded July 1981, that was actually never recorded during this period, that brings the total to the often-cited 17.[13] [14]

In an interview with Rolling Stone, Springsteen said, "I was just doing songs for the next rock album, and I decided that what always took me so long in the studio was the writing. I would get in there, and I just wouldn't have the material written, or it wasn't written well enough, and so I'd record for a month, get a couple of things, go home write some more, record for another month—it wasn't very efficient. So this time, I got a little Teac four-track cassette machine, and I said, I'm gonna record these songs, and if they sound good with just me doin' 'em, then I'll teach 'em to the band. I could sing and play the guitar, and then I had two tracks to do somethin' else, like overdub a guitar or add a harmony. It was just gonna be a demo. Then I had a little Echoplex that I mixed through, and that was it. And that was the tape that became the record. It's amazing that it got there, 'cause I was carryin' that cassette around with me in my pocket without a case for a couple of weeks, just draggin' it around. Finally, we realized, 'Uh-oh, that's the album.' Technically, it was difficult to get it on a disc. The stuff was recorded so strangely, the needle would read a lot of distortion and wouldn't track in the wax. We almost had to release it as a cassette."[15] Another problem arose during mastering of the tapes because of low recording volume, but that was resolved with sophisticated noise reduction techniques.[7]

Springsteen fans have long speculated whether the full-band recordings of the Nebraska session tracks, nicknamed Electric Nebraska, that took place in the last week of April 1982, will ever surface.[7] Of the theoretical 17 tracks, 5 were not recorded with the band ("Losin' Kind", "Child Bride", "The Big Payback", "State Trooper" and "My Father's House"), and "Born in the U.S.A.", "Downbound Train" and "Pink Cadillac" have been released, leaving nine in the vaults.[16] In a 2006 interview, manager Jon Landau said that the release of the remaining tracks is unlikely, and that "the right version of Nebraska came out".[17] But in a 2010 interview with Rolling Stone, E Street Band drummer Max Weinberg praised the full band recording of the album as "killing".[18]

The album begins with "Nebraska", a first-person narrative based on the true story of 19-year-old spree killer Charles Starkweather and his 14-year-old girlfriend, Caril Ann Fugate, and ends with "Reason to Believe", a complex narrative that offers a small amount of hope to counterbalance the otherwise dark nature of the album.[5] The remaining songs are largely of the same bleak tone, including the dark "State Trooper", influenced by the vocal stylings of Alan Vega and Suicide's "Frankie Teardrop".[19] Criminal behavior continues as a theme in the song "Highway Patrolman": even though the protagonist works for the law, he lets his brother escape after he has shot someone.[5] "Open All Night", a Chuck Berry-style lone guitar rave-up, does manage a dose of defiant, humming-towards-the-gallows exuberance.[5]

Springsteen stated that the stories in this album were partly inspired by historian Howard Zinn's book A People's History of the United States.[20] A music video was produced for the song "Atlantic City"; it features stark, black-and-white images of the city, which had not yet undergone its later economic transformation.[21]

Professional ratings

Review scores
Source	Rating
AllMusic	[5]
Chicago Tribune	[22]
Encyclopedia of Popular Music	[23]
MusicHound Rock	3.5/5[24]
Pitchfork	10/10[25]
Q	[26]
Rolling Stone	[1]
The Rolling Stone Album Guide	[27]
Tom Hull	B+[28]
The Village Voice	A−[29]

In the Village Voice's annual Pazz & Jop critics poll, Nebraska was voted the third best album of 1982.[30] In 1989, it was ranked 43rd on Rolling Stone magazine's list of the 100 greatest albums of the 1980s.[31] That same year, Richard Williams wrote in Q magazine that "Nebraska would simply have been a vastly better record with the benefit of the E Street Band and a few months in the studio."[32]

In 2003, Nebraska was ranked number 224 on Rolling Stone's list of the 500 greatest albums of all time,[31] and 226 in a 2012 revised list,[33] and 150 in a 2020 reboot of the list.[34] Pitchfork listed it as the 60th greatest album of the 1980s.[35] In 2006, Q placed the album at number 13 in its list of "40 Best Albums of the '80s".[36] In 2012, Slant Magazine listed the album at number 57 on its list of "Best Albums of the 1980s".[37] The album was also included in the book 1001 Albums You Must Hear Before You Die.[38]

• Bruce Springsteen – vocals, guitar, harmonica, mandolin, glockenspiel, tambourine, Hammond organ, synthesizer, production
• Mike Batlan – recording engineer
• David Michael Kennedy – photography copyrighted 1975
• Dennis King – mastering
• Bob Ludwig, Steve Marcussen – mastering consultants
• Andrea Klein – design

• Nebraska at Discogs (list of releases)
• Album lyrics and audio samples