Stargate (film)

The film in its original cut plays out in chronological order, as well as in the director's cut. When Devlin and Emmerich edited the film in the director's cut to tighten the narrative, they decided to add a scene at the very beginning of the film to show who the human host of Ra was before the aliens took him. Only Davidson's upper torso was filmed.[7] The first scene was a combination of model shots and a set in Yuma, Arizona where Rambo III had been filmed. The scene of the excavation of the Stargate was also filmed in three days in Arizona. A golden look was achieved by filming near the time of sunset.[10] To keep within the limit of the budget, the producers put stick figures with cloth in the distant desert to appear as humans. The original Stargate was painted black, but it looked like a giant tire so it was repainted silver at the last moment.[7]

Daniel Jackson's lecture on his theories was filmed in a hotel in Los Angeles.[10] The scene was originally much longer and delved more into the theories that aliens had built the Egyptian pyramids, but it was trimmed for time concerns for the release.[7] The scenes with O'Neil at his house were the first ones filmed with Kurt Russell; his hair was cut short afterwards. Russell requested his hair color to be brightened a little for the film.[10] The fictional facility housing the Stargate was the largest set for the film, the former Spruce Goose Dome located in Long Beach, California.[11][10] Egyptologist Stuart Tyson Smith joined the production to make all Ancient Egyptian hieroglyphics and spoken language as accurate as possible.[7]

The mask of the pharaoh in the opening credits was made out of fiberglass and modeled in the workshop. The sequence used a motion-control camera to give better depth of field.[10] The score of Stargate was composer David Arnold's first work on an American feature film. When Devlin and Emmerich first flew to London to meet with Arnold, they had not yet heard the score; hearing it, they felt "he had elevated the film to a whole other level".[7] Arnold later interviewed the actors during principal photography, using the information to improve his score.[7]

Jeff Kleiser and Kleiser-Walczak Construction Co.'s visual effects team of 40 people created the look of the Stargate. They used self-written image-creation and compositing software, as well as commercial digital packages to create the Stargate, the morphing helmets worn by Ra and the Horus guards, and the cityscape of Nagada. The morphing helmets were not true 3D but 2D elements, as Kleiser explained: “You shoot the character without the headdress, you shoot the character with a headdress. And then you have to go in and, and create all these little sections that you would then wipe off to reveal – and it had to match up, the two things had to match up. I think the cameras were moving as well.”[12]

Footprints in the sand were often digitally removed. The creation of the wormhole, which was fully digital, was one of the biggest challenges in the making of the film. The ripples had to be digitally composited to appear accurate and realistic. Scanning lasers were lined up parallel to the gate to illustrate the amount of body that passed the surface of the Stargate plane. Afterwards, the parts of the body that had or had not yet gone through the gate (depending on the side of filming) were obliterated with a digital matte, a process that removes unwanted components from an individual frame or sequence of frames.[13] The funnel of water that precedes the Stargate opening was filmed by discharging an air cannon into a water tank, as Jeff Kleiser explained: "“We didn’t know how much air pressure to set the cannon on but it went from one to 500lbs, so we said ‘Let’s try 100 – start the camera rolling and hit the thing.’ It evacuated all the water out of the tank and onto the camera and everybody. It turned out that 1lb was about the right amount.”[12]

The use of computers generating a big 3D storyboard allowed Emmerich to try out different shooting angles before settling on one angle.[13]

Stargate was released in the United States on October 28, 1994, and released internationally in December of the same year.

In 1995, the film was released on VHS and as a Dolby Digital-encoded laserdisc spanning two discs (three sides).[17] The first DVD release was on June 18, 1997. The DVD format was re-released in October 1999 under the title Stargate Special Edition, and again in 2003 on VHS and a 2-disc DVD set with remastered theatrical and extended editions.[18] The film was released on Blu-ray format on August 29, 2006.[19][20]

In 1996, Omar Zuhdi, a Shawnee high school teacher, filed a lawsuit against the makers and originators of the original movie, claiming that they stole the plot and story of his 1984 film script Egyptscape, as the basis of the film Stargate (and thus the Stargate franchise).[21]

The director's cut had several scenes which were cut from the theatrical release. The first such scene took place immediately after the excavation of the Stargate in 1928 and showed a petrified Anubis guard underneath a broken cover stone. With this scene, the producers had tried to introduce the idea that beings had attempted to come through the Stargate after its burial but the scene was ultimately cut for time concerns.[7]

The film received a warm reception from the public, grossing $71,567,262 at the United States box office and $125 million internationally for a worldwide total of $196,567,262.[5][4] At the time, the film set a record for the highest-grossing opening weekend for a film released in the month of October.[22] It would hold this record for four years until 1998 when Antz took it.[23]

In its first run, Stargate made more money than film industry insiders predicted, considering the lukewarm reviews.[24][25] Some regard it as Emmerich's breakthrough film.[26] Stargate grossed over $16,651,000 in the United States during its opening week in October 1994. It was the 35th-highest-grossing film opening in the U.S. in October.[27] From November 4–6, the film grossed around $12,368,700, declining 25%. The film would continue this decline until the end of November, when the film garnered $4,777,198, or an 8.2% rise. The week before that the film garnered around $4,413,420, a 45.6% decline. In its last week playing theatrically, the film garnered around $1,170,500 in the U.S.[28]

On Rotten Tomatoes, the film has an approval rating of 52% based on 48 reviews, and an average rating of 5.4/10. The site's critics consensus states: "Stargate has splashy visuals and James Spader to recommend it, but corny characterization and a clunky script makes this a portal to ho-hum."[29] On Metacritic, the film has a weighted average score of 42 out of 100, based on 17 critics, indicating "mixed or average reviews".[30] At Movie Review Query Engine (MRQE), which assigns a normalized rating to mainstream critics, the film holds a score of 64 out of 100 based on 95 reviews.[31] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[32]

Most of the negativity focused on what was criticized as overuse of special effects, thinness of plot, and excessive use of clichés. Roger Ebert went so far as to say, "The movie Ed Wood, about the worst director of all time, was made to prepare us for Stargate". Ebert awarded the film one out of four stars and, even over ten years later, Stargate remained on his list of most-hated films.[33][34] Mike DiBella from Allmovie said, "There simply isn't enough spectacle in Stargate to make up for its many flaws."[35] The film peaked at number one on the Billboard chart Top Video Rentals on April 29, 1995.[36]

The positive reviews stated that it was an "instant camp classic" and praised the film for its special effects and entertainment value,[37] with Chris Hicks of the Deseret News calling it "Star Wars meets Ben Hur".[38] Scott McKenzie from DVDactive said, "It's a shame because the world created around the Stargate is compelling and detailed. It's almost enough to make me want to watch the TV series, but not quite."[39]

In January 1995, Emmerich and Devlin were sued by an Egyptology student who claimed that he had written the story and given them the idea. The suit was later settled out of court.[40][41]

In 1995, Stargate was considered for various film awards worldwide. It won six of the ten awards it was nominated for.[42]

Devlin and Emmerich always envisioned Stargate as the first part of a trilogy of films, but Parts 2 and 3 were never developed.[43][44] At Comic-Con 2006, twelve years after the original film was released, Devlin stated that he was in early discussions with rights-holders MGM about finally bringing the final two parts to the screen.[45]

According to Devlin, the second film is intended to be set around twelve years after the original, with Jackson making a discovery that leads him back to Earth and to the uncovering of a new Stargate. The second entry would supposedly use a different mythology from the Egyptian one which formed the background to the original film, with the third installment tying these together to reveal that "all mythologies are actually tied together with a common thread that we haven't recognized before."[46] Devlin stated that he hoped to enlist original stars Kurt Russell (Col. Jack O'Neil) and James Spader (Dr. Daniel Jackson) for the sequels. The actors have reportedly expressed an interest in participating in the project.[47]

The film trilogy would not directly tie into the series Stargate SG-1. According to Devlin, the relationship between the movie and the series is "we would just continue the mythology of the movie and finish that out. I think the series could still live on at the end of the third sequel. So we're going to try to not tread on their stories."[46] Plans for sequels to the original film are unrelated to the development of straight-to-DVD films made as sequels to Stargate SG-1. According to Devlin, he and Emmerich had always planned to do three films with the potential for more, but MGM preferred to play out the television series first.[48]

Using some of Emmerich's notes, Bill McCay wrote a series of five novels, continuing the story the original creators had envisioned, which involved the Earth-humans, the locals and the successors of Ra.

The CD-ROM programme Secrets of Stargate, released after the film, showed how the special effects were made, and included behind-the-scenes of the film and the showing of interviews with the cast and the production members.[13] Dean Devlin eventually gave Metro-Goldwyn-Mayer (MGM) the rights over the film,[43] and author Bill McCay wrote a series of five novels based on Emmerich's notes, continuing the story the original creators had envisioned. In 1996, MGM hired Brad Wright and Jonathan Glassner to create a spin-off television series. Stargate SG-1 premiered on the American subscription channel Showtime on July 27, 1997 and ended its ten-season run in 2007. Stargate SG-1 itself spawned the non-canon animated television series Stargate Infinity (2002–03), and the live-action television series Stargate Atlantis (2004–09) and Stargate Universe (2009–11).

Concept drawing of Ra's original humanoid form by Patrick Tatopoulos.[49]

SG-1 creators and executive producers Brad Wright and Jonathan Glassner altered the canon by introducing several new concepts during production of the SG-1 and Atlantis series. In the television series characters were portrayed by different actors, and names were spelled differently.[50] Daniel Jackson was played by James Spader in the film and by Michael Shanks in the series. Kurt Russell's character Jonathan "Jack" O'Neil, a rather humorless Colonel, is played by Richard Dean Anderson as Jonathan "Jack" O'Neill (with two 'l's) in SG-1.[51][52] French Stewart's character was Lieutenant Louis Ferretti but in SG-1, played by Brent Stait, he is a Major. The spelling of Daniel Jackson's wife changes from "Sha'uri" to "Sha're", O'Neill's wife from Sarah to Sara. (Similarly, the name of O'Neil's son changes from "Tyler" in the film to "Charlie".)[50]

The Stargate Command setting was transferred from the fictional military facility located in Creek Mountain, to the Cheyenne Mountain military complex.[50] The unnamed planet from the film was named Abydos in the series and the distance from Earth changed from millions of light-years away (in an entirely different galaxy, "the Kalium galaxy") to becoming the closest planet to Earth with a Stargate, residing in the same galaxy as Earth. Also in SG-1, Stargate travel is limited to the Stargate network in the Milky Way galaxy (unless a tremendous amount of power is used to lengthen the subspace wormhole of a Stargate to another galaxy's Stargate).[50] Ra was the last of an unnamed race in the film, being of a humanoid species with large black eyes and a lack of facial features. In SG-1, Ra is one of many "Goa'uld System Lords", a race of parasitic eel-like creatures.[51][53] There were also changes to the Stargate. The unique set of 39 Stargate symbols in the film were replaced with the concept of 38 symbols that are the same for each Stargate (Earth's symbols based on Earth's constellations), plus a single point of origin symbol that is unique to that individual gate.[53] While the kawoosh effect in the movie was created by filming the actual swirl of water in a glass tube, and looked like a vortex on the back of the Gate,[54] on the TV series this effect was completely created in computer graphics by the Canadian visual effects company Rainmaker.[55] At the beginning of season 9, the original movie wormhole sequence was substituted by a new sequence similar to the one already used on Stargate Atlantis, but blue as it was in the movie and SG-1. In Atlantis, it is green and, in Universe, it is white.[56]

On September 5, 2013, during an interview with Digital Spy, Emmerich said that he and MGM are planning a new Stargate as a reboot with a trilogy.[57] On May 29, 2014, it was announced that MGM and Warner Bros. are partnering together for a reboot as a trilogy with Emmerich directing, Devlin producing, and Nicolas Wright and James A. Woods writing.[58][59] On November 17, 2016, Devlin told Empire Online that the plans to make a reboot and a potential new series are stalled.[60]

• Krueger, Frederic (2017). "The Stargate Simulacrum:Ancient Egypt, Ancient Aliens, and Postmodern Dynamics of Occulture". Aegyptiaca (1): 47–74. doi:10.11588/aegyp.2017.1.40164. Retrieved June 18, 2019.