Wind River (film)

Wind River is a 2017 neo-Western crime film written and directed by Taylor Sheridan. The film stars Jeremy Renner and Elizabeth Olsen as a U.S. Fish and Wildlife Service tracker and an FBI agent, respectively, who try to solve a murder on the Wind River Indian Reservation in Wyoming. Gil Birmingham, Jon Bernthal, and Graham Greene also star.

Wind River
Theatrical release poster
Directed byTaylor Sheridan
Written byTaylor Sheridan
Produced by
  • Matthew George
  • Basil Iwanyk
  • Peter Berg
  • Wayne L. Rogers
  • Elizabeth A. Bell
Starring
CinematographyBen Richardson
Edited byGary D. Roach
Music by
Production
companies
  • Acacia Entertainment[1]
  • Savvy Media Holdings
  • Synergics Films[2]
  • Thunder Road Pictures
  • Film 44
  • The Fyzz Facility[2]
  • Riverstone Pictures[2]
  • Voltage Pictures[2]
  • Wild Bunch[2]
  • Ingenious Media[1]
  • Star Thrower Entertainment[2]
Distributed byThe Weinstein Company[lower-alpha 1] (United States)
STXinternational (United Kingdom)[4][5]
Metropolitan Filmexport (France)[5]
Release dates
  • January 21, 2017 (2017-01-21) (Sundance)
  • August 4, 2017 (2017-08-04) (United States)
  • August 30, 2017 (2017-08-30) (France)
  • September 8, 2017 (2017-09-08) (United Kingdom)
Running time
107 minutes[4]
Countries
  • France[1]
  • United Kingdom
  • United States
Budget$11 million[5]
Box office$45 million[2]

Sheridan has said that he wrote the film to raise awareness of the issue of the high number of Indigenous women who are raped and murdered, both on and off reservations.

Wind River premiered at the 2017 Sundance Film Festival and was released in the United States on August 4, 2017. The film received generally positive reviews from critics and was a box office success, grossing $45 million against an $11 million budget. It was theatrically released by The Weinstein Company (TWC), but in October 2017, following the reporting of numerous sexual abuse allegations against Harvey Weinstein, the film's distribution rights for home media were acquired by Lionsgate. Weinstein's credits and logo were omitted on home media and streaming services, as TWC lost its distribution rights.

Plot

During the winter on Wyoming's Wind River Indian Reservation, U.S. Fish and Wildlife Service Agent Cory Lambert discovers the frozen body of 18-year-old Natalie Hanson. FBI Special Agent Jane Banner arrives to investigate the possible homicide. Banner learns from Natalie's father Martin that his daughter was dating a new boyfriend who is unknown to him. Natalie's autopsy shows signs of blunt trauma and rape, and confirms Lambert's deduction that Natalie died from pulmonary hemorrhage caused by inhaling subzero air. The medical examiner is unable to classify the death as a homicide, so Banner cannot get additional help from her supervisors.

Lambert discovers that Natalie's boyfriend is Matt Rayburn, who works as a security guard at a nearby oil drilling site. Lambert and Banner soon discover Matt's naked, mutilated body in the snow. Lambert reveals to Banner that his 16-year-old daughter Emily died in a similar manner to Natalie three years earlier, and the case remains unsolved.

Banner, tribal police Chief Ben Shoyo, and other law enforcement officers visit the drilling site where they are met by Curtis, the security supervisor, and several security guards. They claim Matt left a few days prior following an argument with Natalie. One guard mentions they heard about Natalie's body being found and Banner states that Natalie's name has not been released to the public. The guards claim they learned it by monitoring a police scanner. One of Banner's team notices the guards are slowly surrounding them and draws his weapon. The confrontation quickly escalates into an armed standoff which Banner defuses.

In a flashback, Matt's drunken colleagues barge into his trailer while he is in bed with Natalie. Matt is provoked to violence, and the other guards retaliate while Pete rapes Natalie. Matt is beaten to death but his attempt to fight back gives Natalie an opportunity to try to escape by running cross-country to the mobile home where her brother lives.

In the present, Lambert traces the tracks from where Matt's corpse was found back to the drilling camp. As Banner and the others approach Pete's trailer, Lambert radios a warning to Shoyo. Pete responds to a veiled warning from Curtis by firing a shotgun through the door, wounding Banner. A gunfight ensues, and Shoyo and the other officers are killed. As the remaining guards prepare to execute Banner, Lambert kills four with his rifle. A wounded Pete flees on foot but Lambert apprehends him. At Gannett Peak, Lambert forces Pete to confess, then offers him the same chance Natalie had; rather than being shot, he can try to stay alive by running to a distant road while barefoot and wearing only lightweight clothing. Pete runs but quickly succumbs as his lungs give out from the frigid air.

Lambert visits Banner in the hospital and praises her toughness. He visits with Martin and they share grief over the deaths of their daughters. As the film ends, a title card states that missing persons statistics are kept for every demographic group except Native American women, whose numbers remain unknown.

Cast
  • Jeremy Renner as Cory Lambert, U.S. Fish and Wildlife Service agent. He discovers Hanson's frozen body and evidence of her flight across a snowy landscape. He uses the case as redemption for his teenage daughter Emily, who was found dead three years before.
  • Elizabeth Olsen as Jane Banner, a rookie FBI special agent. She recruits Lambert as her tracker.
  • Graham Greene as Ben Shoyo, Tribal Police Chief. He assists Lambert and Banner to solve the possible murder of Natalie Hanson.
  • Kelsey Asbille as Natalie Hanson, Martin and Annie's daughter and Chip's sister. She was best friends with Cory's late daughter, Emily. Her death is the main catalyst for the events of the film.
  • Gil Birmingham as Martin Hanson, Annie's husband and Chip and Natalie's father. He is also Lambert's close friend.
  • Julia Jones as Wilma Lambert, Cory's ex-wife and mother of Emily and Casey.
  • Martin Sensmeier as Chip Hanson, Martin and Annie's son and Natalie's brother. He is a drug addict.
  • Althea Sam as Annie Hanson, Martin's wife and mother of Chip and Natalie.
  • Teo Briones as Casey Lambert, son of Cory and Wilma.
  • Apesanahkwat as Dan Crowheart, Wilma's father.
  • Tantoo Cardinal as Alice Crowheart, Wilma's mother.
  • Jon Bernthal as Matt Rayburn, Natalie's boyfriend.
  • James Jordan as Pete Mickens, one of Matt's co-workers.
  • Hugh Dillon as Curtis, Matt's superior.
  • Matthew Del Negro as Dillon, Matt's co-worker.
  • Blake Robbins as Tim.
  • Austin Grant as Carl.
  • Ian Bohen as Evan, a Fremont County Sheriff deputy
  • Eric Lange as Dr. Randy Whitehurst, medical examiner who conducts the autopsy on Natalie's body.
  • Tyler Laracca as Frank Walker, Chip's friend and a drug dealer.
  • Gerald Tokala Clifford as Sam Littlefeather, Chip's friend and a drug dealer.

Production

According to Sheridan, he was inspired to write this film because he learned about the "thousands of actual stories just like it": referring to the high number of Indigenous women who are victims of sexual assault and/or murder.[6] He wrote and directed the movie to make more people aware of this problem.[7]

The film is the third installment of Taylor Sheridan's trilogy of "the modern-day American frontier", the first being Sicario in 2015, and Hell or High Water the next year.[8] Principal photography on the film began on March 12, 2016, in Utah and lasted until April 25, 2016.[9]

Release

The Weinstein Company acquired the distribution rights on May 13, 2016, during the 2016 Cannes Film Festival.[10] In January 2017, it was announced that the company would no longer distribute the film,[11] but the distribution deal was later finalized.[12] It had a limited release on August 4, 2017, before going wide on August 18.[13]

In October 2017, following reporting on the Harvey Weinstein sexual abuse scandal, Lionsgate announced that it would distribute the film on home media and streaming services. The Weinstein Company (TWC) name and logo were omitted from the credits, trailer, and packaging. As a result, The Weinstein Company finally stopped distributing the film.[3] Sheridan had required that TWC be deleted from the materials, and demanded that all money Weinstein would have made on this work be donated to charity.[14]

Reception

Box office

Wind River grossed $33.8 million in the United States and Canada and $11.2 million in other territories for a worldwide total of $45 million, against a production budget of $11 million.[2]

In the film's limited opening weekend, it made $161,558 from four theaters (a per-location average of $40,390, one of the best of 2017), finishing 29th at the box office.[15][16] In its second week, the film expanded to 45 theaters and grossed $622,567.[17] The film expanded to 694 theaters on August 18 and grossed $3 million, finishing tenth at the box office.[18] The following week the film was added to an additional 1,401 theaters (for a total of 2,095) and made $4.6 million (an increase of 54.6%), finishing fourth at the box office.[19] The film opened in another 507 theaters and made $5.7 million the following weekend, and an estimated $7.2 million over the four-day Labor Day weekend, finishing in the second spot at the U.S. box office consistently for the next 13 days.[20] It was the sixth-highest grossing indie film of 2017.[21]

Critical response

On review aggregator website Rotten Tomatoes, the film has an approval rating of 88% based on 249 reviews, with an average rating of 7.67/10. The website's critical consensus reads, "Wind River lures viewers into a character-driven mystery with smart writing, a strong cast, and a skillfully rendered setting that delivers the bitter chill promised by its title."[22] On Metacritic, the film has a weighted average score of 73 out of 100, based on 44 critics, indicating "generally favorable reviews".[23] Audiences polled by PostTrak gave the film a 90% overall positive score and a 70% "definite recommend".[16]

Owen Gleiberman of Variety described Wind River as a "humanistic crime drama, though this one has more skill than excitement".[24] Chris Plante of The Verge described it as "a thrilling, violent finale to the Hell or High Water and Sicario trilogy", and as "Coen brothers noir meets the case of the week."[25]

Writing for Rolling Stone, Peter Travers praised Sheridan's direction and the cast, giving the film 3/4 stars. He wrote: "[It's] the set-up for what could have been a conventional whodunit – thankfully, Sheridan is allergic to all things conventional. To him, the action is character, and he's lucked out by finding actors who not only understand his approach but thrive on it."[26] David Ehrlich of IndieWire gave the film a B, writing: "[If] Wind River shares Sheridan’s self-evident weaknesses, it also makes the most of his signature strengths. [...] Wind River may not blow you away, but this bitter, visceral, and almost paradoxically intense thriller knows what it takes to survive."[27]

In a High Country News article titled "Why do white writers keep making films about Indian Country?", Native commentator Jason Asenap praises the film as "a thinking-person's thriller" full of complex characters, and describes the film's focus on missing Native American women as "admirable." He criticizes the film for perpetuating the "dying Indians" motif:

"at least in Hollywood, the Indians die. To this day, the Indians die, and not just physically, but culturally. Simpson and Sheridan are invested in making us see how America has screwed Native people, but to the point of rubbing it in our faces. Is it so terrible to live in one’s own homeland? It may be hard to get out, but it certainly feels condescending for a non-Native to write as much."[28]

The filmmakers were criticized for casting non-Native actors in some of the Native American roles. Kelsey Chow had been advertised as Eastern Band Cherokee, leading the Eastern Band Cherokee to issue a statement that she is neither an enrolled member nor descended from the tribe.[29][30]

Accolades
Award Date of ceremony Category Recipients Result Ref.
Cannes Film Festival May 28, 2017 Prix Un Certain Regard Taylor Sheridan Nominated [31]
Un Certain Regard for Best Director Taylor Sheridan Won
Caméra d'Or Taylor Sheridan Nominated
National Board of Review November 28, 2017 Top Ten Independent Film Wind River Won [32]
Satellite Awards February 11, 2018 Best Actor Jeremy Renner Nominated [33]
Saturn Awards June 27, 2018 Best Thriller Film Wind River Nominated [34]

Notes
  1. The film was only distributed by the Weinstein Company for its theatrical release, and was purchased for home distribution by Lionsgate following the Harvey Weinstein sexual abuse allegations.[3]

References
  1. "Wind River (2016)". British Film Institute. Archived from the original on January 7, 2018. Retrieved January 19, 2018.
  2. "Wind River (2017)". The Numbers. Nash Information Services. Archived from the original on April 28, 2017. Retrieved December 8, 2017.
  3. Fleming, Mike Jr. (October 25, 2017). "Weinstein Name Stripped From 'Wind River'; Tunica-Biloxi Tribe Financiers To Pay For Oscar Campaign". Deadline Hollywood. Penske Business Media. Archived from the original on October 25, 2017. Retrieved October 25, 2017.
  4. "WIND RIVER (15)". British Board of Film Classification. August 29, 2017. Archived from the original on August 4, 2017. Retrieved July 23, 2018.
  5. "Wind River". Box Office Mojo. IMDb. Archived from the original on March 20, 2017. Retrieved August 19, 2017.
  6. Hornaday, Ann (August 10, 2017). "In 'Wind River,' Jeremy Renner plays a game tracker solving a murder". The Washington Post. Archived from the original on September 25, 2017. Retrieved September 24, 2017.
  7. Simon, Scott (August 5, 2017). "Movie Interviews: Investigating A Murder In 'Wind River'". Weekend Edition Saturday. NPR. Archived from the original on September 25, 2017. Retrieved September 24, 2017.
  8. Thompson, Anne (June 21, 2018). "'Sicario: Day of the Soldado': Benicio Del Toro Says It's Better Than The Doors' First Album". IndieWire. Archived from the original on August 30, 2018. Retrieved August 30, 2018.
  9. McDonald, Adrian (August 2018). "2017 Feature Film Study" (PDF). Film L.A.: 24. Archived (PDF) from the original on August 9, 2018. Retrieved August 9, 2018. {{cite journal}}: Cite journal requires |journal= (help)
  10. Siegel, Tatiana (May 14, 2016). "Cannes: Weinstein Co. Nabs Jeremy Renner Drama 'Wind River'". The Hollywood Reporter. Prometheus Global Media. Archived from the original on November 24, 2016. Retrieved August 24, 2018.
  11. Siegel, Tatiana (January 9, 2017). "Sundance: Weinstein Company to No Longer Distribute Jeremy Renner's 'Wind River' (Exclusive)". The Hollywood Reporter. Prometheus Global Media. Archived from the original on January 10, 2017. Retrieved January 9, 2017.
  12. Thompson, Anne (January 27, 2017). "2017's Sundance Sales Are In Overdrive: Here's Why, Plus See Our Full Deal Scorecard". IndieWire. Penske Business Media. Archived from the original on January 27, 2017. Retrieved January 27, 2017.
  13. Hipes, Patrick (March 17, 2017). "'Mary Magdalene', 'Current War' & 'Wind River' Get 2017 Release Dates From Weinstein". Deadline Hollywood. Penske Business Media. Archived from the original on February 23, 2018. Retrieved March 17, 2017.
  14. Crucchiola, Jordan (November 6, 2017). "Taylor Sheridan Got Weinstein Company Scrubbed From Wind River With an Ultimatum". Vulture. New York Media. Archived from the original on January 25, 2018. Retrieved January 24, 2018.
  15. D'Alessandro, Anthony (June 25, 2017). "Why 'Transformers' Is Screaming For Reboot After $69M Start; 'Wonder Woman' & 'Cars 3' Fight Over Second Place". Deadline Hollywood. Penske Business Media. Archived from the original on June 26, 2017. Retrieved August 24, 2018.
  16. Brooks, Brian (August 6, 2017). "Taylor Sheridan's 'Wind River' Opens Robust; 'Step' OK – Specialty Box Office". Deadline Hollywood. Penske Business Media. Archived from the original on April 2, 2018. Retrieved April 4, 2018.
  17. D'Alessandro, Anthony (August 13, 2017). "New Line's Dollhouse Of Dough: 'Annabelle: Creation' Opening To $35M". Deadline Hollywood. Penske Business Media. Archived from the original on May 10, 2021. Retrieved August 24, 2018.
  18. D'Alessandro, Anthony (August 20, 2017). "'Hitman's Bodyguard' Flexes Muscle With $21M+ Opening During Sleepy Summer Weekend". Deadline Hollywood. Penske Business Media. Archived from the original on August 21, 2017. Retrieved August 20, 2017.
  19. D'Alessandro, Anthony (August 27, 2017). "Don't Blame Hurricane Harvey & Showtime Fight For Weekend's Lousy Box Office: Distribs Served Up Lackluster Titles". Deadline Hollywood. Penske Business Media. Archived from the original on August 25, 2017. Retrieved August 24, 2018.
  20. D'Alessandro, Anthony (September 3, 2017). "Labor Day Weekend The Worst Since 1998 As 'Hitman's Bodyguard' Holds No. 1 For Third Weekend With $12.9M". Deadline Hollywood. Penske Business Media. Archived from the original on September 5, 2017. Retrieved August 24, 2018.
  21. Erbland, Kate (June 6, 2017). "The 20 Highest Grossing Indies of 2017 (A Running List)". IndieWire. Penske Business Media. Archived from the original on September 19, 2017. Retrieved September 7, 2017.
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  30. Yu·September 21, Heather Johnson; Read, 2017·3 Min (September 21, 2017). "Eurasian Actress Exposed After Falsely Claiming She Was Part Native American Over Film Role". NextShark. Archived from the original on August 1, 2019. Retrieved August 1, 2019.
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  32. "2017 Award Winners". National Board of Review. May 27, 2017. Archived from the original on October 5, 2018. Retrieved November 29, 2017.
  33. Pond, Steve (November 29, 2017). "'Dunkirk,' 'The Shape of Water' Lead Satellite Award Nominations". TheWrap. Archived from the original on November 30, 2017. Retrieved November 29, 2017.
  34. McNary, Dave (March 15, 2018). "'Black Panther,' 'Walking Dead' Rule Saturn Awards Nominations". Variety. Penske Business Media. Archived from the original on March 16, 2018. Retrieved March 15, 2018.
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