Épée

The épée (English: /ˈɛpeɪ/ or /ˈeɪpeɪ/, French pronunciation: ​[epe]), sometimes spelled epee in English, is the largest and heaviest of the three weapons used in the sport of fencing. The modern épée derives from the 19th-century épée de combat,[1] a weapon which itself derives from the French small sword.[2]

Shown is an épée fencer, with the valid target area (the entire body) in red.

As a thrusting weapon, the épée is similar to a foil (contrasted with a sabre, which is designed for slashing). It has a stiffer blade than a foil. It is triangular in cross-section with a V-shaped groove called a fuller. The épée also has a larger bell guard designed to protect the users arm when fencing. In addition to the larger bell guard and blade, the épée weighs more which contributes to its reputation of being the slowest form of fencing. The techniques of their use differ, as there are no rules regarding priority and right of way. Thus, immediate counterattacks are a common feature of épée fencing. In addition, the entire body is a valid target area.

Background
Electric épée fencing: Diego Confalonieri (left) and Fabian Kauter in the final of the Trophée Monal

While modern sport of fencing has three weapons — foil, épée, and sabre, each a separate event — the épée is the only one in which the entire body is the valid target area (the others are restricted to varying areas above the waist). The épée is the heaviest of the three modern fencing weapons. As with all fencing disciplines, fencing matches with the épée require concentration, accuracy, and speed. Since the entire body is a target, a successful épée fencer must be able to anticipate their opponent's moves and strike their opponent at the correct time.

In most higher-level competitions, a grounded piste is used to prevent floor hits from registering as touches. In épée fencing, unlike in the other two disciplines, there are no right-of-way rules regarding attacks, other than the aforementioned rule regarding touches with only the point of the weapon. Touches are awarded solely on the basis of which fencer makes a touch first, according to the electronic scoring machines. Also, double-touches are allowed in épée, although the touches must occur within 40 milliseconds (1/25 of a second) of each other.

A special aspect to the épée discipline is the counterattack, a tactic employed in response to an attack. Some specifications include two varieties, the stop-thrust and the time thrust, which are (respectively) a simple counterattack and a counterattack on the opposition. With the absence of right-of-way, following an attack and landing a counterattack correctly can be a highly efficient way to score a touch, thus the counterattack's ubiquity in épée fencing.

Description
An electric épée with a pistol grip

A modern épée, of size 5, for use by adult fencers has a blade that measures 90 cm (35 in) from the guard to the tip. The total weight of the weapon ready for use is less than 770 g (27 oz),[3] with most competition weapons being much lighter, weighing 300–450 g (11–16 oz). Épées for use by children under 13 are shorter and lighter (e.g. size 2), making it easier for them to use.

The blade of an épée is triangular in section, whereas that of a foil is rectangular, and neither blade has a cutting edge. Wires may run down a groove in épée blades fitted for electric scoring, with a depressible button capping the point. In competitive fencing, the width of any of the three sides of an épée's blade is limited to 24 mm (0.94 in).[3]

The guard has numerous forms, but all are essentially a hemispherical shield, the section of which fits in a 10–13.5 cm (3.9–5.3 in) cylinder.[4] This is frequently called a bell guard. As the hand is a valid target in competitive fencing, the guard is much larger and more protective than that of a foil, having a depth of 3–5.5 cm (1.2–2.2 in) and a diameter more likely to be toward the maximum of 13.5 cm (5.3 in).[3]

As with a foil, the grip of an épée can be exchanged for another if it has a screw-on pommel. Grip options primarily include the French grip and the pistol grip.

In competitions, a valid touch is scored if a fencer's weapon touches the opponent with enough force to depress the tip; by rule, this is a minimum of 750 gf (7.4 N). The tip is wired to a connector in the guard, then to an electronic scoring device or "box". The guard, blade, and handle of the épée are all grounded to the scoring box to prevent hits to the weapon from registering as touches.

The referee checks Kristina Kuusk's weapon in the Challenge International de Saint-Maur.

In the groove formed by the V-shaped blade, there are two thin wires leading from the far end of the blade to a connector in the guard. These wires are held in place with a strong glue. The amount of glue is kept to a minimum as in the unlikely (but possible) case that a fencer manages a touch in that glue, the touch would be registered on the electrical equipment, as the glue is not conductive (the blade is grounded). In the event of tip to tip hits, a point should not be awarded. A "body cord" with a three-pronged plug at each end is placed underneath the fencer's clothing and attached to the connector in the guard, then to a wire leading to the scoring box. The scoring box signals with lights (one for each fencer) and a tone each time the tip is depressed.

The tip of an electric épée, called the "button", comprises several parts: the mushroom-shaped, movable pointe d'arrêt ('point of arrest') at the end; its housing or "barrel" which is threaded onto the blade; a contact spring; and a return spring. The tips are generally held in place by two small grub screws, which thread into the sides of the tip through elongated openings on either side of the barrel. The screws hold the tip within the barrel but are allowed to travel freely in the openings. While this is the most common system, screwless variations do exist. The return spring must allow the tip to support a force of 750 gf (7.4 N) without registering a touch. Finally, an épée tip must allow a shim of 1.5 mm to be inserted between the pointe d'arrêt and the barrel, and when a 0.5 mm shim is inserted and the tip depressed, it should not register a touch.[5] The contact spring is threaded in or out of the tip to adjust for this distance. These specifications are tested at the start of each bout during competitions. During competitions, fencers are required to have a minimum of two weapons and two body wires in case of failure or breakage.

Bouts with the different fencing weapons have a different tempo; as with foil fencing, the tempo for an épée bout is rather slow with sudden bursts of speed, but these are more common in épée due to counterattacks.

History

Dueling sword
Le duel à l'épée, etching by Jacques Callot (1617)

The French word épée ultimately derives from Latin spatha. The term was introduced into English in the 1880s for the sportive fencing weapon.

Like the foil (French: fleuret), the épée evolved from light civilian weapons such as the small sword, which, since the late 17th century, had been the most commonly used dueling sword, replacing the rapier.

The dueling sword developed in the 19th century when, under pressure from the authorities, duels were more frequently fought until "first blood" only, instead of to the death. Under this provision, it became sufficient to inflict a minor nick on the wrist or other exposed area on the opponent in order to win the duel. This resulted in emphasis on light touches to the arm and hand, while downplaying hits to the torso (chest, back, groin). Rapiers with full-cup guards had been made since the mid 17th century, but were not widespread before the 19th century.

Sport

Today, épée fencing somewhat resembles 19th-century dueling. An épée fencer must hit the target with the tip of the weapon. A difference between épée versus both foil and sabre is that corps-à-corps (body-to-body) contact between fencers is not necessarily an offense in épée, unless it is done with "brutality or violence".

In the pre-electric era, épée fencers used a different kind of point d'arrêt, a three-pronged point with small protruding spikes, which would snag on the opponent's clothing or mask, helping the referee to see the hits. The spikes caused épée fencing to be a notoriously painful affair, and épée fencers could be easily recognized by the tears in their jacket sleeves. A later evolution of the sport used a point that was dipped in a dye, which showed the location of touches on a white uniform; the dye was soluble in weak acid (e.g., acetic acid) to remove old marks.[6] Today, competition is done with electric weapons, where a circuit is closed when the touch is made. Non-electric weapons are now typically used only for practice, generally fitted with plastic buttons or solid "dummy points".

Modern épée fencing underwent a paradigm shift from classical fencing in the 1970s and 1980s. The shift was pioneered by Eric Sollee, fencing coach at MIT, and his student, Johan Harmenberg, who subsequently won the World Fencing Championships and the Olympic gold medal. This new strategic approach is based on the "Sollee conjectures" or the "three conjectures":[7]

  1. Is it possible for the fencer with the lower technical ability to decide the technical level at which a bout will be fought?
  2. Can the fencer with the shorter fencing distance control the distance in a bout?
  3. Is it possible to force one's opponent into your one's own area of greatest strength?

This new training system (which answered those questions with yes) resulted in Harmenberg closing the fencing distance, using absence of blade with destructive parries to prevent opponents using their own strongest moves, and pushing them into attacking high which was a prerequisite for Harmenberg using his own strongest move. Harmenberg used this approach to win eight individual and team gold medals at Olympics, World Fencing Championships, and Fencing World Cup competitions. As a result, many if not most of the top fencers have used the new paradigm or at least adjusted to fence against those who do.[8]

See also
  • Colichemarde

References
  1. Evangelista, Nick (1995). The Encyclopedia of the Sword. Westport, Connecticut: Greenwood Press. p. 208.
  2. Chisholm, Hugh, ed. (1911). "Épée-de-Combat" . Encyclopædia Britannica. Vol. 9 (11th ed.). Cambridge University Press. pp. 667–669. This contains a detailed contempraneous description of the history and form of the sport.
  3. Book 3: Material Rules (PDF). Rules for Competitions. FIE International Fencing Federation. Dec 2018. pp. 15–21.
  4. le Marche, Claude [a.k.a. Félizet, Georges-Marie] (1898). "L'Épée". Paris: Marpon & Flammarion. Retrieved 12 February 2021 – via BenjaminArms.com, "French Epee Specifications". Les formes en sont assez nombreuses, mais toutes se ramenent a un segment de sphere dont la section couvrirait une surface arrondie de 10 a 14 centimetres de diametre; la profondeur est generalement de 3 a 5 centimetres.{{cite web}}: CS1 maint: url-status (link)
  5. Garret, Maxwell R.; Kaidanov, Emmanuil G.; Pezza, Gil A. (1994). Foil, Saber, and Épée Fencing: Skills, Safety, Operations, and Responsibilities. Penn State University Press. p. 178. ISBN 0271010193. Retrieved 26 November 2012.
  6. Cohen, Richard (2002). By the Sword: A History of Gladiators, Musketeers, Samurai, Swashbucklers, and Olympic Champions. Random House. ISBN 978-0-375-50417-4. Re-issued from original Modern Library Paperbacks edition.
  7. Pingree, Geoff; Harmenberg, Johan (October 2014). "Eric Sollee and the Three Conjectures / Johan: The Three Conjectures". In Harmenberg, Johan (ed.). Épée 2.5: The New Paradigm Revised and Augmented. SKA SwordPlay Books. pp. 29–33. ISBN 978-0985444181. Most of relevant material is freely readable online via Amazon's "Look Inside" feature; see especially p. 33.
  8. Harmenberg, et al. (2014), Epee 2.5.
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