Hellboy II: The Golden Army

• Eddy Arnold – "Santa Claus Is Coming to Town"
• Takako Nishizaki and Jenő Jandó – "Violin Sonata No. 9"
• Travis – "All I Want to Do Is Rock"
• Poet in Process – "Why"[27]
• Brenga Astur – "Nel Caleyu La Fonte"
• Eels – "Beautiful Freak"
• Barry Manilow – "Can't Smile Without You"
• Red Is for Fire – "Noir"

In addition to television spots showing scenes from the film, humorous adverts were also aired depicting Hellboy appearing on Ghost Hunters; being interviewed by James Lipton on Inside the Actors Studio; playing video games with Chuck Bartowski from Chuck; visiting the set of American Gladiators; auditioning for a high school event; and hosting a public service announcement with a cat.[36]

Hellboy II: The Golden Army was released on DVD and Blu-ray on November 11, 2008.[37] For the DVD, there is both a single-disc and a 3-disc special edition (not available in the UK).

The single-disc edition includes the movie and a very limited selection of special features. Available on the one-disc edition is a "Director's Notebook" section, in which pages of Del Toro's notebook are reproduced, showcasing design sketches and annotations by the director, as well as "video pod" segments in which he explains these designs and concepts further. The segment is available in the three-disc edition in the "pre-production vault", which also includes other galleries. The three-disc special edition includes two audio commentaries (one by Del Toro and another by members of the cast), six deleted scenes, several featurettes, a full-length documentary, and image galleries. Though not added into the movie after credits due to budget cuts, a comic style of the Zinco Sequel is added to the special features, serving as a prologue to the third Hellboy movie. The third disc contains a digital copy. Hellboy II: The Golden Army was released on 4K UHD Blu-Ray on May 7, 2019.[38]

Rotten Tomatoes reported that 86% of critics gave the film positive reviews, with an average rating of 7.2/10, based on 251 reviews. The website's critical consensus reads, "Guillermo del Toro crafts a stellar comic book sequel, boasting visuals that are as imaginative as the characters are endearing."[39] On Metacritic the film has a weighted average score of 78 out of 100, based on 36 reviews, indicating "generally favorable reviews".[40]

Roger Ebert of the Chicago Sun-Times gave the film three and a half stars out of four, the same rating he gave the first film, writing: "In every way the equal of del Toro's original Hellboy, although perhaps a little noisier, it's another celebration of his love for bizarre fantasy and diabolical machines."[41] Michael Rechtshaffen writing in The Hollywood Reporter said Hellboy II was an uncompromised vision of del Toro's imagination. He said that with the director given free rein, the film came across as an amalgam of the best moments from his previous films, only with better visual effects.[42] John Anderson of Variety wrote of a rococo precision to the visuals that exceeded that of the first film. He cited del Toro's "clockmaker's preoccupation with detail" and ability to blend state-of-the-art technology with more classical visuals as the reasons for the film's success.[43] Owen Gleiberman of Entertainment Weekly said that the plot did not often deviate from its comic-book traditions, but that del Toro staged the action "brilliantly". He said that while the visual effects deserved recognition, what made the film so exciting was the personality they were imbued with.[44] Chuck Wilson of The Village Voice said that del Toro was on autopilot, but that he and his Pan's Labyrinth crew, cinematographer Guillermo Navarro in particular, staged the steady stream of action set-pieces expertly.[45] Mike Goodridge of Screen International wrote that del Toro had retained the B movie tone of the first film, saying the film managed to avoid the self-importance of The Incredible Hulk and the Batman film series and that del Toro was simply a "great storyteller" providing a "good time".[46] Stuart Levine in Premiere praised the visuals and "beautiful" set-pieces, but said del Toro's script fell a little short of his direction.[47] Alonso Duralde writing for msnbc.com said it represented a backwards step for del Toro, saying that despite several creepy sequences, the film was a return to the muddled storytelling and pretty visuals of his pre-Pan's Labyrinth films. He said del Toro's screenplay lacked energy or momentum.[48] However, Peter Bradshaw, of The Guardian, said almost the opposite was the case, as he thinks "it is a crackingly enjoyable and exciting sequel, with something that the memory of Pan's Labyrinth might have entirely erased: a sense of humour." Noting that "this spectacular movie seethes and fizzes with wit and energy, absorbing and transforming influences such as Ghostbusters and even Harry Potter and the secret world of Diagon Alley."[49]

John Anderson said the film would be "almost unthinkable" without Ron Perlman in the lead role, saying the film was more successful than its predecessor mainly due to the more deliberately amusing tone and the "drily ironic" title character. He said the only weak link was Luke Goss's "unimposing" villain.[43] While praising the general banter between Perlman and Blair, Stuart Levine said the nonchalant Hellboy exhibited insufficient growth as a character, and that Jeffrey Tambor was largely wasted in his role. He agreed that Goss's villain was weak as written, with no tangible menace.[47] Helen O'Hara of Empire said the character was only let down by a lack of screentime in which to give him enough dramatic weight, and that Goss did "a perfectly good job".[50] Owen Gleiberman said Perlman was more assured than in the first Hellboy, funnier and more cantankerous. He said the entire ensemble had "an appealing, outsize grandeur" about it.[44] Mike Goodridge said the film carefully developed the character relationships,[46] and Chuck Wilson said that other than the title character's penchant for chewing cigars, he was otherwise "uninteresting".[45] Alonso Duralde wrote that the "sitcom-ish" character dilemmas were uninteresting, saying that Perlman and Tambor's performances were regularly let down by the script. He said that Blair's performance was possibly the first bad one he'd seen by the actress, and that while Jones was "brilliant" physically, his vocal performance was inferior to David Hyde Pierce's in the first Hellboy film.[48] Michael Rechtshaffen called Perlman "terrific" and said Blair's brooding portrayal was effective.[42]

Michael Rechtshaffen concluded that Hellboy II was less focused than the first film, but that it played "faster and looser" and mostly a "wild ride".[42] In a positive review, John Anderson's main criticism was a sequence set in Northern Ireland, which he called the least interesting and most conventional segment of the film.[43] Chuck Wilson said the film "didn't have much on its mind", but that it would amaze children and amuse adults,[45] Stuart Levine said the film was worth viewers' time,[47] and Alonso Duralde said Hellboy II was "limp and unengaging".[48] Owen Gleiberman surmised that the film was "derivative yet... dazzling",[44] and Mike Goodridge concluded by praising the filmmakers' skill at creating a film that, despite featuring "stunning" action sequences and creature effects, still found time for character development and a fulfilling story that expanded the franchise's wider mythology.[46] Peter Bradshaw suggested that "'Visionary' is a word too easily applied to fantasy movies, but it sticks easily here."[49]

The film appeared on some critics' top ten lists of the best films of 2008. Rene Rodriguez of the Miami Herald named it the fifth-best film of 2008 (along with The Dark Knight),[51] and Stephanie Zacharek of Salon named it the tenth-best film of 2008 (along with Iron Man).[51]

Guillermo del Toro and Matthew Robbins co-authored the short story, "Tasty Teeth", which was published in the 2004 anthology Hellboy: Odder Jobs by Dark Horse Comics. In the story, Hellboy encounters tooth fairies in a tomb in Romania, featuring elements that were later incorporated into the auction house sequence in the film.

This story by Mike Mignola and Guillermo del Toro with art by Francisco Ruiz Velasco was published as a special promotion for the film by Dark Horse Comics in one-shot comic book Hellboy: The Golden Army (January 2008) with three variant covers:[5]

1. Photo cover of Ron Perlman as Hellboy
2. Photo cover of Doug Jones as Abe Sapien
3. Photo cover of Selma Blair as Liz Sherman

In his introduction film director del Toro affirms his and Mignola's admiration of Velasco's "clean, propulsive narrative, draftsmanship, and artistic skills" and states that the intention of this title is to treat the film's opening narrative as a mini-epic and give the artist the opportunity to tell it with unlimited budget and shooting time.

In the story Professor Trevor Bruttenholm, caring for the young Hellboy at Douglas Air Force Base, New Mexico, on Christmas Eve 1944, relates the story of the Golden Army from the film's opening prologue, which he describes as the first tale ever told, as a bedtime story that he ends by saying one day Hellboy may find out if it is true.

Hellboy II: The Art of the Movie (June 18, 2008, ISBN 978-1-59307-964-2) by Guillermo del Toro and Mike Mignola with art by Sergio Sandoval and Franciso Ruiz Velasco looks into the film's evolution, from early concept art and diary sketches to photos of the final props, sets, and includes:

• Complete screenplay including a deleted scene illustrated with the original storyboards
• Interviews and commentary from creator Mike Mignola and filmmaker Guillermo del Toro

Hellboy II: The Golden Army (June 18, 2008, ISBN 978-1-59307-954-3) by Robert Greenberger is the official novelization of the film.[52]

During its initial theatrical release in North America, a video game set within the Hellboy universe was released around the time that of the film entitled Hellboy: The Science of Evil for PlayStation 3, PlayStation Portable and Xbox 360, released on June 24 in North America and August 15 in Europe. Despite its close release date, promotion alongside the film and featuring voices of the same actors, the game is not a direct movie tie-in with the plot not being related to that of the film but instead follows an original story where Hellboy investigates Nazi operations in Romania under Herman von Klempt, an antagonist from the comics.

Included as a special feature on the DVD is an animated comic that foreshadows the events of the next film.[53] In the Zinco Epilogue, a group of men go into Rasputin's tomb and find Kroenen's body. After bringing Kroenen to a doctor along with instructions to revive him with an alchemical manual, Zinco and his party travel to an arctic cave with Zinco as the only survivor. Upon entering the cavern, Zinco opens a container he has with him containing the preserved head of Kroenen and attaches it to a giant robot. As soon as it is attached, the cyborg awakens and the spirit of Rasputin appears, stating that he has one more job for him.

Del Toro had expressed interest in a sequel, saying, "I think we would all come back to do a third Hellboy, if they can wait for me to get out of Middle-Earth, but we don't know. Ron may want to do it sooner, but I certainly know where we're going with the movie on the third one."[54] On May 30, 2010, Guillermo del Toro dropped out of directing The Hobbit.

In June 2010, Del Toro speculated that Hellboy III might happen after his next project, but said that the screenplay had yet to be written.[55]

On July 14, 2012, after being inspired by a recent Make-A-Wish function in which Ron Perlman appeared in full Hellboy makeup for a terminally ill boy, Del Toro stated, "I can say publicly that now we are together in trying [to do Hellboy 3]".[56]

On April 5, 2013, in an interview with Comic Book Resources, Hellboy creator Mike Mignola commented that the possibility of a third Hellboy film seemed unlikely, stating "The biggest problem I see as far as PR for the next billion years is explaining endlessly ... that there's no Hellboy 3 movie".[57]

On June 30, 2013, del Toro discussed the possibility of developing Hellboy 3 at Legendary Pictures. He stated: "I hate giving pieces about it, but last night, we were at dinner and Ron said, 'I would be very happy to do Hellboy again, when are we doing Hellboy 3? Thomas Tull said, 'I would love to see Hellboy 3.' He didn't say he would love to do it he just said he'd like to see it, but today, I'll ask him." Ron Perlman added his support for the idea, stating: "Not just anybody can make this movie. I loved working for Legendary and I know for Guillermo working on Pacific Rim was one of his greatest experiences. The reason I loved working for them is because Guillermo was so happy. I came in six months into the shoot and he seemed as fresh as a daisy, simply because he was working for someone who appreciated and supported his outlandish visions of what he wanted to put on the screen. My immediate, silent wish was, wouldn't it be great if these guys came in and helped resolve the Hellboy series."[58]

Del Toro suggested telling the story of Hellboy 3 in comic book form, but Mignola vetoed the idea.[59]

On June 30, 2013, in an interview, Ron Perlman spoke about Hellboy 3 saying, "[Hellboy 3] needs to be twice as big as Hellboy 1 or Hellboy 2. It's all of these oracles coming home to roost with these apocalyptic things taking place, Guillermo's version of this resolve in the trilogy is epic in scope. Not just anybody can make this movie. It has to be somebody who's no stranger to this sense of scope. For me to do Hellboy 3, it could kill me—in terms of physically demanding, for a guy my age, but it's worth it because anyone who sits and listens to Guillermo's version of how this thing ends is completely seduced. It's so theatrical and compelling and if you liked the first two movies in any way, shape or form, this is the ultimate one-two punch."[60]

On July 11, 2014, in a Reddit AMA, Del Toro said, "Well, you know, we don't have that movie on the horizon, but the idea for it was to have Hellboy finally come to terms with the fact that his destiny, his inevitable destiny, is to become the beast of the Apocalypse, and having him and Liz face the sort of, that part of his nature, and he has to do it, in order to be able to ironically vanquish the foe that he has to face in the 3rd film. He has to become the beast of the Apocalypse to be able to defend humanity, but at the same time he becomes a much darker being. It's a very interesting ending to the series, but I don't think it will happen. ... We have gone through basically every studio and asked for financing, and they are not interested. I think that the first movie made its budget back, and a little bit of profit, but then it was very very big on video and DVD. The story repeated itself with the second already, it made its money back at the box office, but a small margin of profit in the release of the theatrical print, but was very very big on DVD and video. Sadly now from a business point of view all the studios know is that you don't have that safety net of the DVD and video, so they view the project as dangerous."[61][62]

In July 2015, del Toro said that Legendary Pictures might fund Hellboy 3 if Pacific Rim: Uprising does well at the box office: "The hard fact is that the movie's going to need about $120 million and there's nobody knocking down our doors to give it to us. It's a little beyond Kickstarter."[63] After del Toro left the director's chair for Pacific Rim: Uprising, the deal fell through.

In February 2017, Del Toro announced via Twitter, "Must report that 100% [Hellboy 3] will not happen."[64]

In July 2019, Perlman said that he would still love to finish the trilogy with del Toro, ignoring the reboot, and that he thought it could happen if financing could be found.[65] In January 2022, Perlman encouraged Del Toro to proceed with the sequel, saying that they owed it to the fans to get it done and that "it would be an epic conclusion."[66]

In 2010, Hellboy screenwriter Peter Briggs was asked by Universal to script a spin-off centring on Prince Nuada, and provisionally agreed that Briggs could direct the film in New Zealand. Briggs began work on an outline with co-writer Aaron Mason. Titled Hellboy: Silverlance, the script was a B.P.R.D. story featuring Abe Sapien as the main character with Hellboy in a supporting role. Moving into the new B.P.R.D. headquarters in Colorado, Abe is troubled by his psychic connection with Princess Nuala, and begins researching the elves' history. The film would have shown Nuada's adventures throughout history, including his rivalry with a fairy courtier who orchestrates Nuada's exile in hopes of marrying Nuala and seizing control of the fairy kingdom; Nuada first meeting Mister Wink by saving him from a troupe of soldiers during the Spanish Inquisition; and Nuada in Nazi Germany, engineering a pact to keep various supernatural entities safe during World War II (with Nuada and Kroenen fighting in a "friendly" match for Project Ragnarok men.) Doug Jones would have played both Abe and the Angel of Death, who strikes a bargain with Nuada. Rupert Evans's Agent Myers would also have returned. The story climaxed at the new B.P.R.D. headquarters, with the return of Rasputin's summoning gauntlet. Universal wanted to proceed with the project, but it emerged that del Toro's Hellboy 3 was still a possibility, so Silverlance was shelved.[67]

In 2015, Briggs received another call from Universal, saying that Hellboy 3 had been cancelled and asking him and Mason to return for a reworked Silverlance, with producer Lawrence Gordon involved. The caveat was that Hellboy could not appear, but the writers managed to get the character a cameo appearance at the climax. If successful, the film would have launched a From the Files of the B.P.R.D. spin-off series.[67]

In May 2017, Briggs affirmed that, with the announcement of the Hellboy reboot, the Silverlance project was dead.[67]

About 2014, Mignola, writer Andrew Cosby, and the producers began work on the story for a new film. The project was initially intended as a sequel to del Toro's films, but Perlman was unwilling to star without del Toro involved. When Neil Marshall joined, it was decided that the new film would be a reboot.[68]

On May 8, 2017, it was announced that Millennium Films was in negotiations with producers Larry Gordon and Lloyd Levin for a film with the working title Hellboy: Rise of the Blood Queen, with Marshall is in talks to direct and Stranger Things star David Harbour expected to play Hellboy.[69] Hellboy creator Mike Mignola will co-write the script with Cosby and Christopher Golden. Mignola said the reboot would be R-rated.[70]

On August 8, 2017, Lionsgate confirmed that the project would finally only be known as Hellboy.[71] The film was released on April 12, 2019 to negative reviews and performed poorly at the box office.