Beetlejuice

Following the financial success of Pee-wee's Big Adventure (1985) Tim Burton became a "bankable" director and began working on a script for Batman with Sam Hamm. While Warner Bros. was willing to pay for the script's development, they were less willing to green-light Batman.[4] Burton had become disheartened by the lack of imagination and originality in the scripts that had been sent to him, particularly Hot to Trot. David Geffen handed Burton the script for Beetlejuice, written by Michael McDowell (who wrote the script for "The Jar", an episode of Alfred Hitchcock Presents directed by Burton).[4]

Larry Wilson was brought on board to continue rewriting work with McDowell, though Burton replaced McDowell and Wilson with Skaaren due to creative differences. Burton's original choice for Beetlejuice was Sammy Davis Jr. The producers also considered Dudley Moore and Sam Kinison for the role; but Geffen suggested Keaton. Burton was unfamiliar with Keaton's work, but was quickly convinced.[5][6] The role of Lydia Deetz was auditioned for by several actresses such as Sarah Jessica Parker, Brooke Shields, Lori Loughlin, Diane Lane, Justine Bateman, Molly Ringwald, Juliette Lewis and Jennifer Connelly.[7] Alyssa Milano was the runner-up for the role of Lydia Deetz.[8] Burton cast Ryder upon seeing her in Lucas. Anjelica Huston was originally cast as Delia Deetz but then later dropped out due to illness.[7] O'Hara quickly signed on, while Burton claimed it took a lot of time to convince other cast members to sign, as "they didn't know what to think of the weird script."[9]

Beetlejuice's budget was US$15 million, with just US$1 million given over to visual effects work. Considering the scale and scope of the effects, which included stop motion, replacement animation, prosthetic makeup, puppetry and blue screen, it was always Burton's intention to make the style similar to the B movies he grew up with as a child. "I wanted to make them look cheap and purposely fake-looking", Burton remarked.[10] Burton had wanted to hire Anton Furst as production designer after being impressed with his work on The Company of Wolves (1984) and Full Metal Jacket (1987), though Furst was committed to High Spirits, a choice he later regretted.[11] He hired Bo Welch, his future collaborator on Edward Scissorhands (1990) and Batman Returns (1992). The test screenings were met with positive feedback and prompted Burton to film an epilogue featuring Betelgeuse foolishly angering a witch doctor.[12] Warner Bros. disliked the title Beetlejuice and wanted to call the film House Ghosts. As a joke, Burton suggested the name Scared Sheetless and was horrified when the studio actually considered using it.[13] Exterior shots were filmed in East Corinth, Vermont.[14]

McDowell's original script is far less comedic and much darker; the Maitlands' car crash is depicted graphically, with Barbara's arm being crushed and the couple screaming for help as they slowly drown in the river.[15] A reference to this remained, as Barbara remarks that her arm feels frozen upon returning home as a ghost.[16] Instead of possessing the Deetzes and forcing them to dance during dinner, the Maitlands cause a vine-patterned carpet to come to life and attack the Deetzes by tangling them to their chairs.

The character of Betelgeuse—envisioned by McDowell as a winged demon, who takes on the form of a short Middle Eastern man–is also intent on killing the Deetzes rather than scaring them, and wanted sex from Lydia instead of wanting to marry her. In this version of the script, Betelgeuse only needs to be exhumed from his grave to be summoned, after which he is free to wreak havoc; he cannot be summoned or controlled by saying his name three times, and wanders the world freely, appearing to torment different characters in different manifestations. McDowell's script also featured a second Deetz child, nine-year-old Cathy, the only person able to see the Maitlands and the subject of Betelgeuse's homicidal wrath in the film's climax, during which he mutilates her while in the form of a rabid squirrel before revealing his true form.[15]

In another version of the script, the film was to have concluded with the Maitlands, Deetzes, and Otho conducting an exorcism ritual that destroys Betelgeuse, and the Maitlands transforming into miniature versions of themselves and moving into Adam's model of their home, which they refurbish to look like their house before the Deetzes moved in.

Co-author and producer Larry Wilson has talked about the negative reaction to McDowell's original script at Universal where he was employed at the time:

I won't name names here, but I worked at Universal Studios at the time. I was director of development for the director Walter Hill. I had a very good relationship with a very prominent executive at Universal. He liked me, and he liked what I was doing with Walter, and the material I was bringing in.

I gave him Beetlejuice to read, and I gave it to him on a Friday, and on Monday his assistant called me and said well, he wants to meet with you. My initial reaction was wow! He'd read it. He must have loved it or he wouldn't have wanted to see me so soon. But I went into his office, and he literally said "what are you doing with your career?"

"This piece of weirdness, this is what you're going to go out into the world with? You're developing into a very good executive. You've got great taste in material. Why are you going to squander all that for this piece of shit", was basically what he was saying. It goes to show, right? Shortly after that, we sold it to the Geffen Company.[17]

Skaaren's rewrite drastically shifted the film's tone, eliminating the graphic nature of the Maitlands' deaths while depicting the afterlife as a complex bureaucracy.[18] Skaaren's rewrite also altered McDowell's depiction of the limbo that keeps Barbara and Adam trapped inside of their home; in McDowell's script, it takes the form of a massive void filled with giant clock gears that shred the fabric of time and space as they move. Skaaren had Barbara and Adam encounter different limbos every time they leave their home, including the "clock world", and the Sandworm's world, identified as Saturn's moon Titan. Skaaren also introduced the leitmotif of music accompanying Barbara and Adam's ghostly hijinks, although his script specified R&B tunes instead of Harry Belafonte,[18] and was to have concluded with Lydia dancing to "When a Man Loves a Woman".

Skaaren's first draft retained some of the more sinister characteristics of McDowell's Betelgeuse, but toned down the character to make him a troublesome pervert rather than blatantly murderous. Betelgeuse's true form was that of the Middle Eastern man, and much of his dialogue was written in African-American Vernacular English. This version concluded with the Deetzes returning to New York and leaving Lydia in the care of the Maitlands, who, with Lydia's help, transform the exterior of their home into a stereotypical haunted house while returning the interior to its previous state. It also would have featured deleted scenes such as the real-estate agent, Jane, trying to convince the Deetzes to allow her to sell the house for them (having sold it to them in the first place—Charles and Delia decline), and a revelation on how Beetlejuice had died centuries earlier (that he had attempted to hang himself while drunk, only to mess it up and died slowly choking to death, rather than quickly by snapping his neck) and wound-up working for Juno before striking it out on his own as a "free-lance Bio-Exorcist".

Retrospectively, McDowell was impressed at how many people made the connection between the film's title and the star Betelgeuse.[19] He added that the writers and producers had received a suggestion the sequel be named Sanduleak -69 202 after the former star of SN 1987A.

While the setting is the fictional village of Winter River, Connecticut, all outdoor scenes were filmed in East Corinth, a village in the town of Corinth, Vermont.[20] Interiors were filmed at The Culver Studios in Culver City, California. Principal photography began on March 11, 1987.

Professional ratings

Review scores
Source	Rating
AllMusic	[21]
Filmtracks	[22]

The Beetlejuice soundtrack, first released in 1988 on LP, CD, and cassette tape, features most of the score (written and arranged by Danny Elfman) from the film. Geffen reissued the original 1988 soundtrack on vinyl in 2015, which was later re-mastered and pressed to vinyl by Waxwork Records in 2019 for the 30th anniversary of Beetlejuice.[23] The soundtrack features two original recordings performed by Harry Belafonte used in the film: "Day-O (The Banana Boat Song)" and "Jump in the Line (Shake, Senora)". Two other vintage Belafonte recordings that appeared in the film are absent from the soundtrack: "Man Smart, Woman Smarter" and "Sweetheart from Venezuela". The soundtrack entered the Billboard 200 albums chart the week ending June 25, 1988, at No. 145, peaking two weeks later at No. 118 and spending a total of six weeks on the chart. This was after the film had already fallen out of the top 10 and before the video release later in October. "Day-O" received a fair amount of airplay at the time in support of the soundtrack.

The complete score (with the Belafonte tracks included) was released in both the DVD and the Blu-ray as an isolated music track in the audio settings menu; this version of the audio track consists entirely of "clean" musical cues, uninterrupted by dialogue or sound effects.

Beetlejuice opened theatrically in the United States on March 30, 1988, earning US$8,030,897 in its opening weekend. The film eventually grossed US$73,707,461 in North America. Beetlejuice was a financial success,[24] recouping its US$15 million budget, and was the 10th-highest grossing film of 1988.[25][26]

Beetlejuice was met with a mostly positive response. Based on 62 reviews collected by Rotten Tomatoes, Beetlejuice received an 85% overall approval rating with a weighted average of 7.2/10. The website's critical consensus reads, "Brilliantly bizarre and overflowing with ideas, Beetlejuice offers some of Michael Keaton's most deliciously manic work - and creepy, funny fun for the whole family."[27] On Metacritic, the film has a weighted average score of 70 out of 100, based on 18 reviews.[28] Audiences surveyed by CinemaScore gave the film a B on a grade scale of A to F.[29]

Pauline Kael referred to the film as a "comedy classic",[13] while Jonathan Rosenbaum of Chicago Reader gave a highly positive review. Rosenbaum felt Beetlejuice carried originality and creativity that did not exist in other films.[30] Vincent Canby of The New York Times called it "a farce for our time" and wished Keaton could have received more screen time.[31] Desson Howe of The Washington Post felt Beetlejuice had "the perfect balance of bizarreness, comedy and horror".[32]

Janet Maslin of The New York Times gave the film a negative review, stating that the film "tries anything and everything for effect, and only occasionally manages something marginally funny" and "is about as funny as a shrunken head".[33] Roger Ebert gave the film two out of four stars, writing that he "would have been more interested if the screenplay had preserved their [Alec Baldwin and Geena Davis] sweet romanticism and cut back on the slapstick". For Keaton's character, Ebert called him "unrecognizable behind pounds of makeup" and stated that "his scenes don't seem to fit with the other action".[34]

In his book Comedy-Horror Films: A Chronological History, 1914-2008, Bruce G. Hallenbeck praised the film's lively script, assured direction, off-beat casting, and "delightfully off-kilter, Edward Gorey-like look", citing the explorer with the shrunken head and the animated sandworm as particularly memorable visuals.[35]

At the 61st Academy Awards, Beetlejuice won the Academy Award for Best Makeup, (Steve La Porte, Ve Neill and Robert Short.)[36] while the British Academy of Film and Television Arts nominated the film with Best Visual Effects and Makeup at the 42nd British Academy Film Awards.[37][38]

Beetlejuice won Best Horror Film and Best Make-up at the 1988 Saturn Awards. Sidney also won the Saturn for Best Supporting Actress for her performance as Juno, and the film received five other nominations: Direction for Burton, Writing for McDowell and Skaaren, Best Supporting Actor for Keaton, Music for Elfman and Special Effects.[39] Beetlejuice was nominated for the Hugo Award for Best Dramatic Presentation.[40] Beetlejuice was 88th in the American Film Institute's list of Best Comedies.[41][42]

Due to the film's financial success, a Beetlejuice animated television series was created for ABC. The series ran for four seasons (the final season airing on Fox), lasting from September 9, 1989, to December 6, 1991. Burton served as the show's developer and executive producer.[62]

The character of Beetlejuice was later prominently featured in the Teen Titans Go! episode "Ghost with the Most," which aired in October 2020 as part of the show's sixth season. In this appearance, he was voiced by Alex Brightman, who was the first to play the Broadway musical's Beetlejuice role.[63]

• Adventures of Beetlejuice: Skeletons in the Closet is a video game released for MS-DOS in 1990.
• Beetlejuice is a video game developed by Rare and released for the Nintendo Entertainment System in 1991.
• Beetlejuice: Horrific Hijinx from the Neitherworld! is a video game created by Rare and published by LJN for the Nintendo Game Boy. It is based on the animated series.
• A Beetlejuice-themed fun pack for the toys-to-life video game Lego Dimensions was released on September 12, 2017. The pack includes a Beetlejuice minifigure and constructable Saturn's Sandworm, and adds a Beetlejuice-themed open-world area and battle arena to the game. In the Beetlejuice-themed open-world area, Beetlejuice is voiced by Christopher Swindle, Adam Maitland is voiced by Jeff Shine, Barbara Maitland and Delia Dietz are voiced by Krizia Bajos, and Harry the Head-Shrunken Hunter is voiced by Tom Kane. Beetlejuice also features prominently in an episode of Teen Titans Go! included as part of the game. In the Teen Titans Go! episode, when the Titans travel to the Lego world, Raven manages to summon Beetlejuice by saying his name three times and she gets to go to the Beetlejuice world and Beetlejuice says if Raven wants to win the Lego building competition, she should resort to cheating and use magic. However, Beetlejuice actually tricks her into making a giant gargoyle that the Titans have to fight.[64]

In 2016, work began on a Broadway stage musical adaptation of the film directed by Alex Timbers, produced by Warner Bros., with music and lyrics by Eddie Perfect and the musical book written by Scott Brown and Anthony King. The musical was debuted by readings starring Christopher Fitzgerald with the second featuring Kris Kukul as musical director and Connor Gallagher as choreographer.[65] The musical premiered its pre-Broadway tryout at the National Theatre in Washington, D.C. for a limited run from October 14 to November 18, 2018, with Alex Brightman in the title role.[66]

In December 2019, the producers announced that the production would play its final performance at the Winter Garden on June 6, 2020, to make way for a revival of The Music Man starring Hugh Jackman and Sutton Foster. The producers sought to find a theatre to transfer the show to, but the run was cut short when Broadway was shut down in March 2020 due to the COVID-19 pandemic. Subsequent productions are set to open across the world, including a North American national tour. The show reopened at the Marquis Theatre on April 8, 2022.