Star Trek: The Next Generation

Re-creation of the TNG starship bridge for Star Trek: The Exhibition

Due to the original series' popularity in syndication, Paramount Pictures began to consider making a Star Trek film as early as 1972. However, with 1977's release of Star Wars, Paramount decided not to compete in the science fiction movie category and shifted their efforts to a new Star Trek television series. The Original Series actors were approached to reprise their roles; sketches, models, sets and props were created for Star Trek: Phase II until Paramount changed its mind again and decided to create feature films starring the Original Series cast.[5][6]

By 1986, 20 years after the original Star Trek's debut on NBC, the franchise's longevity amazed Paramount Pictures executives. Chairman Frank Mancuso Sr. observed that "The shelf life in this business is usually three days. To flourish for 20 years..." He and others described Trek as the studio's "crown jewel", a "priceless asset" that "must not be squandered". The series was the most popular syndicated television program 17 years after cancellation,[7] and the Harve Bennett-produced, Original Series-era Star Trek films did well at the box office.[8] William Shatner and Leonard Nimoy's salary demands for the film Star Trek IV: The Voyage Home (1986) caused the studio to plan for a new Star Trek television series. Paramount executives worried that a new series could hurt the demand for the films, but decided that it would increase their appeal on videocassette and cable,[7] and that a series with unknown actors would be more profitable than paying the films' actors' large salaries.[9] Roddenberry initially declined to be involved, but came on board as creator after being unhappy with early conceptual work. Star Trek: The Next Generation was announced on October 10, 1986,[10] and its cast in May 1987.[11]

Bridge stations within the USS Enterprise (NCC-1701-D), as seen at Star Trek: The Experience

Paramount executive Rick Berman was assigned to the series at Roddenberry's request. Roddenberry hired a number of Star Trek veterans, including Bob Justman, D. C. Fontana, Eddie Milkis and David Gerrold.[12] Early proposals for the series included one in which some of the original series cast might appear as "elder statesmen",[7] and Roddenberry speculated as late as October 1986 that the new series might not even use a spaceship, as "people might travel by some [other] means" 100 years after the USS Enterprise.[13] A more lasting change was his new belief that workplace interpersonal conflict would no longer exist in the future; thus, the new series did not have parallels to the frequent "crusty banter" between Kirk, Spock, and Leonard McCoy.[9] According to series actor Patrick Stewart, Berman was more receptive than Roddenberry to the series addressing political issues.[14]

The series' music theme combined the fanfare from the original series theme by Alexander Courage with Jerry Goldsmith's theme for Star Trek: The Motion Picture (1979). Some early episodes' plots derived from outlines created for Star Trek: Phase II.[10] Additionally, some sets used in the Original Series-era films were redressed for The Next Generation, and in turn used for subsequent Original Series films.[15] Part of the transporter room set in TNG was used in the original Star Trek's transporter set.[15]

Despite Star Trek's proven success, NBC and ABC only offered to consider pilot scripts for the new series, and CBS offered to air a miniseries that could become a series if it did well. Paramount executives were offended that the Big Three television networks treated their most appealing and valuable property like any other series. Fox wanted the show to help launch the new network, but wanted it by March 1987, and would only commit to 13 episodes instead of a full season. The unsuccessful negotiations convinced the studio that it could only protect Star Trek with full control.[7][13]

Paramount increased and accelerated the show's profitability by choosing to instead broadcast it in first-run syndication[16][9][17]^{: 123–124} on independent stations (whose numbers had more than tripled since 1980) and Big Three network affiliates.[7] The studio offered the show to local stations for free as barter syndication. The stations sold five minutes of commercial time to local advertisers and Paramount sold the remaining seven minutes to national advertisers. Stations had to commit to purchasing reruns in the future,[16] and only those that aired the new show could purchase the popular reruns of the Original Series.[18]^: 222[19]

The studio's strategy succeeded. Most of the 150 stations airing reruns of the original Star Trek wanted to prevent a competitor from airing the new show; ultimately, 210 stations covering 90% of the United States became part of Paramount's informal nationwide network for TNG.[16][20] In early October 1987, more than 50 network affiliates pre-empted their own shows for the series pilot, "Encounter at Farpoint". One station predicted that "Star Trek promises to be one of the most successful programs of the season, network or syndicated".[20] Special effects were by Industrial Light and Magic, a Division of Lucasfilm.[21] The new show indeed performed well; the pilot's ratings were higher than those of many network programs,[20] and ratings remained comparable to network shows by the end of the first season, despite the handicap of each station airing the show on a different day and time, often outside prime time. By the end of the first season, Paramount reportedly received $1 million for advertising per episode, more than the roughly $800,000 fee that networks typically paid for a one-hour show;[16] by 1992, when the budget for each episode had risen to almost $2 million,[22] the studio earned $90 million from advertising annually from first-run episodes, with each 30-second commercial selling for $115,000 to $150,000.[23][24] The show had a 40% return on investment for Paramount, with $30 to $60 million in annual upfront net profit for first-run episodes and another $70 million for stripping rights for each of the about 100 episodes then available, so they did not need overseas sales to be successful.[23]

Denise Crosby and Gates McFadden were in Season 1 as Tasha Yar and Doctor Crusher respectively, but were removed for Season 2. McFadden then returned for Season 3 as a regular and remained as such for the rest of the series, while Crosby appeared sporadically.

The Next Generation was shot on 35mm film,[25] and the budget for each episode was $1.3 million, among the highest for a one-hour television drama.[16] While the staff enjoyed the creative freedom gained by independence from a broadcast network's Standards and Practices department,[18]^: 222 the first season was marked by a "revolving door" of writers, with Gerrold, Fontana, and others quitting after disputes with Roddenberry.[26] Roddenberry "virtually rewrote" the first 15 episodes because of his "dogmatic" intention to depict human interaction "without drawing on the baser motives of greed, lust, and power". Writers found the show's "bible" constricting and ridiculous and could not deal with Roddenberry's ego and treatment of them. It stated, for example, that "regular characters all share a feeling of being part of a band of brothers and sisters. As in the original Star Trek, we invite the audience to share the same feeling of affection for our characters."[9] David Gerrold claimed that at one point, Roddenberry's lawyer came aboard and started taking apart six months of work, including the removal of a gay couple that Roddenberry had promised would be included in the series, which made Gerrold decide to leave the show.[27]

Mark Bourne of The DVD Journal wrote of season one: "A typical episode relied on trite plot points, clumsy allegories, dry and stilted dialogue, or characterization that was taking too long to feel relaxed and natural."[28] Other targets of criticism included poor special effects and plots being resolved by the deus ex machina of Wesley Crusher saving the ship.[29][30] However, Patrick Stewart's acting skills won praise, and critics noted that characters were given greater potential for development than those of the original series.[28][29] Both actors and producers were unsure whether Trekkies loyal to the original show would accept the new one,[31][32] but one critic stated as early as October 1987 that The Next Generation, not the movies or the original show, "is the real Star Trek now".[33]

While the events of most episodes of season one were self-contained, many developments important to the show as a whole occurred during the season. The recurring nemesis Q was introduced in the pilot, the alien Ferengi had their sentinel showing in "The Last Outpost", the holodeck was introduced, and the romantic backstory between William Riker and Deanna Troi was investigated. "The Naked Now", one of the few episodes that depicted Roddenberry's fascination (as seen in the show's bible) with sex in the future, became a cast favorite.[9]

Later episodes in the season set the stage for serial plots. The episode "Datalore" introduced Data's evil twin brother Lore, who made several more appearances in episodes in subsequent seasons. "Coming of Age" deals with Wesley Crusher's efforts to get into Starfleet Academy while also hinting at the threat to Starfleet later faced in "Conspiracy". "Heart of Glory" explored Worf's character, Klingon culture, and the uneasy truce between the Federation and the Klingon Empire, three themes that played major roles in later episodes. Tasha Yar left the show in "Skin of Evil", becoming the first regular Star Trek character to die permanently (although the character was seen again in two later episodes) in either series or film. The season finale, "The Neutral Zone", established the presence of two of TNG's most enduring villains: the Romulans, making their first appearance since the Original Series, and, through foreshadowing, the Borg.

The premiere became the first television episode to be nominated for a Hugo Award since 1972. Six of the season's episodes were each nominated for an Emmy Award. "11001001" won for Outstanding Sound Editing for a Series, "The Big Goodbye" won for Outstanding Costume Design for a Series, and "Conspiracy" won for Outstanding Achievement in Makeup for a Series.[10] "The Big Goodbye" also won a Peabody Award, the first syndicated program[16] and only Star Trek episode to do so.

The top two episodes for Nielsen ratings were "Encounter at Farpoint" with 15.7, and "Justice" with 12.7.[34] The season ran from 1987 to 1988.

LeVar Burton starred as Geordi La Forge in all seven seasons airing between 1987 and 1994, and four TNG movies premiering between 1994 and 2002. In the second season, the character became Chief Engineer aboard the Enterprise D, remaining so for the rest of the series.

The series underwent significant changes during its second season. Beverly Crusher was replaced as Chief Medical Officer by Katherine Pulaski, played by Diana Muldaur, who had been a guest star in "Return to Tomorrow" and "Is There in Truth No Beauty?", two episodes from the original Star Trek series. The ship's recreational area, Ten-Forward, and its mysterious bartender/advisor, Guinan, played by Whoopi Goldberg, appeared for the first time. Owing to the 1988 Writers Guild of America strike, the number of episodes produced was cut from 26 to 22, and the start of the season was delayed. Because of the strike, the opening episode, "The Child", was based on a script originally written for Star Trek: Phase II, while the season finale, "Shades of Gray", was a clip show.

Nevertheless, season two as a whole was widely regarded as significantly better than season one.[35] Benefiting from Paramount's commitment to a multiyear run and free from network interference due to syndication, Roddenberry found writers who could work within his guidelines and create drama from the cast's interaction with the rest of the universe.[9] The plots became more sophisticated and began to mix drama with comic relief. Its focus on character development received special praise.[35] Co-executive producer Maurice Hurley has stated that his primary goal for the season was to plan and execute season-long story arcs and character arcs.[36] Hurley wrote the acclaimed episode "Q Who", which featured the first on-screen appearance of the Borg. Season two focused on developing the character Data, and two episodes from the season, "Elementary, Dear Data" and "The Measure of a Man", featured him prominently.[37] Miles O'Brien also became a more prominent character during the second season, while Geordi La Forge took the position of Chief Engineer. Klingon issues continued to be explored in episodes such as "A Matter of Honor" and "The Emissary", which introduced Worf's former lover K'Ehleyr.[38] Five second-season episodes were nominated for six Emmy Awards, and "Q Who" won for Outstanding Sound Editing for a Series and Outstanding Sound Mixing for a Drama Series.[10] The season ran from 1988 to 1989.

Season 2 marked the addition of the "Ten Forward" set at Paramount, located at Stage 8 at the studios.[39] The set was designed by Herman Zimmerman, and in the show was a place for the crew to relax, hang out together, and eat or have drinks.[39] Inside, it featured a bar looking out on large windows, and outside it featured a star field, or with use of green-screen special effects, other scenes.[39]

Before the production of the third season in the summer of 1989, some personnel changes were made. Head writer Maurice Hurley was let go and Michael Piller took over for the rest of the series. Creator and executive producer Gene Roddenberry took less of an active role due to his declining health. Roddenberry gave Piller and Berman the executive producer jobs, and they remained in that position for the rest of the series' run, with Berman overseeing the production as a whole and Piller being in charge of the creative direction of the show and the writing room. McFadden returned to the cast as Doctor Crusher, replacing Muldaur, who had remained a guest star throughout the second season. An additional change was the inclusion of the fanfare that was added to the opening credits of the second season, to the end of the closing credits. Ronald D. Moore joined the show after submitting a spec script that became "The Bonding". He became the franchise's "Klingon guru",[10] meaning that he wrote most TNG episodes dealing with the Klingon Empire (though he wrote some Romulan stories, as well, such as "The Defector"). Writer/producer Ira Steven Behr also joined the show in its third season. Though his tenure with TNG lasted only one year, he later went on to be a writer and showrunner of spin-off series Star Trek: Deep Space Nine.[40] Six third-season episodes were nominated for eight Emmys. "Yesterday's Enterprise" won for Outstanding Sound Editing for a Series and "Sins of the Father" won for Best Art Direction for a Series.[10] After a chiropractor warned that the cast members risked permanent skeletal injury, new two-piece wool uniforms replaced the first two seasons' extremely tight spandex uniforms.[41] The season finale, the critically acclaimed episode "The Best of Both Worlds", was the first season-ending cliffhanger, a tradition that continued throughout the remainder of the series. The season ran from 1989 to 1990.

The Season 3 finale and bridge to Season 4, "The Best of Both Worlds" went on to be one of the most acclaimed Star Trek episodes noted by TV Guide's "100 Most Memorable Moments in TV History", ranking 70th out of 100 in March 2001.[42] It has routinely been ranked among the top of all Star Trek franchise episodes.[43][44]

Wil Wheaton plays Wesley Crusher, Beverly Crusher's son, a regular character in the first four seasons, appearing sporadically in the last three.

Brannon Braga and Jeri Taylor joined the show in its fourth season. The fourth season surpassed the Original Series in series length with the production of "The Best of Both Worlds, Part II". A new alien race, the Cardassians, made their first appearance in "The Wounded". They later were heavily featured in Star Trek: Deep Space Nine. The season finale, "Redemption", was the 100th episode, and the cast and crew (including creator Gene Roddenberry) celebrated the historic milestone on the bridge set. Footage of this was seen in the Star Trek 25th-anniversary special hosted by William Shatner and Leonard Nimoy, which aired later in the year. Seven fourth-season episodes were nominated for eight Emmys. "The Best of Both Worlds, Part II" won for both Outstanding Sound Editing in a Series and Outstanding Sound Mixing for a Series.[10] Character Wesley Crusher leaves the series in season four to go to Starfleet Academy. "Family" is the only TNG episode where Data does not appear on-screen. The season ran from 1990 to 1991.

The fifth season's seventh episode, "Unification", opened with a dedication to Star Trek creator Gene Roddenberry (though the prior episode, "The Game", aired four days after his death). Roddenberry, though he had recently died, continued to be credited as executive producer for the rest of the season. The cast and crew learned of his death during the production of "Hero Worship", a later season-five episode. Seven fifth-season episodes were nominated for eight Emmys. "Cost of Living" won for Outstanding Individual Achievement in Costume Design for a Series and Outstanding Individual Achievement in Makeup for a Series, and "A Matter of Time" and "Conundrum" tied for Outstanding Individual Achievement in Special Visual Effects. In addition, "The Inner Light" became the first television episode since the 1968 original series Star Trek episode "The City on the Edge of Forever" to win a Hugo Award for Best Dramatic Presentation.[10] Season five had the introduction of a jacket for Picard, worn periodically throughout the rest of the show's run. The observation lounge set was altered with the removal of the gold model starships across the interior wall and the addition of lighting beneath the windows. Recurring character Ensign Ro Laren was introduced in the fifth season. The season ran from 1991 to 1992.

NASA astronaut Mae Jemison (left) plays an Enterprise officer in the sixth-season episode "Second Chances"; and world renowned astrophysicist Stephen Hawking plays a holographic simulated version of himself in the sixth-season finale cliffhanger "Descent (Part I)".

With the creation of Star Trek: Deep Space Nine, Rick Berman and Michael Piller's time were split between The Next Generation and the new show. Three sixth-season episodes were nominated for Emmys. "Time's Arrow, Part II" won for both Outstanding Individual Achievement in Costume Design for a Series and Outstanding Individual Achievement in Hairstyling for a Series, and "A Fistful of Datas" won for Outstanding Individual Achievement in Sound Mixing for a Drama Series.[10] The highest Nielsen-rated episode of Season 6 was "Relics", with a rating of 13.9.[45] The episode featured Original Series character Scotty played by James Doohan. Additionally, NASA astronaut Mae Jemison played Lt. Palmer in "Second Chances".[46][47] The season 6 finale cliffhanger includes a cameo by Stephen Hawking (Part I of "Descent"). The season ran from 1992 to 1993.

The seventh season was The Next Generation's last, running from 1993 to 1994. The penultimate episode, "Preemptive Strike", concluded the plot line for the recurring character Ensign Ro Laren and introduced themes that continued in Star Trek: Deep Space Nine and Star Trek: Voyager. The Next Generation series finale, "All Good Things...", was a double-length episode (separated into two parts for reruns) that aired the week of May 19, 1994, revisiting the events of the pilot and providing a bookend to the series. Toronto's SkyDome played host to a massive event for the series finale. Thousands of people packed the stadium to watch the final episode on the stadium's JumboTron. Five seventh-season episodes were nominated for nine Emmys, and the series as a whole was the first syndicated television series nominated for Outstanding Drama Series. To this day, The Next Generation is the only syndicated drama to be nominated in this category. "All Good Things..." won for Outstanding Individual Achievement in Special Visual Effects, and "Genesis" won for Outstanding Individual Achievement in Sound Mixing for a Drama Series. "All Good Things..." also won the second of the series' two Hugo Awards.[10] "All Good Things..." also achieved the highest Nielsen rating for all of Season 7, with a rating of 17.4.[48]

Although the cast members were contracted for eight seasons,[49] Paramount ended The Next Generation after seven, which disappointed and puzzled some of the actors, and was an unusual decision for a successful television show. Paramount then made films using the cast, which it believed would be less successful if the show were still on television.[50] An eighth season also would likely have reduced the show's profitability due to higher cast salaries and a lower price per episode when sold as strip programming.[49]

The show's strong ratings continued to the end; the 1994 series finale was ranked number two among all shows that week, between hits Home Improvement and Seinfeld,[49] and was watched by over 30 million viewers.[3] TNG was the most-watched Star Trek show, with a peak audience of 11.5 million during its fifth season prior to the launch of DS9. Between 1988 and 1992 it picked up half a million to a million additional viewers per year.[4]

Adjusted Nielsen ratings for Star Trek TV shows:[4]

• Fall 1987 – Spring 1988: 8.55 Million TNG S1
• Fall 1988 – Spring 1989: 9.14 Million TNG S2
• Fall 1989 – Spring 1990: 9.77 Million TNG S3
• Fall 1990 – Spring 1991: 10.58 Million TNG S4
• Fall 1991 – Spring 1992: 11.50 Million TNG S5
• Fall 1992 – Spring 1993: 10.83 Million TNG S6 (DS9 S1 Debuted in Spring 1993)
• Fall 1993 – Spring 1994: 9.78 Million TNG S7 + DS9 S2
• Fall 1994 – Spring 1995: 7.05 Million DS9 S3 + VOY S1
• Fall 1995 – Spring 1996: 6.42 Million DS9 S4 + VOY S2
• Fall 1996 – Spring 1997: 5.03 Million DS9 S5 + VOY S3
• Fall 1997 – Spring 1998: 4.53 Million DS9 S6 + VOY S4
• Fall 1998 – Spring 1999: 4.00 Million DS9 S7 + VOY S5 (Voyager ended after two more seasons)

Science fiction authors noted how Star Trek: The Next Generation influenced their careers.[51]

• Patrick Stewart as Captain Jean-Luc Picard is the commanding officer of the USS Enterprise-D. Stewart also played the character in the pilot episode of Deep Space Nine, all four TNG theater films, and in the eponymously titled latest series Star Trek: Picard.
• Jonathan Frakes as Commander William T. Riker is the ship's first officer. The Riker character was influenced by concepts for first officer Willard Decker in the Star Trek: Phase II television series.[10] Decker's romantic history with helmsman Ilia was mirrored in The Next Generation in the relationship between Riker and Deanna Troi.[10] Riker also appears in an episode each of Star Trek: Voyager and Star Trek: Enterprise, and later reprised the role in Star Trek: Picard and in the animated Star Trek: Lower Decks. In addition to William Riker, Frakes played William's transporter-created double, Thomas, in one episode each of The Next Generation and Star Trek: Deep Space Nine.
• LeVar Burton as Lieutenant (JG)/Lieutenant/Lieutenant Commander Geordi La Forge was initially the ship's helmsman, but the character became chief engineer beginning in the second season. Burton also played the character in an episode of Voyager.
• Denise Crosby as Lieutenant Tasha Yar (season 1; guest: seasons 3 & 7) is the chief of security and tactical officer. Crosby left the series near the end of the first season, and the Yar character was killed. Yar returns in alternate timelines in the award-winning episode "Yesterday's Enterprise" and the series finale, "All Good Things...". Crosby also played Commander Sela, Yar's half-Romulan daughter.
• Michael Dorn as Lieutenant (JG)/Lieutenant Worf is a Klingon. Worf initially appears as a junior officer fulfilling several roles on the bridge. When Denise Crosby left near the end of the first season, the Worf character succeeded Lieutenant Yar as the ship's chief of security and tactical officer. Dorn reprised the role as a regular in seasons four through seven of Star Trek: Deep Space Nine and also played another Klingon, also named Worf, in Star Trek VI: The Undiscovered Country; with 282 on-screen appearances, Dorn has the most appearances of any actor in the Star Trek franchise.[52]
• Gates McFadden as Doctor Beverly Crusher (Seasons 1 & 3–7) is the Enterprise's chief medical officer. As a fully certified bridge officer, Dr. Crusher had the ability to command the Enterprise if circumstances required her to do so. She also, on occasion, commanded night-watch shifts on the ship's main bridge to stay on top of starship operations. McFadden was fired after the first season, but was rehired for the third season[53] and remained for the remainder of the series. Her absence in the second season was explained by her transfer to Starfleet Medical.
• Diana Muldaur as Doctor Katherine Pulaski (Season 2) was created to replace Dr. Crusher for the show's second season. Muldaur, who previously appeared in two episodes of the original Star Trek, never received billing in the opening credits; instead, she was listed as a special guest star during the first act.
• Marina Sirtis as Lieutenant Commander/Commander Deanna Troi is the half-human, half-Betazoid ship's counselor. Starting in the season seven episode "Thine Own Self", Counselor Troi, having taken and completed the bridge-officer's test, is later promoted to the rank of commander, which allowed her to take command of the ship, and also perform bridge duties other than those of a ship's counselor. The character's relationship with first officer Riker was a carry-over from character ideas developed for Phase II.[10] Troi also appeared in later episodes of Voyager, in the finale of Enterprise, and in the first season of Picard.
• Brent Spiner as Lieutenant Commander Data is an android who serves as second officer and operations officer. Data's "outsider's" perspective on humanity served a similar narrative purpose as Spock's in the original Star Trek.[10] Spiner also played his "brother", Lore, and his creator, Noonien Soong. In Enterprise, Spiner played Noonien's ancestor, Arik, and contributed a brief voiceover (heard over the Enterprise-D's intercom) in the Enterprise finale. In 2020, Spiner reprised the role of Data, as well as Dr. Altan Inigo Soong, Noonien's prodigy, in Picard.
• Wil Wheaton as Beverly Crusher's son Wesley (Seasons 1-4; guest: seasons 5 & 7). He becomes an acting ensign, and later receives a field commission to ensign, before attending Starfleet Academy. After being a regular for the first four seasons, Wheaton appeared sporadically as Wesley Crusher for the remainder of the series.

John de Lancie plays the role of the mysterious but powerful alien known as Q. Like many actors in the series, he also worked on some of the video games of the period.

Whoopi Goldberg portrays Guinan in The Next Generation. She was inspired to take on the role by Nichelle Nichols' portrayal of Uhura on the original series.

• Majel Barrett as Lwaxana Troi, Federation ambassador and Deanna Troi's mother; also the voice of the ship's computer.
• Brian Bonsall as Alexander Rozhenko, Worf's son.
• Rosalind Chao as Keiko O'Brien, botanist until her transfer to Deep Space Nine in 2369.
• Denise Crosby as Sela, Romulan commander and Tasha Yar's daughter.
• John de Lancie as Q, a member of the Q-Continuum who frequently visits the USS Enterprise-D.
• Jonathan Del Arco as Hugh, a Borg drone who was disconnected from the collective by Geordi La Forge and Beverly Crusher.
• Michelle Forbes as Ro Laren, conn officer until her defection to the Maquis in 2370.
• Whoopi Goldberg as Guinan, bartender hostess on the USS Enterprise-D.
• Ashley Judd as Robin Lefler, engineering officer on the USS Enterprise-D.
• Andreas Katsulas as Tomalak, a Romulan commander who has several encounters with the USS Enterprise-D.
• Barbara March as Lursa, Klingon officer from the House of Duras and B'Etor's sister.
• Colm Meaney as Miles O'Brien, conn officer and later transporter chief until his transfer to Deep Space Nine in 2369.
• Eric Menyuk as The Traveler, a member of a species from Tau Alpha C who mentors Wesley Crusher
• Lycia Naff as Sonya Gomez, engineering officer on the USS Enterprise-D.
• Natalia Nogulich as Alynna Nechayev, flag officer in charge of Cardassian affairs.
• Robert O'Reilly as Gowron, leader of the Klingon Empire.
• Suzie Plakson as K'Ehleyr, Federation ambassador, mate to Worf and Alexander Rozhenko's mother until her death in 2367.
• Dwight Schultz as Reginald Barclay, engineering officer until his transfer to Starfleet Communications in 2374.
• Carel Struycken as Mr. Homn, Lwaxana Troi's attendant.
• Tony Todd as Kurn, Klingon officer and Worf's brother.
• Gwynyth Walsh as B'Etor, Klingon officer from the House of Duras and Lursa's sister.
• Patti Yasutake as Alyssa Ogawa, medical officer and head nurse.
• Ken Thorley as Mot, barber on the USS Enterprise-D.
• Daniel Davis as Professor Moriarty as a holodeck character who becomes self-aware.

For a more complete list, see List of Star Trek: The Next Generation cast members#Appearances

All episodes of Star Trek: The Next Generation were made available on VHS cassettes, starting in 1991. The entire series was gradually released on VHS over the next few years during the remainder of the show's run and after the show had ended.

The VHS for TNG were available on mail-order, with usually two episodes per cassette.

Some episodes had releases on the tape videocassette format Betamax.[82] Releases of all Betamax publications including those of the Star Trek: The Next Generation was halted in the early 1990s.[83]

Paramount published all episodes on the LaserDisc format from October 1991 using an extended release schedule that concluded in May 1999. Each disc featured two episodes with Closed Captions, Digital Audio, and CX encoding. Also published were four themed "collections", or boxed sets, of related episodes. These included The Borg Collective, The Q Continuum, Worf: Return to Grace, and The Captains Collection.[84]

For example, the "Q Continuum" collection of LaserDisc featured 4 episodes.[85] The collection was released on July 30, 1997 and was published by Paramount Home Video; it retailed for US$99.98.[85] The set included the 2-part "Encounter at Farpoint", "Hide & Q", "Q Who?", and "Deja Q" on 12 inch optical discs in NTSC format with a total runtime of 230 minutes, with stereo sound.[85] The collection came in a Tri-Fold jacket that also included a letter from actor Jon De Lancie (Q).[85]

There was a production error with episode 166, "Sub Rosa", where a faulty master tape was used that was missing 4½ minutes of footage. Though a new master copy of the episode was obtained, no corrected pressing of this disc was issued.[84]

Star Trek: The Next Generation was also released on LaserDisc in the non-US markets Japan and Europe. In Japan, all episodes were released in a series of 14 boxed sets (two boxed sets per season), and as with the US releases were in the NTSC format and ordered by production code. The European laserdiscs were released in the PAL format and included the ten two-part telemovies as well as a disc featuring the episodes Yesterday's Enterprise and Cause And Effect. The pilot episode, Encounter At Farpoint, was also included in a boxed set called Star Trek: The Pilots featuring the pilot episodes from Star Trek: The Original Series, Star Trek: The Next Generation, Star Trek: Deep Space Nine, and Star Trek: Voyager.

The first season of the series was released on DVD in March 2002. Throughout the year the next six seasons were released at various times on DVD, with the seventh season being released in December 2002. To commemorate the 20th anniversary of the series, CBS Home Entertainment and Paramount Home Entertainment released Star Trek: The Next Generation – The Complete Series on October 2, 2007. The DVD box set contains 49 discs. Between March 2006 and September 2008, "Fan Collective" editions were released containing select episodes of The Next Generation (and The Original Series, Deep Space Nine, and Voyager) based on various themes. The individual episodes were chosen by fans voting on StarTrek.com. In total, six "Fan Collectives" were produced, along with a boxed set containing the first five collectives. In April 2013 all seven seasons of Star Trek: The Next Generation were re-released in new packaging featuring a silhouette of a different cast member on each box. However, the discs contained the identical content that was previously released in 2002. Another full DVD set was released in 2020 but it also contains the same content from the previous 2002 release.

CBS announced on September 28, 2011, in celebration of the series' twenty-fifth anniversary, that Star Trek: The Next Generation would be completely re-mastered in 1080p high definition from the original 35mm film negatives. The original show was edited and post-processed in standard definition for broadcast, as were all the show's visual effects (e.g. all exterior shots of the Enterprise, phaser fire, or beaming fade-ins and -outs). For the remaster almost 25,000 reels of original film stock were rescanned and reedited, and all visual effects were digitally recomposed from original large-format negatives and newly created CGI shots. The release was accompanied by 7.1 DTS Master Audio. Michael Okuda believes this is the largest film restoration project ever attempted.[86] The process of making high-definition versions of the series was an extraordinarily labor-intensive ordeal that cost Paramount Pictures over $12 million. The project was a financial failure and resulted in Paramount deciding very firmly against giving Deep Space Nine and Voyager the same treatment.[87]

An initial disc featuring the episodes "Encounter at Farpoint", "Sins of the Father", and "The Inner Light" was released on January 31, 2012 under the label "The Next Level". The six-disc first season set was released on July 24, 2012.[88] The remaining seasons were released periodically thereafter, culminating in the release of the seventh season on December 2, 2014. Season 1 sold 95,000 units in its launch week in 2012.[89] The Blu-ray sets include many special features and videos, such as a 1988 episode of Reading Rainbow where LeVar Burton (who plays Geordi on TNG) documents the making of a Star Trek: The Next Generation episode.[90]

The entire re-mastered series is available on Blu-ray as individual seasons, and as a 41-disc box set titled The Full Journey. Eventually, all remastered episodes became available for television syndication and digital distribution.[91]

When TNG was remastered in high definition, several episodes were released as stand-alone single show Blu-ray products.[93] "The Best of Both Worlds" is split between two seasons, whereas the standalone product includes parts 1 and 2.[94] "The Best of Both Worlds" single was released in April 2013 coinciding with the release of Season 3.[95] Other singles of TNG HD include the two part shows "Redemption", "Unification", "Chain of Command", and "All Good Things…".[95]

"The Measure of a Man" was released in HD in 2012 with an extended cut.[96] The extended version includes an extra 13 minutes of footage as well as recreated special effects.[97] It was released as part of the Season 2 collection set.

Star Trek: The Next Generation-era novels (examples):

Jonathan Frakes and Marina Sirtis returned to their The Next Generation roles for the series finale of Enterprise, as Commander Riker and Counselor Troi respectively.

In 2005, the last episode of Star Trek: Enterprise called "These Are the Voyages..." (S4E22) featured a holodeck simulation on the USS Enterprise (NCC-1701-D) from Star Trek: The Next Generation during the events of the episode "The Pegasus" and the return of Commander William Riker (Jonathan Frakes) and Counselor Deanna Troi (Marina Sirtis).[107] It was written by Berman and Braga, who noted "... this was a very cool episode because it has a great concept driving it".[108]

Star Trek: Enterprise was the TV show launched following the conclusion of Star Trek: Voyager and was set 100 years before TOS and 200 years before TNG, in addition to including some soft reboot elements with an all new cast. Some episodes connected to TNG directly including guest stars by Brent Spiner and connections to the events in TNG's fictional universe. The three-episode story arc consisting of "Borderland", "Cold Station 12", and "The Augments", with a Soong ancestor portrayed by The Next Generation regular Brent Spiner provides some backstory to Data's origins. Also, the Enterprise episode "Affliction" helps explain the smooth-headed Klingons that sometimes appeared, a retcon that helped explain this varying presentation between TOS, TNG, and the films.

Star Trek would not return to television as a show for over 12 years, until the debut of Star Trek: Discovery on CBS, but thereafter exclusively available on the internet service CBS All Access (Netflix internationally) at that time. The film franchise was rebooted in 2009, essentially a grafted on fork off of the timeline known in Star Trek: The Next Generation. That movie contains an event from the TNG timeline, which is the destruction of Romulus and the flight of Spock's special ship to the time fork. In the Star Trek franchise, witnessing the events of time shenanigans is a common plot device.

On August 4, 2018, Patrick Stewart stated on social media that he would return to the role of Jean-Luc Picard in a project with CBS All Access.[109]

Stewart wrote, "I will always be very proud to have been a part of Star Trek: The Next Generation, but when we wrapped that final movie in the spring of 2002, I truly felt my time with Star Trek had run its natural course. It is, therefore, an unexpected but delightful surprise to find myself excited and invigorated to be returning to Jean-Luc Picard and to explore new dimensions within him. Seeking out new life for him, when I thought that life was over.

"During these past years, it has been humbling to hear stories about how The Next Generation brought people comfort, saw them through difficult periods in their lives or how the example of Jean-Luc inspired so many to follow in his footsteps, pursuing science, exploration and leadership. I feel I'm ready to return to him for the same reason – to research and experience what comforting and reforming light he might shine on these often very dark times. I look forward to working with our brilliant creative team as we endeavor to bring a fresh, unexpected and pertinent story to life once more."

In January 2019, the producer said that the Picard series will answer questions about what happened to Captain Picard in the 20 years after Star Trek: Nemesis.[110]

This infographic shows the first-run production timeline of various Star Trek franchise shows and films, including Star Trek: The Next Generation.