Bob Fosse

Fosse was born in Chicago, Illinois, on June 23, 1927, to a Norwegian American father, Cyril Kingsley Fosse, a traveling salesman for The Hershey Company,[3] and an Irish American mother, Sarah Alice "Sadie" (née Stanton) Fosse. He was the fifth of six children.[2][4][5]

He was drawn to dance and took lessons. When he was 13 years old, Fosse performed professionally in Chicago with Charles Grass, as "The Riff Brothers".[6] They toured vaudeville and movie houses in Chicago, as well as USO theaters and Eagles Clubs.[7] Many of these performances included shows at burlesque clubs, such as the Silver Cloud and Cave of Winds. Fosse himself is quoted with saying "I was sixteen years old, and I played the whole burlesque wheel." However, many of the women and promoters did not care that Fosse was underage working in adult clubs or that he would be exposed to sexual harassment from the burlesque women. Much of the erotica he saw would inspire his future work. In 1943, at age 15, Fosse would come to choreograph his first dance number and earn his first full credit as a choreographer in a film, Hold Evry'thing! A Streamlined Extravaganza in Two Parts, which featured showgirls wearing strapless dresses and performing a fan dance, inspired by his time in burlesque houses.[8]

After graduating from Amundsen High School[9][10][11] in 1945, Fosse was recruited into the United States Navy toward the end of World War II at Naval Station Great Lakes, where he was sent to be prepared for combat. Fosse petitioned his manager, Frederick Weaver, to advocate on his behalf to his superiors after his own failed attempts to be placed in the Special Services Entertainment Division.[8] Fosse was soon placed in the variety show Tough Situation, which toured military and naval bases in the Pacific.

After his discharge, Fosse moved to New York City in 1947 with the ambition of being the new Fred Astaire. He began to study acting at the American Theatre Wing, where he met his first wife and dance partner, Mary Ann Niles (1923-1987).[12] His first stage role was in Call Me Mister, along with Niles.[13] Fosse and Niles were regular performers on Your Hit Parade in its 1950–1951 season. Dean Martin and Jerry Lewis saw their act in New York's Pierre Hotel and scheduled the couple to appear on The Colgate Comedy Hour in 1951.[14]

A year before his death, Fosse told an interviewer, "Jerry [Lewis] started me doing choreography. He gave me my first job as a choreographer and I'm grateful for that."[15]

Fosse was signed to an MGM contract in 1953.[16] His early screen appearances as a dancer included Give a Girl a Break, The Affairs of Dobie Gillis and Kiss Me Kate, all released in 1953. Fosse's choreography of a short dance sequence in Kiss Me Kate and dance with Carol Haney brought him to the attention of Broadway producers.[17]

Notable distinctions of Fosse's style included the use of turned-in knees, the "Fosse Amoeba", sideways shuffling, rolled shoulders and jazz hands.[31] With Astaire as an influence, Fosse used props such as bowler hats, canes and chairs. His trademark use of hats was influenced by his own self-consciousness, according to Martin Gottfried in his biography of Fosse, "His baldness was the reason that he wore hats, and was doubtless why he put hats on his dancers."[22] Fosse used gloves in his performances because he did not like his hands. Some of his most popular numbers include "Steam Heat" (The Pajama Game) and "Big Spender" (Sweet Charity). The "Rich Man's Frug" scene (starring a young Ben Vereen) in Sweet Charity is another example of his signature style.

For Damn Yankees, Fosse was inspired by the "father of theatrical jazz dance", Jack Cole.[22] In 1957, Verdon and Fosse studied with Sanford Meisner to develop a better acting technique. According to Michael Joosten, Fosse once said: "The time to sing is when your emotional level is too high to just speak anymore, and the time to dance is when your emotions are just too strong to only sing about how you 'feel.'"[32]

In Redhead, Fosse used one of the first ballet sequences in a show that contained five different styles of dance: Fosse's jazz, a cancan, a gypsy dance, a march and an old-fashioned English music hall number. During Pippin, Fosse made the first television commercial for a Broadway show.[17]

Fosse married dance partner Mary Ann Niles (1923–1987) on May 3, 1947, in Detroit.[33] In 1952, a year after he divorced Niles, he married dancer Joan McCracken in New York City;[34] this marriage lasted until 1959, when it also ended in divorce.[35]

His third wife was dancer and actress Gwen Verdon, whom he met choreographing Damn Yankees, in which she starred.[36] In 1963, they had a daughter, Nicole Fosse, who later became a dancer and actress. Fosse's extramarital affairs put a strain on the marriage and by 1971 they were separated, although they remained legally married until his death in 1987. Verdon never remarried.[22][37][38]

Fosse met dancer Ann Reinking during the run of Pippin in 1972. According to Reinking, their romantic relationship ended "toward the end of the run of Dancin'" (1978).[39]

In 1961, Fosse's epilepsy was revealed when he had a seizure onstage during rehearsals for The Conquering Hero.[22]

Fosse's time outside of the rehearsal studio or theater was seldom spent alone. As stated in the biography Fosse by Sam Wasson, "nights alone were murder on Fosse". To alleviate loneliness and insomnia brought on by his prescribed amphetamines, Fosse would often contact dancers he would work with and try to date them, making it hard for many to refuse his advances, but also giving him the affirmation of success he sought.[8]

During their joint career, Fosse would continually take blame from critics while Gwen Verdon would get praise, no matter how much influence Verdon had on a production. However, Verdon always looked out for him and the Fosse family image, hosting grandiose cast parties and being Fosse's personal press secretary throughout their marriage.[8]

Fosse died of a heart attack on September 23, 1987, at George Washington University Hospital while the revival of Sweet Charity was opening at the nearby National Theatre.[2] He had collapsed in Verdon's arms near the Willard Hotel.[40]

As he had requested, Verdon and Nicole Fosse scattered his ashes in the Atlantic Ocean off Quogue, Long Island, where Fosse had been living with his girlfriend of four years.[1]

A month after his death, Verdon fulfilled Fosse's request for his friends to "go out and have dinner on me" by hosting a star-studded, celebrity filled evening at Tavern on the Green.[41]

At the 1973 Academy Awards, Fosse won the Academy Award for Best Director for Cabaret. That same year he won Tony Awards for directing and choreographing Pippin and Primetime Emmy Awards for producing, choreographing and directing Liza Minnelli's television special Liza with a Z. Fosse was the only person to win all three major industry awards in the same year.

Fosse was inducted into the National Museum of Dance in Saratoga Springs, New York, on April 27, 2007. The Los Angeles Dance Awards, founded in 1994, were called the "Fosse Awards", and are now called the American Choreography Awards. The Bob Fosse-Gwen Verdon Fellowship was established by their daughter, Nicole Fosse, in 2003 at the Alvin Ailey American Dance Theater.

Reinking and Verdon kept Fosse's unique choreography alive after his death. Reinking played the role of Roxie Hart in the New York revival of Chicago, which opened in 1996. She choreographed the dances in Fosse style for that revival. In 1999, Verdon served as artistic consultant on a Broadway musical designed to showcase examples of classic Fosse choreography. Called simply Fosse, the three-act musical revue was conceived and choreographed by Chet Walker, directed and co-conceived by Richard Maltby, Jr., and co-directed, co-choreographed by co-conceived by Ann Reinking. Verdon and Fosse's daughter, Nicole, received a special thanks credit. The show won a Tony for best musical.[46]

Fosse/Verdon is an eight-part American miniseries starring Sam Rockwell as Fosse and Michelle Williams as Verdon. The series, which tells the story of the couple's troubled personal and professional relationship, is based on the biography Fosse by Sam Wasson.[47] It premiered in eight parts on April 9, 2019, on FX. At the 71st Primetime Emmy Awards, Fosse/Verdon received seventeen nominations, including Outstanding Limited Series and acting nominations for Rockwell, Williams, and Qualley. Williams won the Emmy for Outstanding Actress in a Limited Series.

• List of dancers

• Beddow, Margery (1996). Bob Fosse's Broadway. Portsmouth, New Hampshire: Heinemann. ISBN 978-0-435-07002-1.
• Gottfried, Martin (2003) [1990]. All His Jazz: The Life and Death of Bob Fosse. Bantam. ISBN 978-0-553-07038-5.
• Grubb, Kevin Boyd (1989). Razzle Dazzle: The Life and Work of Bob Fosse. St. Martin's Press. ISBN 978-0-312-03414-6.
• Wasson, Sam (2013). Fosse. Houghton Mifflin Harcourt. ISBN 978-0-547-55329-0.

Wikimedia Commons has media related to Bob Fosse.

• Bob Fosse at the Internet Broadway Database
• Bob Fosse at IMDb
• Archival footage of Ann Reinking and Gary Chryst performing in Bob Fosses's Big Noise from Winnetka in 1987 at Jacob's Pillow Dance Festival.