Strange Case of Dr Jekyll and Mr Hyde

Gabriel John Utterson, a lawyer, has been a close loyal friend of Jekyll and Lanyon for many years. Utterson is a measured and at all times emotionless bachelor – who nonetheless seems believable, trustworthy, tolerant of the faults of others, and indeed genuinely likeable. However, Utterson is not immune to guilt, as, while he is quick to investigate and judge the faults of others even for the benefit of his friends, Stevenson states that "he was humbled to the dust by the many ill things he had done". Whatever these "ill things" may be, he does not partake in gossip or other views of the upper class out of respect for his fellow man. Often the last remaining friend of the downfallen, he finds an interest in others' downfalls, which creates a spark of interest not only in Jekyll but also regarding Hyde. He concludes that human downfall results from indulging oneself in topics of interest. As a result of this line of reasoning, he lives life as a recluse and "dampens his taste for the finer items of life". Utterson concludes that Jekyll lives life as he wishes by enjoying his occupation.

Based in Soho in London's West End, Dr Jekyll is a "large, well-made, smooth-faced man of fifty with something of a slyish cast",[13] who sometimes feels he is battling between the good and evil within himself, leading to the struggle between his dual personalities of Henry Jekyll and Edward Hyde. He has spent a great part of his life trying to repress evil urges that were not fitting for a man of his stature. He creates a serum, or potion, in an attempt to separate this hidden evil from his personality. In doing so, Jekyll transformed into the smaller, younger, cruel, remorseless, and evil Hyde. Jekyll has many friends and an amiable personality, but as Hyde, he becomes mysterious and violent. As time goes by, Hyde grows in power. After taking the potion repeatedly, he no longer relies upon it to unleash his inner demon, i.e., his alter ego. Eventually, Hyde grows so strong that Jekyll becomes reliant on the potion to remain conscious throughout the book.

Richard Enfield is Utterson's cousin and is a well-known "man about town". He first sees Hyde at about three in the morning in an episode that is well documented as Hyde is running over a little girl. He is the person who mentions to Utterson the actual personality of Jekyll's friend, Hyde. Enfield witnessed Hyde recklessly running over a little girl in the street and the group of witnesses, with the girl's parents and other residents, force Hyde into writing a cheque for the girl's family. Enfield discovers that Jekyll signed the cheque, which is genuine. He says that Hyde is disgusting-looking but finds himself stumped when asked to describe the man.

A longtime friend of Jekyll, Hastie Lanyon disagrees with Jekyll's "scientific" concepts, which Lanyon describes as "...too fanciful". He is the first person to discover Hyde's true identity (Hyde transforms himself back into Jekyll in Lanyon's presence). Lanyon helps Utterson solve the case when he describes the letter given to him by Jekyll and his thoughts and reactions to the transformation. After he witnesses the transformation process (and subsequently hears Jekyll's private confession, made to him alone), Lanyon becomes shocked into critical illness and, later, death.

Poole is Jekyll's butler who has been employed by him for many years. Poole serves Jekyll faithfully and attempts to be loyal to his master, but the growing reclusiveness of and changes in his master cause him growing concern. Finally fearing that his master has been murdered and that his murderer, Mr Hyde, is residing in Jekyll's chambers, Poole is driven into going to Utterson and joining forces with him to uncover the truth. He chops down the door towards Jekyll's lab to aid Utterson in the climax.

Utterson joins this Scotland Yard inspector after the murder of Sir Danvers Carew. They explore Hyde's loft in Soho and discover evidence of his depraved life.

A kind, 70-year-old Member of Parliament. The maid claims that Hyde, in a murderous rage, killed Carew in the streets of London on the night of 18 October. At the time of his death, Carew is carrying on his person a letter addressed to Utterson, and the broken half of one of Jekyll's walking sticks is found on his body.

A maid, whose employer – presumably Jekyll – Hyde had once visited, is the only person who has witnessed the murder of Sir Danvers Carew. She saw Hyde murder Carew with Jekyll's cane and his feet. Having fainted after seeing what happened, she then wakes up and rushes to the police, thus initiating the murder case of Sir Danvers Carew.

The novella is frequently interpreted as an examination of the duality of human nature, usually expressed as an inner struggle between good and evil, with variations such as human versus animal, civility versus barbarism sometimes substituted, the main point being that of an essential inner struggle between the one and other, and that the failure to accept this tension results in evil, or barbarity, or animal violence, being projected onto others.[14] In Freudian theory, the thoughts and desires banished to the unconscious mind motivate the behaviour of the conscious mind. Banishing evil to the unconscious mind in an attempt to achieve perfect goodness can result in the development of a Mr Hyde-type aspect to one's character.[14]

In Christian theology, Satan's fall from Heaven is due to his refusal to accept that he is a created being (that he has a dual nature) and is not God.[14] This idea is suggested when Hyde says to Lanyon, shortly before drinking the famous potion: "your sight shall be blasted by a prodigy to stagger the unbelief of Satan." This is because, in Christianity, pride (to consider oneself as without sin or without evil) is a sin, as it is the precursor to evil itself.[14]

In his discussion of the novel, Vladimir Nabokov argues that the "good versus evil" view of the novel is misleading, as Jekyll himself is not, by Victorian standards, a morally good person in some cases.[15]

According to the theory about the id, ego and super-ego, Mr Hyde is the id which is driven by primal urges, instincts, and immediate gratification, the super-ego is represented by the expectations and morals of Victorian society, and Dr Jekyll is the rational and conscious ego which acts as a balance between the id and super-ego. When Jekyll transforms into Hyde, the ego is suppressed, and the id is no longer held back by either the ego or the super-ego.[16][17]

The work is commonly associated today with the Victorian concern over the public and private division, the individual's sense of playing a part and the class division of London.[18] In this respect, the novella has also been noted as "one of the best guidebooks of the Victorian era" because of its piercing description of the fundamental dichotomy of the 19th century "outward respectability and inward lust", as this period had a tendency for social hypocrisy.[19]

Another common interpretation sees the novella's duality as representative of Scotland and the Scottish character. In this reading, the duality represents the national and linguistic dualities inherent in Scotland's relationship with wider Britain and the English language, respectively, and also the repressive effects of the Church of Scotland on the Scottish character.[9] A further parallel is also drawn with the city of Edinburgh itself, Stevenson's birthplace, which consists of two distinct parts: the old medieval section historically inhabited by the city's poor, where the dark crowded slums were rife with all types of crime, and the modern Georgian area of wide spacious streets representing respectability.[9][20][21]

Some scholars have argued that addiction or substance abuse is a central theme in the novella. Stevenson's depiction of Mr Hyde is reminiscent of descriptions of substance abuse in the nineteenth century. Daniel L. Wright describes Dr Jekyll as "not so much a man of conflicted personality as a man suffering from the ravages of addiction".[22] Patricia Comitini argues that the central duality in the novella is in fact not Dr Jekyll and Mr Hyde but rather Dr Jekyll/Mr Hyde and Utterson, where Utterson represents the rational, unaddicted, ideal Victorian subject devoid of forbidden desires, and Dr Jekyll/Mr Hyde constitutes his opposite.[23]

The publication of The Origin of Species had a significant impact on Victorian society. Many did not fully understand the concepts of evolution, and assumed Darwin meant humans had evolved directly from apes, and that if it was possible to evolve into humans, it was also possible to degenerate into something more ape-like and primitive. Mr Hyde is described as a more primitive and less developed version of Dr Jekyll, and gradually Hyde becomes more bestial as his degeneration progress.[24]

The book was initially sold as a paperback for one shilling in the U.K. These books were called "shilling shockers" or penny dreadfuls.[25] The American publisher issued the book on 5 January 1886, four days before the first appearance of the U.K. edition issued by Longmans; Scribner's published 3,000 copies, only 1,250 of them bound in cloth. Initially, stores did not stock it until a review appeared in The Times on 25 January 1886 giving it a favourable reception. Within the next six months, close to 40 thousand copies were sold. As Stevenson's biographer Graham Balfour wrote in 1901, the book's success was probably due rather to the "moral instincts of the public" than to any conscious perception of the merits of its art. It was read by those who never read fiction and quoted in pulpit sermons and in religious papers.[26] By 1901, it was estimated to have sold over 250,000 copies in the United States.[27]

Although the book had initially been published as a "shilling shocker", it was an immediate success and one of Stevenson's best-selling works. Stage adaptations began in Boston and London and soon moved all across England and then towards his home country of Scotland.[18]

The first stage adaptation followed the story's initial publication in 1886. Richard Mansfield bought the rights from Stevenson and worked with Boston author Thomas Russell Sullivan to write a script. The resulting play added to the cast of characters and some elements of romance to the plot. The addition of female characters to the originally male-centred plot continued in later adaptations of the story. The first performance of the play took place in the Boston Museum in May 1887. The lighting effects and makeup for Jekyll's transformation into Hyde created horrified reactions from the audience, and the play was so successful that production followed in London. After a successful 10 weeks in London in 1888, Mansfield was forced to close down production. The hysteria surrounding the Jack the Ripper serial murders led even those who only played murderers on stage to be considered suspects. When Mansfield was mentioned in London newspapers as a possible suspect for the crimes, he shut down production.[25]