Jeffrey Blitz

Blitz’s first work out of film school at USC was the documentary Spellbound that he directed and photographed. He produced the film with his friend Sean Welch who also did production audio. They co-financed the project on a dozen credit cards and later enlisted USC classmate Yana Gorskaya to edit.[6] It was her first professional editing assignment and she and Blitz worked on the movie the living room of his apartment.[7] The film tracks eight teenagers on their quest to win the Scripps 1999 National Spelling Bee. The spellers were Harry Altman, Angela Arenivar, Ted Brigham, April DeGideo, Neil Kadakia, Nupur Lala, Emily Stagg, and Ashley White.[8]

Spellbound received 17 awards and 19 nominations, including a nomination for the Academy Award for Best Documentary Feature and winning an Emmy Award for Outstanding Cultural & Artistic Programming[9] (Blitz was also nominated for directing.)[9] Yana Gorskaya's editing won the ACE Eddie award for best editing of documentary.[9] It became an unexpected hit film at its first theatrical venue, the Film Forum in New York[10] and went on to earn $5.8 million in the box office across the United States.[11]

Kenneth Turan, the film critic for the Los Angeles Times said “Spellbound was one of the first unheralded documentaries to do well at the box office”.[12] The films distributor THINKFilm noted “Spellbound was a milestone from which there would be no turning back”... “since then, the box office records for documentaries have been broken countless times”.[13]

The film ended up on numerous lists of critics Top 10 films of that year including The New York Times, where it's described as “suspenseful, moving, funny and thrilling. In exploring an odd American subculture, it also paints a remarkably detailed picture of modern life in all its glory and eccentricity”.[14]

In 2007, it was included as #4 of the "IDA's Top 25 Documentaries" of all-time by the members of the International Documentary Association.

Spellbound opened to positive reviews from critics. Rotten Tomatoes gives the film an approval rating of 97%, based on reviews from 139 critics, and an average rating of 8.27/10.[15] The website's critical consensus states, "A suspenseful, gripping documentary that features an engaging cross section of American children”.[15] The New York Times described “Blitz's real achievement, though -- what makes the last 40 minutes of ''Spellbound'' not only exciting but also tremendously moving -- is his attention to the contestants and their families.”[10] While The Austin Chronicle described “as good, old-fashioned drama goes, it doesn't get much better than Spellbound”.[16]

Spellbound was one of a number of documentaries that are credited with re-energizing the form. It has been cited as inspiration for a slew of competition documentaries that have followed in its wake.[12] Smithsonian Magazine described how Spellbound “sparked a whole genre, a series of documentaries that followed its path”.[12]

Inspired by his own experience as a person who stutters, Blitz then wrote and directed dramatic feature film Rocket Science. Rocket Science tells the story of Hal Hefner, a fifteen-year-old stutterer who joins his school's debate team when he develops a crush on its star member.[17] Speaking to The Stuttering Foundation, Blitz described one moment he kept in mind as he wrote the film: his first high school debate tournament.[18] Blitz noted “I blocked on my very first word and stayed blocked on it for the entire 8 minutes I was allocated. I tried to never forget the frustration (and, in a dark way, the humor) of that moment”.[18]

The film stars Anna Kendrick who earned an Independent Spirit Award nomination for Best Supporting Female.[19]

Rocket Science premiered at Sundance Film Festival in 2007 where Blitz won the Dramatic Directing Prize.[1] Rocket Science was also nominated for three Independent Spirit Awards including Best First Feature and Best First Screenplay.[1]

Director Jason Reitman saw Rocket Science at Sundance while he was writing Up In The Air. He immediately began rewriting to include a part for Anna Kendrick based on her Rocket Science character.[20]

Rotten Tomatoes gives the film 84% from 111 critic reviews, with the critics consensus stating, "Rocket Science is a quirky gem packed with brilliant indie charm carried along by a great narrative and an amazing soundtrack."[21]

Blitz’s first directing work in scripted television was on The Office. In 2009, he won the Primetime Emmy for Outstanding Directing for a Comedy Series for his work on the episode Stress Relief.[22] The episode featured one of the series most memorable cold opens in which Dwight stages a fake fire that leads to Stanley having a heart attack. In a desperate attempt to “Save Bandit” Angela launches her cat into the ceiling so Oscar could save her cat. On their podcast Office Ladies, Jenna Fischer and Angela Kinsey discuss how Blitz fought hard to have the moment where the cat goes up into the ceiling and then out a different part of the ceiling.[23][24] Blitz was sure to thank the cat in his Emmy acceptance speech.[22]

‘Stress Relief’ is credited with helping to save a life after an Arizona man, despite having no CPR training, managed to resuscitate a woman in medical distress by performing chest compressions to the cadence of “Stayin’ Alive” as he learned from the episodes CPR demonstration.[23][25][26]

Blitz directed a total of 11 episodes of The Office over its nine season run.[27]

In 2013 Blitz directed the Pilot of Zach Stone is Gonna Be Famous. The series was created by and starred Bo Burnham in his first television series roll and was picked up by MTV for one season.[28]

From 2014 to 2017, Blitz was executive producer/director/writer of the Comedy Central series Review, which he co-adapted and was co-showrunner with Andy Daly whom he has known since high school in Ridgewood, New Jersey.[29] Blitz directed the pilot and the entire three season run of the show. It was adapted from the Australian series Review with Myles Barlow.

Review was met with widespread critical acclaim. The New Yorker described it as an “agitating, legitimately funny, and surprisingly profound sitcom”[30] while GQ called it “The funniest, bleakest, truest show you're not watching”.[31]

Ahead of the DVD release of Review in 2020, Polygon declared “Review may just be one of the best TV shows ever made”.[32] The Atlantic said “In an era of peak television that's expanded storytelling horizons beyond the formulaic, flooding the medium with characters that aren't traditionally likable, Andy Daly’s Review stands out”.[33]

The series was listed in Indiewire’s The Best TV Shows of the Decade[34] and The A.V. Club’s Best TV shows of 2017.[35]

The episode Pancakes, Divorce, Pancakes featured Forest MacNeil (Andy Daly) eat 15 pancakes, get divorced, and then eat 30 pancakes. It was listed in multiple publications Top 10 episodes of the year for 2014, including The Atlantic, Indiewire and The Chicago Reader.[36][37][38][39][40][41]

Review maintains cult status among fans as “one of the darkest comedies ever seen on television”.[42]

Blitz directed the pilot and two subsequent episodes of comedy series Playing House which was created by Lennon Parham and Jessica St. Clair who also star in the series. Running for three seasons from 2014 - 2017, Playing House achieved critical acclaim. Vulture declared it one of the best new shows of 2014 and included it in multiple best of lists[43][44][45] while NY Times critic Margaret Lyons cited it in her list of Best Shows That Ended in 2017.[46]

The series was described as “One of TV's Bravest Comedies”[47] “Bingeworthy”[48] and as the “Best TV Show About Female Friendships That You're Not Watching”.[49] On Rotten Tomatoes Playing House has an approval rating of 90%.[50]

Across 2017 & 2018 Blitz produced and directed the pilot for the NBC sitcom Trial & Error starring John Lithgow in its first season and Kristin Chenoweth in its second. In addition to working as executive producer, Blitz directed a dozen episodes of the series across its two-season run. Trial & Error was also hailed as a cult favorite and likened to fan favourite Parks & Rec.[51]

Vanity Fair said “Trial & Error derives its comedy from a magnetic combination of extreme silliness and highbrow allusion”.[52] Variety called it “a lighthearted, zany spoof of shows like “The Jinx” and “Making a Murderer,” those true-crime documentary series that take a viewer into the real-time investigation of a convoluted cas.[53] Indiewire described the series as “Unhinged at times, oddly thoughtful at others, Trial & Error is more than parody; it's a welcome wave of silliness”.[54]

Blitz directed and executive produced the pilot for American Auto in 2020, which was then picked up for series by NBC.[55] The show stars Ana Gasteyer. On Rotten Tomatoes it has a 100% rating.[56] Blitz went on to executive produce the first season and directed three more episodes including the season finale.

Blitz directed short documentary “Small Plates” for the NY Times in 2014.[57] The film captures the experience of six second-graders in Brooklyn as they're treated to a seven-course tasting menu at Daniel and was listed in the Top 10 videos of the year for the NY Times website.[58]

Table 19 is an American comedy film written and directed by Jeffrey Blitz, from a story originally written by Jay and Mark Duplass. It was released in 2017 and stars Anna Kendrick, Craig Robinson, June Squibb, Lisa Kudrow, Stephen Merchant, Wyatt Russell, and Tony Revolori.

On Metacritic, the film has a score of 40 out of 100, based on reviews from 29 critics, indicating "mixed or average reviews”.[59]

Blitz directed one episode of Season 1 of Upload, which was released on Amazon Prime in May 2020. In Season 2 he stepped into the Executive Producer role and directed 4 of the 7 episodes of this Greg Daniels series.[60] Upload Season 2 is scheduled to be released March 2, 2022.[61]

Blitz served as executive producer on Living With Yourself which premiered on Netflix in 2019.

Well established as a comedy director, Blitz has also helmed episodes of Parks and Recreation, Superstore, and Space Force.