Mons

The Saint Waltrude Collegiate Church and the belfry.

The first signs of activity in the region of Mons are found at Spiennes, where some of the best flint tools in Europe were found dating from the Neolithic period. When Julius Caesar arrived in the region in the 1st century BC, the region was settled by the Nervii, a Belgian tribe. A castrum was built in Roman (Belgica) times, giving the settlement its Latin name Castrilocus; the name was later changed into Montes for the mountain on which the castrum was built. In the 7th century, Saint Ghislain and two of his disciples built an oratory or chapel dedicated to Saints Peter and Paul near the Mons hill, at a place called Ursidongus, now known as Saint-Ghislain. Soon after, Saint Waltrude (in French Sainte Waudru), daughter of one of Chlothar II’s intendants, came to the oratory and was proclaimed a saint upon her death in 688. She was canonized in 1039.

Like Ath, its neighbour to the north-west, Mons was made a fortified city by Count Baldwin IV of Hainaut in the 12th century. The population grew quickly, trade flourished, and several commercial buildings were erected near the Grand’Place. The 12th century also saw the appearance of the first town halls. The city had 4,700 inhabitants by the end of the 13th century. Mons succeeded Valenciennes as the capital of the county of Hainaut in 1295 and grew to 8,900 inhabitants by the end of the 15th century. In the 1450s, Matheus de Layens took over the construction of the Saint Waltrude church from Jan Spijkens and restored the town hall.

The central square and town hall of Mons with the belfry in the background

Map of Mons in the sixteenth century. Made by Lodovico Guicciardini.[2]

Map of Mons at the siege, 1691

In 1515, Charles V took an oath in Mons as Count of Hainaut. In this period of its history, the city became the target of various occupations, starting in May 1572 with the Protestant takeover by Louis of Nassau, who had hoped to clear the way for the French Protestant leader Gaspard de Coligny to oppose Spanish rule. After the murder of de Coligny during the St. Bartholomew's Day massacre, the Duke of Alba took control of Mons in September 1572 in the name of the Catholic King of Spain. This spelled the ruin of the city and the arrest of many of its inhabitants; from 1580 to 1584, Mons became the capital of the Southern Netherlands.

On 8 April 1691, after a nine-month siege, Louis XIV’s army stormed the city, which again suffered heavy casualties. From 1697 to 1701, Mons was alternately French or Austrian. After being under French control from 1701 to 1709, the Dutch and British armies gained the upper hand in the Battle of Malplaquet and the Siege of Mons in 1709. In 1715, Mons returned to Austria under the terms of the Treaty of Utrecht (1713). But the French did not give up easily; Louis XV besieged the city again in 1746. After the Battle of Jemappes (1792), the Hainaut area was annexed to France and Mons became the capital of the Jemappes district.

Mons fusillade on 17 April 1893

Following the fall of the First French Empire in 1814, King William I of the Netherlands fortified the city heavily. In 1830, however, Belgium gained its independence and the decision was made to dismantle fortified cities such as Mons, Charleroi, and Namur. The actual removal of fortifications only happened in the 1860s, allowing the creation of large boulevards and other urban projects. The Industrial Revolution and coal mining made Mons a center of heavy industry, which strongly influenced the culture and image of the Borinage region as a whole. It was to become an integral part of the sillon industriel, the industrial backbone of Wallonia.

On 17 April 1893, between Mons and Jemappes, seven strikers were killed by the civic guard at the end of the Belgian general strike of 1893.

The proposed law on universal suffrage was approved the day after by the Belgian Parliament.

This general strike was one of the first general strikes in an industrial country.

Canadians entering Mons in 1918 (source: Archives of Ontario)

42nd Battalion marching through the Grand Place, Mons, on the morning of November 11, 1918

On 23–24 August 1914, Mons was the location of the Battle of Mons—the first battle fought by the British Army in World War I. The British were forced to retreat with just over 1,600 casualties, and the town remained occupied by the Germans until its liberation by the Canadian Corps during the final days of the war.

Within the front entrance to the City hall, there are several memorial placards related to the WW1 battles and in particular, one has the inscription:

MONS WAS RECAPTURED BY THE CANADIAN CORPS ON THE 11th NOVEMBER 1918: AFTER FIFTY MONTHS OF GERMAN OCCUPATION, FREEDOM WAS RESTORED TO THE CITY: HERE WAS FIRED THE LAST SHOT OF THE GREAT WAR.

During the Second World War, as an important industrial centre, the city was heavily bombed. During the Battle of the Mons Pocket US Army forces encircled and took 25,000 Germans prisoner in early September 1944.[3]

After the war, most industries went into decline.

NATO's Supreme Headquarters Allied Powers Europe (SHAPE) was relocated in Casteau, a village near Mons, from Rocquencourt on the outskirts of Paris after France's withdrawal from the military structure of the alliance in 1967. The relocation of SHAPE to this particular region of Belgium was largely a political decision, based in large part on the depressed economic conditions of the area at the time with the view to bolstering the economy of the region. A riot in the prison of Mons took place in April 2006 after prisoner complaints concerning living conditions and treatment; no deaths were reported as a result of the riot, but the event focused attention on prisons throughout Belgium. Today, the city is an important university town and commercial centre.

The main square is the centre of the old city. It is situated near the shopping street (pedestrian) and the belfry. It is paved in the manner of old cities and is home to many cafes and restaurants, as well as the town hall.

The outskirts of the place is accessible by car, but it is forbidden to park or drive through the centre.

Each year it is used as an action theatre called Lumeçon to stage a battle between Saint George and Dragon.

The main square is also equipped with a fountain, which opened on 21 March 2006. It also hosts a Christmas market and sometimes an ice rink during the holiday period.

The façade of the building called "au Blan Levrie" shows the care with which the city attempted to unite the old and the modern. It is the first authorised building in the main square which was made of stone to avoid fire incidents. It was originally built in 1530 in the Gothic style, for the Malaperts, a wealthy local family. In 1975, the architects A. Godart and O. Dupire were assigned to design a bank. They proceeded to gut the interior and conduct a precise survey of the whole before beginning the restoration project. The façade was completely restored, sometimes (as below) by extending the design of mouldings, but the fenestration proved impossible to restore as there were not enough clues from the remains of the original to do so. Therefore, "The choice was directed towards a contemporary discrete [style], appearing in second test [?]: they are steel frame whose profiles are thinner. » Impression yet reinforced by the way of which was treated at the entrance gate.[?]"[11]

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  The main square.
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  The house called Blan Levrie.
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  The former St. George's Chapel.
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  The house called de la Toison d’Or.
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  The old hotel in the circle.
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  View of the beginning of the street Nimy and the Church of St. Elizabeth
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  The gardens of the old castle and the romanesque St.Calixte chapel.
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  Rue de la Tour Auberon - faience street sign

Originally its communal organization, Mons was a City Hall called "House of Peace." Earlier the deputy mayors were on the castle of the Counts of Hainaut, and now it is only the conciergerier, Saint-Calixte chapel and some underground rooms and the chamber. This place is now Castle Park, where we can also see the belfry. Already in the 13th century, the counts mentioned the House of Peace, located in Nimy Street. Other documents of the same time let one suppose that there existed two Houses of Peace, the one in Nimy Street and the other in the market area.

It was in 1323 that Count William I gave permission to build the House of Peace on the location of the current City Hall. This is called a "Town House" built of stones and bricks at the base, while the superstructure is of wood. This building underwent various changes during the 15th century until 1477, when the nearby shop in the arsenal exploded.

The destroyed buildings were rebuilt and benefitted from new changes and additions over the centuries.

The architect of the City Hall, Matthew Layens of Leuven, was called to draw up plans. It was to be a building in Gothic style, but it seems that the plan (which was not found) was not completed, including the abandonment of the second floor, which was still intended for construction. The Renaissance campanile was added in the 18th century. It contains a bell dating from 1390, the Bancloque, and carries a clock dial overlooking the Grand Place and a light clock. The 19th century saw various modifications of the façade, the removal of stone mullions to the floor and various stone ornaments.

In its current state, the Town Hall consists of a remarkable collection of various buildings housing a large proportion of municipal services. These buildings have undergone many changes over the centuries, restorations and additions of elements from other buildings, such as a Gothic style fireplace from castle Trazegnies, carved doors of the 16th century saved from demolition, a fireplace from the castle of Gouy-lez-Pedestrian, and another fireplace in 1603 from the Château d'Havré.

On 23 April 2006 was inaugurated a bronze statuary group by Garouste Gerard, creator of a fresco for the wedding hall. The work, evoking the combat of St. George and the dragon, is in front of City Hall at the bottom of the stair-ramps providing access to one of the entrances to City Hall.

Le jardin du maïeur.

These buildings surround a small, irregularly shaped square, the Mayor's Garden, from which the rue d'Enghien descends. The Ropieur Fountain, by sculptor Léon Gobert (1869–1935), can be found in the middle of the square. The ropieur symbolizes a young insolent resident of Mons, drenching passersby with water from the fountain.

Although located in the heart of the old County of Hainaut, the Saint Waltrude Collegiate Church is one of the most characteristic churches and most homogeneous of Brabantine Gothic architecture.[12]

The collegiate was built in the 15th century on the orders of canons. Along with the nearby belfry it is considered as a major symbol of the city of Mons. It contains many works of Jacques du Broeucq.

It is made of local materials like sandstone, blue stone and brick. It is designed in a classic form, which is expressed by a Latin cross sign. It measures 115 metres long, 32 metres wide and rises to 24.5 metres at the keystone. The chancel is surrounded by an ambulatory and 15 chapels.

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  Saint-Waudru Collegiate Church
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  Statue of Saint-Bartholemy in the choir of the Sainte-Waudru Collegiate Church (sculpture by Jacques Du Brœucq)
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  Bas-relief on the western wall in the Sainte-Waudru Collegiate Church
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  The Car d'Or (Golden Carriage) shown in the collegiate church

The belfry

Also called El Catiau by Montois, it was built in the 17th century. The belfry is the only baroque style building in Belgium that reaches a height of 87 meters. In its top section it contains a 49 bell carillon. It was classified as a UNESCO World Heritage Site on 1 December 1999, as part of the Belfries of Belgium and France site.[13]

Victor Hugo described the belfry in a letter to his wife as "a coffeepot flanked by four smaller teapots."[14]

The Press House dates back to the 16th century and is a rare example of a house in traditional Spanish style in Mons. It is made in a simple architectural way using brick. This material was economical and used after the fire in 1548, because when it was rebuilt, the cost of stone had increased. In 1548 the deputy mayor had prohibited the use of flammable materials.

The buildings were restored in 1919–1920, on the plans of the communal architect E. Bertiaux and are occupied by the Maison de la Presse.

The site of the former water machine.

This industrial hall is all that remains of the "machine" that supplied Mons with drinkable water from 1871, the year when the river Trouille was diverted. Designed by the architect Hubert and the engineer Celi Moullan, this impressive machinery of pipes and mains was built in metal and glass and forced the water from the valley level up to the town water tanks in the castle place yard. To source the water, Mons purchased two springs known as the "Mouse Hole" and "La Vallière," and the water was transported via hydraulic motor.

The "water machine" still bears witness to the sanitary and hygiene concerns which arose in Mons in 1865-1870 and marks the transition from medieval water supply wells, springs and hand pumps, to operation of pumps suction and force.

This progress at domestic level transformed the townspeople's way of life and changed the boundaries of Mons and Spiennes. They used to get water from wells or fountains, sometimes over a hundred yards from their homes. Soon followed another urban project: the introduction in 1828 of city gas to illuminate new avenues and streets. These two changes are made possible by the demolition of the fortifications, which releases the land, and the diversion of Trouille including the strategic role of supply ditches was then passed.

The "water machine" was restored in the early 1990s, and the building now hosts various cultural events. The machinery was dismantled.

The main pavillon of the Waux-Hall.

Waux Hall park was built in the 19th century (1862–1864) at the initiative of the Society of Waux Hall created for this purpose by members of the bourgeoisie. It is therefore the source of a private park. It is located at the site of Fort said that the Dutch formed an outwork the last fortification (1815–1864). Remnants of the fort still exist under the current pavillon. The gardens were designed by Louis Fuchs and the central pavilion was built by architect Joseph Hubert in tavern style.

Le noisetier de Byzance remarquable du parc.

The Turkish hazel is one of the remarkable trees in the park. A 5 hectare landscaped park was built in the mid 19th century and consists of age-old trees, water features, lakes and lawns. Various memorials and outdoor sculptures, including works of sculptors Grard, Deville, Hupet, and Guilmot Harvent, are placed. The park also contains various species of age-old trees.

The Technical and Vocational School of Horticulture was established in 1863, it was installed under the authority of the corporation of Waux Hall. It became communal in 1892 at the time of acquisition of Waux Hall by the city of Mons, and then came under the authority of the province of Hainaut in 2006. In 2009 this event was moved to the Grand Place.

La Parfaite Union

The masonic Lodge "The Perfect Union" is the oldest in Belgium[15] and perhaps even on the continent. It was founded in 1721. At that time, Mons became a masonic centre followed by the creation of several new lodges (Vraie et parfaite harmonie (1767), À l'Orient de Mons (1783) et la Ligue équitable (1786)).

After the French Revolution, the meetings were held in different locations, and an event was organised by the Perfect Union for the construction of a permanent building. The plans of the architect Hector Puchot were retained in 1890. The Neo-Egyptian style then became a reference for Masonic architecture, and we can consider the lodge of Mons as a model of its kind with its numerous motifs—"Egyptian" papyrus capitals, frieze lotus bud, etc..

Le Carré des Arts

William Barracks, renamed barracks Major Sabbe after the First World War and named for the 1990 Arts Square, dates from 1824 to 1827, at the time of the United Kingdom of the Netherlands. It is the work of the architect Rémi de Puydt (1789–1844). The façade and roof of the building were listed in 1983 on the advice of the Royal Commission of Monuments, Sites and Excavations.

Maintaining its military purpose until the late 1940s, the building was then used by the Royal Grammar School John Avesnes from the 1960s to the early 1990s. Since the completion of the conversion carried out between 1993 and 1995, Carré des Arts hosts the Graduate School of Arts and visual (ESAPV) and regional television TV Borinage Mons (Tele MB).[16]

Le Rouge-Puits, at the corner of the rue de la Coupe and the rue de la Chaussée.

Three wells, fountains that decorated the streets of Mons have survived until today. This is the case of the fountain-pillory, Louis XVI style, built in 1779 by the blue stone Ouvertus architect.

Built in 1831 by Albert Jamot, this well was transferred to the central Marché-aux-Herbes in 1877 and has served as a fountain after the development of the water supply in the city during the years 1869–1870. It has regained its original location at the corner of the Coupe and the Chaussée in 1981.[17] After the Marché aux Herbes, the fountain (not connected to the water) was placed for a few years in the park at the far end of rue des 4 Fils Aymond.

Les Casemates, place Nervienne.

The casemates and the bakery are the remains of military fortifications dating from the kingdom of the Netherlands (1814–1830). The law dividing the disassembly of the fortifications dates back to 1861.[18] They are located near the Nervienne site. The roof of the old bakery has been transformed into a public park and playground for children, while the casemates accommodate the musée de la Route.

Valenciennois tower

This is the last existing trace of the medieval walls surrounding the city. This defensive structure built of sandstone from Bray was built around 1358. Its walls equipped with loopholes have a thickness of up to 4 meters. The tower has lost about a third of its original size. A project to install a terrace on its top open to the public had just been completed in 2009. The tower has housed a sound installation in the festival of contemporary art audio-visual CitySonics when it reopened.[19]

In 1966, the Council of Ministers decided to build new buildings to house the Courts of Justice:[20] Assize Court, Labour Court, Court of Appeal, Court of Commerce, ... The choice is the site of the former "Hall of exposure." The Building Authority designated as architects for the project the Office Aura (John Bartholomew). The triangular shape of the land has created interior spaces, decreasing in height and width, forming a sort of "cathedral space" underlined by a continuous central luminous line. On this major axis, the "backbone" of the project, has created spaces for encounter and relaxation. The latest techniques have been implemented for the economic management of energy, giving maximum comfort to staff and the public while ensuring the development of architectural building.

Opened in May 2007, by January 2011 all buildings already had developed many problems of water seepage and stability. Thus one of the gateways weighing a hundred kilos came off its hinges and nearly fell on a lawyer who entered, cracks opened between concrete blocks, the joints of windows let in wind and water when it rains in the concourse, etc. The lack of any maintenance contracts might be a significant cause of these problems, since minor problems might otherwise have been prevented from getting worse.[21]