Angie Dickinson

Dickinson came in second at a local preliminary for the Miss America contest, and that got the attention of a casting agent, who landed her a spot as one of six showgirls on The Jimmy Durante Show.[7] The exposure brought her to the attention of a television-industry producer, who asked her to consider a career in acting. She studied the craft and a few years later was approached by NBC to guest-star on a number of variety shows, including The Colgate Comedy Hour. She soon met Frank Sinatra, who became a lifelong friend.

With Clint Walker in Cheyenne, around 1957

On New Year's Eve 1954, Dickinson made her television acting debut in an episode of Death Valley Days. This led to roles in such productions as Matinee Theatre (eight episodes), Buffalo Bill, Jr., City Detective, It's a Great Life (two episodes), Gray Ghost, General Electric Theater, Broken Arrow, The People's Choice (twice), Meet McGraw (twice), Northwest Passage, Gunsmoke, The Virginian, Tombstone Territory, Cheyenne, and The Restless Gun.

In 1956, Dickinson appeared in an episode of The Life and Legend of Wyatt Earp. The next year, she took another small role in Richard Boone's series Have Gun – Will Travel in the episode "A Matter of Ethics".

Angie Dickinson wore yellowface to play an Asian character in China Gate (1957).[8]

In 1958, she was cast as Laura Meadows in the episode "The Deserters" of an ABC/Warner Bros. Western series, Colt .45, with Wayde Preston. That year, she also played the role of defendant Mrs. Fargo in the Perry Mason episode "The Case of the One-Eyed Witness".

Dickinson went on to create memorable characters in Mike Hammer, Wagon Train, and Men into Space. In 1965, she had a recurring role as Carol Tredman on NBC's Dr. Kildare. She had a role as the duplicitous murder conspirator in a 1964 episode of The Fugitive series with David Janssen and fellow guest star Robert Duvall. She played an unfaithful wife and bank robber in the 1958 "Wild Blue Yonder" episode of Rod Cameron's syndicated television series State Trooper. She starred in two Alfred Hitchcock Hour episodes, "Captive Audience" with James Mason on October 18, 1962, and "Thanatos Palace Hotel" with Steven Hill on January 31, 1965.

Dickinson's motion-picture career began with a small, uncredited role in Lucky Me (1954) starring Doris Day, followed by The Return of Jack Slade (1955), Man with the Gun (1955)[9] and Hidden Guns (1956). She had her first starring role in Gun the Man Down (1956) with James Arness, followed by the Sam Fuller cult film China Gate (1957), which depicted an early view of the Vietnam War.

Rejecting the Marilyn Monroe/Jayne Mansfield style of platinum blonde sex symbolism, because she felt it would narrow her acting options, Dickinson initially allowed studios to lighten her naturally brunette hair to only honey-blonde. She appeared early in her career mainly in B-movies or Westerns, including Shoot-Out at Medicine Bend (1957), in which she co-starred with Randolph Scott and James Garner. In the crime drama Cry Terror! (1958), Dickinson had a supporting role opposite James Mason and Rod Steiger as a femme fatale.

Dickinson with John Wayne in Rio Bravo

Dickinson's big-screen breakthrough role came in Howard Hawks' Rio Bravo (1959), in which she played a flirtatious gambler called "Feathers", who becomes attracted to the town sheriff played by Dickinson's childhood idol John Wayne. The film co-starred Dean Martin, Ricky Nelson, and Walter Brennan.

When Hawks sold his personal contract with her to a major studio without her knowledge, she was unhappy. Dickinson nonetheless became one of the more prominent leading ladies of the next decade, beginning with film The Bramble Bush with Richard Burton. She also took a supporting role in Ocean's 11 (1960) with friends Sinatra and Martin.[10]

These were followed by a political potboiler, A Fever in the Blood (1961); a Belgian Congo-based melodrama, The Sins of Rachel Cade (1961), in which she played a missionary nurse tempted by lust; a scheming woman in Rome Adventure (1962), filmed in Italy; and the title role in Jean Negulesco's Jessica (1962) with Maurice Chevalier, in which she played a young midwife resented by the married women of the town, set in Sicily. Angie also shared the screen with friend Gregory Peck as a military nurse in the dark comedy Captain Newman, M.D. (1963).

For The Killers (1964), originally intended to be the first made-for-television movie, but released to theaters due to its violent content and entertainment value, Dickinson played a femme fatale opposite future U.S. President Ronald Reagan in his last movie role. Directed by Don Siegel, it was a remake of the 1946 version based on a story by Ernest Hemingway and the only film Reagan made in which he was cast as a villain. He viciously slaps Dickinson in one of the film's scenes.[11]

Dickinson co-starred in the comedy The Art of Love (1965), playing the love interest of both James Garner and Dick Van Dyke. She joined a star-studded Arthur Penn/Sam Spiegel production, The Chase (1966), along with Marlon Brando, Jane Fonda, Robert Redford, and Robert Duvall. That same year, she was featured in Cast a Giant Shadow, a war story with Kirk Douglas.[10]

Dickinson's best movie of this era is reputed to be John Boorman's cult classic Point Blank (1967), a crime drama with Lee Marvin as a criminal betrayed by his wife and best friend and out for revenge. The film epitomized the stark urban mood of the period, and its reputation has grown through the years.[12]

Westerns continued to be a part of her work in the late 1960s, when she starred in The Last Challenge opposite Glenn Ford, in Young Billy Young with Robert Mitchum, and Sam Whiskey with Burt Reynolds.

In 1971, she played a lascivious substitute high-school teacher in the dark comedy Pretty Maids All in a Row which also starred Rock Hudson and Telly Savalas, for director Roger Vadim and writer-producer Gene Roddenberry. In the film, her character seduces a sexually inexperienced student, portrayed by John David Carson, against the backdrop of a series of murders of female students at the same high school. Pretty Maids All In A Row drew hostile critical reviews, and was a box-office failure.[13]

Also in 1971, she portrayed the ambitious wife of Robert Culp in the television movie See the Man Run, and starred alongside Leslie Nielsen in The Resurrection of Zachary Wheeler. In The Outside Man (1972), a French movie shot in Los Angeles, with Jean-Louis Trintignant, directed by Jacques Deray, she plays the beautiful but corrupt wife of a mobster. In 1973, she co-starred with Roy Thinnes in the supernatural thriller The Norliss Tapes, a television movie produced and directed by Dan Curtis that in later years attained a modest cult following.[14]

One of Dickinson's best-known and most sexually provocative movie roles followed, that of the tawdry widow Wilma McClatchie from the Great Depression romp Big Bad Mama (1974) with William Shatner and Tom Skerritt. In her 40s at the time, she appeared nude in several scenes, which created interest in the movie and a new generation of male fans for Dickinson.[15]

A 1966 Esquire cover gained Dickinson additional fame and notoriety, her having posed in nothing but a sweater and a pair of panty hose. The photo became so iconic, that while celebrating the magazine's 70th anniversary in 2003, the Dickinson pose was recreated for the cover by Britney Spears.[16]

Dickinson in Police Woman, 1976

Dickinson returned to the small screen in March 1974 for an episode of the critically acclaimed hit anthology series Police Story. The guest appearance proved to be so popular, NBC offered Dickinson her own television show, which became a ground-breaking weekly series called Police Woman; it was the first successful dramatic TV series to feature a woman in the title role. At first, Dickinson was reluctant, but when producers told her she could become a household name, she accepted the role. It co-starred Earl Holliman as Sergeant Bill Crowley, Anderson's commanding officer, along with Charles Dierkop as investigator Pete Royster and Ed Bernard as investigator Joe Styles. In the series, Dickinson played Sergeant "Pepper" Anderson, an officer of the Los Angeles Police Department's Criminal Conspiracy Unit, who often works undercover. The series became a hit, reaching number one in many countries in which it aired during its first year. It ran for four seasons and Dickinson won a Golden Globe Award, and received Emmy Award nominations for Best Lead Actress in a Dramatic Series three consecutive years. However, in a 2019 interview, Dickinson said that she regretted having done the series, since the remuneration was inadequate and it left her with little time for other projects.[17]

Dickinson acknowledged her sex symbol role, stating "Are my legs exploited? Well, that's all I have got to sell". While observing that "essentially a woman's job is being a woman", she disliked repeatedly doing Police Woman scenes "where the phone rings while I'm taking a bath".[18] In 1978, the same year the show ended, Dickinson reprised her Pepper Anderson character on the television special Ringo, co-starring with Ringo Starr and John Ritter. She also parodied the role in the 1975 and 1979 Bob Hope Christmas specials for NBC. She did the same years later on the 1987 Christmas episode of NBC's Saturday Night Live.

According to Dickinson, Police Woman caused a surge of applications for employment from women to police departments around the United States.[19]

Dickinson and Police Woman influenced later female-starring, hour-long TV series such as Charlie's Angels,[18] Wonder Woman, The Bionic Woman, and Cagney & Lacey. In 1987, the Los Angeles Police Department awarded Dickinson an honorary doctorate, which led her to quip, "Now you can call me Doctor Pepper."

On occasion during the 1970s, Dickinson took part in the popular Dean Martin Celebrity Roast on television, and she was the guest of honor on August 2, 1977, roasted by a dais of celebrities that included James Stewart, Orson Welles, and her Police Woman series co-star Earl Holliman.

Having done a television series plus the miniseries Pearl (1978) about the Pearl Harbor bombing of 1941, Dickinson's career in feature films appeared to be in decline, but she returned to the big screen in Brian De Palma's erotic thriller Dressed to Kill (1980), for which she gained considerable notice, particularly for a long, silent scene in a museum before the character meets her fate. The role of Kate Miller, a sexually frustrated New York housewife, earned her a 1981 Saturn Award for Best Actress. "The performers are excellent," wrote Vincent Canby in his July 25, 1980 The New York Times review, "especially Miss Dickinson."

Angie Dickinson at 61st Academy Awards in 1989

She took a less substantial role in Death Hunt (1981), which reunited her with Lee Marvin, and also appeared in Charlie Chan and the Curse of the Dragon Queen. Earlier that year, she had been the first choice to play the character Krystle Carrington on the television series Dynasty, but deciding she wanted to spend more time with her daughter, she turned it down; the role instead went to Linda Evans.[20] In the mid-1980s, Dickinson declined the role of Sable Colby on the Dynasty spin-off, The Colbys.[21]

After turning down her own Johnny Carson-produced prospective sitcom, The Angie Dickinson Show, in 1980 after only two episodes had been shot because she did not feel she was funny enough, the private-eye series Cassie & Co. became her unsuccessful attempt at a television comeback. She then starred in several television movies, such as One Shoe Makes It Murder (1982), Jealousy (1984), A Touch of Scandal (1984), and Stillwatch (1987). She had a pivotal role in the highly rated miniseries Hollywood Wives (1985), based on a novel by Jackie Collins.

In 1982, and again in 1986, Dickinson appeared in two of Perry Como's Christmas specials for the ABC television network, in both of which she did something she was not known to have done before: singing. Dickinson later denied having sung on camera since the two Como specials in an interview with Larry King, which he conducted at the approximate time of her appearance in Duets.

In motion pictures, Dickinson reprised her role as Wilma McClatchie for Big Bad Mama II (1987) and completed the television movie Kojak: Fatal Flaw, in which she was reunited with Telly Savalas. She co-starred with Willie Nelson and numerous buddies in the television Western Once Upon a Texas Train (1988).

She was presented one of the Golden Boot Awards in 1989 for her contributions to Western cinema.

In the ABC miniseries Wild Palms (1993), produced by Oliver Stone, she was the sadistic, militant sister of Senator Tony Kruetzer, played by Robert Loggia. That same year, she starred as a ruthless Montana spa owner in Gus Van Sant's Even Cowgirls Get the Blues with Uma Thurman. In November of that year, she walked off the set of a proposed This Is Your Life special for her, refusing to participate in the show.[22]

In 1995, Sydney Pollack cast her as the prospective mother-in-law of Greg Kinnear in the romantic comedy Sabrina starring Harrison Ford, a remake of the Billy Wilder classic. She played Burt Reynolds' wife in the thriller The Maddening and the mother of Rick Aiello and Robert Cicchini in the National Lampoon comedy The Don's Analyst. In 1997, she seduced old flame Artie (Rip Torn) in an episode of HBO's The Larry Sanders Show called "Artie and Angie and Hank and Hercules".

Dickinson acted out the alcoholic, homeless mother of Helen Hunt's character in Pay It Forward (2000), the grandmother of Gwyneth Paltrow's character in the drama Duets (2000), and the mother of Arliss Howard's character in Big Bad Love (2001), co-starring Debra Winger.

Having appeared in the original Ocean's 11 (1960) with good friends Frank Sinatra and Dean Martin, four decades later, she made a brief cameo in the 2001 remake with George Clooney and Brad Pitt.

An avid poker player, during the summer of 2004, she participated in the second season of Bravo's Celebrity Poker Showdown. After announcing her name, host Dave Foley said, "Sometimes, when we say 'celebrity', we actually mean it." Also in 2004, Dickinson appeared in the comedy Elvis Has Left the Building, playing an ex-mechanic and the mother of Kim Basinger's character.

Dickinson is a recipient of the state of North Dakota's Rough Rider Award.

In 1999, Playboy ranked Dickinson number 42 on their list of the "100 Sexiest Stars of the Century". In 2002, TV Guide ranked her number three on a list of the "50 Sexiest Television Stars of All Time", behind Diana Rigg and George Clooney (who tied for number one).

In 2009, Dickinson starred in a Hallmark Channel drama, Mending Fences co-starring Laura Leighton. It is her last acting credit to date.

• 1975 – Best Actress in a Drama Series for Police Woman – nominated
• 1976 – Best Actress in a Drama Series for Police Woman – nominated
• 1977 – Best Actress in a drama Series for Police Woman – nominated

• 1960 – New Star Actress of the Year – won
• 1975 – Best Actress in a Drama Series for Police Woman – won
• 1976 – Best Actress in a Drama Series for Police Woman – nominated
• 1977 – Best Actress in a Drama Series for Police Woman – nominated
• 1978 – Best Actress in a Drama Series for Police Woman – nominated

• 1980 – Best Actress for Dressed to Kill – won

• 1987 – Received a star on the Hollywood Walk of Fame for her contribution to television