61st Academy Awards

The 61st Academy Awards ceremony, organized by the Academy of Motion Picture Arts and Sciences (AMPAS), honored the best films of 1988, and took place on Wednesday, March 29, 1989, at the Shrine Auditorium in Los Angeles, beginning at 6:00 p.m. PST / 9:00 p.m. EST.[1] During the ceremony, AMPAS presented Academy Awards (commonly referred to as Oscars) in 23 categories. The ceremony, televised in the United States by ABC, was produced by Allan Carr and directed by Jeff Margolis.[1] Ten days earlier, in a ceremony held at the Beverly Hills Hotel in Beverly Hills, California, the Academy Awards for Technical Achievement were presented by host Angie Dickinson.[2]

61st Academy Awards
Official poster
DateMarch 29, 1989
SiteShrine Auditorium
Los Angeles, California, U.S.
Produced byAllan Carr
Directed byJeff Margolis
Highlights
Best PictureRain Man
Most awardsRain Man (4)
Most nominationsRain Man (8)
TV in the United States
NetworkABC
Duration3 hours, 19 minutes
Ratings42.68 million
29.81% (Nielsen ratings)

Rain Man won four awards, including the Best Picture. Other winners included Who Framed Roger Rabbit with four awards, Dangerous Liaisons with three, and The Accused, The Accidental Tourist, A Fish Called Wanda, The Appointments of Dennis Jennings, Beetlejuice, Bird, Hôtel Terminus: The Life and Times of Klaus Barbie, The Milagro Beanfield War, Mississippi Burning, Pelle the Conqueror, Tin Toy, Working Girl, and You Don't Have to Die with one. The telecast garnered over 42 million viewers in the United States, making the most viewed ceremony up to that point until it was surpassed by the 70th Academy Awards in 1998, which garnered a viewership of over 57 million.[3][4]

Winners and nominees

The nominees for the 61st Academy Awards were announced on February 15, 1989, at the Samuel Goldwyn Theater in Beverly Hills, California, by Richard Kahn, president of the Academy, and actress Anne Archer.[5] Rain Man led all nominees, with eight nominations; Dangerous Liaisons and Mississippi Burning tied for second with seven each.[6]

The winners were announced at the award ceremony on March 29, 1989.[7] Best Actress winner Jodie Foster became the eighth person in history to win the aforementioned category for a film with a single nomination. The last person to achieve this feat was Sophia Loren when she won for Two Women in 1961. Best Actor winner Dustin Hoffman was the fifth person to win the aforementioned category twice.[8] Sigourney Weaver became the fifth performer to receive two acting nominations in the same year[9] but did not win in either category.[10] John Lasseter and William Reeves won Best Animated Short Film for Tin Toy, which was Pixar's first Oscar ever and was the first CGI film to win an Oscar.[11]

Awards

Barry Levinson, Best Director winner
Dustin Hoffman, Best Actor winner
Jodie Foster, Best Actress winner
Kevin Kline, Best Supporting Actor winner
Geena Davis, Best Supporting Actress winner
Christopher Hampton, Best Adapted Screenplay winner
John Lasseter, Best Animated Short Film co-winner
William Reeves, Best Animated Short Film co-winner
Dave Grusin, Best Original Score winner
Carly Simon, Best Original Song winner
Richard Williams, Best Visual Effects co-winner

Winners are listed first, highlighted in boldface and indicated with double dagger ().[12]

Best Picture
  • Rain Man – Mark Johnson, producer
    • The Accidental Tourist Lawrence Kasdan, Charles Okun and Michael Grillo, producers
    • Dangerous Liaisons – Norma Heyman and Hank Moonjean, producers
    • Mississippi Burning – Frederick Zollo and Robert F. Colesberry, producers
    • Working Girl – Douglas Wick, producer
Best Screenplay Written Directly for the Screen
  • Rain Man – Screenplay by Ronald Bass and Barry Morrow; Story by Barry Morrow
    • Big – Gary Ross and Anne Spielberg
    • Bull Durham – Ron Shelton
    • A Fish Called Wanda – Screenplay by John Cleese; Story by John Cleese and Charles Crichton
    • Running on Empty – Naomi Foner
Best Screenplay Based on Material from Another Medium
  • Dangerous Liaisons – Christopher Hampton based on the play Les Liaisons Dangereuses by Christopher Hampton and the novel by Pierre Choderlos de Laclos
    • The Accidental Tourist – Frank Galati and Lawrence Kasdan based on the novel by Anne Tyler
    • Gorillas in the Mist – Screenplay by Anna Hamilton Phelan; Story by Anna Hamilton Phelan and Tab Murphy based on articles by Harold T.P. Hayes and Alex Shoumatoff
    • Little Dorrit – Christine Edzard based on the novel by Charles Dickens
    • The Unbearable Lightness of Being – Jean-Claude Carrière and Philip Kaufman based on the novel by Milan Kundera
Best Foreign Language Film
Best Documentary Feature
  • Hôtel Terminus: The Life and Times of Klaus Barbie – Marcel Ophuls
    • The Cry of Reason: Beyers Naude - An Afrikaner Speaks Out – Robert Bilheimer and Ronald Mix
    • Let's Get Lost – Bruce Weber and Nan Bush
    • Promises to Keep – Ginny Durrin
    • Who Killed Vincent Chin? – Renee Tajima and Christine Choy
Best Documentary Short Subject
  • You Don't Have to Die – William Guttentag and Malcolm Clarke
    • The Children's Storefront – Karen Goodman
    • Family Gathering – Lise Yasui and Ann Tegnell
    • Gang Cops – Thomas B. Fleming and Daniel J. Marks
    • Portrait of Imogen – Nancy Hale and Meg Partridge
Best Live Action Short Film
  • The Appointments of Dennis Jennings – Dean Parisot and Steven Wright
    • Cadillac Dreams – Matia Karrell and Abbee Goldstein
    • Gullah Tales – George deGolian and Gary Moss
Best Animated Short Film
  • Tin Toy John Lasseter and William Reeves
    • The Cat Came Back – Cordell Barker
    • Technological Threat – Bill Kroyer and Brian Jennings
Best Original Score
  • The Milagro Beanfield War – Dave Grusin
Best Original Song
  • "Let the River Run" from Working Girl – Music and Lyrics by Carly Simon
    • "Calling You" from Bagdad Cafe – Music and Lyrics by Bob Telson
    • "Two Hearts" from Buster – Music by Lamont Dozier; Lyrics by Phil Collins
Best Sound
  • Bird – Les Fresholtz, Dick Alexander, Vern Poore, and Willie D. Burton
    • Die Hard – Don Bassman, Kevin F. Cleary, Richard Overton, and Al Overton Jr.
    • Gorillas in the Mist – Andy Nelson, Brian Saunders, and Peter Handford
    • Mississippi Burning – Robert J. Litt, Elliot Tyson, Rick Kline, and Danny Michael
    • Who Framed Roger Rabbit – Robert Knudson, John Boyd, Don Digirolamo, and Tony Dawe
Best Sound Effects Editing
Best Art Direction
  • Dangerous Liaisons – Art Direction: Stuart Craig; Set Decoration: Gérard James
    • Beaches – Art Direction: Albert Brenner; Set Decoration: Garrett Lewis
    • Rain Man – Art Direction: Ida Random; Set Decoration: Linda DeScenna
    • Tucker: The Man and His Dream – Art Direction: Dean Tavoularis; Set Decoration: Armin Ganz
    • Who Framed Roger Rabbit – Art Direction: Elliot Scott; Set Decoration: Peter Howitt
Best Makeup
  • Beetlejuice – Ve Neill, Steve La Porte, and Robert Short
    • Coming to America – Rick Baker
    • Scrooged – Thomas R. Burman and Bari Dreiband-Burman
Best Costume Design
  • Dangerous Liaisons – James Acheson
    • Coming to America – Deborah Nadoolman Landis
    • A Handful of Dust – Jane Robinson
    • Sunset – Patricia Norris
    • Tucker: The Man and His Dream – Milena Canonero
Best Cinematography
Best Film Editing
Best Visual Effects
  • Who Framed Roger Rabbit – Ken Ralston, Richard Williams, Edward Jones, and George Gibbs
    • Die Hard – Richard Edlund, Al DiSarro, Brent Boates, and Thaine Morris
    • Willow – Dennis Muren, Michael J. McAlister, Phil Tippett, and Chris Evans

Academy Honorary Awards

Special Achievement Award

Films with multiple nominations and wins

Presenters and performers

The following individuals, listed in order of appearance, presented awards or performed musical numbers:[16]

Presenters

Name(s)Role
Charlie O'DonnellAnnouncer for the 61st annual Academy Awards
Richard Kahn (AMPAS president)Gave opening remarks welcoming guests to the awards ceremony
Tom SelleckIntroducers of presenters Melanie Griffith and Don Johnson
Melanie Griffith
Don Johnson
Presenters of the award for Best Supporting Actress
Jane FondaPresenter of the film Rain Man on the Best Picture segment
Kim Novak
James Stewart
Presenters of the awards for Best Sound and Best Sound Effects Editing
Robert Downey Jr.
Cybill Shepherd
Presenters of the award for Best Makeup
Patrick SwayzePresenter of film tribute to 1950s movie musicals and the award for Best Original Score
Olivia Newton-JohnIntroducer of presenters Donald Sutherland and Kiefer Sutherland
Donald Sutherland
Kiefer Sutherland
Presenters of the Academy Honorary Award to the National Film Board of Canada
Anjelica HustonPresenter of the film Mississippi Burning on the Best Picture segment
Willem Dafoe
Gene Hackman
Presenters of the award for Best Art Direction
Bo Derek
Dudley Moore
Presenters of the award for Best Costume Design
Billy CrystalPresenter of the movie tap dancers and Best Original Song performances montage
Sammy Davis Jr.
Gregory Hines
Presenters of the award for Best Original Song
Candice Bergen
Jacqueline Bisset
Jack Valenti
Presenters of the award for Best Foreign Language Film
Barbara HersheyPresenter of the film The Accidental Tourist on the Best Picture segment
Michael Caine
Sean Connery
Roger Moore
Presenters of the award for Best Supporting Actor
Beau Bridges
Jeff Bridges
Lloyd Bridges
Presenters of the award Best Visual Effects
Walter MatthauIntroducer of presenters Lucille Ball and Bob Hope
Lucille Ball
Bob Hope
Introducers of the performance of the "I Wanna Be an Oscar Winner" musical number
Geena Davis
Jeff Goldblum
Presenters of the award for Best Documentary Short Subject
Edward James Olmos
Max von Sydow
Presenters of the award for Best Documentary Feature
Anne ArcherPresenter of the film Dangerous Liaisons on the Best Picture segment
Charles Fleischer
Robin Williams
Presenters of the Special Achievement Academy Award to Richard Williams
Demi Moore
Bruce Willis
Presenter of the award for Best Cinematography
Carrie Fisher
Martin Short
Presenters of the awards for Best Live Action Short Film and Best Animated Short Film
Michael DouglasPresenter of the award for Best Actor
Ali MacGrawPresenter of the film Working Girl on the Best Picture segment
Farrah Fawcett
Ryan O'Neal
Presenters of the award for Best Film Editing
Angie DickinsonPresenter of the segment of the Academy Awards for Technical Achievement and the Gordon E. Sawyer Award
Richard Dreyfuss
Amy Irving
Presenters of the award Best Original Screenplay
Michelle Pfeiffer
Dennis Quaid
Presenters of the award for Best Adapted Screenplay
Goldie Hawn
Kurt Russell
Presenters of the award for Best Director
Tom Cruise
Dustin Hoffman
Presenters of the award for Best Actress
CherPresenter of the award for Best Picture

Performers

Name(s)RolePerformed
Marvin HamlischMusical arrangerOrchestral
Army Archerd
Eileen Bowman
Coral Browne
Cyd Charisse
Dale Evans
Alice Faye
Merv Griffin
Dorothy Lamour
Rob Lowe
Tony Martin
Vincent Price
Buddy Rogers
Roy Rogers
Lily Tomlin
Performers

"I Only Have Eyes for You" from Dames
"You Are My Lucky Star" from Broadway Melody of 1936
"I've Got a Lovely Bunch of Coconuts"
"Proud Mary"
"Hooray for Hollywood" from Hollywood Hotel

Keith Coogan
Patrick Dempsey
Corey Feldman
Joely Fisher
Tricia Leigh Fisher
Savion Glover
Carrie Hamilton
Melora Hardin
Ricki Lake
Matt Lattanzi
Chad Lowe
Tracy Nelson
Patrick O'Neal
Corey Parker
D. A. Pawley
Tyrone Power Jr.
Holly Robinson
Christian Slater
Blair Underwood
Performers"(I Wanna Be an) Oscar Winner"

The ceremony

Allan Carr served as producer for the 61st Academy Awards.
Amy Irving at the Governor's Ball after the Awards.

In an attempt to attract viewers to the telecast and increase interest in the festivities, the Academy hired film producer and veteran Oscar ceremony executive talent coordinator Allan Carr to produce the 1989 ceremony.[17][18] In interviews with various media outlets, he expressed that it was a dream come true to produce the Oscars.[19]

Notable changes were introduced in the production of the telecast. For the first time, presenters announced each winner with the phrase "And the Oscar goes to..." rather than "And the winner is...".[20] The green room where Oscar presenters, performers, and winners gathered backstage was transformed into a luxurious suite complete with furniture, pictures, refreshments, and other amenities called "Club Oscar".[21] Instead of hiring a host for the proceedings, Carr heavily relied on presenters often grouped in pairs that had some connection, either through family or the film industry (a theme he billed as "couples, companions, costars, and compadres");[22][23][24][25] not until 2019 would another ceremony lack a host.[26]

Several other people were involved in the production of the ceremony. Jeff Margolis served as director of the telecast.[27] Lyricist and composer Marvin Hamlisch was hired as musical supervisor of the festivities.[28] Comedian and writer Bruce Vilanch was hired as a writer for the broadcast, a role he filled until 2014.[29] Carr had also rounded up eighteen young stars, including Patrick Dempsey, Corey Feldman, Ricki Lake, and Blair Underwood, to perform in a musical number entitled "I Wanna Be an Oscar Winner".[30] Unlike in most Oscar ceremonies, however, Carr announced that none of the three songs nominated for Best Original Song would be performed live.[24]

The telecast was also remembered for being the final public appearance of actress and comedian Lucille Ball, where she and co-presenter Bob Hope were given a standing ovation.[31] On April 26, almost a month after the ceremony, she died from a dissecting aortic aneurysm at age 77.[32]

Opening number

In an effort to showcase more glamour and showmanship in the ceremony, producer Carr hired playwright Steve Silver to co-produce an opening number inspired by Silver's long-running musical revue Beach Blanket Babylon.[33] The segment consisted of an elaborate stage show centered on actress Eileen Bowman dressed as Snow White from Disney's Snow White and the Seven Dwarfs, who comes to Hollywood and is entranced by its glamour.[33] Like Beach Blanket Babylon, the opening act also featured dancers wearing giant, elaborate hats.[33] In a setting designed to resemble the Cocoanut Grove nightclub, Hollywood dignitaries such as actresses Alice Faye, Dorothy Lamour, Cyd Charisse, her husband Tony Martin, as well as Buddy Rogers and Vincent Price were prominently featured, while singer and television producer Merv Griffin sang a rendition of the song "I've Got a Lovely Bunch of Coconuts" (of which he had had a hit recording in 1949). Bowman and actor Rob Lowe then sang a reworked version of Creedence Clearwater Revival's "Proud Mary", with lyrics rewritten to refer to the film industry; it is this song for which the act is infamously remembered.[33]

Critical reviews and public reaction

The show was panned by most of the media publications. Los Angeles Times television critic Howard Rosenberg lamented, "the Academy Awards telecast on ABC was surprisingly devoid of magic. It was on the musty side, and compared with last month's Grammycast, absolutely moribund."[34] Film critic Janet Maslin chastised the opening number, saying it "deserves a permanent place in the annals of Oscar embarrassments". She also bemoaned that the "I Wanna Be an Oscar Winner" number "was confusingly shot and inspired no confidence in Hollywood's future".[35] Television editor Tony Scott of Variety complained, "The 61st Annual Academy Awards extravaganza—seen in 91 different countries including, for the first time, the Soviet Union—turned out to be a TV nyet" He also observed that the "Break-Out Superstars number" looked like they were "cavorting around a giant Oscar as if it were the golden calf".[36]

The telecast also received a mixed reception from professionals within the show business industry. Talent agent Michael Ovitz praised Carr saying that he had "brought show business back to the movie business". Actress Jennifer Jones thanked Carr in a written letter to the producer, which read "You delivered."[37] On the other hand, seventeen people, including actors Paul Newman, Gregory Peck, and Julie Andrews, and directors Billy Wilder and Joseph L. Mankiewicz, signed an open letter deriding the telecast as "an embarrassment to both the Academy and the entire motion picture industry".[38]

There has been speculation that some of the blowback against the ceremony, which was the first produced by an openly gay person and which prominently featured a musical number based on a gay nightclub show, was homophobic in nature,[39] although others, such as Bruce Vilanch and David Geffen, have challenged that assessment.[40]

In addition, The Walt Disney Company filed suit against AMPAS for use of the likeness of Snow White.[41] The lawsuit demanded unspecified damages for "copyright infringement, unfair competition, and dilution of business reputation".[4] Academy President Richard Kahn immediately issued an apology to the studio, and the lawsuit was subsequently dropped.[42]

Bowman has claimed that she was made to sign a gag order the next day prohibiting her from speaking to the press about her performance for the next 13 years. She finally spoke about it publicly in a 2013 interview, in which she described the performance as looking "like a gay bar mitzvah".[43]

Ratings and aftermath

Despite the criticism regarding the production of the ceremony, the American telecast on ABC drew in an average of 42.68 million people over its length, which was a 1% increase from the previous year's ceremony.[3][44] The show also drew higher Nielsen ratings compared to the previous ceremony, with 29.81% of households watching over a 50.41 share.[3] It was the highest-rated Oscar broadcast since the 56th ceremony, held in 1984.[4]

Nevertheless, AMPAS created an Awards Presentation Review Committee to evaluate and determine why the telecast earned such a negative reaction from the media and the entertainment industry.[4] The committee later determined that Carr's biggest mistake was allowing the questionable opening number to run for 12 minutes. Producer and former Directors Guild of America president Gilbert Cates, who headed the committee, said that Carr would have not received such harsh criticism if the number had been much shorter.[4] Cates was subsequently hired as producer of the succeeding year's telecast.[45]

According to various showbiz insiders and reporters, the criticism and backlash from the ceremony resulted in Carr never again producing a film or theatrical show. He died from complications resulting from liver cancer on June 29, 1999, at the age of 62.[33][4]

Box office performance of nominees

At the time of the nominations announcement on February 15, the combined gross of the five Best Picture nominees at the US box office was $188 million, with an average of $37.7 million per film.[46] Rain Man was the highest earner among the Best Picture nominees, with $97 million in domestic box office receipts.[46] The film was followed by Working Girl ($42.1 million), The Accidental Tourist ($24.2 million), Mississippi Burning ($18.6 million), and finally Dangerous Liaisons ($6.69 million).[46]

Of the top 50 grossing movies of the year, 52 nominations went to 13 films. Only Big (3rd), Rain Man (5th), Working Girl (21st), The Accused (32nd), The Accidental Tourist (38th), Gorillas in the Mist (40th), Mississippi Burning (45th), and Tucker: The Man and His Dream (50th) were nominated for Best Picture, directing, acting, or screenwriting. The other top 50 box office hits that earned nominations were Who Framed Roger Rabbit (1st), Coming to America (2nd), Die Hard (7th), Beetlejuice (9th), and Willow (12th).

See also

  • 9th Golden Raspberry Awards
  • 31st Grammy Awards
  • 41st Primetime Emmy Awards
  • 42nd British Academy Film Awards
  • 43rd Tony Awards
  • 46th Golden Globe Awards
  • List of submissions to the 61st Academy Awards for Best Foreign Language Film

References

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Bibliography

  • Hofler, Robert (2010). Party Animals : A Hollywood Tale of Sex, Drugs, and Rock 'n' Roll Starring the Fabulous Allan Carr. Cambridge, Massachusetts, United States: Da Capo Press. ISBN 978-0-306-81655-0. OCLC 779680732.
  • Levy, Emanuel (2003). All About Oscar: The History and Politics of the Academy Awards. New York, United States: Continuum International Publishing Group. ISBN 0-8264-1452-4.
  • Osborne, Robert (2008). 80 Years of the Oscar: The Complete History of the Academy Awards. New York, United States: Abbeville Publishing Group. ISBN 978-0-7892-0992-4.
  • Pond, Steve (2005). The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards. New York, United States: Faber and Faber. ISBN 0-571-21193-3.
  • Wiley, Mason; Bona, Damien (1996). Inside Oscar: The Unofficial History of the Academy Awards (5 ed.). New York, United States: Ballantine Books. ISBN 0-345-40053-4. OCLC 779680732.

Official websites

Analysis

Other resources

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