Amrita Pritam

Amrita Pritam was born as Amrit Kaur in 1919 in Gujranwala, Punjab, in present-day Pakistan,[2] the only child of Raj Bibi, who was a school teacher, and Kartar Singh Hitkari, who was a poet, a scholar of the Braj Bhasha language, and the editor of a literary journal.[8][9] Besides this, he was a pracharak – a preacher of the Sikh faith.[10] Amrita's mother died when she was eleven. Soon after, she and her father moved to Lahore, where she lived till her migration to India in 1947. Confronting adult responsibilities and besieged by loneliness following her mother's death, she began to write at an early age. Her first anthology of poems, Amrit Lehran ("Immortal Waves") was published in 1936, at age sixteen, the year she married Pritam Singh, an editor to whom she was engaged in early childhood, and changed her name from Amrit Kaur to Amrita Pritam.[11] Half a dozen collections of poems followed between 1936 and 1943.

Though she began her journey as a romantic poet, soon she shifted gears,[6] and became part of the Progressive Writers' Movement and its effect was seen in her collection, Lok Peed ("People's Anguish", 1944), which openly criticised the war-torn economy, after the Bengal famine of 1943. She was also involved in social work to a certain extent and participated in such activities wholeheartedly, after Independence when social activist Guru Radha Kishan took the initiative to bring the first Janta Library in Delhi, which was inaugurated by Balraj Sahni and Aruna Asaf Ali and contributed to the occasion accordingly. This study centre cum library is still running at Clock Tower, Delhi. She also worked at a radio station in Lahore for a while, before the partition of India.[12]

M. S. Sathyu, the director of the partition movie Garam Hava (1973), paid a theatrical tribute to her through his performance 'Ek Thee Amrita'.

One million people, Hindus, Sikhs and Muslims died from communal violence that followed the partition of India in 1947, and left Amrita Pritam a Punjabi refugee at age 28, when she left Lahore and moved to New Delhi. Subsequently, in 1947, while she was pregnant with her son, and travelling from Dehradun to Delhi, she expressed anguish on a piece of paper[13] like the poem, "Ajj Aakhaan Waris Shah Nu" (I ask Waris Shah Today); this poem was to later immortalize her and become the most poignant reminder of the horrors of Partition. The poem addressed to the Sufi poet Waris Shah, author of the tragic saga of Heer and Ranjah and with whom she shares her birthplace.[14]

Amrita Pritam worked until 1961 in the Punjabi service of All India Radio, Delhi. After her divorce in 1960, her work became more feminist. Many of her stories and poems drew on the unhappy experience of her marriage. A number of her works have been translated into English, French, Danish, Japanese, Mandarin, and other languages from Punjabi and Urdu, including her autobiographical works Black Rose and Rasidi Ticket (Revenue Stamp).

The first of Amrita Pritam's books to be filmed was Dharti Sagar te Sippiyan, as Kadambari (1965), followed by Unah Di Kahani, as Daaku (Dacoit, 1976), directed by Basu Bhattacharya.[15] Her novel Pinjar (The Skeleton, 1950) narrates the story of partition riots along with the crisis of women who suffered during the times. It was made into an award-winning Hindi movie by Chandra Prakash Dwivedi, because of its humanism: "Amritaji has portrayed the suffering of people of both the countries." Pinjar was shot in a border region of Rajasthan and Punjab.

She edited Nagmani, a monthly literary magazine in Punjabi for several years, which she ran together with Imroz, for 33 years; though after Partition she wrote prolifically in Hindi as well.[1][16] Later in life, she turned to Osho and wrote introductions for several books of Osho, including Ek Onkar Satnam,[17] and also started writing on spiritual themes and dreams, producing works like Kaal Chetna ("Time Consciousness") and Agyat Ka Nimantran ("Call of the Unknown").[18] She had also published autobiographies, titled, Kala Gulab ("Black Rose", 1968), Rasidi Ticket ("The Revenue Stamp", 1976), and Aksharon kay Saayee ("Shadows of Words").[8][19]

Amrita was the first recipient of Punjab Rattan Award conferred upon her by Punjab Chief Minister Capt. Amarinder Singh. She was the first female recipient of the Sahitya Akademi Award in 1956 for Sunehadey (poetic diminutive of the Punjabi word "ਸੁਨੇਹੇ" (Sunehe), Messages), Amrita Pritam received the Bhartiya Jnanpith Award, India's highest literary award, in 1982 for Kagaj te Canvas (Paper and Canvas).[20] She received the Padma Shri (1969) and Padma Vibhushan, India's second highest civilian award, and Sahitya Akademi Fellowship, India's highest literary award, also in 2004. She received D.Litt. honorary degrees, from many universities including, Delhi University (1973), Jabalpur University (1973) and Vishwa Bharati (1987).[21]

She also received the international Vaptsarov Award from the Republic of Bulgaria (1979) and Degree of Officer dens, Ordre des Arts et des Lettres (Officier) by the French Government (1987).[1] She was nominated as a member of Rajya Sabha 1986–92. Towards the end of her life, she was awarded by Pakistan's Punjabi Academy, to which she had remarked, Bade dino baad mere Maike ko meri Yaad aayi.. (My motherland has remembered me after a long time); and also Punjabi poets of Pakistan, sent her a chaddar, from the tombs of Waris Shah, and fellow Sufi mystic poets Bulle Shah and Sultan Bahu.[2]