Naples

Mount Echia, the place where the polis of Parthenope arose

The Columns of the Temple of Castor and Pollux incorporated into the facade of San Paolo Maggiore

A scene featuring the siren Parthenope, the mythological founder of Naples[14]

Naples has been inhabited since the Neolithic period.[15] In the second millennium BC, a first Mycenaean settlement arose not far from the geographical position of the future city of Parthenope.[16]

Sailors from the Greek island of Rhodes established probably a small commercial port called Parthenope (Παρθενόπη, meaning "Pure Eyes", a Siren in Greek mythology) on the island of Megaride in the ninth century BC.[17] By the eighth century BC, the settlement was expanded by Cumans, as evidenced by the archaeological findings, to include Monte Echia.[18] In the sixth century BC the city was refounded as Neápolis (Νεάπολις), eventually becoming one of the foremost cities of Magna Graecia.[19]

The city grew rapidly due to the influence of the powerful Greek city-state of Syracuse,[20] and became an ally of the Roman Republic against Carthage. During the Samnite Wars, the city, now a bustling centre of trade, was captured by the Samnites;[21] however, the Romans soon captured the city from them and made it a Roman colony.[22] During the Punic Wars, the strong walls surrounding Neápolis repelled the invading forces of the Carthaginian general Hannibal.[22]

The Romans greatly respected Naples as a paragon of Hellenistic culture. During the Roman era, the people of Naples maintained their Greek language and customs. At the same time, the city was expanded with elegant Roman villas, aqueducts, and public baths. Landmarks such as the Temple of Dioscures were built, and many emperors chose to holiday in the city, including Claudius and Tiberius.[22] Virgil, the author of Rome's national epic, the Aeneid, received part of his education in the city, and later resided in its environs.

It was during this period that Christianity first arrived in Naples; the apostles Peter and Paul are said to have preached in the city. Januarius, who would become Naples' patron saint, was martyred there in the fourth century AD.[23] The last emperor of the Western Roman Empire, Romulus Augustulus, was exiled to Naples by the Germanic king Odoacer in the fifth century AD.

The Gothic Battle of Mons Lactarius on Vesuvius, painted by Alexander Zick

Following the decline of the Western Roman Empire, Naples was captured by the Ostrogoths, a Germanic people, and incorporated into the Ostrogothic Kingdom.[24] However, Belisarius of the Byzantine Empire recaptured Naples in 536, after entering the city via an aqueduct.[25]

In 543, during the Gothic Wars, Totila briefly took the city for the Ostrogoths, but the Byzantines seized control of the area following the Battle of Mons Lactarius on the slopes of Vesuvius.[24] Naples was expected to keep in contact with the Exarchate of Ravenna, which was the centre of Byzantine power on the Italian Peninsula.[26]

After the exarchate fell, a Duchy of Naples was created. Although Naples' Greco-Roman culture endured, it eventually switched allegiance from Constantinople to Rome under Duke Stephen II, putting it under papal suzerainty by 763.[26]

The years between 818 and 832 saw tumultuous relations with the Byzantine Emperor, with numerous local pretenders feuding for possession of the ducal throne.[27] Theoctistus was appointed without imperial approval; his appointment was later revoked and Theodore II took his place. However, the disgruntled general populace chased him from the city and elected Stephen III instead, a man who minted coins with his initials rather than those of the Byzantine Emperor. Naples gained complete independence by the early ninth century.[27] Naples allied with the Muslim Saracens in 836 and asked for their support to repel the siege of Lombard troops coming from the neighbouring Duchy of Benevento. However, during the 850s, Muhammad I Abu 'l-Abbas led the Arab-Muslim to sack the city.[28][29]

The duchy was under the direct control of the Lombards for a brief period after the capture by Pandulf IV of the Principality of Capua, a long-term rival of Naples; however, this regime lasted only three years before the Greco-Roman-influenced dukes were reinstated.[27] By the 11th century, Naples had begun to employ Norman mercenaries to battle their rivals; Duke Sergius IV hired Rainulf Drengot to wage war on Capua for him.[30]

By 1137, the Normans had attained great influence in Italy, controlling previously independent principalities and duchies such as Capua, Benevento, Salerno, Amalfi, Sorrento and Gaeta; it was in this year that Naples, the last independent duchy in the southern part of the peninsula, came under Norman control. The last ruling duke of the duchy, Sergius VII, was forced to surrender to Roger II, who had been proclaimed King of Sicily by Antipope Anacletus II seven years earlier. Naples thus joined the Kingdom of Sicily, with Palermo as the capital.[31]

Frederick II

After a period of Norman rule, in 1189 the Kingdom of Sicily was in a succession dispute between Tancred, King of Sicily of an illegitimate birth and the Hohenstaufens, a Germanic royal house,[32] as its Prince Henry had married Princess Constance the last legitimate heir to the Sicilian throne. In 1191 Henry invaded Sicily after being crowned as Henry VI, Holy Roman Emperor, and many cities surrendered. Still, Naples resisted him from May to August under the leadership of Richard, Count of Acerra, Nicholas of Ajello, Aligerno Cottone and Margaritus of Brindisi before the Germans suffered from disease and were forced to retreat. Conrad II, Duke of Bohemia and Philip I, Archbishop of Cologne died of disease during the siege. During his counterattack, Tancred captured Constance, now empress. He had the empress imprisoned at Castel dell'Ovo at Naples before her release on May 1192 under the pressure of Pope Celestine III. In 1194 Henry started his second campaign upon the death of Tancred, but this time Aligerno surrendered without resistance, and finally, Henry conquered Sicily, putting it under the rule of Hohenstaufens.

The University of Naples, the first university in Europe dedicated to training secular administrators,[33] was founded by Frederick II, making Naples the intellectual centre of the kingdom. Conflict between the Hohenstaufens and the Papacy led in 1266 to Pope Innocent IV crowning the Angevin duke Charles I King of Sicily:[34] Charles officially moved the capital from Palermo to Naples, where he resided at the Castel Nuovo.[35] Having a great interest in architecture, Charles I imported French architects and workmen and was personally involved in several building projects in the city.[36] Many examples of Gothic architecture sprang up around Naples, including the Naples Cathedral, which remains the city's main church.[37]

The Castel Nuovo, a.k.a. Maschio Angioino, a seat of medieval kings of Naples, Aragon and Spain

In 1282, after the Sicilian Vespers, the Kingdom of Sicily was divided into two. The Angevin Kingdom of Naples included the southern part of the Italian peninsula, while the island of Sicily became the Aragonese Kingdom of Sicily.[34] Wars between the competing dynasties continued until the Peace of Caltabellotta in 1302, which saw Frederick III recognised as king of Sicily, while Charles II was recognised as king of Naples by Pope Boniface VIII.[34] Despite the split, Naples grew in importance, attracting Pisan and Genoese merchants,[38] Tuscan bankers, and some of the most prominent Renaissance artists of the time, such as Boccaccio, Petrarch and Giotto.[39] During the 14th century, the Hungarian Angevin king Louis the Great captured the city several times. In 1442, Alfonso I conquered Naples after his victory against the last Angevin king, René, and Naples was unified with Sicily again for a brief period.[40]

French troops and artillery entering Naples in 1495, during the Italian War of 1494–98

Sicily and Naples were separated since 1282, but remained dependencies of Aragon under Ferdinand I.[41] The new dynasty enhanced Naples' commercial standing by establishing relations with the Iberian Peninsula. Naples also became a centre of the Renaissance, with artists such as Laurana, da Messina, Sannazzaro and Poliziano arriving in the city.[42] In 1501, Naples came under direct rule from France under Louis XII, with the Neapolitan king Frederick being taken as a prisoner to France; however, this state of affairs did not last long, as Spain won Naples from the French at the Battle of Garigliano in 1503.[43]

Onofrio Palumbo's portrait of the 17th-century revolutionary leader Masaniello

Following the Spanish victory, Naples became part of the Spanish Empire, and remained so throughout the Spanish Habsburg period.[43] The Spanish sent viceroys to Naples to directly deal with local issues: the most important of these viceroys was Pedro Álvarez de Toledo, who was responsible for considerable social, economic and urban reforms in the city; he also tried to introduce the Inquisition.[44] In 1544, around 7,000 people were taken as slaves by Barbary pirates and brought to the Barbary Coast of North Africa (see Sack of Naples).[45]

By the 17th century, Naples had become Europe's second-largest city – second only to Paris – and the largest European Mediterranean city, with around 250,000 inhabitants.[46] The city was a major cultural centre during the Baroque era, being home to artists such as Caravaggio, Salvator Rosa and Bernini, philosophers such as Bernardino Telesio, Giordano Bruno, Tommaso Campanella and Giambattista Vico, and writers such as Giambattista Marino. A revolution led by the local fisherman Masaniello saw the creation of a brief independent Neapolitan Republic in 1647. However, this lasted only a few months before Spanish rule was reasserted.[43] In 1656, an outbreak of bubonic plague killed about half of Naples' 300,000 inhabitants.[47]

Departure of Charles III of Spain from Naples, 1759

In 1714, Spanish rule over Naples came to an end as a result of the War of the Spanish Succession; the Austrian Charles VI ruled the city from Vienna through viceroys of his own.[48] However, the War of the Polish Succession saw the Spanish regain Sicily and Naples as part of a personal union, with the 1738 Treaty of Vienna recognising the two polities as independent under a cadet branch of the Spanish Bourbons.[49]

In 1755, the Duke of Noja commissioned an accurate topographic map of Naples, later known as the Map of the Duke of Nojo, employing rigorous surveying accuracy and becoming an essential urban planning tool for Naples.

During the time of Ferdinand IV, the effects of the French Revolution were felt in Naples: Horatio Nelson, an ally of the Bourbons, arrived in the city in 1798 to warn against the French republicans. Ferdinand was forced to retreat and fled to Palermo, where he was protected by a British fleet.[50] However, Naples' lower class lazzaroni were strongly pious and royalist, favouring the Bourbons; in the mêlée that followed, they fought the Neapolitan pro-Republican aristocracy, causing a civil war.[50]

Naples depicted during the ephemeral Parthenopean Republic

Eventually, the Republicans conquered Castel Sant'Elmo and proclaimed a Parthenopaean Republic, secured by the French Army.[50] A counter-revolutionary religious army of lazzaroni known as the sanfedisti under Cardinal Fabrizio Ruffo was raised; they met with great success, and the French were forced to surrender the Neapolitan castles, with their fleet sailing back to Toulon.[50]

Ferdinand IV was restored as king; however, after only seven years, Napoleon conquered the kingdom and installed Bonapartist kings, including his brother Joseph Bonaparte (King of Spain).[51] With the help of the Austrian Empire and its allies, the Bonapartists were defeated in the Neapolitan War. Ferdinand IV once again regained the throne and the kingdom.[51]

The Congress of Vienna in 1815 saw the kingdoms of Naples and Sicily combine to form the Kingdom of the Two Sicilies,[51] with Naples as the capital city. In 1839, Naples became the first city on the Italian peninsula to have a railway, with the construction of the Naples–Portici railway.[52]

Entrance of Garibaldi into Naples on 7 September 1860

After the Expedition of the Thousand led by Giuseppe Garibaldi, which culminated in the controversial Siege of Gaeta, Naples became part of the Kingdom of Italy in 1861 as part of the Italian unification, ending the era of Bourbon rule. The economy of the area formerly known as the Two Sicilies declined, leading to an unprecedented wave of emigration,[53] with an estimated 4 million people emigrating from the Naples area between 1876 and 1913.[54] In the forty years following unification, the population of Naples grew by only 26%, vs. 63% for Turin and 103% for Milan; however, by 1884, Naples was still the largest city in Italy with 496,499 inhabitants, or roughly 64,000 per square kilometre (more than twice the population density of Paris).[55]^{: 11–14, 18}

Public health conditions in certain areas of the city were poor, with twelve epidemics of cholera and typhoid fever claiming some 48,000 people between 1834 and 1884. A death rate 31.84 per thousand, high even for the time, insisted in the absence of epidemics between 1878 and 1883.[55] Then in 1884, Naples fell victim to a major cholera epidemic, caused largely by the city's poor sewerage infrastructure. In response to these problems, in 1852, the government prompted a radical transformation of the city called risanamento to improve the sewerage infrastructure and replace the most clustered areas, considered the main cause of insalubrity, with large and airy avenues. The project proved difficult to accomplish politically and economically due to corruption, as shown in the Saredo Inquiry, land speculation and extremely long bureaucracy. This led to the project to massive delays with contrasting results. The most notable transformations made were the construction of Via Caracciolo in place of the beach along the promenade, the creation of Galleria Umberto I and Galleria Principe and the construction of Corso Umberto.[56][57]

Allied bombardment of Naples, 1943

Naples was the most-bombed Italian city during World War II.[9] Though Neapolitans did not rebel under Italian Fascism, Naples was the first Italian city to rise up against German military occupation; the city was completely freed by 1 October 1943, when British and American forces entered the city.[58] Departing Germans burned the library of the university, as well as the Italian Royal Society. They also destroyed the city archives. Time bombs planted throughout the city continued to explode into November.[59] The symbol of the rebirth of Naples was the rebuilding of the church of Santa Chiara, which had been destroyed in a United States Army Air Corps bombing raid.[9]

Special funding from the Italian government's Fund for the South was provided from 1950 to 1984, helping the Neapolitan economy to improve somewhat, with city landmarks such as the Piazza del Plebiscito being renovated.[60] However, high unemployment continues to affect Naples.

Italian media attributed the past city's waste disposal issues to the activity of the Camorra organised crime network.[61] Due to this event, environmental contamination and increased health risks are also prevalent.[62] In 2007, Silvio Berlusconi's government held senior meetings in Naples to demonstrate their intention to solve these problems.[63] However, the late-2000s recession had a severe impact on the city, intensifying its waste-management and unemployment problems.[64] By August 2011, the number of unemployed in the Naples area had risen to 250,000, sparking public protests against the economic situation.[65] In June 2012, allegations of blackmail, extortion, and illicit contract tendering emerged concerning the city's waste management issues.[66][67]

Naples hosted the sixth World Urban Forum in September 2012[68] and the 63rd International Astronautical Congress in October 2012.[69] In 2013, it was the host of the Universal Forum of Cultures and the host for the 2019 Summer Universiade.

Historic Centre of Naples

UNESCO World Heritage Site
Criteria	Cultural: ii, iv
Reference	726
Inscription	1995 (19th Session)
Area	1,021 ha
Buffer zone	1,350 ha

Royal Palace of Naples

Naples' 2,800-year history has left it with a wealth of historical buildings and monuments, from medieval castles to classical ruins, and a wide range of culturally and historically significant sites nearby, including the Palace of Caserta and the Roman ruins of Pompeii and Herculaneum.

The most prominent forms of architecture visible in present-day Naples are the Medieval, Renaissance and Baroque styles.[70] Naples has a total of 448 historical churches (1000 in total[71]), making it one of the most Catholic cities in the world in terms of the number of places of worship.[72] In 1995, the historic centre of Naples was listed by UNESCO as a World Heritage Site, a United Nations programme which aims to catalogue and conserve sites of outstanding cultural or natural importance to the common heritage of mankind.

Naples is one of the most ancient cities in Europe, whose contemporary urban fabric preserves the elements of its long and eventful history. The rectangular grid layout of the ancient Greek foundation of Neapolis is still discernible. It has indeed continued to provide the layout for the present-day Historic Centre of Naples, one of the major Mediterranean port cities. From the Middle Ages to the 18th century, Naples was a focal point in terms of art and architecture, expressed in its ancient forts, the royal ensembles such as the Royal Palace of 1600, and the palaces and churches sponsored by the noble families.

— UNESCO's Criterion

The Egg Castle

The main city square or piazza of the city is the Piazza del Plebiscito. Its construction was begun by the Bonapartist king Joachim Murat and finished by the Bourbon king Ferdinand IV. The piazza is bounded on the east by the Royal Palace and on the west by the church of San Francesco di Paola, with the colonnades extending on both sides. Nearby is the Teatro di San Carlo, which is the oldest opera house in Italy. Directly across San Carlo is Galleria Umberto.

Naples is well known for its castles: The most ancient is Castel dell'Ovo ("Egg Castle"), which was built on the tiny islet of Megarides, where the original Cumaean colonists had founded the city. In Roman times the islet became part of Lucullus's villa, later hosting Romulus Augustulus, the exiled last western Roman emperor.[73] It had also been the prison for Empress Constance between 1191 and 1192 after her being captured by Sicilians, and Conradin and Giovanna I of Naples before their executions.

Castel Nuovo, also known as Maschio Angioino, is one of the city's top landmarks; it was built during the time of Charles I, the first king of Naples. Castel Nuovo has seen many notable historical events: for example, in 1294, Pope Celestine V resigned as pope in a hall of the castle, and following this Pope Boniface VIII was elected pope by the cardinal collegium, before moving to Rome.[74]

Castel Capuano was built in the 12th century by William I, the son of Roger II of Sicily, the first monarch of the Kingdom of Naples. It was expanded by Frederick II and became one of his royal palaces. The castle was the residence of many kings and queens throughout its history. In the 16th century, it became the Hall of Justice.[75]

Another Neapolitan castle is Castel Sant'Elmo, which was completed in 1329 and is built in the shape of a star. Its strategic position overlooking the entire city made it a target of various invaders. During the uprising of Masaniello in 1647, the Spanish took refuge in Sant'Elmo to escape the revolutionaries.[76]

The Carmine Castle, built in 1392 and highly modified in the 16th century by the Spanish, was demolished in 1906 to make room for the Via Marina, although two of the castle's towers remain as a monument. The Vigliena Fort, built in 1702, was destroyed in 1799 during the royalist war against the Parthenopean Republic and is now abandoned and in ruin.[77]

National Archaeological Museum

National Museum of Capodimonte

Naples is widely known for its wealth of historical museums. The Naples National Archaeological Museum is one of the city's main museums, with one of the most extensive collections of artefacts of the Roman Empire in the world.[78] It also houses many of the antiques unearthed at Pompeii and Herculaneum, as well as some artefacts from the Greek and Renaissance periods.[78]

Previously a Bourbon palace, now a museum and art gallery, the Museo di Capodimonte is another museum of note. The gallery features paintings from the 13th to the 18th centuries, including major works by Simone Martini, Raphael, Titian, Caravaggio, El Greco, Jusepe de Ribera and Luca Giordano. The royal apartments are furnished with antique 18th-century furniture and a collection of porcelain and majolica from the various royal residences: the famous Capodimonte Porcelain Factory once stood just adjacent to the palace.

In front of the Royal Palace of Naples stands the Galleria Umberto I, which contains the Coral Jewellery Museum. Occupying a 19th-century palazzo renovated by the Portuguese architect Álvaro Siza, the Museo d'Arte Contemporanea Donnaregina (MADRE) features an enfilade procession of permanent installations by artists such as Francesco Clemente, Richard Serra, and Rebecca Horn.[79] The 16th-century palace of Roccella hosts the Palazzo delle Arti Napoli, which contains the civic collections of art belonging to the City of Naples, and features temporary exhibits of art and culture. Palazzo Como, which dates from the 15th century, hosts the Museo Filangieri of plastic arts, created in 1883 by Gaetano Filangieri.

Naples Cathedral

Church of Gesù Nuovo

Hanging gardens of the Certosa di San Martino

Interior of the Church of Girolamini

Naples is the seat of the Archdiocese of Naples; there are hundreds of churches in the city.[72] The Cathedral of Naples is the city's premier place of worship; each year on 19 September, it hosts the longstanding Miracle of Saint Januarius, the city's patron saint.[80] During the miracle, which thousands of Neapolitans flock to witness, the dried blood of Januarius is said to turn to liquid when brought close to holy relics said to be of his body.[80] Below is a selective list of Naples' major churches, chapels, and monastery complexes:

Inside Galleria Umberto I

Aside from the Piazza del Plebiscito, Naples has two other major public squares: the Piazza Dante and the Piazza dei Martiri. The latter originally had only a memorial to religious martyrs, but in 1866, after the Italian unification, four lions were added, representing the four rebellions against the Bourbons.[81]

The San Gennaro dei Poveri is a Renaissance-era hospital for the poor, erected by the Spanish in 1667. It was the forerunner of a much more ambitious project, the Bourbon Hospice for the Poor started by Charles III. This was for the destitute and ill of the city; it also provided a self-sufficient community where the poor would live and work. Though a notable landmark, it is no longer a functioning hospital.[82]

Underground Naples

Underneath Naples lies a series of caves and structures created by centuries of mining, and the city rests atop a major geothermal zone. There are also several ancient Greco-Roman reservoirs dug out from the soft tufo stone on which, and from which, much of the city is built. Approximately one kilometre (0.62 miles) of the many kilometres of tunnels under the city can be visited from the Napoli Sotteranea, situated in the historic centre of the city in Via dei Tribunali. This system of tunnels and cisterns underlies most of the city and lies approximately 30 metres (98 ft) below ground level. During World War II, these tunnels were used as air-raid shelters, and there are inscriptions on the walls depicting the suffering endured by the refugees of that era.

There are large catacombs in and around the city, and other landmarks such as the Piscina Mirabilis, the main cistern serving the Bay of Naples during Roman times.

Several archeological excavations are also present; they revealed in San Lorenzo Maggiore the macellum of Naples, and in Santa Chiara, the biggest thermal complex of the city in Roman times.

Villa Comunale

Of the various public parks in Naples, the most prominent are the Villa Comunale, which was built by the Bourbon king Ferdinand IV in the 1780s;[83] the park was originally a "Royal Garden", reserved for members of the royal family, but open to the public on special holidays. The Bosco di Capodimonte, the city's largest green space, served as a royal hunting reserve. The Park has 16 additional historical buildings, including residences, lodges, churches, fountains, statues, orchards and woods.[84]

Another important park is the Parco Virgiliano, which looks towards the tiny volcanic islet of Nisida; beyond Nisida lie Procida and Ischia.[85] Parco Virgiliano was named after Virgil, the classical Roman poet and Latin writer who is thought to be entombed nearby.[85] Naples is noted for its numerous stately villas, fountains and stairways, such as the Neoclassical Villa Floridiana, the Fountain of Neptune and the Pedamentina stairways.

Aselmeyer Castle, built by Lamont Young in the Neo-Gothic style

One of the city's various examples of Liberty Napoletano

Various buildings inspired by the Gothic Revival are extant in Naples, due to the influence that this movement had on the Scottish-Indian architect Lamont Young, one of the most active Neapolitan architects of the late 19th and early 20th centuries. Young left a significant footprint in the cityscape and designed many urban projects, such as the city's first subway.

In the first years of the 20th century, a local version of the Art Nouveau phenomenon, known as "Liberty Napoletano", developed in the city, creating many buildings which still stand today. In 1935, the Rationalist architect Luigi Cosenza designed a new fish market for the city. During the Benito Mussolini era, the first structures of the city's "service center" were built, all in a Rationalist-Functionalist style, including the Palazzo delle Poste and the Pretura buildings. The Centro Direzionale di Napoli is the only adjacent cluster of skyscrapers in southern Europe.

The Palazzo Donn'Anna and Bagno Donn'Anna beach in Posillipo

The thirty quarters (quartieri) of Naples are listed below. For administrative purposes, these thirty districts are grouped together into ten governmental community boards.[86]

Naples has a Mediterranean climate (Csa) in the Köppen climate classification.[87][88] The climate and fertility of the Gulf of Naples made the region famous during Roman times, when emperors such as Claudius and Tiberius holidayed near the city.[22] The climate is a crossover between maritime and continental features, as typical of peninsular Italy. Maritime features mitigate the winters but occasionally cause heavy rainfall, particularly in the autumn and winter. Summers feature high temperatures and humidity. The continental influence still ensures summer highs averaging near 30 °C (86 °F), and Naples falls within the subtropical climate range with summer daily-mean above 22 °C (72 °F) with hot days, warm nights and occasional summer thunderstorms.

Winters are mild, and snow is rare in the city area but frequent on Mount Vesuvius. November is the wettest month in Naples, while July is the driest.

Each of the 7,904 comune in Italy is today represented locally by a city council headed by an elected mayor, known as a sindaco and informally called the first citizen (primo cittadino). This system, or one very similar to it, has been in place since the invasion of Italy by Napoleonic forces in 1808. When the Kingdom of the Two Sicilies was restored, the system was kept in place with members of the nobility filling mayoral roles. By the end of the 19th century, party politics had begun to emerge; during the fascist era, each commune was represented by a podestà. Since World War II, the political landscape of Naples has been neither strongly right-wing nor left-wing – both Christian democrats and democratic socialists have governed the city at different times, with roughly equal frequency. Currently, the mayor of Naples is Gaetano Manfredi, an independent politician, former minister of university and research in the second Conte government, and former rector of the University of Naples Federico II.

Naples is, with Florence, Rome, Venice and Milan, one of the main Italian tourist destinations. With 3,700,000 visitors in 2018,[117] the city has completely emerged from the strong tourist depression of past decades (due primarily to the unilateral destination of an industrial city but also to the damage to image caused by the Italian media,[118][119] from the 1980 Irpinia earthquake and the waste crisis, in favor of the coastal centers of its metropolitan area).[120] To adequately assess the phenomenon, however, it must be considered that a large slice of tourists visit Naples per year, staying in the numerous localities in its surroundings,[121] connected to the city with both private and public direct lines.[122][123] Daily visits to Naples are carried out by various Roman tour operators and by all the main tourist resorts of Campania: as of 2019, Naples is the tenth most visited municipality in Italy and the first in the South.[124]

The sector is constantly growing[125][126] and the prospect of reaching the art cities of its level is once again expected in a relatively short time;[127] tourism is increasingly assuming a decisive weight for the city's economy, which is why, exactly as happened for example in the case of Venice or Florence, the risk of gentrification of the historic center is now high.[128]

Naples has an extensive public transport network, including trams, buses and trolleybuses,[142] most of which are operated by the municipally owned company Azienda Napoletana Mobilità (ANM).

The city furthermore operates the Metropolitana di Napoli, the Naples Metro, an underground rapid transit railway system which integrates both surface railway lines and the city's metro stations, many of which are noted for their decorative architecture and public art. In fact, the station of Via Toledo is often in the top spots of the rankings of the most beautiful metro stations in the world.[142]

There are also four funiculars in the city (operated by ANM): Centrale, Chiaia, Montesanto and Mergellina.[143] Four public elevators are in operation in the city: within the bridge of Chiaia, in via Acton, near the Sanità Bridge,[144] and in the Ventaglieri Park, accompanied by two public escalators.[145]

A Romantic painting by Salvatore Fergola showing the 1839 inauguration of the Naples-Portici railway line

Naples has long been a centre of art and architecture, dotted with Medieval-, Baroque- and Renaissance-era churches, castles and palaces. A critical factor in the development of the Neapolitan school of painting was Caravaggio's arrival in Naples in 1606. In the 18th century, Naples went through a period of neoclassicism, following the discovery of the remarkably intact Roman ruins of Herculaneum and Pompeii.

The Neapolitan Academy of Fine Arts, founded by Charles III of Bourbon in 1752 as the Real Accademia di Disegno (en: Royal Academy of Design), was the centre of the artistic School of Posillipo in the 19th century. Artists such as Domenico Morelli, Giacomo Di Chirico, Francesco Saverio Altamura and Gioacchino Toma worked in Naples during this period, and many of their works are now exhibited in the academy's art collection. The modern Academy offers courses in painting, decorating, sculpture, design, restoration, and urban planning. Naples is also known for its theatres, which are among the oldest in Europe: the Teatro di San Carlo opera house dates back to the 18th century.

Naples is also the home of the artistic tradition of Capodimonte porcelain. In 1743, Charles of Bourbon founded the Royal Factory of Capodimonte, many of whose artworks are now on display in the Museum of Capodimonte. Several of Naples' mid-19th-century porcelain factories remain active today.

Neapolitan pizza. Pizza was invented in Naples.

Sfogliatelle, a popular Neapolitan pastry dish

Naples is internationally famous for its cuisine and wine; it draws culinary influences from the numerous cultures which have inhabited it throughout its history, including the Greeks, Spanish and French. Neapolitan cuisine emerged as a distinct form in the 18th century. The ingredients are typically rich in taste while remaining affordable to the general populace.[146]

Naples is traditionally credited as the home of pizza.[147] This originated as a meal of the poor, but under Ferdinand IV it became popular among the upper classes: famously, the Margherita pizza was named after Queen Margherita of Savoy after her visit to the city.[147] Cooked traditionally in a wood-burning oven, the ingredients of Neapolitan pizza have been strictly regulated by law since 2004, and must include wheat flour type "00" with the addition of flour type "0" yeast, natural mineral water, peeled tomatoes or fresh cherry tomatoes, mozzarella, sea salt and extra virgin olive oil.[148]

Spaghetti is also associated with the city and is commonly eaten with clams vongole or lupini di mare: a popular Neapolitan folkloric symbol is the comic figure Pulcinella eating a plate of spaghetti.[149] Other dishes popular in Naples include Parmigiana di melanzane, spaghetti alle vongole and casatiello.[150] As a coastal city, Naples is furthermore known for numerous seafood dishes, including impepata di cozze (peppered mussels), purpetiello affogato (octopus poached in broth), alici marinate (marinated anchovies), baccalà alla napoletana (salt cod) and baccalà fritto (fried cod), a dish commonly eaten during the Christmas period.

Naples is well known for its sweet dishes, including colourful gelato, which is similar to ice cream, though more fruit-based. Popular Neapolitan pastry dishes include zeppole (more commonly called "'a Pasta Cresciuta" and "'e fFritt' 'e Viento") babà, sfogliatelle and pastiera, the latter of which is prepared specially for Easter celebrations.[151] Another seasonal sweet is struffoli, a sweet-tasting honey dough decorated and eaten around Christmas.[152] Neapolitan coffee is also widely acclaimed. The traditional Neapolitan flip coffee pot, known as the cuccuma or cuccumella, was the basis for the invention of the espresso machine, and also inspired the Moka pot.

Wineries in the Vesuvius area produce wines such as the Lacryma Christi ("tears of Christ") and Terzigno. Naples is also the home of limoncello, a popular lemon liqueur.[153][154]

The cultural significance of Naples is often represented through a series of festivals held in the city. The following is a list of several festivals that take place in Naples (note: some festivals are not held on an annual basis).

An 1813 depiction of the Piedigrotta festival

• Festa di Piedigrotta ("Piedigrotta Festival") – A musical event typically held in September in memory of the famous Madonna of Piedigrotta. Throughout the month, a series of musical workshops, concerts, religious events and children's events are held to entertain the citizens of Naples and surrounding areas.[155]
• Pizzafest – As Naples is famous for being home to pizza, the city hosts an eleven-day festival dedicated to this iconic dish. This is a key event for Neapolitans and tourists alike, as various stations are open for tasting a wide range of true Neapolitan pizza. In addition to pizza tasting, a variety of entertainment shows are displayed.[156]
• Maggio dei Monumenti ("May of Monuments") – A cultural event where the city hosts a variety of special events dedicated to the birth of King Charles of Bourbon. It festival features art and music of the 18th century, and many buildings which may normally be closed throughout the year are opened for visitors to view.[157]
• Il Ritorno della festa di San Gennaro ("The Return of the Feast of San Gennaro") – An annual celebration and feast of faith held over three days, commemorating Saint Gennaro. Throughout the festival, parades, religious processions and musical entertainment are featured. An annual celebration is also held in "Little Italy" in Manhattan.[158][159]

The Naples language, considered to be a distinct language and mainly spoken in the city, is also found in the region of Campania and has been diffused into other areas of Southern Italy by Neapolitan migrants, and in many different places in the world. On 14 October 2008, a regional law was enacted by Campania which has the effect that the use of the Neapolitan language is protected.[160]

The term "Neapolitan language" is often used to describe the language of all of Campania (except Cilento), and is sometimes applied to the entire South Italian language; Ethnologue refers to the latter as Napoletano-Calabrese.[161] This linguistic group is spoken throughout most of southern continental Italy, including the Gaeta and Sora district of southern Lazio, the southern part of Marche and Abruzzo, Molise, Basilicata, northern Calabria, and northern and central Apulia. In 1976, there were an estimated 7,047,399 native speakers of this group of dialects.[161]

Giordano Bruno

Naples is one of the leading centres of Italian literature. The history of the Neapolitan language was deeply entwined with that of the Tuscan dialect, which then became the current Italian language. The first written testimonies of the Italian language are the Placiti Cassinensi legal documents, dated 960 A.D., preserved in the Monte Cassino Abbey, which are, in fact, evidence of a language spoken in a southern dialect. The Tuscan poet Boccaccio lived for many years at the court of King Robert the Wise and his successor Joanna of Naples, using Naples as a setting for The Decameron and a number of his later novels. His works contain some words that are taken from Neapolitan instead of the corresponding Italian, e.g. "testo" (neap.: "testa"), which in Naples indicates a large terracotta jar used to cultivate shrubs and little trees. King Alfonso V of Aragon stated in 1442 that the Neapolitan language was to be used instead of Latin in official documents.

Statue of Giambattista Vico

Later Neapolitan was replaced by Italian in the first half of the 16th century,[162][163] during Spanish domination. In 1458 the Accademia Pontaniana, one of the first academies in Italy, was established in Naples as a free initiative by men of letters, science and literature. In 1480 the writer and poet Jacopo Sannazzaro wrote the first pastoral romance, Arcadia, which influenced Italian literature. In 1634 Giambattista Basile collected Lo Cunto de li Cunti five books of ancient tales written in the Neapolitan dialect rather than Italian. Philosopher Giordano Bruno, who theorised the existence of infinite solar systems and the infinity of the entire universe, completed his studies at the University of Naples. Due to philosophers such as Giambattista Vico, Naples became one of the centres of the Italian peninsula for historical and philosophy of history studies.

Jurisprudence studies were enhanced in Naples thanks to eminent personalities of jurists like Bernardo Tanucci, Gaetano Filangieri and Antonio Genovesi. In the 18th century Naples, together with Milan, became one of the most important sites from which the Enlightenment penetrated Italy. Poet and philosopher Giacomo Leopardi visited the city in 1837 and died there. His works influenced Francesco de Sanctis, who studied in Naples and eventually became Minister of Instruction during the Italian kingdom. De Sanctis was one of the first literary critics to discover, study and diffuse the poems and literary works of the great poet from Recanati.

Writer and journalist Matilde Serao co-founded the newspaper Il Mattino with her husband Edoardo Scarfoglio in 1892. Serao was an acclaimed novelist and writer during her day. Poet Salvatore Di Giacomo was one of the most famous writers in the Neapolitan dialect, and many of his poems were adapted to music, becoming famous Neapolitan songs. In the 20th century, philosophers like Benedetto Croce pursued the long tradition of philosophy studies in Naples, and personalities like jurists and lawyer Enrico De Nicola pursued legal and constitutional studies. De Nicola later helped to draft the modern Constitution of the Italian Republic and was eventually elected to the office of President of the Italian Republic. Other noted Neapolitan writers and journalists include Antonio De Curtis, Curzio Malaparte, Giancarlo Siani, Roberto Saviano and Elena Ferrante.[164]

Engraving of Pulcinella in 1700

Naples was one of the centres of the peninsula from which originated the modern theatre genre as nowadays intended, evolving from 16th century "comedy of art". The masked character of Pulcinella is a worldwide famous figure either as a theatrical character or puppetry character.

The music Opera genre of opera buffa was created in Naples in the 18th century and then spread to Rome and northern Italy. In the period of Belle Époque, Naples rivalled Paris for its Café-chantants, and many famous Neapolitan songs were originally created to entertain the public in the cafès of Naples. Perhaps the most well-known song is "Ninì Tirabusciò". The history of how this song was born was dramatised in the eponymous comedy movie "Ninì Tirabusciò: la donna che inventò la mossa" starring Monica Vitti.

The Neapolitan popular genre of "Sceneggiata" is an important genre of modern folk theatre worldwide, dramatising common canon themes of thwarted love stories, comedies, tearjerker stories, commonly about honest people becoming camorra outlaws due to unfortunate events. The Sceneggiata became very popular amongst Neapolitans and eventually one of the best-known genres of Italian cinematography thanks to actors and singers like Mario Merola and Nino D'Angelo. Many writers and playwrights, such as Raffaele Viviani, wrote comedies and dramas for this genre. Actors and comedians like Eduardo Scarpetta and then his sons Eduardo De Filippo, Peppino De Filippo and Titina De Filippo contributed to making the Neapolitan theatre. Its comedies and tragedies, such as "Filumena Marturano" and "Napoli Milionaria", are well-known.

The interior of the Teatro San Carlo

Naples has played an important role in the history of Western European art music for more than four centuries.[165] The first music conservatories were established in the city under Spanish rule in the 16th century. The San Pietro a Majella music conservatory, founded in 1826 by Francesco I of Bourbon, continues to operate today as both a prestigious centre of musical education and a musical museum.

During the late Baroque period, Alessandro Scarlatti, the father of Domenico Scarlatti, established the Neapolitan school of opera; this was in the form of opera seria, which was a new development for its time.[166] Another form of opera originating in Naples is opera buffa, a style of comic opera strongly linked to Battista Pergolesi and Piccinni; later contributors to the genre included Rossini and Wolfgang Amadeus Mozart.[167] The Teatro di San Carlo, built in 1737, is the oldest working theatre in Europe, and remains the operatic centre of Naples.[168]

Tarantella in Napoli, a 1903 postcard

Neapolitan mandolin

The earliest six-string guitar was created by the Neapolitan Gaetano Vinaccia in 1779; the instrument is now referred to as the romantic guitar. The Vinaccia family also developed the mandolin.[169][170] Influenced by the Spanish, Neapolitans became pioneers of classical guitar music, with Ferdinando Carulli and Mauro Giuliani being prominent exponents.[171] Giuliani, who was actually from Apulia but lived and worked in Naples, is widely considered to be one of the greatest guitar players and composers of the 19th century, along with his Catalan contemporary Fernando Sor.[172][173] Another Neapolitan musician of note was opera singer Enrico Caruso, one of the most prominent opera tenors of all time:[174] he was considered a man of the people in Naples, hailing from a working-class background.[175]

A popular traditional dance in Southern Italy and Naples is the Tarantella, which originated in Apulia and spread throughout the Kingdom of the Two Sicilies. The Neapolitan tarantella is a courtship dance performed by couples whose "rhythms, melodies, gestures, and accompanying songs are quite distinct", featuring faster, more cheerful music.

A notable element of popular Neapolitan music is the Canzone Napoletana style, essentially the traditional music of the city, with a repertoire of hundreds of folk songs, some of which can be traced back to the 13th century.[176] The genre became a formal institution in 1835, after the introduction of the annual Festival of Piedigrotta songwriting competition.[176] Some of the best-known recording artists in this field include Roberto Murolo, Sergio Bruni and Renato Carosone.[177] There are furthermore various forms of music popular in Naples but not well known outside it, such as cantautore ("singer-songwriter") and sceneggiata, which has been described as a musical soap opera; the most well-known exponent of this style is Mario Merola.[178]

Totò, a famous Neapolitan actor

Naples has had a significant influence on Italian cinema. Because of the city's relevance, many films and television shows are set (entirely or partially) in Naples. In addition to serving as the backdrop for several movies and shows, many talented celebrities (actors, actresses, directors, and producers) are originally from Naples.

Naples was the location for several early Italian cinema masterpieces. Assunta Spina (1915) was a silent film adapted from a theatrical drama by Neapolitan writer Salvatore Di Giacomo. The film was directed by Neapolitan Gustavo Serena. Serena also starred in the 1912 film Romeo and Juliet.[179][180][181]

A list of some well-known films that take place (fully or partially) in Naples includes:[182]

• Shoeshine (1946), directed by Neapolitan, Vittorio De Sica
• Hands over the City (1963), directed by Neapolitan, Francesco Rosi
• Journey to Italy (1954), directed by Roberto Rossellini
• Marriage Italian Style (1964), directed by Neapolitan, Vittorio De Sica
• It Started in Naples (1960), Directed by Melville Shavelson
• The Hand of God (film) (2021), Directed by Paolo Sorrentino

Naples is home to one of the first Italian colour films, Toto in Color (1952), starring Totò (Antonio de Curtis), a famous comedic actor born in Naples.[183]

Some notable comedies set in Naples include Ieri, Oggi e Domani (Yesterday, Today and Tomorrow), by Vittorio De Sica, starring Sophia Loren and Marcello Mastroianni, Adelina of Naples (Academy Award-winning movie), It Started in Naples, L'oro di Napoli again by Vittorio De Sica, dramatic movies like Dino Risi's Scent of a Woman, war movies like The Four Days of Naples by Sardinian director Nanni Loy, music and Sceneggiata movies like Zappatore, from the eponymous song by Libero Bovio, starring singer and actor Mario Merola, crime movies like Il Camorrista with Ben Gazzara playing the part of infamous camorra boss Raffaele Cutolo, and historical or costume movies like That Hamilton Woman starring Vivien Leigh and Laurence Olivier.

More modern Neapolitan films include Ricomincio da tre, which depicts the misadventures of a young emigrant in the late 20th century. The 2008 film Gomorrah, based on the book by Roberto Saviano, explores the dark underbelly of the city of Naples through five intertwining stories about the powerful Neapolitan crime syndicate, as well as the TV series of the same name.

The Japanese series JoJo's Bizarre Adventure's Part 5, Vento Aureo, takes place in the city.

Several episodes of the animated series Tom and Jerry also have references/influences from Naples. The song "Santa Lucia" played by Tom Cat in Cat and Dupli-cat has its origins in Naples. Neapolitan Mouse takes place in the same city.

Naples has appeared in episodes of TV serials such as The Sopranos and the 1998 version of The Count of Monte Cristo, starring Gérard Depardieu.

The Stadio San Paolo

Football is by far the most popular sport in Naples. Brought to the city by the British during the early 20th century,[184] the sport is deeply embedded in local culture: it is popular at every level of society, from the scugnizzi (street children) to wealthy professionals. The city's best known football club is SSC Napoli, which plays its home games at the Stadio San Paolo in Fuorigrotta. The club's stadium was renamed Stadio Diego Armando Maradona in honour of the Argentinian attacking midfielder who played for them for seven years.[185] The team plays in the Serie A league and has won the Scudetto twice, the Coppa Italia six times and the Supercoppa Italiana twice. The team has also won the UEFA Cup,[186] and once named FIFA Player of the Century Diego Maradona among its players. Naples is the birthplace of numerous prominent professional footballers, including Ciro Ferrara and Fabio Cannavaro. Cannavaro was captain of Italy's national team until 2010 and led the team to victory in the 2006 World Cup. He was consequently named World Player of the Year.

Some of the city's smaller clubs include Sporting Neapolis and Internapoli, which play at the Stadio Arturo Collana. The city also has teams in a variety of other sports: Eldo Napoli represents the city in basketball's Serie A and plays in the city of Bagnoli. The city co-hosted the EuroBasket 1969. Partenope Rugby is the city's best-known rugby union side: the team has won the rugby union Serie A twice. Other popular local sports include water polo, horse racing, sailing, fencing, boxing and martial arts. The Accademia Nazionale di Scherma (National Academy and Fencing School of Naples) is the only place in Italy where the titles "Master of Sword" and "Master of Kendo" can be obtained.[187]

Neapolitan tailoring was born as an attempt to loosen up the stiffness of English tailoring, which didn't suit the Neapolitan lifestyle.[188]

Characteristics of Neapolitan tailoring:

• The Shoulders: the Neapolitan jacket has no shoulder padding. Neapolitan tailors removed the shoulder padding from their jackets to provide more movement freedom. For this reason, the Neapolitan shoulder on informal jackets is sewn like a shirt sleeve ("spalla a camicia"), and it follows the natural curve of the human body rather than giving it shape. This type of sleeve is cut about 10 cm larger than the armhole, and it can be finished with the "repecchia" – that shirring the tailor creates with the extra fabric. This little flair is known as "manica a mappina" and gives the jacket a "rugged" appearance. For formal occasions, the Neapolitan shoulder features a "rollino" – a little roll of padding that raises the sleeve head to drape more cleanly.
• The Sleeves: the Neapolitan sleeve is shorter than that found on other jackets, as Neapolitans like shirt cuffs to show right above their wrists, especially when adorned with cufflinks. The sleeves are cut closer to the arms to avoid extra fabric hanging when these are raised.
• The Pockets: the pockets of a Neapolitan jackets are curved and applied as patches; the breast pocket is called "a barchetta", which means "little boat",[189] due to the higher top corner of the pocket, which, along with the rounded bottom, gives it the shape of a stylized boat. The side pockets are equally curved, and their shape recalls that of a pot; hence the name "a pignata". Neither feature has any practical functionality, but they are particular to Neapolitan tailoring and contribute to the look of a jacket made in Naples. Double-hand finished stitching may also run throughout the sides of the patch pockets – a recurring feature in informal Neapolitan tailoring.
• The Lining: lining is considered an unnecessary burden, and the Neapolitan tailors keep it as minimal as possible. Usually, the jacket is unlined or only half lined; even the sleeves are entirely unlined, as they're meant to fit closely. Additionally, the lining is often left open ("volante," literally "flying") so that people can admire the fine details and construction of the jacket.
• The Lapels: Neapolitan jackets are famous for their wide lapels, which are often peaked ("a punta") for double-breasted jackets, formal jackets, and coats. The "risvolto dentellato" (the "classic" style of lapels – not peaked) is wider in Neapolitan jackets: they can be as wide as 4 inches (compared to the 3 inches of a regular lapel width). Just as is the case for the pockets, the Neapolitan lapel features double stitching running along the sides – a peculiar detail of a Neapolitan creation – although reserved for the less formal pieces. The "scollo a martiello" (literally "hammer neck") is the opening of the jacket over the shirt, which in Neapolitan tailoring is parallel to the lapels. The cran is the space that separates the lapel and the neck, and it is usually higher in Neapolitan tailoring to create the illusion of a more slender figure.
• The Body: Neapolitan jackets tend to be shorter in the back; in Neapolitan dialect, they say the jacket "zompa arrèto," which roughly translates as "it jumps in the back". This characteristic allows the jacket to "slide" gracefully along the body. The vents on the sides are pretty deep in Neapolitan jackets – up to 12 inches. The darts in the front goes all the way down to help the fabric follow the shape of the body and create elegant quarters.
• Buttons and Buttonholes: the three-roll-two construction features a lapel that hides the third button to provide extra freedom of movement thanks to a longer opening in the front. The buttonhole on the lapel is called "occhiello" in Italian, and it means "little eye" to its elongated almond shape. There isn't a tradition for a specific type of buttonhole in Naples, but there is a tendency of Neapolitan tailors to prefer slightly shorter and thicker buttonholes that resemble those of a shirt, while "regular" buttonholes of English tradition are more elongated and slender. Some tailors add a slight teardrop shape at the end of the buttonhole, an aesthetic choice that does not refer to a particular tradition. The buttons on the sleeves are always working and overlapping buttons.

People awarded honorary citizenship of Naples include:

Naples is twinned with:[194]