Hiligaynon language

Consonants [d] and [ɾ] were once allophones but cannot interchange as in other Philippine languages: patawaron (to forgive) [from patawad, forgiveness] but not patawadon, and tagadiín (from where) [from diín, where] but not tagariín.

There are four main vowels: /a/, /i ~ ɛ/, /o ~ ʊ/, and /u/. [i] and [ɛ] (both spelled i) are allophones, with [i] in the beginning and middle and sometimes final syllables and [ɛ] in final syllables. The vowels [ʊ] and [o] are also allophones, with [ʊ] always being used when it is the beginning of a syllable, and [o] always used when it ends a syllable.

The apostrophe ⟨'⟩ and hyphen ⟨-⟩ also appear in Hiligaynon writing, and might be considered separate letters.

The hyphen, in particular, is used medially to indicate the glottal stop san-o ‘when’ gab-e ‘evening; night’. It is also used in reduplicated words: adlaw-adlaw ‘daily, every day’, from adlaw ‘day, sun’. This marking is not used in reduplicated words whose base is not also used independently, as in pispis ‘bird’.

Hyphens are also used in words with successive sounds of /g/ and /ŋ/, to separate the letters with the digraph NG. Like in the word gin-gaan 'was given'; without the hyphen, it would be read as gingaan /gi.ŋaʔan/ as opposed to /gin.gaʔan/.

In addition, some English letters may be used in borrowed words.

Hiligaynon has three types of case markers: absolutive, ergative, and oblique. These types in turn are divided into personal, that have to do with names of people, and impersonal, that deal with everything else, and further into singular and plural types, though the plural impersonal case markers are just the singular impersonal case markers + mga (a contracted spelling for /maŋa/), a particle used to denote plurality in Hiligaynon.[13]

(*)The articles sing and sing mga means the following noun is indefinite, while sang tells of a definite noun, like the use of a in English as opposed to the, however, it is not as common in modern speech, being replaced by sang. It appears in conservative translations of the Bible into Hiligaynon and in traditional or formal speech.
(**)The plural personal case markers are not used very often and not even by all speakers. Again, this is an example of a case marker that has fallen largely into disuse, but is still occasionally used when speaking a more traditional form of Hiligaynon, using fewer Spanish loan words.

The case markers do not determine which noun is the subject and which is the object; rather, the affix of the verb determines this, though the ang-marked noun is always the topic.

In addition to this, there are two verbal deictics, karí, meaning come to speaker, and kadto, meaning to go yonder.

Hiligaynon lacks the marker of sentence inversion "ay" of Tagalog/Filipino or "hay" of Akeanon. Instead sentences in SV form (Filipino: Di karaniwang anyo) are written without any marker or copula.

Examples:

"Si Saxa ay maganda" (Tagalog)

"Si Saxa matahum/ Gwapa si Saxa" (Hiligaynon) = "Saxa is beautiful."

"Saxa is beautiful" (English)

There is no direct translation for the English copula "to be" in Hiligaynon. However, the prefixes mangin- and nangin- may be used to mean will be and became, respectively.

Example:

Manamì mangín manggaránon.
"It is nice to become rich."

The Spanish copula "estar" (to be) has also become a part of the Hiligaynon lexicon. Its meaning and pronunciation have changed compared to its Spanish meaning, however. In Hiligaynon it is pronounced as "istar" and means "to live (in)/location"(Compare with the Hiligaynon word "puyô").

Example:

Nagaistar ako sa tabuk suba
"I live in tabuk suba" "tabuk suba" translates to "other side of the river" and is also a barangay in Jaro, Iloilo.

To indicate the existence of an object, the word may is used.

Example:

When an adjective modifies a noun, the linker nga links the two.

Example:

Ido nga itom = Black dog

Sometimes, if the linker is preceded by a word that ends in a vowel, glottal stop or the letter N, it becomes acceptable to contract it into -ng, as in Filipino. This is often used to make the words sound more poetic or to reduce the number of syllables. Sometimes the meaning may change as in maayo nga aga and maayong aga. The first meaning: (the) good morning; while the other is the greeting for 'good morning'.

The linker ka is used if a number modifies a noun.

Example:

Anum ka ido
six dogs

The interrogative pronouns of Hiligaynon are as follows: diin, san-o, sin-o, nga-a, kamusta, ano, and pila

Diin means where.
Example:
Diin ka na subong?
"Where are you now?"

A derivation of diin, tagadiin, is used to inquire the birthplace or hometown of the listener.
Example:
Tagadiin ka?
"Where are you from?"

San-o means when
Example:
San-o inâ?
"When is that?"

Sin-o means who
Example:
Sin-o imo abyan?
"Who is your friend?"

Nga-a means why
Example:
Nga-a indi ka magkadto?
"Why won't you go?"

Kamusta means how, as in "How are you?"
Example:
Kamusta ang tindahan?
"How is the store?"

Ano means what
Example:
Ano ang imo ginabasa?
"What are you reading?"

A derivative of ano, paano, means how, as in "How do I do that?"
Example:
Paano ko makapulî?
"How can I get home?"

A derivative of paano is paanoano an archaic phrase which can be compared with kamusta
Example:
Paanoano ikaw?
"How art thou?"

Pila means how much/how many
Example:
Pila ang gaupod sa imo?
"How many are with you?"

A derivative of pila, ikapila, asks the numerical order of the person, as in, "What place were you born in your family?"(first-born, second-born, etc.) This word is notoriously difficult to translate into English, as English has no equivalent.
Example:
Ikapila ka sa inyo pamilya?
"What place were you born into your family?"

A derivative of pila, tagpila, asks the monetary value of something, as in, "How much is this beef?"
Example:
Tagpila ini nga karne sang baka?
"How much is this beef?"

[14]

As it is essential for sentence structure and meaning, focus is a key concept in Hiligaynon and other Philippine languages. In English, in order to emphasize a part of a sentence, variation in intonation is usually employed – the voice is stronger or louder on the part emphasized. For example:

1. The man is stealing rice from the market for his sister.
2. The man is stealing rice from the market for his sister.
3. The man is stealing rice from the market for his sister.
4. The man is stealing rice from the market for his sister.

Furthermore, active and passive grammatical constructions can be used in English to place focus on the actor or object as the subject:

The man stole the rice. vs. The rice was stolen by the man.

In contrast, sentence focus in Philippine languages is built into the construction by grammatical elements. Focus is marked by verbal affixes and a special particle prior to the noun in focus. Consider the following Hiligaynon translations of the above sentences:

1. Nagakawat ang lalaki sang bugas sa tinda para sa iya utod.
2. Ginakawat sang lalaki ang bugas sa tinda para sa iya utod.
3. Ginakawatan sang lalaki sang bugas ang tinda para sa iya utod.
4. Ginakawatan sang lalaki sang bugas sa tinda para sa iya utod.

(lalaki = man; kawat = to steal; bugas = rice; tinda = market; sibling = utod; kamot = hand)

Hiligaynon, like other Philippine languages, employs reduplication, the repetition of a root or stem of a word or part of a word for grammatical or semantic purposes. Reduplication in Hiligaynon tends to be limited to roots instead of affixes, as the only inflectional or derivational morpheme that seems to reduplicate is -pa-. Root reduplication suggests 'non-perfectiveness' or 'non-telicity'. Used with nouns, reduplication of roots indicate particulars which are not fully actualized members of their class.[16] Note the following examples.

Reduplication of verbal roots suggests a process lacking a focus or decisive goal. The following examples describe events which have no apparent end, in the sense of lacking purpose or completion. A lack of seriousness may also be implied. Similarly, reduplication can suggest a background process in the midst of a foreground activity, as shown in (5).[17]

When used with adjectival roots, non-telicity may suggest a gradualness of the quality, such as the comparison in (6). In comparative constructions the final syllables of each occurrence of the reduplicated root are accented. If the stress of the second occurrence is shifted to the first syllable, then the reduplicated root suggests a superlative degree, as in (7). Note that superlatives can also be created through prefixation of pinaka- to the root, as in pinaka-dakô. While non-telicity can suggest augmentation, as shown in (7), it can also indicate diminishment as in shown in (9), in contrast with (8) (note the stress contrast). In (8b), maàyoáyo, accented in the superlative pattern, suggests a trajectory of improvement that has not been fully achieved. In (9b), maàyoayó suggests a trajectory of decline when accented in the comparative pattern. The reduplicated áyo implies sub-optimal situations in both cases; full goodness/wellness is not achieved.[18]

Hiligaynon has a large number of words derived from Spanish including nouns (e.g., santo from santo, "saint"), adjectives (e.g., berde from verde, "green"), prepositions (e.g., antes from antes, "before"), and conjunctions (e.g., pero from pero, "but").

Nouns denoting material items and abstract concepts invented or introduced during the early modern era include barko (barco, "ship"), sapatos (zapatos, "shoes"), kutsilyo (cuchillo, "knife"), kutsara (cuchara, "spoon"), tenedor ("fork"), plato ("plate"), kamiseta (camiseta, "shirt"), and kambiyo (cambio, "change", as in money). Spanish verbs are incorporated into Hiligaynon in their infinitive forms: edukar, kantar, mandar, pasar. The same holds true for other languages such as Cebuano. In contrast, incorporations of Spanish verbs into Tagalog for the most part resemble, though are not necessarily derived from, the vos forms in the imperative: eduká, kantá, mandá, pasá. Notable exceptions include andar, pasyal (from pasear) and sugal (from jugar).

The names of the days of the week are derived from their Spanish equivalents.

Amay namon, nga yara ka sa mga langit
Pagdayawon ang imo ngalan
Umabot sa amon ang imo ginharian
Matuman ang imo boot
Diri sa duta siling sang sa langit
Hatagan mo kami niyan sing kan-on namon
Sa matag-adlaw
Kag patawaron mo kami sa mga sala namon
Siling nga ginapatawad namon ang nakasala sa amon
Kag dili mo kami ipagpadaog sa mga panulay
Hinunuo luwason mo kami sa kalaot
Amen.

The Catholic version of the Ten Commandments in Hiligaynon at Molo Church, Molo, Iloilo City.

Literal translation as per photo:

1. Believe in God and worship only him
2. Do not use the name of God without purpose
3. Honor the day of the Lord
4. Honor your father and mother
5. Do not kill
6. Do not pretend to be married against virginity (don't commit adultery)
7. Do not steal
8. Do not lie
9. Do not have desire for the wife of your fellow man
10. Do not covet the riches of your fellow man

Article 1 of the Universal Declaration of Human Rights (Ang Kalibutánon nga Pahayag sang mga Kinamaatárung sang Katáwhan)

Ang tanán nga táwo ginbún-ag nga hílway kag may pag-alalangay sa dungóg kag kinamatárong. Silá ginhatágan sing pagpamat-ud kag balatyágon kag nagakadápat nga magbinuligáy sa kahulugan sang pag-inuturáy.

Every person is born free and equal with honor and rights. They are given reason and conscience and they must always trust each other for the spirit of brotherhood.