Life Is Good (Nas album)

Nas' divorce from singer Kelis (photographed in 2010) inspired much of the album.

In 2010, Nas released his studio album Distant Relatives, a collaboration with Damian Marley that reinvigorated the rapper creatively.[3] He soon became distracted by tax problems and an expensive, highly publicized divorce from his wife Kelis months before their son's birth, events that influenced his direction for Life Is Good.[4][5] His songwriting on the album was also influenced by adjusting back to life as a single man.[6] Nas also wanted to write more original subject matter rather than another album "about how you came up in the hood and how you had to make it out of the hood".[6] Although he did not find his album "quite so much about the marriage or the divorce", Nas likened Life Is Good to Marvin Gaye's 1978 album Here, My Dear,[4] which was written by Gaye in response to his own deteriorating marriage and released as a financial settlement.[7] For Life Is Good's album cover, a photo was taken of Nas in a polished white suit, sitting in a night club's VIP lounge, appearing forlorn, and holding over his knee Kelis' actual green wedding dress,[4] which he said was the only item she left him.[7]

When writing the album, Nas also reflected on aging and maturation, fatherhood, and his 20-year experience in hip hop music.[4] Nas discussed the album's personal subject matter in an interview for Billboard:

When I started working on the record, I tried to avoid it. The timing was just calling for me to not avoid all the shit that was going on out there. It was like a 10,000-ton gorilla in the room watching me. This is the way I got it off of my chest. This album talks about life, love and money. It talks about the fact that marriage is expensive. Life Is Good represents the most beautiful, dramatic and heavy moments in my life.[7]

Recording sessions for the album took place at the following recording studios—4220 Studios, Conway Recording Studios, and EastWest Studios in Hollywood, Instrument Zoo Studios in Miami, Jungle City Studios and Oven Studios in New York City, Record One in Sherman Oaks, and Westlake Studios in Los Angeles.[8] Nas worked with several musicians, including Amy Winehouse, Mary J. Blige, James Poyser, Anthony Hamilton, Miguel, Large Professor, and Hal Ritson, among others.[9] For the album, Nas wanted the production to complement his lyrics' nostalgic themes with 1980s hip hop influences.[4] He primarily worked with hip hop producers No I.D. and Salaam Remi, a frequent collaborator of Nas.[3] Remi said that he wanted his production "to be something that a mumble-mouth rapper can't rap on. You better have something to say and be speaking up."[3] Along with producer Swizz Beatz, No I.D. and Nas related to the latter's lyrics concerning divorce during the recording sessions.[7]

During the sessions, Nas recorded the song "No Such Thing as White Jesus" with singer Frank Ocean and producer Hit-Boy, who misplaced the track while sorting through music he had produced for Jay-Z and Kanye West's album Watch the Throne (2011). Although he later recovered it, the song was not included on Life Is Good.[10]

The album incorporates musical references to both older and contemporary hip hop.[12] Its production features live instrumentation,[13] orchestral music, R&B, and boom bap elements.[14] Music journalist Evan Rytlewski denotes "boom-bap drums, lush keyboards, smooth saxophones, and the occasional Run-D.M.C. and MC Shan sample" to be "tasteful accents" from golden age hip hop.[11] Ryan Hamm of Under the Radar views that Remi and No I.D.'s production "lean[s] toward opulent and epic",[15] while Pitchfork's Jayson Greene writes that the latter's produced songs "exude the warm TV-fireplace crackle of ... throwback production."[16] Anupa Mistry of Now writes that "boom bap classicists Salaam Remi and No I.D. weave a raw, funky, orchestral lattice customized for Nas's age-appropriate raps".[17]

Life Is Good features nostalgic and adult themes,[14] including aging and maturity.[14] Nas' rapping is characterized by internal rhymes, a relaxed, plainspoken flow,[11] and transparent lyrics addressing moments in his life, including his youth and the personal events leading up to the album.[12] Erika Ramirez of Billboard observes "stories of internal and external battles, some of which he won and some he lost."[12] David Dennis of The Village Voice writes that his lyrics address hip hop's "golden era" and "the trials and tribulations of adult relationships".[18] Brandon Soderberg from Spin asserts that his lyrics "constantly remind nostalgics that the good ol' days were often chaotic and desperate".[14]

Nas' comparison of this album to Gaye's Here, My Dear is appropriate, according to Slant Magazine's Manan Desai: "Like Nas, Gaye was pushing 40 when he recorded his album", Desai wrote. "He'd cemented his position as one of R&B's greatest, and yet, he never sounded more anguished about where all that fame was leading him. There's something similar going on throughout Life Is Good; the more we hear Nas repeat that titular refrain, the less convincing he sounds."[5] AllMusic's David Jeffries said the lyrics about his divorce were "unfiltered carpet bombing of love and marriage";[19] both Jeffries and Jason Birchmeier of AllMusic characterize the content as "venomous".[19][20] Conversely, Jon Dolan of Rolling Stone views that Nas "cuts his rhymes with midlife realism and daring empathy".[21] Ken Capobianco of The Boston Globe writes that the songs "mix anger, nostalgia, and insight."[13]

Nas performing in July 2012 at the release party for Life Is Good

The album was promoted by Nas' concert performances and television appearances on The Colbert Report, Late Show with David Letterman, Jimmy Kimmel Live!, and 106 & Park.[7] He headlined the Rock the Bells music festival and embarked on a three-week European tour during June and July 2012.[7] With singer Lauryn Hill, the rapper co-headlined the "Life Is Good/Black Rage" tour from October 29 to December 31.[30] The tour finale was an exclusive show at Radio City Music Hall in New York City with Elle Varner as the supporting act.[31]

Three singles were also released in promotion of the album—"Nasty" on August 9, 2011, "The Don" on April 3, 2012, and "Daughters" on July 17.[32] A music video for "Nasty" was filmed by director Jason Goldwatch in Queensbridge, Nas' hometown in New York,[33] and released virally on October 11, 2011.[34] A video for "Daughters" was directed by Chris Robinson and premiered May 27 on MTV Jams.[35] Its storyline chronicles the relationship between Nas and his daughter through her point of view.[35] On April 27, Nas released the Aristotle-directed video for "The Don", which featured lavish images of Nas' lifestyle.[36] A video promoting "Bye Baby" was released on August 20, 2012, featuring scenes of Nas in an empty home, at his divorce proceedings, and in a setting that revisits the cover image of Life Is Good.[37] It also featured singer Aaron Hall of Guy, whose 1988 song "Goodbye Love" is sampled on "Bye Baby".[37] A video for "Cherry Wine" was also released on October 2.[38] The video was dedicated to guest vocalist Amy Winehouse,[39] who is featured as a projection on a wall in the video's scenes.[38] On September 19, "Cherry Wine" was sent to radio in the United Kingdom.[40]

Life Is Good was released by Def Jam Recordings,[41] first on July 13, 2012, in Germany,[1] where it reached number 24 on the Media Control Charts.[1] In the United Kingdom, it debuted at number eight on the Official Albums Chart,[42] the album also debuted at number two in Canada and sold 5,000 copies in its first week there.[43] In the United States, the album debuted at number one on the Billboard 200 and sold 149,000 copies in its first week.[44] It was his sixth number-one album in the United States.[44] In its second week on the Billboard 200, the album sold 45,000 copies.[45] By February 10, 2013, the album had sold 354,000 copies, according to Nielsen SoundScan.[46] The album charted for 15 weeks on the Billboard 200.[47] On April 21, 2020, the album was certified gold by the Recording Industry Association of America (RIAA) for shipping at least 500,000 units to retailers in the US.[48]

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	7.8/10[49]
Metacritic	81/100[50]
Review scores
Source	Rating
AllMusic	[19]
The A.V. Club	A−[11]
Financial Times	[51]
The Independent	[41]
NME	8/10[52]
The Observer	[28]
Pitchfork	8.3/10[16]
Rolling Stone	[21]
Spin	7/10[14]
USA Today	[53]

Life is Good was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 81, based on 30 reviews.[50] Aggregator AnyDecentMusic? gave the album 7.8 out of 10, based on their assessment of the critical consensus.[49]

Reviewing the album in NME, Kevin EG Perry called it "a grimy, back-to-basics return to form",[52] while Pitchfork's Jayson Greene said Nas had "settled gracefully into strengths".[16] Evan Rytlewski of The A.V. Club deemed Nas' lyrics "beautifully expressed" and the music just "as thoughtful",[11] while Slant Magazine's Manan Desai believed the rapper sounded "inspired" and praised the album's "narrative unity" as "a wide-angle look of the artist as a grown man."[5] Ludovic Hunter-Tilney, arts critic for the Financial Times, said Nas draws on his "insider-outsider perspective" as a successful rapper to create "a richly varied album that goes from old-fashioned East Coast bangers to boldly worked orchestral and jazz samples, all held together by Nas's fluent rap technique."[51] In the opinion of Randall Roberts from the Los Angeles Times, the "thoughtful, fierce, honest and – most important – heavy-duty work" showed "Nas has gotten better at rolling with the punches – and you can hear it in every verse".[54] Carl Chery from XXL hailed it as "arguably Nas' best LP since Stillmatic" and proof that "at this juncture—21 years and 10 solo albums in—no other MC has ever rhymed at such a high level this deep into their career."[22]

Some reviewers were less enthusiastic. Robert Christgau gave Life Is Good a three-star honorable mention () in his "Consumer Guide" column for MSN Music, citing "Daughters" and "Accident Murderers" as highlights while deeming the record "reflections of a bigshot who, as he mentions several times, is damn big".[55] AllMusic's David Jeffries regarded the album as an inevitably "puff-chested bitch session", "acting as a clearing house for all venom and bile, plus some gloss that doesn't fit but needed to go as well."[19] According to New York Times critic Jon Caramanica, the narratives were "sometimes distractingly fanciful" and Nas' lyrics occasionally "overstuffed", even though the record possessed "a simulacrum of the sound that made him legendary".[56] Matthew Fiander from PopMatters was more critical, finding the production "uneven" and calculated "as product", with "half-done ideas".[2]

At the end of 2012, Life Is Good appeared on several critics' top album lists. It was named the best album of 2012 by The Source and Okayplayer.[57] The album was also ranked number 18 by Rolling Stone,[58] number 12 by Complex,[59] number 16 by James Montgomery of MTV,[60] number six by Martin Caballero of The Boston Globe, and number seven by Jon Caramanica of The New York Times.[57] Life Is Good received a Grammy Award nomination in the category of Best Rap Album for the 2013 Grammy Awards.[61] It was also nominated for Album of the Year at the 2013 BET Hip Hop Awards, while "Daughters" won the Impact Track award at the 2012 BET Hip Hop Awards.[62]

Information is taken from the album credits.[63]

Credits are adapted from the album's liner notes.[9]

• List of Billboard 200 number-one albums of 2012
• List of Billboard number-one R&B albums of 2012

• Official website
• Life Is Good at Discogs (list of releases)
• Life Is Good at MusicBrainz (list of releases)