Rick and Morty

Creators Dan Harmon (left) and Justin Roiland (right)

Rick and Morty was created by Justin Roiland and Dan Harmon. The duo first met at Channel 101, a non-profit monthly short film festival in Los Angeles co-founded by Harmon.[27] At Channel 101, participants submit a short film in the format of a pilot, and a live audience decides which pilots continue as a series. Roiland, then a producer on reality programming, began submitting content to the festival a year after its launch, in 2004. His pilots typically consisted of shock value—"sick and twisted" elements that received a confused reaction from the audience.[27] Nevertheless, Harmon took a liking to his humor and the two began collaborating. In 2006, Roiland was fired from working on a television series he regarded as intensely creatively stifling, and funneled his creative energies into creating a webisode for Channel 101. The result was The Real Animated Adventures of Doc and Mharti, an animated short starring parodies of Doc Brown and Marty McFly, characters from the Back to the Future film trilogy.[28] In the short, which Harmon would dub "a bastardization, a pornographic vandalization", Doc Smith urges Mharti that the solution to all of his problems is to perform oral sex on him.[29] The audience reacted to it wildly, and Roiland began creating more shorts involving the characters, which soon evolved beyond his original intentions and their obvious origin within the film from which it was culled.[29][30] Harmon would later create and produce Community, an NBC sitcom,[31] while Roiland would work primarily in voice acting for Disney's Fish Hooks and Cartoon Network's Adventure Time.[32]

In 2012, Harmon was briefly fired from Community. Adult Swim, searching for a more prime-time, "hit" show,[33] shortly afterward approached Harmon, who initially viewed the channel as unfit for his style. He also was unfamiliar with animation, and his process for creating television focused more heavily on dialogue, characters, and story.[30] Instead, he phoned Roiland to inquire if he had any ideas for an animated series. Roiland immediately brought up the idea of using the Doc and Mharti characters, renamed Rick and Morty.[29] Roiland initially wanted the show's run time to consist of one eleven-minute segment, but Adult Swim pushed for a half-hour program.[33] Harmon felt the best way to extend the voices into a program would be to build a family around the characters, while Adult Swim development executive Nick Weidenfeld suggested that Rick be Morty's grandfather. Having pitched multiple television programs that did not get off the ground, Roiland was initially very unreceptive to others attempting to give notes on his pitch.[29] Prior to developing Rick and Morty, he had created three failed animated pilots for Fox, and he had begun to feel "burned out" with developing television.[30]

The first draft was completed in six hours on the Paramount Pictures lot in Dan Harmon's unfurnished Community office.[34] The duo had broken the story that day, sold the pilot, and then sat down to write.[30][35] Roiland, while acknowledging a tendency for procrastination, encouraged Harmon to stay and write the entire first draft.[34] "We were sitting on the floor, cross-legged with laptops and I was about to get up and go home and he said, 'Wait, if you go home, it might take us three months to write this thing. Stay here right now and we can write it in six hours.' He just had a premonition about that," recalled Harmon.[30] Adult Swim was initially unsure of Roiland doing both voices, partially due to the undeveloped nature of the character of Morty. Harmon wrote four short premises in which Morty took a more assertive role and sent it to Mike Lazzo.[34] Adult Swim placed a tamer TV-14 rating on the program, which initially was met with reluctance from the show's staff. The network's reason behind the rating was that it would soon begin broadcasting in prime-time, competing with major programs.[30]

The theme song for Rick and Morty by Ryan Elder was originally used in a rejected Cartoon Network pilot Roiland made called "Dog World", which was referenced in the episode "Lawnmower Dog".[36]

Harmon has noted that the writers' room at the show's studio bears a striking resemblance to the one used for Community.[30] In comparing the two, he noted that the writing staff of Rick and Morty was significantly smaller, and more "rough and tumble verbally".[30] The first season writing staff consisted of Roiland, Harmon, Tom Kauffman, Ryan Ridley, Wade Randolph, and Eric Acosta, while writer's assistant Mike McMahan was also given writing credit. Described as a "very, very tiny little writers' room with a lot of heavy lifting from everybody," the show's writing staff, like many Adult Swim productions, is not unionized with the Writers Guild of America,[37] though in 2022 production staff at Rick & Morty filed a petition for a union election with the National Labor Relations Board in a bid to join The Animation Guild.[38] The writing staff first meets and discusses ideas, which evolve into a story.[27] Discussions often include anecdotes from personal life as well as thoughts on the science fiction genre.[30] After breaking the story—which consists of developing its consistency and logical beginning, middle, and conclusion—a writer is assigned to create an outline. Roiland and Harmon do a "pass" on the outline, and from there the episode undergoes several more drafts. The final draft of the script is last approved by either of the co-creators.[27] Harmon has admitted that his perfectionism can sometimes be disruptive and cause writing schedule delays. For the most part, this was the reason why the third season of the show consisted of only 10 episodes instead of 14, as was initially intended.[39][40]

Many episodes are structured with use of a story circle, a Harmon creation based largely on Joseph Campbell's monomyth, or The Hero's Journey. Its two-act structure places the act break at an odd location in the stages of the monomyth: after The Meeting with the Goddess, instead of Atonement with the Father.[34] Roiland has stated his and Harmon's intentions for the series to lack traditional continuity, opting for discontinuous storylines "not bound by rules".[41] He has also confirmed that the writers avoid revisiting old tropes from the show's past, "in fear of that coming off as disingenuous fan service."[42] In producing the series' first season, episodes were occasionally written out of order. For example, "Rick Potion #9" was the second episode written for the series, but was instructed to be animated as the fifth, as it would make more sense within the series' continuity.[27]

Animation for the show is done using Toon Boom Harmony, a vector-based 2D puppet software, which is a more economical option than traditional hand-drawn animation.[43] The post-production work is done in Adobe After Effects, and background art is done in Adobe Photoshop.[44] Production of animation is handled by Bardel Entertainment in Vancouver, Canada.[45] Roiland's cartooning style is heavily indebted to The Simpsons, a factor he acknowledged in a 2013 interview, while also comparing his style to that of Pendleton Ward (Adventure Time) and J. G. Quintel (Regular Show): "You'll notice mouths are kind of similar and teeth are similar, but I think that's also a stylistic thing that ... all of us are kind of the same age, and we're all inspired by The Simpsons and all these other shows we're kind of subconsciously tapping into."[37] John Kricfalusi's The Ren & Stimpy Show was another strong influence for Rick and Morty, which is why, according to Roiland, the small "w-shaped mouths" that the characters occasionally make is a reference to a similar expression that Ren frequently makes.[46] Talking about the style guide the animators of the show have to follow, season three art director Jeffrey Thompson explained that the characters are often drawn with odd or asymmetrical features, in order to avoid looking "too normal to live in the Rick and Morty universe."[47] When recording dialogue, Roiland does a considerable amount of improvisation, in order to make the characters feel more natural.[48]

The general formula of Rick and Morty consists of the juxtaposition of two conflicting scenarios: an extremely selfish, alcoholic grandfather dragging his grandson along for interdimensional adventures, intercut with domestic family drama.[29][33] Co-creator Dan Harmon has described the series as a cross between Matt Groening's two shows The Simpsons and Futurama, balancing family life with heavy science fiction.[37] The series is inspired by British-style storytelling, as opposed to traditional American family TV stories.[27] Harmon has stated that his inspiration behind much of the concept and humor for the series comes from various British television series, such as The Hitchhiker's Guide to the Galaxy and Doctor Who. He figures that the audience will only understand developments from Morty's point of view, but stated "we don't want to be the companions. We want to hang out with the Doctor, we idolize the Doctor, but we don't think like him, and that's really interesting."[49]

Occasionally, characters will acknowledge an episode's narrative or hint at the presence of a fourth wall, suggesting that they are aware of the fact that they are characters of a TV show. Thereunder, Troy Patterson of The New Yorker notes that Rick and Morty "supplies an artful answer to the question of what follows postmodernism: a decadent regurgitation of all its tropes, all at once, leavened by some humanistic wistfulness."[50] Sean Sebastian of Junkee says that the show can be both hilarious and deeply disturbing at the same time as it excels at the "intersection between big ideas, flippancy and wit."[51]

The series addresses the insignificance of human existence as compared to the size of the universe, with no recognizable divine presence, as described by Lovecraft's philosophy of cosmicism. The characters of the show deal with cosmic horror and existential dread, either by asserting the utility of science over magic or by choosing a life in ignorant bliss.[52] However, as Joachim Heijndermans of Geeks notes, none of them appear able to handle the absurd and chaotic nature of the universe, as Jerry gets by through denial, and Rick is a "depressed, substance-addicted, suicidal mess".[53]

Harmon describes Rick as a self-interested anarchist, who doesn't like being told what to do.[54] He believes that the character's life on a larger scale has caused him mental illness,[49] and opines that "the knowledge that nothing matters—while accurate—gets you nowhere".[55] Matthew Bulger of The Humanist notes that the creators of the series are trying to communicate the message that we need to focus on human relationships and not preoccupy our minds with unanswerable questions, in order to find a sense of purpose and live a better life.[56] Eric Armstrong of The New Republic notes that Morty represents the audience, as he is "mostly there to react to Rick's deranged schemes". The character is transformed by the truths he discovers during his interdimensional adventures with his grandfather. However, instead of sinking into depression, Morty accepts these truths that empower him to value his own life.[57]

Rick and Morty holds an average approval rating of 95% on review aggregator website Rotten Tomatoes for the entire series.[84] David Weigand of San Francisco Chronicle described it as "offbeat and occasionally coarse... the take-away here is that it works". He praised the animation direction by James McDermott for being "fresh, colorful and as wacky as the script", and states that the series possesses "shades of Futurama, South Park and even Beetlejuice", ultimately opining that its humor felt "entirely original".[85] Neil Genzlinger of The New York Times praised the series and stated that it was "Grandparenting at its unhinged finest."[86] In a review shortly after the second-season premiere, Sean Sebastian of Junkee said that although the crude animation and over-the-top voice acting might have discouraged some viewers to continue watching, Rick and Morty is "exceptionally well-made" and that "the more you dissect it, the more you find it has to say."[51]

Todd Spangler of Variety gave the series a lukewarm review; saying that though it "often seems … frenetic at the expense of being witty", it represents "a welcome attempt to dream just a little bigger".[87] David Sims of The A.V. Club gave the series an "A−". In reviewing the first two episodes, he praised its "clean, simple style" of animation, and said the series has "a dark, sick sensibility". He praised its "effort to give each character a little bit of depth", and applauded Roiland's voice talent.[88]

Rick and Morty has been a ratings hit since season one,[89] with viewership doubling and tripling over their first six episodes.[90] The third season ended with the best ratings in Adult Swim history,[91] an 81 percent increase in overall viewers over the second season.[92] According to a Nielsen poll, the third season was the most watched television comedy of adults between the ages of 18 and 24.[93][94] The president of Adult Swim said that Rick and Morty "goes beyond just appealing to millennials," with statistics suggesting that people of every age tune in to the show.[92]

The fourth season started relatively strong, with its premiere reaching 2.33 million viewers (the show's average is 2.51 million).[95] However, interest soon appeared to taper off after the network decided to split the season in half causing a steep drop in the season's second half–about a 40% drop in viewership from the third season.[96] The fourth episode of the fourth season saw 1.62 million viewers, which was noted to not be impressive in its own right, but in that it showed consist viewership especially when competing against shows like The Walking Dead in the same time slot.[97] The season five premier episode was posted on YouTube and had 1.7 million views within the first 12 hours.[98] The television premier saw 1.9 million views.[99]

The premier of season six was shown on September 4th, 2022, and saw the highest ratings in telecast for women age 18 to 24 and 18 to 34 and non-sports telecast for male viewers age 18 to 24 and 18 to 34. The episode was also the number two most-viewed non-sports program overall for viewers age 18 to 49.[100]

Show creator Justin Roiland said in 2019 that he would love to make an R-rated Rick and Morty feature film.[128] In June 2021, producer Scott Marder confirmed that the creators and crew hope to eventually produce a feature film, with Roiland stating that it is more a question of "when", rather than "if".[129] In 2022, American filmmaker Zack Snyder expressed interest in directing a Rick and Morty science fiction movie.[130]

On May 20, 2021, Adult Swim announced a short spin-off series centred on the Vindicators team (Supernova, Vance Maxiumus, Alan Rails, Crocubot and Noob Noob) previously seen on the episode, "Vindicators 3: The Return of Worldender" to be in development, alongside spin-offs from other Adult Swim shows like Aqua Teen Hunger Force, Robot Chicken, and Your Pretty Face Is Going to Hell. The 10-episode series, Vindicators 2 was released in July 2022.[131][132]

On May 18, 2022, Adult Swim announced there would be a full spin-off series based on the anime shorts, directed by Takashi Sano.[133]

Rick and Morty, both voiced by Roiland, have a cameo in 2021's Space Jam: A New Legacy, as they claim to have experimented on the Tasmanian Devil but say they were disgusted by the results; thus, they voluntarily give him back to LeBron and the Looney Tunes by dropping him on their rocket's windshield. Notably, they are the only characters featured from any property held by producer Warner Bros. (under its Global Kids, Young Adults and Classics division since 2019) through subsidiary Turner Broadcasting, one that would hold a variety of animated characters through Adult Swim, Cartoon Network, or any affiliation or collaboration with them.[134]

Rick and Morty were featured in the couch gag at the beginning of "Mathlete's Feat", the final episode of the twenty-sixth season of The Simpsons. Said opening involved Rick accidentally killing the family when he crash-lands into their living room. He then requested that Morty take care of the cloning process while he fools around at the Simpson household, poorly playing Lisa's saxophone, taking at least one of Homer's Duff beers from their fridge, and freezing Ned Flanders when he comes by to check on them. The clones end up as half-Rick monstrosities since Rick had previously cleaned the DNA vials with his own saliva, a decision he realized would occur and regretted anyway. As he and Morty fly away, the clone of Bart exclaims "No more guest animators, man!", ending the opening.[135][136]

On April 1, 2015, a Rick and Morty comic book adaptation debuted with its first monthly issue, entitled "BAM!"[137] The series was initially written by Zac Gorman and illustrated by CJ Cannon.[138] Artist Tom Fowler wrote a multi-issue story arc that began in March 2016.[139] Using the television series' established premise of alternate timelines, the first two volumes of the comic book expressly features the Rick and Morty (and supporting cast) of a different timeline, allowing the comics to tell stories without conflicting with the canon of the show.[140] From the third volume onwards, with the departure of Gorman as written and his replacement with Kyle Starks, the series switched focus to display the off-screen adventures of the specific Rick and Morty of the television series, keeping in the canon of the show, with the Ricks and Mortys of different timelines forming the basis for backup stories.[141]

On August 29, 2018, a four-issue crossover comic with the fantasy tabletop role-playing game Dungeons & Dragons was released. The series titled Rick and Morty vs. Dungeons & Dragons is co-written by Jim Zub and Patrick Rothfuss, and art by Troy Little.[142] A sequel mini-series, titled Rick and Morty vs. Dungeons & Dragons: Chapter II: Painscape, was published in September 2018.[143] It was written by Jim Zub and Sarah Stern with art by Troy Little.[144] The Rick and Morty vs Dungeons and Dragons Deluxe Edition, by Rothfuss, Zub, and Little, was nominated for the 2022 "Best Graphic Album—Reprint" Eisner Award.[145]

McDonald's chicken nuggets and original szechuan sauce

McDonald's Szechuan Sauce returned to their menu nearly twenty years later after being referenced numerous times in "The Rickshank Rickdemption", the Season 3 premiere.[146] The sauce was announced to return to all McDonald's stores on February 26, 2018 due to popular demand from Rick and Morty fans.[147] On March 31, 2022, it once again returned to stores, featured as an app only exclusive until April 4th.[148][149]

Adult Swim and Wendy's have collaborated to create commercials featuring the titular duo.[150][151] They have also created Morty themed food trucks and restaurants.[152][153] In 2022, Wendy's offered Rick and Morty-inspired combo meals exclusively on Uber Eats and brought back their "Portal Time Lemon Lime" soft drink to promote the series' sixth season.[154] The promotion also featured a giveaway of Rick and Morty merchandise.[155]

Adult Swim released a promotional video advertising Death Stranding. The ad involves Rick and Morty traversing the world of Death Stranding and to deliver packages to stations in order to rebuild human civilization while trying to avoid being harmed by hostiles.[156]