Southern American English

A diversity of earlier Southern dialects once existed: a consequence of the mix of English speakers from the British Isles (including largely Southern English and Scots-Irish immigrants) who migrated to the American South in the 17th and 18th centuries, with particular 19th-century elements also borrowed from the London upper class and African-American slaves. By the 19th century, this included distinct dialects in eastern Virginia, the greater lowcountry area surrounding Charleston, the Appalachian upcountry region, the Black Belt plantation region, and secluded Atlantic coastal and island communities.

Following the American Civil War, as the South's economy and migration patterns fundamentally transformed, so did Southern dialect trends.[11] Over the next few decades, Southerners moved increasingly to Appalachian mill towns, to Texan farms, or out of the South entirely.[11] The main result, further intensified by later upheavals such as the Great Depression, the Dust Bowl and perhaps World War II, is that a newer and more unified form of Southern American English consolidated, beginning around the last quarter of the 19th century, radiating outward from Texas and Appalachia through all the traditional Southern States until around World War II.[12][13] This newer Southern dialect largely superseded the older and more diverse local Southern dialects, though it became quickly stigmatized in American popular culture. As a result, since around 1950, the notable features of this newer Southern accent have been in a gradual decline, particularly among younger and more urban Southerners, though less so among rural white Southerners.

Despite the slow decline of the modern Southern accent,[14] it is still documented as widespread as of the 2006 Atlas of North American English. Specifically, the Atlas definitively documents a Southern accent in Virginia, North Carolina, South Carolina (though not Charleston), Georgia (though Atlanta is inconsistent), Alabama, Mississippi, Tennessee, Kentucky, Arkansas, and Louisiana (co-occurring with Cajun and New Orleans accents), as well as almost all of Texas, southern West Virginia, the Springfield area of Missouri, the Jacksonville area of Florida,[15] and southeastern New Mexico.[16] A South Midland accent is documented by the Atlas as sharing key features with the Southern accent, though to a weaker extent; such features encompass the whole of Texas, Oklahoma, West Virginia, eastern and central Kansas, southern Missouri, southern Indiana, southern Ohio, and possibly southern Illinois.[17] African-American accents across the United States have many common points with Southern accents due to the strong historical ties of African Americans to the South.

The approximate extent of Southern American English, based upon The Atlas of North American English[22][23]

Most of the Southern United States underwent several major sound changes from the beginning to the middle of the 20th century, during which a more unified, region-wide sound system developed, markedly different from the sound systems of the 19th-century Southern dialects.

The South as a present-day dialect region generally includes all of these pronunciation features below, which are popularly recognized in the United States as a "Southern accent". However, there is still variation in Southern speech regarding potential differences based on factors like a speaker's exact sub-region, age, ethnicity, etc. The following phonological phenomena focus on the developing sound system of the 20th-century Southern dialects of the United States that altogether largely (though certainly not entirely) superseded the older Southern regional patterns:

• Southern Vowel Shift (or Southern Shift): A chain shift regarding vowels is fully completed, or occurring, in most Southern dialects, especially 20th-century ones, and at the most advanced stage in the "Inland South" (i.e. away from the Gulf and Atlantic Coasts) as well as much of central and northern Texas. This 3-stage chain movement of vowels is first triggered by Stage 1 that dominates the entire Southern region, followed by Stage 2 that covers almost all of that area, and Stage 3 that is concentrated only in speakers of the two aforementioned core sub-regions. Stage 1 (defined below) may have begun in a minority of Southern accents as early as the first half of the 19th century with a glide weakening of /aɪ/ to [aɛ̯] or [aə̯]; however, it was still largely incomplete or absent in the mid-19th century, before expanding rapidly from the last quarter of the 19th into the middle of the 20th century;[26] today, this glide weakening or even total glide deletion is the pronunciation norm throughout all of the Southern States.
  • Stage 1 (/aɪ/ → [aː] and /æ/ → [ɛ(j)ə̯]):
    • The starting point, or first stage, of the Southern Shift is the transition of the diphthong /aɪ/ (listen) towards a "glideless" long vowel [aː] (listen), so that, for example, the word ride commonly approaches a sound that most other American English speakers would hear as rod or rad. Stage 1 is now complete for a majority of Southern dialects.[27] Southern speakers particularly exhibit the Stage 1 shift at the ends of words and before voiced consonants, but often not before voiceless consonants, where the diphthong instead retains its glide, so that ride is [ɹaːd], but right is [ɹaɪ̯t]. Inland (i.e. non-coastal) Southern speakers, however, indeed delete the glide of /aɪ/ in all contexts, as in the stereotyped pronunciation "nahs whaht rahss" for nice white rice; these most shift-advanced speakers are largely found today in an Appalachian area that comprises eastern Tennessee, western North Carolina and northern Alabama, as well as in central Texas.[28] Some traditional East Coast Southern accents do not exhibit this Stage 1 glide deletion,[29] particularly in Charleston, South Carolina, and possibly Atlanta and Savannah, Georgia (cities that are, at best, considered marginal to the modern Southern dialect region).
    • This new glideless [aː~äː] vowel encroaches on the territory of the "short a" vowel, /æ/ (as in rat or bad), thus pushing /æ/ generally higher and fronter in the mouth (and also possibly giving it a complex gliding quality, often starting higher and then gliding lower); thus /æ/ can range variously away from its original position, with variants such as [æ(j)ə̯], [æɛ̯æ̯], [ɛ(j)ə̯], and possibly even [ɛ]. An example is that, to other English speakers, the Southern pronunciation of yap sounds something like yeah-up.
  • Stage 2 (/eɪ/ → [ɛɪ̯] and /ɛ/ → [e(j)ə̯]):
    • By removing the existence of [aɪ̯], Stage 1 leaves open a lower space for /eɪ/ (as in name and day) to occupy, causing Stage 2: the dragging of the diphthong /eɪ/ into a lower starting position, towards [ɛɪ̯] (listen) or to a sound even lower or more retracted, or both.
    • At the same time, the pushing of /æ/ into the vicinity of /ɛ/ (as in red or belt), forces /ɛ/ itself into a higher and fronter position, occupying the [e] area (previously the vicinity of /eɪ/). /ɛ/ also often acquires an in-glide: thus, [e(j)ə̯]. An example is that, to other English speakers, the Southern pronunciation of yep sounds something like yay-up. Stage 2 is most common in heavily stressed syllables. Southern accents originating from cities that formerly had the greatest influence and wealth in the South (Richmond, Virginia; Charleston, South Carolina; Atlanta, Macon, and Savannah, Georgia; and all of Florida) do not traditionally participate in Stage 2.[30]
  • Stage 3 (/i/ → [ɪi̯] and /ɪ/ → [iə̯]): By the same pushing and pulling domino effects described above, /ɪ/ (as in hit or lick) and /i/ (as in beam or meet) follow suit by both possibly becoming diphthongs whose nuclei switch positions. /ɪ/ may be pushed into a diphthong with a raised beginning, [iə̯], while /i/ may be pulled into a diphthong with a lowered beginning, [ɪi̯]. An example is that, to other English speakers, the Southern pronunciation of fin sounds something like fee-in, while meat sounds something like mih-eet. Like the other stages of the Southern shift, Stage 3 is most common in heavily stressed syllables and particularly among Inland Southern speakers.[30]
  • Southern vowel breaking ("Southern drawl"): All three stages of the Southern Shift often result in the short front pure vowels being "broken" into gliding vowels, making one-syllable words like pet and pit sound as if they might have two syllables (as something like pay-it and pee-it respectively). This short front vowel gliding phenomenon is popularly recognized as the "Southern drawl". The "short a", "short e", and "short i" vowels are all affected, developing a glide up from their original starting position to [j], and then often back down to a schwa vowel: /æ/ → [æjə̯~ɛjə̯]; /ɛ/ → [ɛjə̯~ejə̯]; and /ɪ/ → [ɪjə̯~ijə̯], respectively. This phenomenon is on the decline, being most typical of Southern speakers born before 1960[31] though mostly after the mid-19th century.
• Unstressed, word-final /ŋ/ → [n]: The phoneme /ŋ/ in an unstressed syllable at the end of a word fronts to [n], so that singing /ˈsɪŋɪŋ/ is sometimes written phonetically as singin [ˈsɪŋɪn].[32] This is common in vernacular English dialects around the world.
• Lacking or transitioning cot–caught merger: The historical distinction between the two vowels sounds /ɔ/ and /ɒ/, in words like caught and cot or stalk and stock is mainly preserved.[33] In much of the South during the 1900s, there was a trend to lower the vowel found in words like stalk and caught, often with an upglide, so that the most common result today is the gliding vowel [ɑɒ̯]. However, the cot–caught merger is becoming increasingly common throughout the United States, thus affecting Southeastern and even some Southern dialects, towards a merged vowel [ɑ].[34] In the South, this merger, or a transition towards this merger, is especially documented in central, northern, and (particularly) western Texas.[35]

The merger of pin and pen in Southern American English. In the purple areas, the merger is complete for most speakers. Note the exclusion of the New Orleans area, Southern Florida, and of the Lowcountry of South Carolina and Georgia. The purple area in California consists of the Bakersfield and Kern County area, where migrants from the south-central states settled during the Dust Bowl. There is also debate whether or not Austin, Texas, is an exclusion. Based on Labov, Ash & Boberg (2006:68).

• Pin-pen merger: the vowels [ɛ] and [ɪ] now merge when before nasal consonants, so that pen and pin, for instance, or hem and him, are pronounced the same, as pin or him, respectively.[33] The merger, towards the sound [ɪ], is still unreported among some vestigial varieties of the older South, and other geographically Southern U.S. varieties that have eluded the Southern Vowel Shift, such as the Yat dialect of New Orleans or the anomalous dialect of Savannah, Georgia.
• Rhoticity: The "dropping" of the r sound after vowels was historically widespread in the South, particularly in former plantation areas. This phenomenon, non-rhoticity, was considered prestigious before World War II, after which the social perception in the South reversed. Now, full or variable rhoticity (sometimes called r-fulness), in which most or all r sounds are pronounced, is dominant throughout most of the South, and even "hyper-rhoticity",[36] particularly among younger and female white Southerners; the only major exceptions are among African American Southerners, whose modern vernacular dialect continues to be mostly non-rhotic, some accents of south Louisiana and Cajun accents tend to be non-rhotic.[37] The sound quality of the Southern r is the distinctive "bunch-tongued r", produced by strongly constricting the root or midsection of the tongue, or both.[38]
• Pronunciation of ⟨wh⟩: Most of the U.S. has completed the wine–whine merger, but, in many Southern accents, particularly inland Southern accents, the phonemes /w/ and /hw/ remain distinct, so that pairs of words like wail and whale or wield and wheeled are not homophones.[39]
• Lax and tense vowels often neutralize before /l/, making pairs like feel/fill and fail/fell homophones for speakers in some areas of the South. Some speakers may distinguish between the two sets of words by reversing the normal vowel sound, e.g., feel in Southern may sound like fill, and vice versa.[40]
• The back vowel /u/ (in goose or true) is fronted in the mouth to the vicinity of [ʉ] or even farther forward, which is then followed by a slight gliding quality; different gliding qualities have been reported, including both backward and (especially in the eastern half of the South) forward glides.[41]
• The back vowel /oʊ/ (in goat or toe) is fronted to the vicinity of [ɜʊ̯~ɜʉ̯], and perhaps even as far forward as [ɛʊ̯].[42]
• Back Upglide (Chain) Shift: In Southern regional dialects, /aʊ/ shifts forward and upward to [æʊ̯] (also possibly realized, variously, as [æjə̯~æo̯~ɛɔ̯~eo̯]); thus allowing the back vowel /ɔ/ to fill an area similar to the former position of /aʊ/ in the mouth, becoming lowered and developing an upglide [ɑɒ]; this, in turn, allows (though only for the most advanced Southern speakers) the upgliding /ɔɪ/, before /l/, to lose its glide [ɔ] (for instance, causing the word boils to sound something like the British or New York City pronunciations of balls).[43]
• The vowel /ʌ/, as in bug, luck, strut, etc., is realized as [ɜ], occasionally fronted to [ɛ̈] or raised in the mouth to [ə].[44]
• /z/ becomes [d] before /n/, for example [ˈwʌdn̩t] wasn't, [ˈbɪdnɪs] business,[45] but hasn't may keep the [z] to avoid merging with hadn't.
• Many nouns are stressed on the first syllable that are stressed on the second syllable in most other American accents.[31] These may include police, cement, Detroit, Thanksgiving, insurance, behind, display, hotel, motel, recycle, TV, guitar, July, and umbrella. Today, younger Southerners tend to keep this initial stress for a more reduced set of words, perhaps including only insurance, defense, Thanksgiving, and umbrella.[46][47]
• Phonemic incidence is sometimes unique in the South, so that:[47]
  • Florida is typically pronounced /ˈflɑrɪdə/ rather than General American /ˈflɔrɪdə/, and lawyer is /ˈlɔ.jər/ rather than General American /ˈlɔɪ.ər/ (i.e., the first syllable of lawyer sounds like law, not loy).
  • The /deɪ/ in words like Monday and Sunday is commonly /di/.
  • Spigot (a water tap) is often pronounced /ˈspɪkət/, as if spelled spicket.
• Lacking or incomplete happy tensing: The tensing of unstressed, word-final /ɪ/ (the second vowel sound in words like happy, money, Chelsea, etc.) to a higher and fronter vowel like [i] is typical throughout the United States, except in the South. The South maintains a sound not obviously tensed: [ɪ] or [ɪ~i].[48]
• Words ending in unstressed /oʊ/ (especially with the spelling ⟨ow⟩) may be pronounced as [ə] or [ʊ],[49] making yellow sound like yella or tomorrow like tomorra.
• Variable horse–hoarse merger: the merger of the phonemes /ɔːr/ (as in morning) and /oʊr/ (as in mourning) is common, as in most English dialects, though a distinction is still preserved especially in Southern accents along the Gulf Coast, plus scatterings elsewhere;[50] thus, morning [ˈmɒɹnɪn] versus mourning [ˈmouɹnɪn].

Prior to becoming a phonologically unified dialect region, the South was once home to an array of much more diverse accents at the local level. Features of the deeper interior Appalachian South largely became the basis for the newer Southern regional dialect; thus, older Southern American English primarily refers to the English spoken outside of Appalachia: the coastal and former plantation areas of the South, best documented before the Civil War, on the decline during the early 1900s, and basically non-existent in speakers born since the Civil Rights Movement.[65]

Little unified these older Southern dialects, since they never formed a single homogeneous dialect region to begin with. Some older Southern accents were rhotic (most strongly in Appalachia and west of the Mississippi), while the majority were non-rhotic (most strongly in plantation areas); however, wide variation existed. Some older Southern accents showed (or approximated) Stage 1 of the Southern Vowel Shift—namely, the glide weakening of /aɪ/—however, it is virtually unreported before the very late 1800s.[66] In general, the older Southern dialects clearly lacked the Mary–marry–merry, cot–caught, horse–hoarse, wine–whine, full–fool, fill–feel, and do–dew mergers, all of which are now common to, or encroaching on, all varieties of present-day Southern American English. Older Southern sound systems included those local to the:[10]

• Plantation South (excluding the Lowcountry): phonologically characterized by /aɪ/ glide weakening, non-rhoticity (for some accents, including a coil–curl merger), and the Southern trap–bath split (a version of the trap–bath split unique to older Southern U.S. speech that causes words like lass [læs~læɛ̯æ̯s] not to rhyme with words like pass [pæe̯s]).
  • Eastern and central Virginia (often identified as the "Tidewater accent"): further characterized by Canadian raising and some vestigial resistance to the vein–vain merger.
• Lowcountry (of South Carolina and Georgia; often identified as the traditional "Charleston accent"): characterized by no /aɪ/ glide weakening, non-rhoticity (including the coil-curl merger), the Southern trap–bath split, Canadian raising, the cheer–chair merger, /eɪ/ pronounced as [e(ə̯)], and /oʊ/ pronounced as [o(ə̯)].
• Outer Banks and Chesapeake Bay (often identified as the "Hoi Toider accent"): characterized by no /aɪ/ glide weakening (with the on-glide strongly backed, unlike any other U.S. dialect), the card–cord merger, /aʊ/ pronounced as [aʊ̯~äɪ̯], and up-gliding of pure vowels especially before /ʃ/ (making fish sound almost like feesh and ash like aysh). It is the only dialect of the older South still extant on the East Coast, due to being passed on through generations of geographically isolated islanders.
• Appalachian and Ozark Mountains: characterized by strong rhoticity and a tor–tore–tour merger (which still exist in that region), the Southern trap–bath split, plus the original and most advanced instances of the Southern Vowel Shift now defining the whole South.

These grammatical features are characteristic of both older and newer Southern American English.

• Use of done as an auxiliary verb between the subject and verb in sentences conveying the past tense.

  I done told you before.

• Use of done (instead of did) as the past simple form of do, and similar uses of the past participle in place of the past simple, such as seen replacing saw as past simple form of see.

  I only done what you done told me.

  I seen her first.

• Use of other non-standard preterites, Such as drownded as the past tense of drown, knowed as past tense of know, choosed as the past tense of choose, degradated as the past tense of degrade.

  I knowed you for a fool soon as I seen you.

• Use of was in place of were, or other words regularizing the past tense of be to was.

  You was sittin' on that chair.

• Use of been instead of have been in perfect constructions.

  I been livin' here darn near my whole life.

• Use of (a-)fixin' to, with several spelling variants such as fixing to or fixinta,[67] to indicate immediate future action; in other words: intending to, preparing to, or about to.

  He's fixin' to eat.

  They're fixing to go for a hike.

It is not clear where the term comes from and when it was first used. According to dialect dictionaries, fixin' to is associated with Southern speech, most often defined as being a synonym of preparing to or intending to.[68] Some linguists, e.g. Marvin K. Ching, regard it as being a quasimodal rather than a verb followed by an infinitive.[69] It is a term used by all social groups, although more frequently by people with a lower social status than by members of the educated upper classes. Furthermore, it is more common in the speech of younger people than in that of older people.[68] Like much of the Southern dialect, the term is also more prevalent in rural areas than in urban areas.

• Preservation of older English me, him, etc. as reflexive datives.

  I'm fixin' to paint me a picture.

  He's gonna catch him a big one.

• Saying this here in place of this or this one, and that there in place of that or that one.

  This here's mine and that there is yours.

• Existential it, a feature dating from Middle English which can be explained as substituting it for there when there refers to no physical location, but only to the existence of something.

  It's one lady who lives in town.

  It is nothing more to say.

Standard English would prefer "existential there", as in "There's one lady who lives in town". This construction is used to say that something exists (rather than saying where it is located).[70] The construction can be found in Middle English as in Marlowe's Edward II: "Cousin, it is no dealing with him now".[70]

• Use of ever in place of every.

  Ever'where's the same these days.

• Using liketa (sometimes spelled as liked to or like to[71]) to mean "almost"

  I liketa died[72]

  He liketa got hit by a car

Liketa is presumably a conjunction of "like to" or "like to have" coming from Appalachian English. It is most often seen as a synonym of almost. Accordingly, the phrase I like't'a died would be I almost died in Standard English. With this meaning, liketa can be seen as a verb modifier for actions that are on the verge of happening.[73] Furthermore, it is more often used in an exaggerative or violent figurative sense rather than literal sense.[74]

• Use of the distal demonstrative "yonder," archaic in most dialects of English, to indicate a third, larger degree of distance beyond both "here" and "there" (thus relegating "there" to a medial demonstrative as in some other languages), indicating that something is a longer way away, and to a lesser extent, in a wide or loosely defined expanse, as in the church hymn "When the Roll Is Called Up Yonder". A typical example is the use "over yonder" in place of "over there" or "in or at that indicated place", especially to refer to a particularly different spot, such as in "the house over yonder".[75]
• Compared to General American English, when contracting a negated auxiliary verb, Southern American English has increased preference for contracting the subject and the auxiliary than the auxiliary and "not", e.g. the first of the following pairs:

  He's not here. / He isn't here.

  I've not been there. / I haven't been there.[76]

In the United States, the following vocabulary is mostly unique to, or best associated with, Southern U.S. English:[47]

• Ain't to mean am not, is not, are not, have not, has not, etc.[80]
• Bless your heart to express sympathy or concern to the addressee; often, now used ironically
• Buggy to mean shopping cart
• Cain't to mean can't or can not.
• Carry to additionally mean escort or accompany[81]
• Catty-corner to mean located or placed diagonally
• Chill bumps as a synonym for goose bumps
• Coke to mean any sweet, carbonated soft drink
• Crawfish to mean crayfish
• Devil is beating his wife to describe the weather phenomenon of a sunshower
• Fixin to to mean about to
• Icing (preferred over frosting, in the confectionary sense)
• Liketa to mean almost or nearly (in Alabama and Appalachian English)[82]
• Ordinary to mean disreputable[83]
• Ornery to mean bad-tempered or surly (derived from ordinary)[84]
• Powerful to mean great in number or amount (used as an adverb)[83]
• Right to mean very or extremely (used as an adverb)[85]
• Reckon to mean think, guess, or conclude[86]
• Rolling to mean the prank of toilet papering
• Slaw as a synonym for coleslaw
• Taters to mean potatoes
• Toboggan to mean knit cap
• Tote to mean carry[80]
• Tump to mean tip or turn over as an intransitive verb[87] (in the western South, including Texas and Louisiana)
• Veranda to mean large, roofed porch[83]
• Yonder to mean over there[80]

Unique words can occur as Southern nonstandard past-tense forms of verbs, particularly in the Southern highlands and Piney Woods, as in yesterday they riz up, come outside, drawed, and drownded, as well as participle forms like they have took it, rode it, blowed it up, and swimmed away.[80] Drug is traditionally both the past tense and participle form of the verb drag.[80]

Y'all

Frequency of either "Y'all" or "You all" to address multiple people, according to an Internet survey of American dialect variation[88]

Frequency of just "Y'all" to address multiple people, according to an Internet survey of American dialect variation[88]

Y'all is a second person plural pronoun and the usual Southern plural form of the word you.[89] It is originally a contraction – you all – which is used less frequently.[90] This term popularized with the modern Southern dialect and was only rarely used in older Southern dialects.[91]

• When addressing a group, y'all is general (I know y'all) and is used to address the group as a whole, whereas all y'all is used to emphasize specificity of each and every member of the group ("I know all y'all.") The possessive form of Y'all is created by adding the standard "-'s".

  "I've got y'all's assignments here." /jɔlz/

• Y'all is distinctly separate from the singular you. The statement "I gave y'all my truck payment last week," is more precise than "I gave you my truck payment last week." You (if interpreted as singular) could imply the payment was given directly to the person being spoken to – when that may not be the case.
• "All y'all" is used to specify that all members of the second person plural (i.e., all persons currently being addressed and/or all members of a group represented by an addressee) are included; that is, it operates in contradistinction to "some of y'all", thereby functioning similarly to "all of you" in standard English.
• In rural southern Appalachia an "n" is added to pronouns indicating "one" "his'n" "his one" "her'n" "her one" "Yor'n" "your one" i.e. "his, hers and yours". Another example is yernses. It may be substituted for the 2nd person plural possessive yours.

  "That book is yernses." /ˈjɜrnzəz/

Discussion of "Southern dialect" in the United States popularly refers to those English varieties spoken by white Southerners;[10] however, as a geographic term, it may also encompass the dialects developed among other social or ethnic groups in the South, most prominently including African Americans. Today, African-American Vernacular English (AAVE) is a fairly unified variety of English spoken by working- and middle-class African Americans throughout the United States. AAVE exhibits an evident relationship with both older and newer Southern dialects, though the exact nature of this relationship is poorly understood.[93] It is clear that AAVE was influenced by older speech patterns of the Southern United States, where Africans and African Americans were held as slaves until the American Civil War. These slaves originally spoke a diversity of indigenous African languages but picked up English to communicate with one another, their white masters, and the white servants and laborers they often closely worked alongside. Many features of AAVE suggest that it largely developed from nonstandard dialects of colonial English (with some features of AAVE absent from other modern American dialects, yet still existing in certain modern British dialects). However, there is also evidence of the influence of West African languages on AAE vocabulary and grammar.

It is uncertain to what extent early white Southern English borrowed elements from early African-American Vernacular English versus the other way around. Like many white accents of English once spoken in Southern plantation areas—namely, the Lowcountry, Virginia Piedmont and Tidewater and lower Mississippi Valley—the modern-day AAVE accent is mostly non-rhotic (or "r-dropping" ). The presence of non-rhoticity in both black English and older white Southern English is not merely coincidence, though, again, which dialect influenced which is unknown. It is better documented, however, that white Southerners borrowed some morphological processes from black Southerners.

Many grammatical features were used alike by older speakers of white Southern English and African-American Vernacular English more so than by contemporary speakers of the same two varieties. Even so, contemporary speakers of both continue to share these unique grammatical features: "existential it", the word y'all, double negatives, was to mean were, deletion of had and have, them to mean those, the term fixin' to, stressing the first syllable of words like hotel or guitar, and many others.[94] Both dialects also continue to share these same pronunciation features: /ɪ/ tensing, /ʌ/ raising, upgliding /ɔ/, the pin–pen merger, and the most defining sound of the current Southern accent (though rarely documented in older Southern accents): the glide weakening of /aɪ/. However, while this glide weakening has triggered among white Southerners a complicated "Southern Vowel Shift", black speakers in the South and elsewhere on the other hand are "not participating or barely participating" in much of this shift.[95] AAVE speakers also do not front the vowel starting positions of /oʊ/ and /u/, thus aligning these characteristics more with the speech of 19th-century white Southerners than 20th-century white Southerners.[65]

One strong possibility for the divergence of black American English and white Southern American English (i.e., the disappearance of older Southern American English) is that the civil rights struggles caused these two racial groups "to stigmatize linguistic variables associated with the other group".[65] This may explain some of the differences outlined above, including why most traditionally non-rhotic white Southern accents have shifted to now becoming intensely rhotic.[38]

• Accent perception
• African-American English
• Appalachian English
• Drawl
• High Tider
• Regional vocabularies of American English
• Southern literature
• Texan English

• Atwood, E. Bagby (1953). A Survey of Verb Forms in the Eastern United States. University of Michigan Press.
• Bernstein, Cynthia (2003). "Grammatical features of southern speech: yall, might could, and fixin to". In Nagel, Stephen J.; Sanders, Sara L. (eds.). English in the Southern United States. Cambridge: Cambridge University Press. pp. 106–118. ISBN 978-0-521-82264-0.
• Clopper, Cynthia G; Pisoni, David B (2006). "The Nationwide Speech Project: A new corpus of American English dialects". Speech Communication. 48 (6): 633–644. doi:10.1016/j.specom.2005.09.010. PMC 3060775. PMID 21423815.
• Crystal, David (2000). The Cambridge Encyclopedia of the English language. Cambridge: Cambridge University Press. ISBN 978-0-521-82348-7.
• Cukor-Avila, Patricia (2001). "Co-existing grammars: The relationship between the evolution of African American and Southern White Vernacular English in the South". In Lanehart, Sonja (ed.). Sociocultural and Historical Contexts of African American English. Varieties of English Around the World. Amsterdam: John Benjamins Publishing Company. pp. 93–128.
• Cukor-Avila, Patricia (2003). "The complex grammatical history of African-American and white vernaculars in the South". In Nagel, Stephen J.; Sanders, Sara L. (eds.). English in the Southern United States. Cambridge: Cambridge University Press. pp. 82–105. ISBN 978-0-521-82264-0.
• Dubois, Sylvie; Horvath, Barbara M. (2004). "Cajun Vernacular English: phonology". In Kortmann, Bernd; Schneider, Edgar Werner (eds.). A Handbook of Varieties of English: A Multimedia Reference Tool. New York: Mouton de Gruyter. pp. 407–416. ISBN 3110197189.
• Hayes, Dean (2013). The Southern Accent and 'Bad English': A Comparative Perceptual Study of the Conceptual Network between Southern Linguistic Features and Identity] (Thesis).
• Hazen, Kirk; Fluharty, Ellen (2003). "Defining Appalachian English". In Bender, Margaret (ed.). Linguistic Diversity in the South. Athens: University of Georgia Press. pp. 50–65. ISBN 978-0-8203-2586-6.
• Johnston, Barbara (2003). "Features and Uses of Southern Style". In Nagel, Stephen J.; Sanders, Sara L. (eds.). English in the Southern United States. Cambridge: Cambridge University Press. pp. 189–207. ISBN 978-0-521-82264-0.
• Labov, William (1998). "The three dialects of English". In Lnn, Michael D. (ed.). Handbook of Dialects and Language Variation. San Diego: Academic Press. pp. 39–81.
• Labov, William; Ash, Sharon; Boberg, Charles (2006), The Atlas of North American English, Berlin: Mouton de Gruyter, ISBN 978-3-11-016746-7
• Montgomery, Michael (1998). "Multiple Modals in LAGS and LAMSAS". In Montgomery, Michael; Nunnaly, Thomas E (eds.). From the Gulf States and Beyond: the legacy of Lee Pederson and LAGS. Tuscaloosa: The University of Alabama Press.
• Schneider, Edgar (2003). "Shakespeare in the coves and hollows? Toward a history of Southern English". In Nagel, Stephen J.; Sanders, Sara L. (eds.). English in the Southern United States. Cambridge: Cambridge University Press. pp. 17–35. ISBN 978-0-521-82264-0.
• Thomas, Erik R. (2004). "Rural White Southern Accents". In Kortmann, Bernd; Schneider, Edgar Werner (eds.). A Handbook of Varieties of English: A Multimedia Reference Tool. New York: Mouton de Gruyter. pp. 300–324. ISBN 3110197189.
• Thomas, Erik R. (2007), "Phonological and phonetic characteristics of African American Vernacular English", Language and Linguistics Compass, 1 (5): 450–475, doi:10.1111/j.1749-818X.2007.00029.x
• Tillery, Jan; Bailey, Guy (2004). "The urban South: phonology". In Kortmann, Bernd; Schneider, Edgar Werner (eds.). A Handbook of Varieties of English: A Multimedia Reference Tool. New York: Mouton de Gruyter. pp. 325–337. ISBN 3110197189.
• Wells, John C (1982). Accents of English 1: An Introduction. Cambridge University Press. ISBN 0-521-28541-0.
• Wolfram, Walt (2003). "Enclave dialect communities in the South". In Nagel, Stephen J.; Sanders, Sara L. (eds.). English in the Southern United States. Cambridge: Cambridge University Press. pp. 141–158. ISBN 978-0-521-82264-0.
• Wolfram, Walt; Schilling-Estes, Natalie (2004), American English (Second ed.), Malden, MA: Blackwell Publishing

• "U.S. dialect map". UTA.fi.
• Beard, Robert. "Southernese". Glossary of Southernisms.
• "Southern Accent Tutorial, with Voices of Native Speakers". A Site About Nothing.
• "Southern Fried Vocab No. 10". Smarty's World. February 12, 2010.
• Guy, Yvette Richardson (Jan 22, 2010). "Great day, the things that grandparents say". The Post and Courier.