Julie Harris

In 1952, Harris won her first Best Actress Tony Award for originating the role of insouciant Sally Bowles in I Am a Camera, the stage version of Christopher Isherwood's Goodbye to Berlin (later adapted as the Broadway musical Cabaret (1966) and as the 1972 film, with Liza Minnelli as Sally). Harris repeated her stage role in the film version of I Am a Camera (1955).

Of particular note is her Tony-winning performance in The Belle of Amherst, a one-woman play (written by William Luce and directed by Charles Nelson Reilly) based on the life and poetry of Emily Dickinson. She received a Grammy Award for Best Spoken Word Recording for the audio recording of the play. She first performed the play in 1976 and subsequently appeared in other solo shows, including Luce's Brontë.[12] Other Broadway credits include The Playboy of the Western World, Macbeth, The Member of the Wedding, A Shot in the Dark, Skyscraper, And Miss Reardon Drinks a Little, Forty Carats, The Glass Menagerie, A Doll's House, The Gin Game, and a North American tour in 1992 of Lettice and Lovage in the lead part originated by Maggie Smith on Broadway.

In 1983, Harris became a company member of The Mirror Theater Ltd's Mirror Repertory Company.[13] She became a mentor to the company, having urged Founding Artistic Director Sabra Jones to create the company from 1976 forward, when Jones married John Strasberg. Harris and Jones met at a performance of The Belle of Amherst, a revival of which The Mirror Theater Ltd recently performed in their summer home in Vermont.[14]

In an Actors Studio play, Marathon '33 (1963)

Harris ties with Angela Lansbury with five Tony Award wins (Audra McDonald has since passed them both, with six wins).[2] However, she holds the record (alongside Chita Rivera) for the most individual Tony Award nominations, with 10 (Audra McDonald has also since received her 10th nomination).[15] In 1966, Harris won the Sarah Siddons Award for her work in Chicago theatre.

President George W. Bush and Laura Bush pose with the Kennedy Center honorees on December 4, 2005, during a reception in the Blue Room at the White House—from left to right: Julie Harris, actor Robert Redford, singer Tina Turner, ballet dancer Suzanne Farrell, and singer Tony Bennett

Harris's screen debut was in 1952, repeating her Broadway success as the lonely teenaged girl Frankie in Carson McCullers's The Member of the Wedding, for which she was nominated for the Academy Award for Best Actress.

Harris and James Dean in East of Eden (1955)

Director Elia Kazan cast her in East of Eden (1955) opposite James Dean in his first major screen role. She played the ethereal Eleanor Lance in The Haunting (1963), director Robert Wise's screen adaptation of a novel by Shirley Jackson. Another cast member recalled Harris refusing to socialize with the other actors while not on set, later explaining that she had done so as a method of emphasizing the alienation from the other characters experienced by her character in the film.

Other notable films Harris appeared in during the 1960s include Requiem for a Heavyweight (1962), Harper (with Paul Newman) (1966), and Reflections in a Golden Eye (1967). Another noteworthy film appearance was the World War II drama The Hiding Place (1975).

Harris was nominated for 11 Primetime Emmy Awards for her television work, winning three. She starred as Nora Helmer opposite Christopher Plummer in A Doll's House (1959), a 90-minute television adaptation of Henrik Ibsen's play. She made more appearances in leading roles on the Hallmark program than any other actress, also appearing in two different adaptations of the play Little Moon of Alban,[16] her performance in the 1958 TV movie of the same name earning her the Primetime Emmy Award for Outstanding Lead Actress in a Limited Series or Movie.

Her second Emmy win came for her role as Queen Victoria in the 1961 Hallmark Hall of Fame production of Laurence Housman's Victoria Regina. She received further Emmy nominations for a range of roles including Anastasia (1967), The Last of Mrs. Lincoln (1976)—where she reprised her Tony-winning role as Mary Todd Lincoln from the 1973 play of the same name—and The Woman He Loved (1988). She won her third Emmy award in 2000 for Outstanding Voice-Over Performance for her voice role of Susan B. Anthony in Not for Ourselves Alone.

In 1980, Harris guest starred in the series Knots Landing as country singer Lilimae Clements, the eccentric and protective mother of Valene Ewing (Joan Van Ark); she returned to the series as a regular character from 1981 to 1987. The role earned Harris a nomination for the Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series, and two Soap Opera Digest Award nominations.

Harris made two recordings of narrations of E. B. White's children's book Stuart Little for the Pathways of Sound record label: the last six chapters for a single LP record in 1965,[17] and the entire book for a two-record set in 1979.[18][19] She also recorded narrations of many children's books for Caedmon Records.

Harris also did extensive voiceover work for documentary maker Ken Burns: the voices of Emily Warren Roebling in Brooklyn Bridge (1981), Ann Lee in The Shakers: Hands to Work, Hearts to God (1984), and most notably Southern diarist Mary Boykin Chesnut for Burns' 1990 series The Civil War.

In the summer of 2008, she appeared on stage again in Chatham, Massachusetts, as "Nanny" in a Monomoy Theater production of The Effect of Gamma Rays on Man-in-the-Moon Marigolds.[20]

Harris continued to work until 2009, well into her eighties, narrating five historical documentaries by Christopher Seufert and Mooncusser Films, as well as being active as a director on the board of the independent Wellfleet Harbor Actors Theater (WHAT).[21] In 2007, when the company built a new, additional theater, also in Wellfleet, Massachusetts, Ms Harris declined to have the building named for her. However, she consented to their naming "a piece of it after me"; WHAT named their stage the "Julie Harris Stage".