Eurovision Song Contest 1956

The European Broadcasting Union (EBU) was formed in 1950 among 23 organisations with the aim of facilitating creative cooperation and the exchange of television programmes.[4][5] The word "Eurovision" was first used as a telecommunications term in the United Kingdom in 1951, in reference to a programme by the British Broadcasting Corporation (BBC) being relayed by Dutch television, and was subsequently used as the title for the union's new transmission network upon its creation in 1954.[6][7] Following the formation of the EBU, a number of notable events were transmitted through its networks in several European countries, including Belgium, France, West Germany, the Netherlands and the United Kingdom. A series of international exchange programmes were subsequently organised for 1954, with this "European Television Season" relayed live across Europe through the Eurovision network.[4][6][8]

Following this series of transmissions, a "Programme Committee" was set up within the EBU to investigate new initiatives for cooperation between broadcasters each year, with Marcel Bezençon of the Swiss Broadcasting Corporation (SRG SSR) serving as the committee's first president. This committee agreed to study the concept for a new televised European song contest during a meeting in January 1955, a concept initially proposed by the Italian broadcaster RAI and inspired by the broadcaster's Sanremo Music Festival, held annually since 1951.[6][9] The new European contest was subsequently approved at the EBU's annual General Assembly in October 1955, leading to the creation of the European Grand Prix.[6][10][11]

Teatro Kursaal, Lugano – host venue of the 1956 contest

The first Eurovision Song Contest took place in Lugano, Switzerland; the country was awarded the contest in October 1955 at the EBU's General Assembly following an offer by the Swiss Broadcasting Corporation (SRG SSR) to stage the event.[4][11] In addition Switzerland made a logical choice from a technical perspective for the hosting of what was an experiment in live, simultaneous, cross-border transmissions, as its geographically central location in Europe facilitated terrestrial broadcasts across the continent, as well as being the host country for the EBU's headquarters.[4][12]

Taking its inspiration from the Italian Sanremo Music Festival and Venice International Song Festival, a similar EBU-organised song contest held in 1955 and broadcast on radio, Lugano in the Italian-speaking canton of Ticino was chosen as the first host city by SRG SSR, with Italian-language member broadcaster Radiotelevisione svizzera (RSI) in charge of the production.[3][10][12] The selected venue for the contest was the Teatro Kursaal, a casino and former theatre situated on Lake Lugano.[3][13] The theatre, used for theatrical and musical performances, ballroom dance and other shows, closed shortly after featuring its last performance in April 1997 before being demolished in 2001 to make room for the extension of the casino.[14][15]

Seven countries participated in this first contest – Belgium, France, Italy, Luxembourg, the Netherlands, Switzerland and West Germany (identified simply as "Germany" in the contest). Austria and Denmark are believed to have also been interested in participating; however, broadcasters from those countries reportedly missed the cut-off point for entry.[3] These two countries, as well as the United Kingdom, would broadcast the contest along with the participating countries, with the United Kingdom's BBC having chosen to not send an entry for this event in favour of organising their own contest, the Festival of British Popular Songs.[4][11][16] The order in which the countries and songs were performed was determined artistically by the Swiss broadcasters, with input and support by the musical directors from each country.[4][17]

Two of the performers, Switzerland's Lys Assia and Luxembourg's Michèle Arnaud, performed both entries for their respective countries.[18] Assia, as well as the Netherlands' Corry Brokken and Belgium's Fud Leclerc, would return to compete in the contest in future editions, with Assia and Brokken both returning in 1957 and 1958 and Leclerc in 1958, 1960 and 1962.[19][20][21]

Participants of the Eurovision Song Contest 1956[22][23][24][25]

Country	Broadcaster	Artist	Song	Language	Songwriter(s)	Conductor
Belgium	INR	Fud Leclerc	"Messieurs les noyés de la Seine"	French	Jean Miret Robert Montal Jack Say	Léo Souris
		Mony Marc	"Le Plus beau jour de ma vie"	French	Claude Alix David Bée
France	RTF	Mathé Altéry	"Le Temps perdu"	French	André Lodge Rachèle Thoreau	Franck Pourcel
		Dany Dauberson	"Il est là"	French	Simone Vallauris
Germany	NWRV[lower-alpha 1]	Freddy Quinn	"So geht das jede Nacht"	German	Peter Mösser Lotar Olias	Fernando Paggi
		Walter Andreas Schwarz	"Im Wartesaal zum großen Glück"[lower-alpha 2]	German	Walter Andreas Schwarz
Italy	RAI	Franca Raimondi	"Aprite le finestre"	Italian	Virgilio Panzito Pino Perotti	Gian Stellari
		Tonina Torrielli	"Amami se vuoi"	Italian	Vittorio Mascheroni Mario Panzeri
Luxembourg	CLT	Michèle Arnaud	"Les Amants de minuit"	French	Christian Guittreau	Jacques Lasry
			"Ne crois pas"	French	Pierre Lambry Simone Laurencin
Netherlands	NTS	Corry Brokken	"Voorgoed voorbij"	Dutch	Jelle de Vries	Fernando Paggi[lower-alpha 3]
		Jetty Paerl	"De vogels van Holland"	Dutch	Cor Lemaire Annie M. G. Schmidt
Switzerland	SRG SSR	Lys Assia	"Das alte Karussell"	German	George Betz-Stahl	Fernando Paggi
			"Refrain"	French	Émile Gardaz Géo Voumard

Marcel Bezençon (pictured in 1980) was instrumental in the creation of the contest as president of the EBU's Programme Committee.

A planning sub-group, headed by Eduard Hass of SRG SSR, was formed following the sign-off on the organisation of the event to build out the rules of the competition. Taking inspiration from the Sanremo Music Festival and the Venice International Song Festival as a basis in planning the new contest, the group made several amendments and additions to these rules to suit its international nature.[4][13][12] Ideas suggested but ultimately rejected during this planning phase included featuring each song a second time with a piano accompaniment instead of orchestral backing, as well as technical initiatives such as a separate producer from each participating country involved in the contest's organisation. Prize money for the winners was also ruled out at this stage.[4][11] The rules of the contest were finalised and distributed to EBU members in early 1956. The rules set out in detail the criteria for the participating songs and performers; production details and requirements; timelines for the submission of materials by the participating broadcasters; the method by which the winning song would be determined; details related to the financing of the event; and the responsibilities which lay with the host broadcaster and the participating broadcasters.[30][17]

Per the rules of the contest, each participating country, represented by one EBU member organisation, submitted into the contest a maximum of two songs not exceeding three to three-and-a-half minutes in duration, which must have been solely original compositions.[4][17] Each participating organisation had sole discretion on how to select their entries for the contest but were strongly encouraged by the EBU to hold their own national contests to determine their representatives.[17] Following the performance of all songs, the winner was determined by juries from each country composed of two individuals, with each individual member rating secretly each song between one and ten points, including those representing their own country, with higher scores given to more appreciated songs.[17] The jury followed the contest in a separate room in the same venue in Lugano through a small television screen, replicating the conditions as close as possible to how viewers at home would watch the contest. The winning song was thus that which gained the highest score from the votes of all jury members.[4][17] The jury members from Luxembourg were unable to attend the contest in Lugano, and subsequently the EBU allowed two Swiss nationals to vote in their place.[3][31] This would remain the only contest in which many of these rules would be utilised, and several changes were made ahead of the 1957 contest. These included restricting each country to only one song, expanding the number of performers allowed to participate for each country, introducing a more visible voting system, and restricting each country from voting for their own entry.[32]

Franco Marazzi served as director of the event on behalf of RSI, with Rolf Liebermann overseeing the production and the jury deliberations on behalf of the EBU as its executive supervisor and jury president.[3][33] Each song was accompanied by a 24-piece orchestra, with members of the Radiosa Orchestra supplemented by strings of the Italian Swiss Radio Symphony Orchestra, presided over by the contest's musical director, Fernando Paggi.[4][17] Each participating country was allowed to supplement the orchestra with their own musical director for the performances of their country, with the host musical director also conducting for those countries which did not nominate their own conductor.[4][17][25] Participating broadcasters were required to submit to the EBU by 10 May 1956 scores for the participating songs for use by the orchestra, audio recordings for each participating song, and copies of the song lyrics for each song in the original language, as well as translations into French or English to aid the jury members and commentators.[4][11][17] The confirmed selection of each country's musical director (if separate to that of the host) was required to be communicated between 21 and 24 May.[17] Rehearsals in the contest venue with the competing artists and the orchestra began on 21 May 1956.[4]

Switzerland's Lys Assia (pictured in 1957) was the first winner of the Eurovision Song Contest, and would represent her country in the contest again in 1957 and 1958.

The contest was held on 24 May 1956, beginning at 21:00 CET (20:00 UTC) with an approximate duration of 1 hour 40 minutes.[3][4] The event was hosted in Italian by Lohengrin Filipello.[3] This remains the only time in which the contest was hosted by a solo male presenter, and one of only two contests not to feature a female presenter, alongside the 2017 contest held 61 years later.[11][34] Additionally this would remain the only contest to feature a male presenter for 22 years, until the 1978 contest featured a male and female presenting duo.[35]

During the interval between the final competing act and the announcement of the winner, performances by Les Joyeux Rossignols, who whistled "Aubade d'oiseaux", and Les Trois Ménestrels, who performed "Guerre de Troie", were featured to entertain the audience.[36][37] Upon the announcement of the results, the winning artist returned to the stage for a reprise performance of the winning song to end the broadcast.[17][23]

The winning song was "Refrain", composed by Géo Voumard, written by Émile Gardaz, performed by Lys Assia and representing the host country Switzerland.[38] During the reprise performance of the winning song, Assia became emotional and suffered a lapse in memory of the song's lyrics, subsequently requesting a restart by the orchestra.[23]

The full results of the contest were not revealed at the time, with only the winning song named at the end of the show by the jury president Rolf Liebermann; additionally the full breakdown of each juror's votes has not been retained by the EBU.[3][27] Attempts to reconstruct the voting through interviews with jury members have also failed to reveal a reliable result.[3] An article in Italian newspaper La Stampa published on 25 May 1956, the day after the contest, reported that Switzerland's winning entry received 102 points in total, while in a post-contest interview with Stelio Molo, the Director General of SRG SSR, published in the Italian magazine Settimana Radio TV in the weeks following the contest, the gap between the first- and second-placed songs was revealed by Molo to be two points, and that the remaining entries also finished close to the winner.[39][40] These claims have however failed to be corroborated by the contest organisers in the years since.[3]

Results of the Eurovision Song Contest 1956[18][23]

R/O	Country	Artist	Song
1	Netherlands	Jetty Paerl	"De vogels van Holland"
2	Switzerland	Lys Assia	"Das alte Karussell"
3	Belgium	Fud Leclerc	"Messieurs les noyés de la Seine"
4	Germany	Walter Andreas Schwarz	"Im Wartesaal zum großen Glück"[lower-alpha 2]
5	France	Mathé Altéry	"Le Temps perdu"
6	Luxembourg	Michèle Arnaud	"Ne crois pas"
7	Italy	Franca Raimondi	"Aprite le finestre"
8	Netherlands	Corry Brokken	"Voorgoed voorbij"
9	Switzerland	Lys Assia	"Refrain"
10	Belgium	Mony Marc	"Le Plus beau jour de ma vie"
11	Germany	Freddy Quinn	"So geht das jede Nacht"
12	France	Dany Dauberson	"Il est là"
13	Luxembourg	Michèle Arnaud	"Les Amants de minuit"
14	Italy	Tonina Torrielli	"Amami se vuoi"

Each participating broadcaster was required to relay the contest via its networks. Non-participating EBU member broadcasters were also able to relay the contest as "passive participants".[17] In addition to the television channels of the seven participating broadcasters and three non-participating passive broadcasters, the contest was also broadcast live on seven radio networks and recorded for later transmission by another 13.[4][13] The United Kingdom's BBC took only partial live transmission of the event, joining 45 minutes into the contest and only showing the second set of entries from each country.[2][4] Broadcasters were able to send commentators to provide coverage of the contest in their own native language and to relay information about the artists and songs to their television viewers. Known details on the broadcasts in each country, including the specific broadcasting stations and commentators, are shown in the tables below.

No video footage of the entire contest is known to exist, with the only known footage being clips of the reprise performance of the winning song via newsreel and other recordings. As such, this is one of only two editions of the contest, along with the 1964 contest, to not have video recordings of the full event retained.[41] Audio of most of the contest has, however, survived, missing only part of the interval act, and attempts to find audiovisual materials related to the contest have yielded some results in recent years, including a large cache of photographs and some video footage taken by Swiss photographer Vincenzo Vicari from inside the venue.[42][43][44]

Broadcasters and commentators in participating countries

Country	Broadcaster	Channel(s)	Commentator(s)	Ref(s)
Belgium	INR	INR		[45]
	NIR	NIR		[45]
France	RTF	RTF		[4][46]
		Paris-Inter
Germany	ARD	Deutsches Fernsehen		[45][47]
		Radio Bremen 2
Italy	RAI	Programma Nazionale, Secondo Programma	Franco Marazzi	[48][49]
Luxembourg	CLT	Télé-Luxembourg		[50]
Netherlands	NTS	NTS	Piet te Nuyl Jr.	[29][45]
Switzerland	SRG SSR	SRG	Fritz Schäuffele	[46][51][52]
		TSR
		DRS
		RSR
		RSI

Broadcasters and commentators in non-participating countries

Country	Broadcaster	Channel(s)	Commentator(s)	Ref(s)
Austria	ORF			[3]
Denmark	Statsradiofonien	Statsradiofonien TV	Jens Frederik Lawaetz	[53]
United Kingdom	BBC	BBC Television Service	Wilfrid Thomas	[2][23]

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