Eurovision Song Contest Previews

In 1974, a two-night preview programme, Auftakt für Brighton (Prelude for Brighton), was coordinated by the German national broadcaster ARD. It was broadcast at the end of March and hosted by the journalist Karin Tietze-Ludwig. It was the first "preview"-type programme to be broadcast in many European countries simultaneously (rather than each national broadcaster showing their own preview programme). The programme was also notable in being the European television debut for the winners, ABBA, who were peculiarly credited in previews as "The Abba". It was first aired on German television Hessischer Rundfunk on 27–28 March and in Finland on 30 March as Eurovision laulukilpailu.[2] The UK did not broadcast the programmes, instead airing their own preview shows introduced by David Vine on BBC1 on 24 and 31 March, unusually dividing the entries into six songs for the first show and twelve for the second, contrary to the stated rules.[3] In the same year, the French entry was broadcast by all the nations showing the previews, even though the song was withdrawn from the Eurovision final itself.

In 1977, the previews were broadcast across Europe ahead of the original scheduled broadcast date of 2 April for the Eurovision final. When the contest was postponed to 7 May, this left a long gap between the preview shows airing and the final.

For the Eurovision Song Contest 1982 Grand Final, several clips from the preview videos were incorporated into the short 'postcards' used to introduce each nation's entry as part of a video montage. It was the first time the previews were represented in the contest. Only clips from the previews that were not of the performer in a national final or performing the song in studio were used, limiting the usage to half of the 18 contenders. Those that were included: Portugal, Turkey, Switzerland, Ireland, United Kingdom, Cyprus, Finland, Yugoslavia and Spain. Since 1982, only in 2000 were any clips from the previews utilized again, as clips from the Turkish preview were used as a partial background video for the live performance of the Turkish entry.

For the Eurovision Song Contest 1990 Grand Final, at the end of the video postcard introducing each song, the animated EuroCat (that year's contest mascot) appeared on screen to click a cartoon camera; the resulting photograph being a still of the artist captured from their respective preview video, but represented in monochrome rather than colour.

From approximately 2000, the videos have been available online via the Eurovision website and most broadcasters upload them to their own, local Eurovision site.

San Marino broadcaster SMtv televised the previews for the first time in 2012, showing the videos in multiple programmes in the run up to the contest on a rotating basis, hosted by John Kennedy O'Connor.[4] SMtv continued with the previews each year since, under various formats, until O'Connor retired in 2019. In 2014 O'Connor presented each entry on location in San Marino and in 2015 each entry was linked by video to the participating country. The 2016, 2017 & 2018 previews were presented in a studio setting.[5] SM Rtv revived the previews in 2022, hosted by commentator Lia Fiorio, under the title "Countdown to Eurovision", returning for a second series in 2023.[6]

Generally, but by no means always, the songs were broadcast in the order they would appear in the contest, with the UK entry saved until the end. For 1979 to 1982, the songs were shown in a random order, despite host Terry Wogan insisting in 1979 that the songs were being shown in competition order during the broadcasts. In 1982, the UK entry was scheduled to be broadcast at the end of the second programme, but was also included in the first programme in the absence of the Greek entry that was withdrawn while the shows were in production. In 1983, the UK preview video consisted of the group Sweet Dreams in speed boats off the coast of Dover, Southern England, with the engine noise of the vessels included in the soundtrack, partially obscuring the song itself.

From 1971 to 1994, the shows were broadcast on Sunday afternoons with just two exceptions. In 1972, the shows were given a prime-time airing as part of the BBC1 Monday evening schedule at 7:30PM and in 1973, the shows were instead broadcast on Saturday afternoons. The revived shows from 2002 to 2004 were shown in the evening schedule firstly on BBC Choice (2002) and subsequently on BBC Three and broadcast from a London studio. In 2004, the previews were featured as part of two Eurovision on Location shows broadcast from the host city that year, Istanbul.

From 1976 to 1985, the BBC provided a specifically filmed 'video' of the artist on location in the UK. In all other years, they have simply provided the performance from the national final, although often the artist's record company will also send their own commercially released video for use by the broadcasters, but these were never shown in the UK broadcasts. From 1984, the BBC included the contributing broadcasters acronym on screen for each entry.

The 1994 preview show, which would be the last for eight years, was renamed Tips For Le Top and included analysis by "swingometer" expert Peter Snow who gave out the odds on victory for each act with only two minutes of each song broadcast. It also featured a special Eurovision-themed edition of quiz show Mastermind with four fan contestants. The competition was won by David Bridgman representing United Kingdom with Wogan acting as quizmaster.[7] The other contestants were Johnny O'Mahony (Ireland), Marc Dierckx (Belgium) and Henry Klok (Netherlands). Prizes were presented by four-time Eurovision hostess, Katie Boyle. This was the only previews show broadcast by the BBC where the songs were shown in the exact same running order as the contest.

The UK broadcast details are as follows, with the countries listed in the order they were shown:

The preview shows returned in 2002 as Liquid Eurovision, a spin-off from Liquid News and were renamed Eurovision on Location in 2004 following the cancellation of Liquid News a month before the contest that year. Only brief snippets of the songs were broadcast, the emphasis of the programmes being on the reactions from the guests.